List of Most-Followed Instagram Handle in India

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Zee Studios and producer Prerna Arora have officially announced their new project titled Indraputra. This mythological action-fantasy film is being developed for a worldwide theatrical release in 2027. According to production schedules, principal photography is set to begin in October 2026. The project is being designed as a large-scale cinematic experience, with the makers focusing on a theatrical rollout to showcase the visual effects and mythological storytelling involved. At the helm of this ambitious venture is filmmaker Srikanth Puppala, who is making his feature directorial debut with a massive canvas. While this is his first time in the director’s chair for a feature film, Puppala brings an extensive industry background to the table. He notably honed his craft working as the first assistant director to Rishab Shetty on the highly anticipated historical epic Kantara: A Legend – Chapter 1. This Kantara connection has already piqued the interest of trade circles, as the director is expected to bring a similar level of visual authenticity and technical precision to this new mythological universe. (adsbygoogle = window.adsbygoogle || []).push({}) Leading the film is Telugu star Kiran Abbavaram, who is currently undergoing a significant physical transformation for this rough-cut mythological avatar. He enters this project following a successful and versatile career run, most recently riding high on the theatrical release of Chennai Love Story. Abbavaram's filmography, including hits like SR Kalyanamandapam and the highly praised 2024 period thriller KA. By shifting from suspense thrillers and mass entertainers to this mythology-rooted world, the actor is set to further expand his pan-Indian reach with this grand cinematic presentation. This film serves as a highly anticipated reunion between Zee Studios and prominent producer Prerna Arora. The two entities previously collaborated on the 2016 National Award-winning hit Rustom starring Akshay Kumar, and Indraputra marks their first joint foray into a sprawling South-centric mythological saga. Zee Studios has been aggressively expanding its regional footprint lately, balancing massive theatrical crowd-pleasers like Jaat and Dhadak 2 with selective direct-to-digital releases like the crime drama Satluj. (adsbygoogle = window.adsbygoogle || []).push({}) The vision for Indraputra extends far beyond a single film, as it is designed to kickstart an interconnected mythological saga—a strategy that positions Zee Studios alongside other major modern fantasy lineups like the Sanatan Universe and Hombale Films' Mahavatar Cinematic Universe. Interestingly, producer Prerna Arora has a multi-project relationship locked with the studio, having already partnered with them for the project Jatadhara.

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Sanjay Leela Bhansali's upcoming magnum opus, Love and War, has been a major talking point in the industry since it was first announced. Featuring the powerhouse trio of Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal, the film is easily one of the most anticipated releases of 2027. As we get closer to the production stages, the commercial interest in the project has come under the spotlight. According to an exclusive report by Variety India, a high-stakes bidding war is currently underway between three major distribution giants: Dharma Productions, Zee Studios, and Pen Marudhar. The negotiations highlight just how valuable this property is in the current market. Sources suggest that the bidders are currently offering between 175 Crore and 180 Crore for the theatrical distribution rights. However, the makers are reportedly holding out for a much higher figure, demanding upwards of 300 Crore. This gap in valuation is common for a project of this scale, especially given Bhansali's track record for delivering visually stunning and commercially successful epics. Securing a distribution partner this early would significantly reduce the recovery pressure on the production as it heads toward its 2027 release. (adsbygoogle = window.adsbygoogle || []).push({}) What makes Love and War a relatively safe bet for distributors is its incredible recovery through non-theatrical avenues. The film has already reportedly recovered over 200 Crore before a single frame has been released to the public. Netflix has secured the post-theatrical streaming rights for a staggering 130 Crore, while music and satellite rights have brought in another 70 to 80 Crore. This financial cushion allows the makers to negotiate from a position of strength. The film is being produced on a grand scale, and the multi-language release in Hindi, Telugu, and Tamil ensures a pan-Indian footprint. The casting remains the film's biggest asset, bringing together three of the finest actors of this generation. For Ranbir Kapoor, this marks a long-awaited reunion with Bhansali nearly two decades after his debut in Saawariya. Alia Bhatt, fresh off the global success of Gangubai Kathiawadi, continues her creative partnership with the director. While this is Vicky Kaushal's first time working under Bhansali's direction, his previous collaborations with Ranbir in Sanju and Alia in Raazi have already shown the great chemistry this trio shares on screen. The film is described as an epic romantic war drama, a genre that Bhansali is uniquely equipped to handle. (adsbygoogle = window.adsbygoogle || []).push({}) The road to the theaters has seen its fair share of scheduling shifts. Initially planned for a Christmas 2025 release, the timeline was first moved to March 2026 and has now been officially locked for January 21, 2027. These delays are largely attributed to the meticulous pre-production and the busy individual schedules of the lead stars. However, fans might not have to wait much longer for the first official glimpse. Reports from industry sources suggest that a major asset from the movie is slated to be released on August 15. This Independence Day reveal is expected to set the tone for the marketing campaign and provide a first look at the world Bhansali is creating.

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Yash Raj Films is making a move that has caught the attention of many in the industry as the studio prepares to enter the horror genre for the first time. According to an exclusive report by Lets Cinema, Aditya Chopra has chosen Abhay Pannu to direct this upcoming project. Pannu is widely recognized for his work on the series Rocket Boys, which was praised for its technical finesse and strong storytelling. This collaboration marks a significant moment for YRF, a production house that has spent decades defining the standards of mainstream Indian cinema through entirely different genres. To understand the weight of this decision, one has to look at the massive legacy YRF has established since its foundation. Starting with Daag in 1973, the studio spent decades defining the romantic aesthetic of Indian cinema with classics like Kabhi Kabhie, Silsila, and Chandni. It was during this era that the studio also experimented with psychological tension in Darr, a film that redefined the romantic antagonist and became a landmark thriller. By the mid-90s and early 2000s, YRF became synonymous with the definitive Indian romance through blockbusters like Dilwale Dulhania Le Jayenge, Dil To Pagal Hai, and Veer-Zaara, which remain cultural touchstones to this day. (adsbygoogle = window.adsbygoogle || []).push({}) As of 2026, YRF has cemented its position as one of the most commercially successful studios in the country. According to a report by Hindustan Times, the production house has earned a total of 4,925 crore from just 76 films. This represents an incredible level of efficiency when compared to other industry giants like T-Series, which has earned 5,697 crore but required 117 films to reach that figure. YRF's high average earnings per film highlight a strategy focused on premium theatrical experiences and massive star vehicles, a trend that was further solidified by the recent success of the romantic hit Saiyaara. A massive part of this financial dominance in the modern era comes from the creation of the YRF Spy Universe. This interconnected franchise, starting with the Tiger series and expanding into War and Pathaan, has fundamentally changed box office expectations in India. Pathaan alone grossed over 1,050 crore worldwide, playing a critical role in reviving the theatrical market post-pandemic. The studio has also shown a willingness to back rooted, content-driven narratives such as the National Award-winning Dum Laga Ke Haisha, the sports drama Sultan, and the social drama Hichki, proving that their brand can adapt to realistic storytelling just as easily as it handles glamour. (adsbygoogle = window.adsbygoogle || []).push({}) The choice of Abhay Pannu for this horror project suggests that YRF is aiming for a grounded and sophisticated take on the genre rather than relying on traditional tropes. Pannu’s work on Rocket Boys demonstrated a penchant for meticulous detail and technical finesse, qualities that align perfectly with the YRF philosophy of delivering polished, large-scale cinema. By bringing in a new-age directorial voice for their first-ever horror feature, the studio is looking to capture a segment of the audience that has shown a growing appetite for atmospheric and narrative-heavy thrillers. Ultimately, this pivot into horror is a bold but calculated step for Aditya Chopra. The studio has already mastered the art of the romantic drama and the blockbuster action film, and entering a new creative space is a way to test their boundaries. With pre-production already underway and a massive theatrical release planned for 2027, the industry will be watching closely to see how the first horror chapter in the YRF legacy begins to take shape. Given their history of redefining genres, there is a strong expectation that this venture will set a new benchmark for horror in mainstream Indian cinema.

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Salman Khan is currently working on his upcoming action entertainer directed by Vamshi Paidipally, which features him alongside Nayanthara for the first time. As the production progresses, a new casting update has surfaced regarding the film ensemble. According to an exclusive report by Bollywood Hungama, Jackie Shroff has joined the cast to play a significant role in this high-budget project. The veteran actor is reportedly starting his portions of the film today in Mumbai, sharing the screen with Salman Khan. While there was initial speculation about his character, sources indicate that Shroff is not playing a negative role. Instead, his character is described as a pivotal and high-impact part of the narrative designed to resonate with a mass audience. While Jackie Shroff is on the positive side of the story, the film is set to feature a strong lineup of antagonists. The report further suggests that the negative roles will be handled by a group of actors including Rahul Dev and Abhimanyu Singh, alongside the previously reported Arvind Swami. This multiple-villain approach suggests an intense conflict at the center of the story. (adsbygoogle = window.adsbygoogle || []).push({}) The team is currently on track to wrap up the Indian leg of the shoot by the end of August. Following the completion of the Mumbai schedule, the production will move to Europe for a brief international schedule before entering the post-production phase. The project is being backed by producers Dil Raju and Shirish, with a technical crew aiming for a global theatrical release. Tentatively referred to as SVC63 or The Messengers, this film is being positioned as a major festive release for the Eid 2027 weekend. With the addition of Jackie Shroff, the film further strengthens its pan-India appeal, bringing together iconic stars from both the Hindi and South Indian film industries.

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Salman Khan has finalized director duo Raj & DK for his next feature film, according to a report by Lets Cinema. The partnership brings together the creators of hit series like The Family Man and Farzi with the actor for a high-profile theatrical release. Produced by Mythri Movie Makers and Reel Life Production, the project is currently in the writing phase with plans to begin filming in late 2026. While Raj and DK have spent the last several years dominating the digital streaming space with blockbusters like The Family Man and Farzi, they actually started their filmmaking careers in cinema. Their filmography includes critically acclaimed theatrical releases such as the 2009 crime-comedy 99 and the gritty satirical drama Shor in the City. They also earned a cult following for creating India's first zombie-comedy, Go Goa Gone, in 2013. This new collaboration with Salman Khan is being widely recognized as their official theatrical comeback, marking their return to the big screen after a seven-year hiatus since their 2017 directorial venture, A Gentleman. (adsbygoogle = window.adsbygoogle || []).push({}) The film is currently in the development stage, with the writing team working on a script tailored for Salman Khan’s mass appeal while retaining the unique storytelling style associated with Raj & DK. Although specific plot details remain under wraps, the production is aiming for a start towards the end of 2026. This timeline allows Salman to wrap up his existing commitments before moving into this new collaboration, which marks a significant shift in his choice of filmmakers. Prior to that schedule, the actor is working on a major pan-India action film currently titled SVC63. Directed by Vamshi Paidipally and produced by Dil Raju, the project is rumored in trade circles to be titled The Messengers and is being prepared for an Eid 2027 release. It marks the first lead pairing of Salman Khan and Nayanthara in a full-length feature. The cast also includes Anil Kapoor, Arvind Swami, and Rajpal Yadav. The music is being split between two composers, with Thaman S providing the songs and Anirudh Ravichander creating the background score. (adsbygoogle = window.adsbygoogle || []).push({}) Another significant project on the actor's slate is the war drama Maatrubhumi: May War Rest in Peace. The film was originally titled Battle of Galwan and was inspired by the 2020 border clash. However, following geopolitical sensitivities and recommendations to remove direct references to the specific conflict, the makers shifted the story toward a broader emotional theme regarding the human cost of war. These creative overhauls and subsequent reshoots resulted in the film missing its initial April 17, 2026, release date. The production is now expected to arrive in theaters later in 2026, though an exact official date has not been confirmed.

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Mumbai, August 7 - Google Trends is currently reflecting an exciting period for cinema as Spider-Man: Brand New Day, Ramayana Part 1, and Dhurandhar emerge among the most searched movie-related topics worldwide. While Spider-Man continues to dominate global box office discussions with its record-breaking theatrical run, Indian audiences are equally driving massive search interest around Ramayana's historic scale and Dhurandhar's phenomenal success across theatrical and digital platforms. (adsbygoogle = window.adsbygoogle || []).push({}) Leading the charts is Spider-Man: Brand New Day, which has become the biggest box office story of 2026. The Marvel blockbuster has shattered multiple opening-week records and continues to attract huge search volumes for its daily collections, worldwide earnings, and India box office performance. The film has already established itself as the highest-grossing movie of the year globally and remains one of the biggest Hollywood successes ever in India, keeping moviegoers glued to every new milestone. Also Read - Spider-Man: Brand New Day Becomes The Highest-Grossing Movie of 2026 In Just 7 Days At the same time, Ramayana Part 1 has become one of India's hottest trending entertainment topics despite still being a couple of months away from release. The film's visually spectacular trailer, star-studded cast led by Ranbir Kapoor and Yash, and reports of the widest worldwide release ever for an Indian film have fueled enormous curiosity. Fans are searching for everything from its trailer records and release plans to early box office expectations, making it one of the most anticipated Indian films in recent years. (adsbygoogle = window.adsbygoogle || []).push({}) Also Read - Ramayana Part 1 Trailer Scripts History; Clocks 1+ Billion Views Across All Languages Another film generating significant momentum on Google is Dhurandhar, which continues to remain in the spotlight even after its blockbuster theatrical run. The Ranveer Singh starrer recently returned to headlines following reports of its exceptional streaming performance, while its record-breaking box office journey continues to be discussed among trade analysts and movie enthusiasts. Searches related to its worldwide collections, OTT success, and long-term box office achievements have helped keep the film among the most talked-about Indian releases of 2026. Also Read - Dhurandhar Becomes the Most Watched Non-English Film on Netflix Globally This Year With 3.5 Billion Hours Whether it is Spider-Man creating history globally, Ramayana building unprecedented pre-release hype, or Dhurandhar extending its winning streak beyond cinemas, these three films are currently driving a large share of movie-related searches on Google. With several major releases still on the horizon, the battle for online attention and box office supremacy is only expected to intensify in the coming weeks.

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Maharashtra Chief Minister Devendra Fadnavis recently inaugurated Phase 1 of Prime Focus Studio at Dadasaheb Phalke Chitranagari in Mumbai, marking a major step in the state's journey toward becoming a global hub for creative technology. This launch is the result of an agreement signed a year ago at the WAVES Summit 2025, aimed at building a world-class media and entertainment ecosystem. During the visit, Fadnavis explored the facility's advancements in AI, VFX, and virtual production, which are designed to empower young talent and attract global investment into the Indian film industry. The visit became a major talking point when the minister was given a glimpse of the highly anticipated film Ramayana. After witnessing the cutting-edge technology being used for the project, Fadnavis shared a significant statement regarding its potential. He mentioned that he would be disappointed if a film of this scale, featuring Ranbir Kapoor, did not go on to win an Oscar. This remark reflects the high expectations surrounding the production's technical quality and its ability to represent Indian cultural heritage on a global stage. (adsbygoogle = window.adsbygoogle || []).push({}) Fadnavis emphasized that India's rich storytelling traditions, when paired with world-class tools, provide the perfect foundation for the nation to emerge as a powerhouse in the creative economy. The presence of Namit Malhotra, Global CEO of DNEG and Founder of Prime Focus, underscored the international standards being applied to the film. By leveraging these immersive technologies in Mumbai, the team is aiming to deliver a cinematic experience that meets the highest global benchmarks. Ramayana is the most ambitious project of Nitesh Tiwari. The film is being made in two parts. The first part – Ramayana: The Introduction – Part One will release on November 6, 2026, in Hindi, Tamil, Telugu, Malayalam, Kannada and English worldwide. The shooting of Ramayana 2 is yet to be completed by the makers. Ramayana has Ranbir Kapoor as Lord Rama, Yash as Ravana, Sai Pallavi as Sita, Sunny Deol as Hanuman and Ravi Dubey as Lakshman. The Nitesh Tiwari-directed film also has a powerful star cast like Arun Govil, Indira Krishnan, Lara Dutta, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Shobana, Saurabh Sachdeva, Adinath Kothare and others in key roles.

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Here is the Hindi movie Ohh My Dog box office collection which is a Adventure Drama film. This film is directed by Amit Rai and produced by . ## Ohh My Dog stars , Pankaj Tripathi, Shreedhar Dubey, Rajesh Kumar, Geeta Agrawal Sharma, Jitendra Joshi in key roles. ## Ohh My Dog Review ## Ohh My Dog Review: What Public Has To Say About This Movie ## Ohh My Dog Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Ohh My Dog Budget: ₹ 1 Cr * Approx ## Ohh My Dog Verdict: Coming Soon ## Ohh My Dog Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 7th August 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

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The horror-comedy genre has become a powerhouse at the box office, with the Bhool Bhulaiyaa franchise leading the way in India. Following the massive success of the second and third installments, fans have been looking for any confirmation regarding Bhool Bhulaiyaa 4. While the return of Kartik Aaryan as the fan-favorite Rooh Baba seems like a foregone conclusion, director Anees Bazmee has shared some realistic insights into why the project has not officially taken off yet. In a recent conversation with Variety India, Bazmee explained that while there is significant interest in a fourth film, the biggest hurdle is the script. The director admitted that after three successful movies, the creative team has essentially covered every major angle possible within this universe. He noted that they even took the bold step of turning the hero into a Manjulika-like figure in the previous film, which leaves very little room for a fresh surprise. For Bazmee, the priority is to find a story that justifies a return rather than just making another film for the sake of the franchise. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the track record of the franchise, Bhool Bhulaiyaa 2 and Bhool Bhulaiyaa 3 were both major hits, establishing Kartik Aaryan as a reliable star for this specific genre. Bazmee described Aaryan as a hard-working director's actor who excels in comedy, and their rapport is a key reason why another collaboration is inevitable. The director has a history of building long-term working relationships with stars, having done multiple projects with Ajay Devgn, Salman Khan, and Akshay Kumar in the past. It is clear that the team is ready to move forward the moment a compelling narrative is locked in. While the search for a new Bhool Bhulaiyaa story continues, Bazmee is already busy finishing his next big project. This upcoming film is also a comedy and features a reunion with Akshay Kumar, with whom the director has worked on hits like Welcome and Singh Is Kinng. The cast also includes Vidya Balan and Raashii Khanna, making it one of the more anticipated comedies of the coming year. This shows that while the horror-comedy franchise might be on a temporary pause, the director remains focused on delivering high-energy entertainment for the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) Ultimately, the fate of Bhool Bhulaiyaa 4 rests on finding a great story that can live up to the legacy of its predecessors. Given that the previous films set such high benchmarks in terms of both humor and box office numbers, the caution from the makers is logical. Once a unique hook is found that can offer something new to the audience, the director has confirmed he would love to be back at the helm to continue the Rooh Baba saga.

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Mumbai, August 6 - Ramayana: Part 1 is gearing up for a historic theatrical launch across the globe. Starring Ranbir Kapoor, Yash, and Sai Pallavi, the Nitesh Tiwari directorial is set to become the widest worldwide release ever for an Indian film. With unprecedented scale and global appeal, the historical epic is expected to redefine the international reach of Indian cinema when it arrives in theatres on November 6, 2026. (adsbygoogle = window.adsbygoogle || []).push({}) The makers have hit the jackpot by bringing Sony Pictures on board for the film's international distribution. According to the latest trade updates, the Hollywood studio is planning a colossal overseas rollout on more than 50,000 screens outside India, making it comfortably the biggest international release ever for an Indian film. Backed by Sony's global distribution network, Ramayana: Part 1 will open across an unprecedented number of territories, giving the film one of the largest global launches ever mounted for a non-Hollywood title. The record-breaking overseas release will be complemented by a massive domestic rollout across India, ensuring that Ramayana: Part 1 secures the biggest worldwide theatrical release in the history of Indian cinema. (adsbygoogle = window.adsbygoogle || []).push({}) The makers have consistently maintained that the film is designed for a global audience, with cutting-edge visual effects, premium format releases, multilingual versions, and AI-powered visual dubbing technology expected to make the epic accessible to audiences across the world. The film features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, and Sunny Deol as Hanuman. Ramayana boasts music by Hans Zimmer and A. R. Rahman, while Oscar-winning VFX studio DNEG is handling the visual effects. The recently released trailer has already crossed 1 billion cumulative views across all languages, highlighting the enormous anticipation surrounding the project. With Sony Pictures spearheading its overseas release and a record-breaking worldwide rollout on the cards, Ramayana: Part 1 is shaping up to be one of the biggest cinematic events in the history of Indian cinema. (adsbygoogle = window.adsbygoogle || []).push({})

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Dhamaal 4 is steadily approaching the end of its first month at the box office, continuing to show resilience even as newer releases dominate the screen space. On its twenty-seventh day, which fell on a Wednesday, the film recorded a net collection of 0.55 crore rupees. This reflects a drop of approximately 31.3 percent compared to Tuesday's net of 0.80 crore rupees. While the numbers have naturally tapered off after four weeks, the film managed to sustain these collections across 2,317 shows nationwide. Taking a look at the cumulative performance, the total India net collection now stands at 163 crore rupees, with the domestic gross reaching 194 crore rupees. The international market has also chipped in, with Wednesday adding 5 lakh rupees to the tally. This brings the total overseas gross to 31 crore rupees. When we combine these figures, Dhamaal 4 has achieved a global gross collection of 224 crore rupees. This consistent performance over 188,383 shows globally indicates that the comedy franchise still holds significant appeal for its target audience. (adsbygoogle = window.adsbygoogle || []).push({}) Lets take a look on how much the national chains contributed, Collectively, PVR, INOX, and Cinepolis sold 2,000 tickets, resulting in a total gross of 4.5 lakh rupees and an average occupancy of 3 percent. Breaking this down with rounded figures, PVR contributed 2.2 lakh rupees from 800 tickets across 180 shows. INOX followed with 1.6 lakh rupees from 900 tickets across 180 shows, while Cinepolis added 0.7 lakh rupees from 300 tickets across 100 shows. These numbers match the total national chain gross of 4.5 lakh rupees for the day, showing that footfalls are now concentrated in specific pockets. In terms of audience engagement for the Hindi 2D version, the overall occupancy for the day was 15 percent. Looking at the day's progression, the film started slow with 9 percent occupancy in the morning and nearly 10 percent in the afternoon. However, there was a noticeable uptick as the day progressed, with evening shows hitting 15 percent and night shows peaking at 18 percent. This trend suggests that the film is currently being driven by late-night family outings and casual viewers. (adsbygoogle = window.adsbygoogle || []).push({}) Regionally, the National Capital Region remained the most active hub for the film, hosting 220 shows with an overall occupancy of 12 percent. In this region, the afternoon slots were the busiest at 16 percent. Ahmedabad followed with 210 shows at 7 percent occupancy, while Mumbai saw 115 shows with a 9 percent occupancy rate. In Mumbai, the afternoon screenings were the highlight, reaching 11 percent. Surat recorded a lower engagement with 130 shows at 3 percent occupancy, reflecting the general fatigue that sets in for a film in its fourth week. On the fourth Tuesday, BookMyShow recorded 17k tickets, which settled at 8k tickets on Wednesday. So far, the platform has facilitated the sale of over 28 lakh tickets for the film. As Dhamaal 4 enters its final stretch before the fifth week begins, it has successfully secured its position as a profitable venture, having maintained a steady hold on the box office throughout its month-long theatrical run.

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Mumbai, August 6 - The trailer of director Nitesh Tiwari's Ramayana: Part 1 has scripted history by crossing 1 billion cumulative views across all platforms and languages, becoming the first Indian film trailer to achieve the remarkable milestone. The record underlines the unprecedented anticipation surrounding the historical epic, which is already being hailed as one of the biggest cinematic events in Indian film history. (adsbygoogle = window.adsbygoogle || []).push({}) The achievement comes within days of the trailer's launch, making it one of the fastest and most-watched promotional campaigns ever mounted for an Indian film. The biggest contributor to this historic feat has been the Hindi trailer, which alone has amassed an astonishing 588 million views on the World of Ramayana Instagram account, on which overall viewership across languages is around 750 million. In addition, the trailer has generated hundreds of millions of views across YouTube, Facebook, X (formerly Twitter), Instagram, and other digital platforms in multiple Indian and international languages. Combined, the cumulative viewership has now comfortably crossed the one-billion mark, setting a new benchmark that no Indian film trailer has achieved before. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, Ramayana: Part 1 features an ensemble cast led by Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. The trailer has received widespread acclaim for its spectacular visuals, cutting-edge VFX, grand scale, and the powerful musical collaboration between Hans Zimmer and A. R. Rahman. The makers have also expanded the film's global reach by releasing the trailer in multiple languages, including an English version powered by AI-assisted lip-sync technology. Produced by Namit Malhotra in association with Yash's Monster Mind Creations, Ramayana: Part 1 is scheduled to release worldwide on November 6, 2026, during the Diwali festive season. With its trailer now setting an unprecedented digital record of over one billion views, the film has further strengthened its position as one of the most anticipated Indian releases of all time. (adsbygoogle = window.adsbygoogle || []).push({})