Akshay Kumar-Fronted Jaswant Singh's Biopic To Be Titled 'The Great Indian Rescue'

BY SACNILK

The cult phenomenon Tumbbad is finally moving forward with its much-anticipated sequel, Tumbbad 2. Fans have waited years for official confirmation, and the makers have now locked the theatrical release for December 3, 2027. After a long pre-production phase that took over seven years to perfect the script, the cameras officially started rolling on April 7, 2026. The sequel aims to expand the dark, greed-driven mythology that made the 2018 original a landmark in Indian folk-horror, promising to dive deeper into the ancient curses that haunt the village of Tumbbad. In a significant casting move that has surprised the industry, Alia Bhatt has officially joined the crew. She has reportedly committed to a 20-day filming schedule for a character that is being described as the catalyst for a massive twist at the conclusion of the film. Most interestingly, her role is intended to act as a bridge that leads directly into Tumbbad 3, ensuring her presence in the franchise's future. For Alia, this choice comes at a strategic time in her career. Her recent ventures, the action-thriller Jigra and the YRF Spy Universe project Alpha, both underperformed at the box office. Jigra struggled to recover its investment, while Alpha faced a lukewarm reception compared to other films in that franchise. By stepping into a high-concept, critically acclaimed world like Tumbbad, Alia is balancing her experimental side with major commercial projects like Sanjay Leela Bhansali's Love & War, which is scheduled for release shortly after on January 21, 2027. (adsbygoogle = window.adsbygoogle || []).push({}) Joining the cast alongside Alia is veteran actor Nawazuddin Siddiqui, who has been signed to play a morally complex and central character. His inclusion adds a new layer of intensity to the film, especially when paired with Sohum Shah, who reprises his role as the anchor of the franchise. Sohum Shah has been the driving force behind the Tumbbad legacy, and his return ensures that the sequel remains deeply rooted in the original lore. The dynamic between Nawazuddin and Sohum is expected to be a major highlight, as both actors are known for their ability to portray gritty, grounded characters in atmospheric settings. The scale of Tumbbad 2 is a significant departure from the first installment. While the original was an underdog story, its recent theatrical re-release in 2024 earned an impressive 40 crore, proving there is a massive audience for this genre. This success has allowed the producers to skyrocket the budget for the sequel, which is now estimated to be between 100 crore and 150 crore. On the creative front, Adesh Prasad has taken over the director’s chair following the departure of Rahi Anil Barve. Prasad, who was the co-director and writer of the first film, is focusing on organic realism. To recreate the signature gloom of the franchise, the crew is purposefully filming during the natural Maharashtra monsoons to ensure authentic rain sequences rather than relying on artificial setups. (adsbygoogle = window.adsbygoogle || []).push({}) With the tagline #PralayAayega, the makers are signaling a much larger threat than what was seen in the first film. The combination of a significantly higher budget, a star-studded cast, and a commitment to the franchise's unique aesthetic suggests that Tumbbad 2 is being positioned as a mainstream blockbuster rather than just a cult favorite.

BY SACNILK

Dhamaal 4 marks the return of one of the most recognizable comedy brands in Indian cinema, bringing back the high-energy madness that the franchise is known for. Under the direction of Indra Kumar, the film relies on the established chemistry of its lead trio—Ajay Devgn, Riteish Deshmukh, and Arshad Warsi—who have been the pillars of the series since its inception. This time around, the narrative is bolstered by the addition of talented actors like Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta, ensuring a mix of seasoned comedic timing and fresh screen presence. As a family-oriented entertainer, the movie aims to capture the same light-hearted spirit that made its predecessors box office favorites. (adsbygoogle = window.adsbygoogle || []).push({}) Dhamaal 4 continues its journey through the first week with a focus on stability. After crossing the 100 crore worldwide gross milestone on Monday, the film is now looking to maintain a consistent trajectory during the weekdays. As of Tuesday morning, the movie has already amassed a total India net collection of 73.83 crore, reflecting the steady interest from family audiences. With 1,322 shows currently tracked for the early hours of the day, the domestic gross has reached 88.42 crore so far, proving that the franchise still holds significant pull across major circuits. LIVE BLOG: DAY 5 UPDATES 12:00 PM (IST) 14 JUL 2026 Live Update: Discounted Tuesday Surge; Dhamaal 4 Crosses ₹74 Crore Net as Footfalls Outpace Monday Dhamaal 4 is experiencing a notable boost in audience turnout this Tuesday, thanks to the slashed ticket prices across major circuits. As of 12:00 PM, the film has collected a live net of 0.37 crore today across 2,804 tracked shows. This brings the cumulative India net collection to 74.12 crore, while the total gross has climbed to 88.76 crore. The impact of "Discounted Tuesday" is clearly visible in the ticket booking velocity on BookMyShow. Between 10 AM and 11 AM, the film sold 5,720 tickets, a healthy jump compared to the 5,050 tickets sold during the same hour yesterday. Looking at the broader morning trend from 8 AM to 11 AM, the film has moved 11,420 tickets today, effectively outperforming yesterday’s tally of 10,520 in the same period. Currently, the morning shows are maintaining an average occupancy of 9.0 percent. If the matinee and evening shows continue to see this growth in walk-ins, the movie is positioned to deliver a strong Tuesday performance that could closely rival its Monday collection. 10:35 AM (IST) 14 JUL 2026 Live Update: Dhamaal 4 Ranks 3rd in Post-Pandemic Comedy Single-Day Collections; Discounted Tuesday Advantage Kicks In As Dhamaal 4 moves through its first Tuesday, its performance over the opening weekend has cemented its place among the elite comedy entertainers of the post-pandemic era. Analyzing the highest single-day collections for films in this genre, Dhamaal 4 Sunday collection of 28.50 crore has officially secured the third spot on the list. It currently trails only the massive Day 3 and Day 2 figures of Housefull 5, which recorded 32.50 crore and 31.00 crore respectively. This achievement puts the Ajay Devgn starrer ahead of other major releases like Welcome To The Jungle (Welcome 3), which saw its highest single day at 24.75 crore on its first Sunday. It also managed to surpass the opening day collection of Housefull 5, which had started its run with 24.00 crore. 10:00 AM (IST) 14 JUL 2026 Live Update: Tuesday Morning Stability; Dhamaal 4 Matches Monday Momentum on BMS Dhamaal 4 is showing signs of a very steady Tuesday, holding its ground well compared to the previous day trend. As of 9:15 AM, the film is running across 1,322 tracked shows and has already collected a live net of 0.08 crore today. This brings the cumulative India net to 73.83 crore, with the gross reaching 88.42 crore within the first few hours of its fifth day. The momentum on BookMyShow is mirroring Monday performance closely. Between 8 AM and 9 AM today, the film sold 1,880 tickets, which is a marginal improvement over the 1,840 tickets sold during the same window yesterday. This indicates that the film has found its baseline for the weekdays. In the National Chains, the daily advance for Tuesday stands at a steady 10.4K tickets, generating a gross of approximately 26.2 lakhs. Leading the charge is INOX with 5.2K tickets (11.8 lakhs), followed by PVR with 3.9K tickets (11.3 lakhs) and Cinepolis contributing 1.3K tickets (3.1 lakhs). These numbers suggest a controlled stabilization as the movie faces its first full weekday cycle. @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; }

BY SACNILK

The Dhamaal franchise has always been a reliable performer at the box office, and the fourth installment continues this trend with a star-studded ensemble led by Ajay Devgn. While analyzing the current run, it is interesting to look back at Total Dhamaal, which remains the highest-grossing entry in the series. On its first Monday, Dhamaal 4 collected a net of 8.75 crore, which is slightly lower than the 9.85 crore managed by its predecessor on its own fourth day. However, the overall picture looks more promising for the new release when we look at the cumulative totals. In terms of the total four-day India net collection, Dhamaal 4 currently stands at 73.75 crore, successfully surpassing the 72.25 crore that Total Dhamaal had collected by the same stage. This edge is primarily due to a significant surge in ticket sales over the opening weekend. While the film did not break the Monday record of the previous film, the current numbers represent a healthy stabilization for the project after such a high-energy start. This steady performance ensures the franchise remains a strong contender in the comedy genre, maintaining its momentum as it moves into the weekdays. (adsbygoogle = window.adsbygoogle || []).push({}) Also Dhamaal 4 has reached its first major global milestone by crossing the 100 crore mark in worldwide gross collections. After a solid opening weekend, the film entered its first crucial weekday testing ground on Monday. As is typical for big-ticket releases, the movie saw a significant dip in numbers following the Sunday rush, but the overall tally remains healthy for the franchise. On its fourth day, the film collected a net amount of 8.75 crore in India. This figure represents a 69.3 percent drop compared to the Sunday collection of 28.50 crore. While the drop might look steep on paper, it is a common trend for sequels in the comedy genre. This brings the total India net collection to 73.75 crore after four days. In terms of gross revenue, the domestic market has contributed 88.33 crore across 10,598 shows on Monday, taking the cumulative India gross to that same figure. (adsbygoogle = window.adsbygoogle || []).push({}) The international market is also contributing steady support to the total tally. According to early estimates, the film added 1.50 crore from overseas territories on Monday, bringing the total overseas gross to an estimated 14.50 crore. When we combine these international figures with the domestic numbers, the worldwide gross collection stands at an estimated 102.83 crore. Reaching this 100 crore milestone within just four days is a positive sign for the star cast led by Ajay Devgn. According to data from Venky Box Office, the film has specifically made its mark in North America, where the Sunday gross was 175K dollars, which is roughly 1.47 crore. This brings the total collection in that region to 508K dollars, or approximately 4.27 crore. On the digital front, BookMyShow recorded around 124K ticket sales for Monday alone, bringing the total tickets sold on the platform to approximately 13.77 lakhs so far. Despite these solid numbers, the film narrowly missed a spot in the top 10 list for first Monday ticket sales in the 2025-26 period. It currently occupies the 12th spot, finishing just behind other recent releases like Bhooth Bangla and Sitaare Zameen Par. While the volume of sales remains healthy, the competitive landscape of this year has pushed the benchmark for Monday performance significantly higher than previous seasons. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the daily advance booking numbers for national chains on Monday, the film sold approximately 17.3K tickets, resulting in a gross of 44.8 lakhs. Breaking this down by specific chains, PVR recorded around 7.4K tickets sold with a gross of 21.3 lakhs and an occupancy of 2.2 percent. INOX followed with a solid 8K tickets sold, earning 18.8 lakhs at an occupancy of 2.6 percent. Meanwhile, Cinepolis contributed roughly 1.9K tickets and a gross of 4.7 lakhs with an occupancy rate of 1.2 percent. In terms of theater occupancy across the country, the film maintained an overall average of 17.79 percent on Monday. The day started slow with a morning occupancy of 7.62 percent but saw a steady climb as the day progressed. The afternoon shows recorded 16.62 percent, evening shows rose to 19.54 percent, and the night shows peaked at 25.15 percent. Among the major regions, Mumbai led the way with 19.3 percent occupancy across 807 shows, while the National Capital Region followed with 18.5 percent over 1,084 shows. Other cities like Pune and Ahmedabad stayed in the 16 percent range, while Surat saw a lower turnout at 11.3 percent. (adsbygoogle = window.adsbygoogle || []).push({}) Comparing this performance to Ajay Devgn's previous post-covid releases, Dhamaal 4 holds a respectable position. It currently ranks as his third-highest first Monday collection in this period, trailing only Singham Again and Drishyam 2. Below is a detailed look at how his top five movies have performed on their first Mondays. Top 5 Post-Covid First Monday Collections - Ajay DevgnMOVIE NAMEINDIA NET COLLECTION (1st Monday)Singham Again₹ 18.00 CrDrishyam 2₹ 11.87 CrDhamaal 4₹ 8.75 CrRaid 2₹ 7.50 CrShaitaan₹ 7.25 Cr The film has shown consistency across its 43,702 cumulative shows so far. While the Monday drop was anticipated, the 100 crore worldwide achievement provides a strong foundation for the coming week. The focus now shifts to how well the movie can sustain its momentum during the remaining weekdays to ensure a solid first-week finish.

BY SACNILK

Mumbai, July 13 - The Indian box office enjoyed another strong weekend as films from Hindi, Telugu, Tamil, and Hollywood attracted audiences across the country. Ajay Devgn's Dhamaal 4 emerged as the undisputed winner of the July 10–12 weekend, posting a solid opening and comfortably finishing ahead of the competition. (adsbygoogle = window.adsbygoogle || []).push({}) The Indra Kumar-directed Dhamaal 4 topped the weekend chart with an estimated 78 crore gross at the Indian box office, driven by excellent occupancy and significant growth over Saturday and Sunday. The comedy entertainer has reaffirmed the box office strength of franchise films and family entertainers. Akhil Akkineni's Telugu action drama Lenin brings the actor back in the success form after back-to-back box office duds, and secured the second spot in the weekend chart, delivering a solid opening in the Telugu market and establishing itself as one of the biggest regional launches of the month. (adsbygoogle = window.adsbygoogle || []).push({}) Hollywood's Evil Dead Burn claimed the third position, extending its impressive theatrical run after recording the biggest opening for a horror film in India this year. Tamil release Idhayam Murali followed in fourth place, registering a respectable opening despite facing competition from multiple high-profile releases across languages. Meanwhile, Tamil movie Gatta Kusthi 2 scored a super second weekend, grossing around 9.50 crores despite new releases. It remained the number 1 Tamil movie of the weekend. The combined total of the top 5 movies of the July 10-12 weekend was around 142 crores gross at the Indian box office, which is about 42% more than the last weekend. In fact, this was the biggest weekend since June 5-7 (160 crores) (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Box Office Weekend Grossers (July 10-12) S. No. Movie Weekend India GBOC Total India GBOC 1 Dhamaal 4 ₹ 78.00 Cr ₹ 78.00 Cr 2 Lenin ₹ 29.25 Cr ₹ 29.25 Cr 3 Evil Dead Burn ₹ 15.00 Cr ₹ 15.00 Cr 4 Idhayam Murali ₹ 9.85 Cr ₹ 9.85 Cr 5 Gatta Kusthi 2 ₹ 9.50 Cr ₹ 34.85 Cr Note: Gross collection*

BY SACNILK

There is a lot of conversation happening in the trade circles regarding Salman Khan's ambitious project, Maatrubhumi. Originally announced as Battle of Galwan, the film has been one of the most talked-about movies in the superstar's upcoming lineup. However, according to a recent report by Bollywood Hungama, there is a strong possibility that the film's release might be pushed to 2027. While the makers were initially aiming for a release this year, certain technical and diplomatic hurdles seem to be slowing down the progress. The core reason behind this potential delay involves the subject matter of the film. Maatrubhumi is based on the 2020 border conflict between India and China. Given that diplomatic relations between the two countries have seen recent improvements, the Ministry of Defence (MoD) reportedly has some reservations regarding the specific mention of China and certain aspects of the content. In India, any film depicting the armed forces requires a No Objection Certificate (NOC) from the MoD, and it appears the team is currently working through these discussions to ensure the film is presented appropriately. (adsbygoogle = window.adsbygoogle || []).push({}) A trade source mentioned that even if these issues are resolved quickly, finding a suitable release window in the current year is becoming a challenge. Most major holiday slots are already occupied by other big-budget films. Interestingly, the source highlighted Salman Khan's unique ethics when it comes to box office clashes. Unlike many others in the industry, Salman is known to be very fair and avoids clashing with other films unnecessarily. If he ever decides to take up a date already claimed by another producer, he makes it a point to inform them personally beforehand. This professional courtesy is one reason why the makers are being extra cautious with the scheduling. Industry insiders believe that if a 2026 release is still pursued, the Dussehra period around October 20 could be a viable option. It offers an extended five-day weekend, and with other major films like Ramayana potentially moving to late October, there could be a clear window. Currently, Rajkummar Rao's Raftaar and the Emraan Hashmi-Genelia Deshmukh starrer Gunmaaster G9 are eyeing the mid-October slot, but no official confirmation has locked them in yet. (adsbygoogle = window.adsbygoogle || []).push({}) If the clearance issues persist, Maatrubhumi will officially move to 2027. This shift would actually result in a massive year for Salman Khan fans, as the superstar is already working on an untitled actioner directed by Vamshi Paidipally. That film, which features Nayanthara as the female lead, is also targeted for a 2027 release. Having two Salman Khan films in a single calendar year is a rare event and would certainly create a massive buzz at the box office. For now, Maatrubhumi remains a highly anticipated project because it brings Salman Khan into a gritty, real-life inspired military drama. Directed by Karan Butani and produced under the Salman Khan Films (SKF) banner, the movie is expected to showcase the actor in a very different light compared to his usual commercial entertainers. While the wait might get a little longer, the scale and the sensitivity of the subject suggest that the makers are taking the right steps to ensure the film reaches the audience in its best possible form.

BY SACNILK

Ranveer Singh is currently riding high on the massive success of his recent hits, and it looks like his next venture is going to be even more ambitious. According to an exclusive report by Variety India, the actor is all set to begin filming for his next project, titled Pralay, starting as early as next month. This film is generating a lot of curiosity as it marks Ranveer's first foray into the zombie thriller genre. However, the production schedule has been carefully planned because the actor is also preparing for a significant milestone in his personal life. The report suggests that Ranveer will shoot for Pralay until Diwali, after which he plans to take a well-deserved paternity break. Ranveer and Deepika Padukone, who are already parents to their daughter Dua, announced their second pregnancy earlier this year. With Deepika currently in her third trimester, Ranveer is ensuring he is present for his family during this special time. Consequently, the first schedule of the film will conclude by Diwali, and the production will resume for the second schedule only in 2027. (adsbygoogle = window.adsbygoogle || []).push({}) Pralay is being mounted on a grand scale with an estimated budget of ₹300 Crore, making it one of the most expensive standalone films in Bollywood. The project is being directed by Jai Mehta, known for his work on the acclaimed series Scam 1992. The film is a collaboration between Hansal Mehta's True Story Films LLP and Ranveer's own production house, Ma Kasam Films. Interestingly, Hansal Mehta recently cleared the air regarding the script, clarifying that Pralay is a completely original story written by Jai Mehta and Vishal Kapoor, debunking rumors that it was an adaptation of the novel Blindness. The plot of the film is set in a decaying, post-apocalyptic, and dystopian version of Mumbai following a viral pandemic outbreak. The story revolves around a married couple fighting for survival in this harsh new world. Joining Ranveer in this survival thriller is South Indian actress Kalyani Priyadarshan, who is officially locked to make her much-anticipated Bollywood debut as the female lead. There is also a lot of buzz about a secondary female lead whose character is expected to be deeply tied to the emotional backstory of Ranveer's character. (adsbygoogle = window.adsbygoogle || []).push({}) While Ranveer is busy with Pralay, Deepika Padukone has an equally packed slate. She recently finished a schedule for the film King, where she reunites with her Jawan co-star Shah Rukh Khan. Additionally, she is part of the ambitious sci-fi action film Raaka, which is being directed by Atlee and stars Allu Arjun. Despite their busy professional lives, the couple has managed to keep their family journey private, sharing only a few glimpses of their life with daughter Dua. Expectations are incredibly high for Pralay, especially coming after Ranveer's box office juggernauts like Dhurandhar and its sequel. By picking a fresh genre like a zombie apocalypse thriller and backing it with such a high budget, the makers are clearly aiming for a global impact. For fans, the wait for 2027 to see the full vision of the film might be long, but the initial glimpses starting next month are sure to keep the excitement alive.

BY SACNILK

The latest entry in the YRF Spy Universe, Alpha, has concluded its second weekend with numbers that suggest an uphill battle for the big-budget project. Featuring Alia Bhatt and Sharvari in lead roles, the action-thriller has struggled to generate the kind of footfalls expected from a film of this scale. Although the movie officially crossed the 50 Crore net mark on its second Saturday, the collection remains significantly low when compared to the reported production cost of 100 to 130 Crore. With the trend remaining stagnant even on Sunday, the film is clearly underperforming and faces a difficult road ahead. Looking at the India net collections, the second weekend started with a dip on Friday, which is expected for most releases. Day 8 brought in ₹1.65 Crore, representing a 34 percent drop from the previous day's earnings. However, the film bounced back on Saturday with a 36.4 percent growth, collecting ₹2.25 Crore and pushing the total net past the 50 Crore mark. Interestingly, Sunday collections held completely flat at ₹2.25 Crore despite running on slightly fewer shows. This brings the total India net collection to ₹53.60 Crore and the India gross to ₹63.91 Crore after ten days of its theatrical run. (adsbygoogle = window.adsbygoogle || []).push({}) Alpha - India Box Office Breakdown (2nd Weekend)DayGross CollectionNet CollectionShowsOccupancyDay 8 (2nd Friday)₹1.96 Cr₹1.65 Cr4,83112.9%Day 9 (2nd Saturday)₹2.70 Cr₹2.25 Cr2,88322.2%Day 10 (2nd Sunday)₹2.70 Cr₹2.25 Cr2,73327.9%Total 10 Days₹63.91 Cr₹53.60 Cr-- The ticket sales data on BookMyShow shows a modest increase during the weekend period. The film sold approximately 22,700 tickets on its second Friday, which rose to about 34,800 tickets on Saturday. Sunday saw a slight dip from the Saturday peak, with roughly 30,600 tickets booked. Overall, the film has managed to sell about 9.24 Lakh tickets on the platform so far. In the national multiplex chains including PVR, INOX, and Cinepolis, the cumulative sales for the second weekend reached over 25,000 tickets. Sunday was the strongest day for these chains, accounting for about 12,000 of those tickets across approximately 1,400 shows. This resulted in a Sunday gross of roughly ₹42 Lakh from these specific circuits. Within the national chains on Sunday, PVR contributed the most with about 6,100 tickets sold and a gross of ₹24 Lakh, while INOX and Cinepolis followed with approximately 4,000 and 1,900 tickets respectively. (adsbygoogle = window.adsbygoogle || []).push({}) Analyzing the occupancy for the second Sunday reveals a logical trend across the day. The morning shows for the Hindi 2D version started slow at 8.00 percent, but the numbers improved significantly as the day progressed. Afternoon shows recorded 32.23 percent occupancy, which peaked in the evening at 36.85 percent before concluding the night at 27.54 percent. The overall India occupancy for the tenth day stood at 27.85 percent. This follows a steady growth from Friday's 12.89 percent and Saturday's 22.18 percent overall occupancy. Regionally, the film saw its best engagement in markets like Pune and Ahmedabad on Sunday. Pune recorded an impressive 28.0 percent overall occupancy across 100 shows, with afternoon screenings hitting 41.0 percent. Ahmedabad followed with 24.5 percent occupancy over 154 shows. Other key regions like Bengaluru and Mumbai held steady at 24.0 percent and 22.0 percent occupancy respectively. The National Capital Region (NCR) ran the highest number of shows at 356, maintaining an overall occupancy of 21.8 percent. Surat also contributed with 16.3 percent occupancy across 106 shows. (adsbygoogle = window.adsbygoogle || []).push({}) The international market is also contributing to the film's steady climb. In North America, the film is finding an audience among the diaspora. According to data from Venky Box Office, Alpha earned 22,000 dollars (approximately ₹18 Lakh) on Friday and 24,000 dollars (approximately ₹20 Lakh) on Saturday. This brings its cumulative North American total to 880,000 dollars (approximately ₹7.30 Crore). Overall, the film collected approximately ₹2.95 Crore from overseas markets during the second weekend alone. The total overseas gross now stands at ₹25.50 Crore, pushing the worldwide gross collection to ₹89.41 Crore at the end of ten days. With just about ₹10 Crore more to go, the film is well on its way to hitting the ₹100 Crore worldwide gross mark by the end of its second week.

BY SACNILK

Mumbai, July 13 - Comedy has firmly re-established itself as one of the most dependable genres at the Indian box office in 2026, particularly in Bollywood. After a string of successful theatrical outings, Bhooth Bangla, Welcome To The Jungle, and now Dhamaal 4 have delivered a hat-trick of successes, proving that audiences continue to embrace wholesome entertainers on the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) The remarkable run also highlights the strong demand for family-friendly films that offer laughter and carefree, light-hearted entertainment. The winning streak began with Akshay Kumar's Bhooth Bangla in April, which emerged as a solid theatrical success, grossing over 270 crores worldwide and setting the tone for the genre's resurgence in the summer to come. Welcome To The Jungle carried the momentum forward in June, while Dhamaal 4 has now laid the foundation for another successful box office run with an excellent opening weekend. Together, the three films have reaffirmed that comedy remains a major crowd-puller when backed by entertaining content. The success of Welcome To The Jungle and Dhamaal 4 is particularly significant because the two films arrived just two weeks apart. (adsbygoogle = window.adsbygoogle || []).push({}) Conventional industry wisdom has often suggested that two big-budget comedies releasing in proximity would end up affecting each other's business. However, their performances have effectively debunked that belief. Instead of competing for the same audience, both films have found acceptance, demonstrating that moviegoers are willing to support multiple entertainers if each offers a satisfying theatrical experience. The trend sends a strong message to filmmakers and exhibitors alike - release dates alone do not determine a film's fate—content does. When a comedy connects with audiences through its humour, emotions, and family appeal, theatrical success follows regardless of nearby competition. The consecutive success of Bhooth Bangla, Welcome To The Jungle, and Dhamaal 4 has once again established that laughter remains one of the safest bets at the box office, provided the entertainment quotient is high enough to bring audiences into cinemas.

BY SACNILK

Plans are reportedly in motion to bring Ranbir Kapoor's Ramayana to Chinese theaters, signaling a significant attempt to re-enter the world's second-largest movie market. According to a recent report by Mid-day, director Nitesh Tiwari and producer Namit Malhotra are making significant moves to release and promote Ramayana: Part 1 in China. This is a huge development because the Chinese market has been largely closed off to Bollywood films since 2020. The choice of Nitesh Tiwari to lead this charge makes perfect sense. He is the man behind Dangal, which remains the most successful Indian film in China to date. That movie proved that Indian stories, when told with deep emotion and family values, have a massive fan base in the neighboring country. Now, with a story as culturally significant as the Ramayana, the makers are looking to tap into that potential once again on an even larger scale. (adsbygoogle = window.adsbygoogle || []).push({}) The promotional strategy seems to be quite elaborate. Sources suggest that the team is planning a four-day promotional tour featuring the lead trio: Ranbir Kapoor, Yash, and Sai Pallavi. The tentative plan includes a press event and a special screening at the Pingyao International Film Festival on September 24. Following this, they are looking to capitalize on China’s Golden Week, which starts on October 1, with a multi-city promotional run. This period is a major holiday season in China, making it the perfect time to grab the attention of the local audience. For context, Indian cinema had a golden run in China during the last decade. Films like Dangal and Secret Superstar became massive blockbusters there, often earning more in China than they did in India. Other films like Hindi Medium and even Thugs of Hindostan managed to find a place in Chinese theaters. However, geopolitical situations and the pandemic caused a long break. Ramayana is now being positioned as the film that could bridge that gap and bring Bollywood back to the global stage in a big way. (adsbygoogle = window.adsbygoogle || []).push({}) The scale of this project is unlike anything we have seen before. With a masive budget, the makers are leaving no stone unturned to ensure the VFX and production quality match international standards. Having Namit Malhotra's DNEG on board—a firm that has won multiple Oscars—already gives the film a global edge. By targeting the Chinese market, the producers are clearly aiming for a worldwide gross that could shatter many existing records. While the plans are still awaiting final approvals, the intent is clear. Ramayana is not just being treated as a domestic release, but as a global event film. If Ranbir Kapoor, Yash, and Sai Pallavi do head to China this September, it will mark the beginning of a new chapter for Indian cinema's international outreach. Fans are eagerly waiting to see how this ancient epic is presented to a modern, global audience.

BY SACNILK

The Dhamaal franchise has returned to the big screen with its fourth installment, and the 2026 box office is feeling the heat. Directed by Indra Kumar and featuring the beloved ensemble of Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, the film has successfully leveraged its brand value to draw massive crowds. The buzz translates directly into the numbers, as the movie has already crossed the significant ₹50 Crore net milestone within its opening weekend, finishing its first three days with a net collection of ₹65 Crore in India. One of the most impressive aspects of this run is the sheer volume of ticket sales on digital platforms. In the context of 2026 releases, Dhamaal 4 has secured the third position for the highest ticket sales on BookMyShow during an opening weekend. The film managed to sell approximately 1.25 million tickets, effectively moving ahead of other major comedy entertainers like Welcome to the Jungle and Bhooth Bangla. This highlights a strong interest from the general audience who have been waiting for a high-energy comedy to hit the screens. (adsbygoogle = window.adsbygoogle || []).push({}) Here is how the top films of 2026 rank based on their opening weekend ticket sales on BookMyShow: Dhurandhar 2: 8.26 Million | 4 Days Border 2: 2.59 Million Dhamaal 4: 1.25 Million Welcome To The Jungle: 1.19 Million Bhooth Bangla: 1.16 Million When looking specifically at the national multiplex chains including PVR, INOX, and Cinepolis, the film shows a slightly different but equally strong standing. In these premium circuits, Dhamaal 4 is currently the fourth-highest selling movie of 2026. While Bhooth Bangla maintains a stronger grip on the third spot in multiplexes with around 293,000 tickets, Dhamaal 4 is not far behind with approximately 236,000 tickets sold. It successfully remains ahead of Welcome to the Jungle in these chains as well, proving its appeal across both mass markets and urban centers. Here is the 2026 leaderboard for tickets sold specifically within National Multiplex Chains: (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar 2: 2.75 Million Border 2: 535,000 Bhooth Bangla: 293,000 Dhamaal 4: 236,000 Welcome To The Jungle: 207,000 The global footprint of the film adds another layer to its success story. With a worldwide gross collection currently standing at ₹92 Crore, the movie is just ₹8 Crore shy of reaching the prestigious ₹100 Crore gross mark. Given the momentum from the weekend and the high volume of tickets already sold, it is expected to achieve this milestone within the first half of the weekdays. The steady growth seen from Friday to Sunday suggests that the film has been well-received by the target audience, making it one of the standout performers of the year so far. (adsbygoogle = window.adsbygoogle || []).push({}) In conclusion, Dhamaal 4 has used its comedic heritage to dominate the 2026 charts. By surpassing its immediate competitors in ticket sales and maintaining a strong hold across diverse theater chains, the film is well on its way to a long and successful run. For the trade, the focus now shifts to how it sustains during the week, but the record-breaking start has already established it as a major winner for the season.

BY SACNILK

The Dhamaal franchise has officially returned to the big screen with its fourth installment, and the opening weekend numbers suggest that the audience was more than ready for another round of laughter. Directed by Indra Kumar and featuring the signature comedic energy of the ensemble cast including Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, the film has successfully leveraged its legacy to draw massive crowds. Dhamaal 4 has completed its first three days on a very strong note, showing a consistent growth trajectory that highlights its broad appeal across different age groups. By finding its rhythm so quickly on Saturday and Sunday, the movie has already cleared a significant hurdle, officially crossing the ₹50 Crore net milestone within its opening weekend itself. To understand the magnitude of this opening, we have to look back at how the previous films in this series performed. This franchise has grown significantly over the years, with each installment setting a higher bar than the last. Dhamaal 4 has now officially become the biggest opener in the history of this series, surpassing the record previously held by Total Dhamaal in 2019. Here is a comparison of the opening weekend net collections for each film in the franchise over the years: Dhamaal (2007): ₹7.08 Crore Double Dhamaal (2011): ₹21.75 Crore Total Dhamaal (2019): ₹62.40 Crore Dhamaal 4 (2026): ₹65.00 Crore (adsbygoogle = window.adsbygoogle || []).push({}) Let's break down the India collections for the current film. The movie opened on Friday with a net collection of ₹14.00 Crore. While this was a solid start, the real momentum kicked in on Saturday. Day 2 saw a massive jump of 60.7 percent, bringing in ₹22.50 Crore. The upward trend continued on Sunday, which is typically the biggest day for family comedies. On its third day, the film collected ₹28.50 Crore, representing another 26.7 percent growth from Saturday. This steady climb pushed the total India net collection to the ₹65.00 Crore mark in just three days. Dhamaal 4 - India Box Office BreakdownDayGross CollectionNet CollectionShowsOccupancyDay 1 (Friday)₹16.80 Cr₹14.00 Cr10,66924.0%Day 2 (Saturday)₹27.00 Cr₹22.50 Cr10,95435.0%Day 3 (Sunday)₹34.20 Cr₹28.50 Cr11,48144.0%Total Weekend₹78.00 Cr₹65.00 Cr33,104- (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales data provides even more context regarding the film's popularity. On the popular booking platform BookMyShow, the film sold a total of 12.53 Lakh tickets over the weekend. This includes 92,000 tickets from pre-sales, followed by 2.70 Lakh on Friday, 4.55 Lakh on Saturday, and 4.35 Lakh on Sunday. It is interesting to note that while Saturday had a slightly higher number of tickets booked via the app, the overall occupancy and collections were higher on Sunday due to better walk-in crowds at the counters. The performance in national chains, which includes PVR, INOX, and Cinepolis, was particularly impressive. For Sunday alone, Dhamaal 4 sold approximately 1.19 Lakh tickets across 3,700 shows in these major chains. This resulted in a gross collection of roughly ₹4.40 Crore from these venues. If we look at the weekend as a whole, over 2.36 Lakh tickets were sold at these national chains, showing that the movie found a lot of takers in urban centers and multiplexes. The overall occupancy in these chains stood at around 14.7 percent on Sunday, with PVR leading the pack at 17.6 percent occupancy. (adsbygoogle = window.adsbygoogle || []).push({}) A closer look at the regional breakdown for Sunday reveals how the film performed across different major markets with varying show counts. In the National Capital Region (NCR), the movie ran across 1,041 shows with an overall occupancy of 45.0 percent, peaking at 65.0 percent during the evening slots. Mumbai recorded the highest engagement among major cities with a 55.5 percent overall occupancy across 868 shows, where evening screenings saw a massive 80.0 percent turnout. Ahmedabad followed closely with 55.0 percent occupancy over 718 shows, hitting a high of 78.0 percent in the evening. In other regions, Surat maintained a 43.8 percent occupancy across 388 shows, while Pune and Bengaluru saw steady numbers of 47.8 percent and 46.3 percent across 372 and 273 shows respectively. On a consolidated level for the Hindi 2D version, the day started with 22.31 percent occupancy in the morning and climbed to 56.31 percent in the afternoon, eventually reaching a peak of 71.62 percent in the evening before concluding the night at 47.62 percent, bringing the total Sunday occupancy to 49.46 percent. In the North American territory, the film is maintaining a steady pace and attracting the diaspora audience. Based on figures shared by Venky Box Office, the Saturday gross stood at 182,000 dollars (approximately ₹1.53 Crore). This brings the cumulative total in the region to 322,000 dollars (approximately ₹2.70 Crore), further strengthening the movie's overall performance in the international market during its first weekend. (adsbygoogle = window.adsbygoogle || []).push({}) The film is also making its mark globally with a strong performance across international markets. On its opening day, the movie collected ₹5.00 Crore overseas, bringing the first-day worldwide gross to ₹21.80 Crore. This momentum continued into Saturday, where it added another ₹5.00 Crore from international circuits, taking the two-day worldwide gross to ₹53.80 Crore. Based on early estimates for Sunday, the overseas market contributed approximately ₹4.00 Crore, pushing the total overseas gross to ₹14.00 Crore. When combined with the India gross of ₹78.00 Crore, the total worldwide gross collection stands at ₹92.00 Crore at the end of its first weekend. With the movie just ₹8 Crore shy of the ₹100 Crore milestone, it is well-positioned to cross that mark during the early part of the week.

BY SACNILK

Mumbai, July 12 - Bollywood star Ajay Devgn's Dhamaal 4 is turning out to be a bona fide box office success with better-than-expected opening weekend collection. After taking a good opening at 14 crores net, the comedy entertainer witnessed a massive jump of over 60% on Saturday, and it is simply running riot on Sunday to close the weekend on a strong note. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Indra Kumar, Dhamaal 4 has registered a phenomenal jump of around 25% on its first Sunday at the Indian box office. As per early estimates, the comedy entertainer has collected over 28 crore net on Day 3, following its impressive 22.50 crore net haul on Saturday. The film's opening weekend now stands at approximately 65 crore net, making it one of the biggest Bollywood opening weekends of 2026. After a solid opening on Friday, Dhamaal 4 witnessed excellent growth over the weekend, driven by strong family footfall and positive word-of-mouth. The film recorded excellent occupancy across multiplexes and single screens, with evening and night shows performing particularly well. The healthy day-on-day growth reflects the audience's acceptance of the film and the enduring popularity of the Dhamaal franchise. (adsbygoogle = window.adsbygoogle || []).push({}) The Sunday collection of Dhamaal 4 is the biggest single-day collection for a Bollywood movie of 2026, outside Dhurandhar 2: The Revenge. The strong weekend has also placed Dhamaal 4 among Ajay Devgn's biggest box office starters. More importantly, the film has built a solid foundation heading into the weekdays. If it manages to hold well on Monday and maintain steady collections through the first week, it will be on course for an impressive lifetime total at the domestic box office. Directed by Indra Kumar, Dhamaal 4 features Ajay Devgn alongside Riteish Deshmukh, Arshad Warsi, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan and an ensemble cast. With excellent weekend momentum and encouraging audience response, the comedy entertainer has emerged as a clear box office winner and is expected to continue its successful run in the coming days.