Final shoot schedule of 'Kaliyugam' begins

BY SACNILK

Reports circulating online suggest that a grand audio launch for Jailer 2 might be headed to Malaysia. News of preliminary discussions between Superstar Rajinikanth and Dato' Abdul Malik, the head of Malik Streams, has sparked widespread speculation that the team is planning a massive international event. If this move is finalized, it would mirror the highly successful promotional strategy used for the 2010 blockbuster Endhiran, which also held its audio launch in Malaysia. By choosing an overseas venue, production house Sun Pictures appears to be focusing on the film’s global distribution potential, aiming to further expand the massive international footprint established by the first installment. The move follows a prestigious tradition of high-profile Tamil film events in the region. Historically, Superstar Rajinikanth himself initiated this trend with the landmark audio launch of Endhiran in 2010 at the PICC Putrajaya. This was more recently followed by the massive event for Thalapathy Vijay’s Jana Nayagan in 2025, which drew significant crowds to the Stadium Bukit Jalil. If Jailer 2 proceeds with its current plans, it would become the latest major production to utilize Malaysia's grand venues to kickstart its global promotional campaign. (adsbygoogle = window.adsbygoogle || []).push({}) The makers have already locked in a strategic release window to capitalize on a major holiday period. Jailer 2 is officially scheduled to hit theaters worldwide on October 15, 2026. This date aligns perfectly with the Dussehra and Ayudha Pooja festivities, a move designed to drive heavy footfalls during one of the most lucrative box office seasons in India. By securing this slot well in advance, Sun Pictures is positioning the film to dominate the screens, much like the original film did during its record-breaking run. One of the most exciting aspects of the sequel is the expansion of its cast into a true pan-Indian ensemble. Rajinikanth returns as the retired lawman Tiger Muthuvel Pandian, but he is far from alone in this high-stakes narrative. Industry reports confirm that Mohanlal and Shivarajkumar will reprise their popular roles as Mathew and Narasimha, respectively. Adding further gravitas to the lineup are veterans Jackie Shroff and Mithun Chakraborty, who are expected to anchor pivotal supporting threads. The sequel also introduces fresh faces to the franchise, with Vidya Balan, Vijay Sethupathi, and S.J. Suryah officially joining the main roster. In what is being described as a major highlight, Bollywood superstar Hrithik Roshan is reportedly locked in for a high-octane cameo appearance, further cementing the film's pan-Indian appeal. (adsbygoogle = window.adsbygoogle || []).push({}) The core creative team remains unchanged. Nelson Dilipkumar returns as both writer and director, with a plan to lean deeper into his signature style that blends dark comedy with stylized, high-stakes action. Similarly, the musical landscape of the sequel is in familiar hands, with Anirudh Ravichander set to compose the entire soundtrack and background score. Fans can also expect to see returning favorites like Ramya Krishnan as Viji Pandian, along with Yogi Babu and Sunil, ensuring that the personal and comedic elements of the first film transition smoothly into this new chapter. The decision to potentially move the audio launch to Malaysia suggests a calculated effort to treat Jailer 2 as a global cinematic event. By combining a star-studded cast from multiple film industries with an international marketing campaign, the producers are aiming for a performance that transcends regional boundaries. As the project moves through its various production stages, the focus will remain on how Nelson balances this massive ensemble while staying true to the grounded, gritty roots of Muthuvel Pandian’s journey.

BY SACNILK

Mumbai, July 13 - The Indian box office enjoyed another strong weekend as films from Hindi, Telugu, Tamil, and Hollywood attracted audiences across the country. Ajay Devgn's Dhamaal 4 emerged as the undisputed winner of the July 10–12 weekend, posting a solid opening and comfortably finishing ahead of the competition. (adsbygoogle = window.adsbygoogle || []).push({}) The Indra Kumar-directed Dhamaal 4 topped the weekend chart with an estimated 78 crore gross at the Indian box office, driven by excellent occupancy and significant growth over Saturday and Sunday. The comedy entertainer has reaffirmed the box office strength of franchise films and family entertainers. Akhil Akkineni's Telugu action drama Lenin brings the actor back in the success form after back-to-back box office duds, and secured the second spot in the weekend chart, delivering a solid opening in the Telugu market and establishing itself as one of the biggest regional launches of the month. (adsbygoogle = window.adsbygoogle || []).push({}) Hollywood's Evil Dead Burn claimed the third position, extending its impressive theatrical run after recording the biggest opening for a horror film in India this year. Tamil release Idhayam Murali followed in fourth place, registering a respectable opening despite facing competition from multiple high-profile releases across languages. Meanwhile, Tamil movie Gatta Kusthi 2 scored a super second weekend, grossing around 9.50 crores despite new releases. It remained the number 1 Tamil movie of the weekend. The combined total of the top 5 movies of the July 10-12 weekend was around 142 crores gross at the Indian box office, which is about 42% more than the last weekend. In fact, this was the biggest weekend since June 5-7 (160 crores) (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Box Office Weekend Grossers (July 10-12) S. No. Movie Weekend India GBOC Total India GBOC 1 Dhamaal 4 ₹ 78.00 Cr ₹ 78.00 Cr 2 Lenin ₹ 29.25 Cr ₹ 29.25 Cr 3 Evil Dead Burn ₹ 15.00 Cr ₹ 15.00 Cr 4 Idhayam Murali ₹ 9.85 Cr ₹ 9.85 Cr 5 Gatta Kusthi 2 ₹ 9.50 Cr ₹ 34.85 Cr Note: Gross collection*

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The anticipation for Jana Nayagan is at an all-time high as it marks the final cinematic outing for Thalapathy Vijay. Produced by KVN Productions and directed by H. Vinoth, known for his grounded yet high-octane action films, the project is being marketed with the evocative tagline - The Torch Bearer of Democracy. This political action thriller features a massive ensemble cast including Bobby Deol as the primary antagonist, alongside Pooja Hegde, Mamitha Baiju, and Prakash Raj. With Anirudh Ravichander returning to compose the music, the film is being mounted on a grand scale, serving as both a high-stakes entertainer and a symbolic farewell for one of the biggest stars in Indian cinema. Thalapathy Vijay's final film, Jana Nayagan, is gearing up for a massive theatrical release on July 24, but the viewing experience is going to be significantly different for fans in India compared to those overseas. As the film prepares to serve as a grand farewell to the superstar's acting career, it has undergone a rigorous review process by the censor board in India, leading to several notable changes. (adsbygoogle = window.adsbygoogle || []).push({}) It is reported that the Central Board of Film Certification has granted Jana Nayagan an A certificate in India, but the approval came with 12 major edits that heavily target the film's political undertones. The board has reportedly ordered the complete removal or muting of the acronym TVK from both audio and visual tracks. While the acronym represents the character’s name, Thalapathy Vetri Kondan, its resemblance to Vijay's actual political party, Tamilaga Vettri Kazhagam, is likely the reason for the censor. Furthermore, a specific sequence depicting the Indian national flag falling to the ground was deleted, alongside visuals showing disrespect toward a District Collector's insignia. The edits also extend to sensitive political and religious references. Mandated corrections were made to a book cover featuring the image of Dr. B.R. Ambedkar, and a dialogue comparing Ambedkar's law to TVK's law was restructured. Other notable mutes include the phrase New India and controversial lines regarding making the country fall at one's feet or holding secret celebrations in the country. Even global and religious references were flagged, with a dialogue mentioning Saddam Hussein being silenced, along with terms like Om, Bhagavatham, and Ranganathar. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the political content, the board ordered the removal of a graphic scene depicting a child being burnt and trimmed approximately 20 seconds from various violent action sequences to tone down the overall impact. The name Sheela Rani was also scrubbed from the film's audio and text throughout the production. Finally, two specific heavy profanities were muted to ensure the final theatrical cut meets the necessary standards before the film reaches the audience. However, the international audience will get to see the film in its rawest form. Ahimsa Entertainment, the distributor for the United Kingdom, has confirmed that Jana Nayagan will be screened completely uncut in the UK with a 15-rating. This means fans there will experience the action, the political statements, and the mass sequences exactly as they were originally shot. Similarly, Home Screen Entertainment is bringing the film to Australia, New Zealand, Fiji, and Papua New Guinea, ensuring a wide global footprint for Vijay's swan song. (adsbygoogle = window.adsbygoogle || []).push({}) The marketing for the film in the UK is already leaning into this uncut advantage, promising fans the full Thalapathy craze one last time. While the Indian version will be a more polished or perhaps softened version due to the 12 edits, the core of the story is expected to remain intact. Given the immense buzz and the emotional weight of this being Vijay's final film, these censor details have only added more fuel to the ongoing discussions among the fans and the film trade. As the release date of July 24 approaches, the contrast between the Indian and international versions will likely be a major talking point. For now, the focus remains on the box office potential of Jana Nayagan, which is expected to shatter several records as the actor says goodbye to the silver screen.

BY SACNILK

The romantic drama Love Oh Love has wrapped up its first three days in theaters, marking the completion of its opening weekend. Released with a focused footprint in the Southern markets of Tamil Nadu and Andhra Pradesh/Telangana, the film established its presence across 1,331 shows during its first three days. This localized release strategy has allowed the movie to tap into the regional audience as it begins its theatrical journey. Looking at the India net collections, the film started its journey on Friday with ₹0.15 Crore. There was a visible jump on Saturday, which is usually a positive sign for any film, as it collected ₹0.26 Crore—a growth of over 70 percent from its opening day. However, this momentum did not translate into a bigger Sunday. On its third day, the collections dropped back to ₹0.17 Crore, bringing the total opening weekend net collection to ₹0.58 Crore. Currently, the worldwide gross stands at ₹0.67 Crore, with almost all of it coming from the domestic market as the overseas contribution remains negligible. (adsbygoogle = window.adsbygoogle || []).push({}) Love Oh Love - Opening Weekend BreakdownDayGross CollectionNet CollectionShowsOccupancyDay 1 (Friday)₹0.17 Cr₹0.15 Cr53014.6%Day 2 (Saturday)₹0.30 Cr₹0.26 Cr42220.4%Day 3 (Sunday)₹0.20 Cr₹0.17 Cr37921.0%Total Weekend₹0.67 Cr₹0.58 Cr1,331- The language-wise performance shows that the Tamil version contributed the bulk of the earnings. Over the three days, the Tamil version collected a net of ₹0.35 Crore from 818 shows with an overall occupancy of 19.2 percent. The Telugu version followed with a net collection of ₹0.23 Crore across 513 shows, maintaining a 16.8 percent occupancy. This suggests that the film found slightly more resonance in Tamil Nadu hubs, particularly during evening and night shows in urban centers. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of digital ticket sales, the platform BookMyShow recorded a steady flow of bookings. The film saw an opening day response of approximately 11,000 to 13,000 tickets. As the weekend progressed, Saturday and Sunday saw small sequential increments, adding roughly 12,000 to 15,000 tickets daily. This brought the cumulative weekend sales on the platform to a respectable range. Day 1 (Friday): 11,000 - 13,000 tickets Day 2 (Saturday): 12,000 - 15,000 tickets Day 3 (Sunday): 12,000 - 15,000 tickets Total Weekend Estimated: 35,000 - 42,000 tickets The performance in national multiplex chains—PVR, INOX, and Cinepolis—remained nearly flat throughout the weekend. Over 3,800 tickets were sold across these chains in the first three days. On Sunday, specifically, the film ran 87 shows in these chains, selling 1,330 tickets and generating a gross of ₹1.95 Lakh. PVR led the chains on Sunday with 793 tickets sold and a 15.03 percent occupancy. INOX and Cinepolis followed with 282 and 255 tickets respectively. The overall occupancy for these chains on Sunday was around 9.59 percent, which aligns with the modest trend seen in other centers.

BY SACNILK

Hyderabad, July 11 - Telugu and Tamil cinema are gearing up for an exciting showdown, with two ambitious films based on Lord Murugan currently in development. While Indian cinema has produced several epics over the years, it is rare for two major industries to simultaneously back large-scale films inspired by the same Hindu deity. (adsbygoogle = window.adsbygoogle || []).push({}) On the Telugu front, filmmaker Trivikram Srinivas is developing a magnum opus on Lord Murugan with Jr NTR in the lead. The project has generated significant buzz since its announcement, with the makers reportedly planning a grand visual spectacle that combines history, emotion, and cutting-edge visual effects. The film is expected to begin production after Jr NTR wraps up his ongoing commitments. Tamil cinema, meanwhile, has announced Thamizh Murugan, starring Dhanush in the lead role. The ambitious project will be directed by acclaimed filmmaker Vetrimaaran and is expected to present a distinct cinematic interpretation of Lord Murugan. The announcement has already created considerable excitement, given the combination of Dhanush and Vetrimaaran, who have previously delivered acclaimed films together. (adsbygoogle = window.adsbygoogle || []).push({}) With both projects still in the early stages and release dates yet to be announced, the parallel development of these two films has become a major talking point among fans. If the films arrive within a similar timeframe, audiences could witness an intriguing comparison between Telugu and Tamil cinema's unique storytelling styles and their respective visions of one of Hinduism's most revered deities. About Lord Murugan Lord Murugan, also known as Kartikeya, Skanda, Subrahmanya, Shanmukha, and Kumara, is one of the most revered deities in Hinduism. He is especially worshipped in South India, particularly in Tamil Nadu, as the God of War, Courage, Victory, and Wisdom. Lord Murugan is the son of Lord Shiva and Goddess Parvati and the younger brother of Lord Ganesha. He is believed to have been born to defeat the powerful demon Tarakasura, who could only be slain by Shiva's son.

BY SACNILK

The bilingual romantic drama, Love Oh Love, has completed its first day at the box office with a modest opening. Released in both Tamil and Telugu, the film managed to collect a net of ₹ 0.15 crore in India on its opening Friday. With a total of 530 shows across the country, the India gross collection stood at ₹ 0.17 crore. As there were no significant collections reported from overseas markets, the worldwide gross total remains at ₹ 0.17 crore for the first day. If we look at the language-wise performance, the Tamil version led the collections, contributing ₹ 0.10 crore to the net total. It saw a 15.0 per cent occupancy across 319 shows. The Telugu version added the remaining ₹ 0.05 crore, recording a 14.0 per cent occupancy from 211 shows. While these numbers are on the lower side, the film is primarily targeting a niche audience that enjoys slow-paced romantic narratives. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of ticket volume, early estimates from BookMyShow suggest that Love Oh Love sold between 11,000 and 13,000 tickets nationally on its opening day. This includes both pre-sales and walk-in bookings. The interest levels remained somewhat low throughout the day, which was reflected in the overall occupancy for the Tamil 2D version, which averaged 7.70 per cent. Analyzing the occupancy trends by time of day, the film saw its highest traction during the night shows, which peaked at 9.46 per cent. It had a decent morning start at 7.38 per cent, but experienced a dip during the afternoon and evening hours, falling as low as 2.77 per cent in the evening. This pattern suggests that the film is currently attracting late-night moviegoers rather than daytime family or student crowds. (adsbygoogle = window.adsbygoogle || []).push({}) The performance in the national chains, including PVR, INOX, and Cinepolis, was limited to 80 shows across 58 venues. In these chains, the film sold a total of approximately 1.2k tickets, resulting in a gross collection of around ₹ 1.7 lakh at an occupancy of 9.4 per cent. PVR was the primary contributor among the chains, selling nearly 0.8k tickets and grossing about ₹ 1.1 lakh from 37 shows. INOX followed with approximately 0.2k tickets and a gross of around ₹ 0.3 lakh across 21 shows, while Cinepolis added another 0.2k tickets, earning nearly ₹ 0.3 lakh from 22 shows. PVR recorded the highest occupancy among the three at a notable 14.6 per cent. Regionally, Chennai was the strongest market for the film. Across 78 shows in the city, the overall occupancy stood at 19.3 per cent. The city shows started strong with 23 per cent occupancy in the morning and concluded with 22 per cent for the night shows. Coimbatore also showed some promise with a 12.0 per cent overall occupancy, peaking at 22 per cent at night. However, other major centers like Bengaluru remained quiet, recording a low overall occupancy of just 3.5 per cent across 32 shows.

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If you have a soft spot for the feel-good romances of 90s Tamil cinema, Idhayam Murali is a film designed specifically for that sentiment. Directed by Aakash Baskaran, the movie attempts to rekindle the old magic and nostalgia of that era, often drawing comparisons to the early romantic style of Karan Johar Films. It is a coming-of-age drama that follows a man who finds it impossible to express his love to women at various stages of his life, eventually documenting his journey to finding true love. On its opening day, the film has managed to find its audience, particularly in the urban centers of Tamil Nadu. Idhayam Murali collected a net of ₹ 1.90 crore across 1,283 shows in India. This resulted in a total India gross collection of ₹ 2.19 crore for the first day. The performance suggests that the film is catering well to the target audience that seeks emotional, character-driven narratives over high-octane action. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the state-wise gross distribution, Tamil Nadu was the primary driver of business, contributing ₹ 1.95 crore. In the neighboring states, Karnataka recorded a gross of ₹ 15 lakh, while Kerala contributed ₹ 7 lakh. The rest of India and the APTG (Andhra Pradesh and Telangana) regions together added approximately ₹ 2 lakh to the final tally. These numbers indicate that while the film has a very strong regional focus, it is starting to gain some traction in neighboring southern markets. With this opening, the film has officially secured a spot in the top 10 Tamil openers of 2026 so far. It currently ranks at the ninth position, ahead of Vaa Vaathiyaare but trailing behind Mankatha and Youth. You can see the full list of top performers for the year in the table below: Top 10 Tamil Movie Openers of 2026 - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONKaruppu₹ 13.10 CrParasakthi₹ 12.50 CrLIK: Love Insurance Kompany₹ 5.65 CrKara₹ 4.95 CrYouth₹ 3.65 CrMankatha₹ 3.50 CrGatta Kusthi 2₹ 2.70 CrThaai Kizhavi₹ 2.70 CrIdhayam Murali₹ 1.90 CrVaa Vaathiyaare₹ 1.65 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The occupancy levels for the opening day showed a very healthy growth pattern. The film recorded an overall occupancy of 32.38 per cent for the Tamil 2D version. It started with a quiet morning at 18.54 per cent, but moved up to 29.38 per cent by the afternoon. The evening shows maintained a similar level at 28.23 per cent, but the night shows witnessed a massive jump, reaching 45.15 per cent. This indicates that the movie is gaining strength through positive word-of-mouth as the day progresses. In the urban circuits, Chennai was the clear standout. The city recorded an overall occupancy of 44.3 per cent across 286 shows, with the night shows reaching an elite level of 65 per cent. Coimbatore also showed strong interest with 32.3 per cent overall occupancy, peaking at 48 per cent at night. Bengaluru saw a more modest overall occupancy of 20.5 per cent, but even there, the night shows climbed to 32 per cent. (adsbygoogle = window.adsbygoogle || []).push({}) In the national chains (PIC), the film delivered a very steady performance. It sold approximately 15.7k tickets, resulting in a gross of roughly ₹ 26 lakh at a high occupancy rate of 28.2 per cent. PVR led the chains with nearly 10.8k tickets and a gross of ₹ 18 lakh. INOX followed with about 3.9k tickets earning ₹ 6 lakh, while Cinepolis contributed nearly 1k tickets with a gross of around ₹ 1.8 lakh. The occupancy in PVR was particularly impressive, hovering around 34 per cent. As we enter the second day, Saturday, the momentum seems to be building further. The film is officially trending on BookMyShow, with 5.08k tickets booked in the last hour alone. In a rolling 24-hour cycle, the movie has already crossed 18.25k tickets booked nationally. Chennai remains the heart of this growth, where it recently clocked a peak velocity of 6.04k tickets booked in a single hour. Other centers like Mayiladuthurai are also providing solid support, tracking steady volumes with 3.74k tickets in the last hour. With a very strong BMS rating of 9.1/10 from over 2,000 votes, the film is well-positioned for a significant weekend jump.

BY SACNILK

Here is the Tamil movie Idhayam Murali box office collection which is a Drama Romantic film. This film is directed by Aakash Baskaran and produced by . ## Idhayam Murali stars , Atharvaa, Fahadh Faasil, Preity Mukhundhan, Kayadu Lohar, Natarajan Subramaniam, Thaman S in key roles. ## Idhayam Murali Review ## Idhayam Murali Review: What Public Has To Say About This Movie ## Idhayam Murali Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Idhayam Murali Budget: ₹ 1 Cr * Approx ## Idhayam Murali Verdict: Coming Soon ## Idhayam Murali Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 10th July 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.Idhayam Murali State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Friday]₹ 0.15 Cr₹ 0.01 Cr₹ 1.95 Cr₹ 0.07 Cr₹ 0.01 Cr₹ 2.19 CrDay 2 [1st Saturday]₹ 0.42 Cr₹ 0.02 Cr₹ 3.4 Cr₹ 0.08 Cr₹ 0.1 Cr₹ 4.02 CrDay 3 [1st Sunday]₹ 0.45 Cr₹ 0.02 Cr₹ 3.7 Cr₹ 0.1 Cr₹ 0.1 Cr₹ 4.37 CrDay 4 [1st Monday]₹ 0.08 Cr₹ 0 Cr₹ 1.6 Cr₹ 0.04 Cr₹ 0.01 Cr₹ 1.73 CrTotal₹ 1.1 Cr₹ 0.05 Cr₹ 10.65 Cr₹ 0.29 Cr₹ 0.22 Cr₹ 12.31 Cr ##

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One of the most notable director-actor pairings in Kollywood cinema has officially announced their next project. Dhanush and Vetri Maaran, the creative duo behind films like Polladhavan, Aadukalam, Vada Chennai, and Asuran, are reuniting for their fifth collaboration. Titled Thamizh Murugan, the first look of the film was unveiled today, July 10, 2026, marking a significant milestone for the pair who have consistently delivered both critical and commercial successes over the years. For months, fans have been desperately waiting for any news regarding Vada Chennai 2. However, the creators have thrown a complete curveball with this announcement. Moving away from the gritty, contemporary gangster and crime-drama roots that defined their previous work, the duo is mounting a grand, culturally rooted historical epic. Centered around the Tamil deity Lord Murugan—referenced in the hashtag #sonofkottravai—the film looks to explore ancient Tamil identity and leadership on a scale never seen before in Kollywood. (adsbygoogle = window.adsbygoogle || []).push({}) The technical crew for the project brings its own set of surprises. The film is written by the prominent lyricist-writer Arivumathi. However, the biggest talking point is the music director. In an unexpected twist, the musical reins have been handed over to the sensational Sai Abhyankkar. Known for his viral global hits like Katchi Sera, this marks a significant shift for Vetri Maaran, who has traditionally collaborated with veterans like Santhosh Narayanan or G.V. Prakash Kumar. The film is being produced jointly by Dhanush’s own banner, Wunderbar Films, alongside Production Miles To Go. Industry trackers are noting that Thamizh Murugan firmly cements Kollywood’s massive new wave of divine and folkloric blockbusters. With several faith-and-legend-driven films currently in development across the industry, Dhanush and Vetri Maaran are clearly looking to set a new benchmark in the genre. The first look poster, featuring Dhanush in a warrior avatar atop a decorated elephant holding a spear, has already sparked intense discussion about the film's visual language. (adsbygoogle = window.adsbygoogle || []).push({}) The Eternal Protector, warrior, THE KING & LEADER of the Thamizh people and lands.#sonofkottravaiதமிழ் முருகன் 🙏🙏🙏THAMIZH MURUGAN https://t.co/3wjGHGfAjG— Dhanush (@dhanushkraja) July 10, 2026 Interestingly, fans on social media are already drawing nostalgic comparisons to Dhanush's 2011 movie Seedan, where he played an extended cameo as a modern-day incarnation of Lord Murugan. While that was a simple family drama, Thamizh Murugan appears to be a much more intense, high-budget warrior epic. As of now, the project is moving under the working tag #DxV, and with the first look already breaking records in engagement, the anticipation for this dream reunion is at an all-time high.

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Here is the Tamil movie Love Oh Love box office collection which is a Comedy Romantic film. This film is directed by Magesh Rajendran and produced by ,Dinesh Raj,Dhananjeyan Govind. ## Love Oh Love stars , Pavish, Naga Durga, K. Selvaraghavan, K. S. Ravikumar, Vanitha Vijayakumar in key roles. ## Love Oh Love Review ## Love Oh Love Review: What Public Has To Say About This Movie ## Love Oh Love Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Love Oh Love Budget: ₹ 1 Cr * Approx ## Love Oh Love Verdict: Coming Soon ## Love Oh Love Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 10th July 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.

BY SACNILK

Mumbai, July 9 - The first six months of 2026 have painted an interesting picture for the Indian film industry. While a handful of blockbuster releases dominated the box office and broke multiple records, some high-profile films struggled to justify their massive budgets. Overall, the period from January 1 to June 30 witnessed a healthy theatrical market led by Hindi cinema, while Malayalam films continued to punch above their weight with remarkable overseas performances. The biggest story of the year was undoubtedly the phenomenal success of Dhurandhar 2: The Revenge, which emerged as the highest-grossing Indian film of the year by a massive margin. The Ranveer Singh-led action spectacle crossed 1800 crore worldwide, making it one of the biggest Indian successes in history. It was followed by Border 2, while Telugu cinema contributed one major success in the form of Mana ShankaraVaraprasad Garu. Tamil cinema's biggest performer was Karuppu, which comfortably crossed the 300 crore mark worldwide. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Movies Overall – All-India (First Half of 2026) Rank Movie Language India Gross Worldwide Gross Footfalls (India) 1 Dhurandhar 2 Hindi ₹ 1375.00 Cr ₹ 1813.00 Cr 4.50+ Cr 2 Border 2 Hindi ₹ 393.00 Cr ₹ 450.00 Cr 1.58 Cr 3 Peddi Telugu ₹ 288.00 Cr ₹ 340+ Cr N/A 4 MSVPG Telugu ₹ 258.50 Cr ₹ 301.50 Cr 1.27 Cr 5 Karuppu Tamil ₹ 229.00 Cr ₹ 310.00 Cr N/A Hindi cinema enjoyed the strongest headline performance thanks to Dhurandhar 2 and Border 2, but the overall success was largely concentrated among a few event films. Telugu cinema delivered mixed results, with the only major success being Mana Shankara. The box office collections alone did not always translate into commercial success, as some expensive productions failed to recover their investments despite respectable worldwide numbers. (adsbygoogle = window.adsbygoogle || []).push({}) Malayalam cinema once again proved why it continues to be one of India's most consistent film industries. Films like Vaazha 2 and Drishyam 3 not only performed exceptionally well in Kerala but also generated huge revenues overseas. The industry continued to benefit from its strong presence in international markets, especially across the Gulf region, allowing several medium-budget films to achieve impressive worldwide totals. Tamil cinema also experienced a mixed first half. While Karuppu emerged as a blockbuster and became one of the biggest Tamil hits of the year, mid-budget films such as Thaai Kizhavi and Blast also delivered solid numbers, indicating that audiences were willing to support well-made commercial entertainers beyond star-driven spectacles. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Hollywood Movies Rank Movie India Gross Worldwide Gross 1 Obsession ₹ 100.15 Cr ₹ 3850+ Cr 2 Project Hail Mary ₹ 89.50 Cr ₹ 6436+ Cr 3 Michael ₹ 83.65 Cr ₹ 9050+ Cr 4 The Devil Wears Prada 2 ₹ 35.90 Cr ₹ 6400+ Cr 5 Lee Cronin's The Mummy ₹ 30.00 Cr ₹ 30.00 Cr Hollywood releases maintained a steady presence in India, with films such as Obsession, Project Hail Mary, and Michael attracting strong urban audiences. However, their worldwide collections were naturally driven by international markets rather than India, making domestic box office comparisons with Indian films less meaningful. Kannada cinema endured a relatively quiet first half compared to other industries. No Sandalwood release managed to create a nationwide impact, and the industry's highest-grossing films remained significantly behind their counterparts from Tamil, Telugu, Malayalam, and Hindi cinema. The second half of the year will be crucial for Kannada cinema to regain momentum. (adsbygoogle = window.adsbygoogle || []).push({}) Surprise Indian Successes S. No. Movie Industry India Gross Worldwide Gross 1 Thaai Kizhavi Kollywood ₹ 71.65 Cr ₹ 82.00 Cr 2 Vaazha 2 Mollywood ₹ 149.50 Cr ₹ 235.25 Cr 3 Aadu 3 Mollywood ₹ 59.10 Cr ₹ 120.10 Cr 4 Blast Kollywood ₹ 61.00 Cr ₹ 75.40 Cr One of the most encouraging trends of the first half was the continued success of content-driven cinema. Films like Thaai Kizhavi, Blast, and Aadu 3 exceeded trade expectations despite not carrying the scale or hype of pan-India spectacles. Their performances reinforced the fact that audiences continue to reward strong storytelling and positive word of mouth. At the same time, a few expensive productions struggled to meet expectations. Despite collecting well worldwide, some big-budget releases were unable to secure profitable theatrical runs due to their enormous production costs. This once again highlighted that worldwide collections alone are no longer sufficient to determine a film's commercial success. (adsbygoogle = window.adsbygoogle || []).push({}) Hyped but Failed/Underwhelmed Movies S. No. Movie Industry India Gross Worldwide Gross 1 The Raja Saab Tollywood ₹ 174.15 Cr ₹ 208.40 Cr 2 Peddi Tollywood ₹ 288.00 Cr ₹ 340+ Cr 3 Patriot Mollywood ₹ 36.75 Cr ₹ 80.00 Cr Overall, the first half of 2026 can be described as top-heavy but healthy. Films across industries have grossed around 6500 crores at the Indian box office in the first 6 months, which is better than the first halves of the previous post-pandemic years. Bollywood produced the year's biggest blockbuster, Telugu cinema delivered mixed results, Malayalam cinema continued its remarkable consistency, and Tamil cinema found success through both star vehicles and mid-budget entertainers. As the industry heads into the second half of the year with several highly anticipated releases on the horizon, the box office appears well-positioned to build on an encouraging start to 2026.

BY SACNILK

Chennai, July 9 - Thalapathy Vijay's much-awaited political action drama Jana Nayagan is set to arrive in cinemas on July 24. According to industry sources, exhibitors across key territories have now been informed about the film's release plan, indicating that the makers are moving ahead with the date after weeks of speculation. The confirmation comes after uncertainty surrounding the film's release schedule and CBFC certification. With exhibitors now notified, theatre chains are expected to begin planning show allocations and advance-booking strategies in the coming days. At the same time, the film's promotional campaign is also likely to gather momentum. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan stars Thalapathy Vijay, now the chief minister of Tamil Nadu, in what is widely expected to be his final film. The ensemble cast includes Pooja Hegde, Bobby Deol, Priyamani, Prakash Raj, Narain, Mamitha Baiju, and Gautham Vasudev Menon, with music composed by Anirudh Ravichander. With the release date now locked, Jana Nayagan is gearing up for one of the biggest theatrical launches of the year. Trade expects the Vijay starrer to dominate screens across Tamil Nadu and overseas markets, with advance bookings likely to open once the remaining formalities are completed.