THE FATE OF BIG SCREENS (OTT vs Theatres - Analysis)

February 5, 2022 at 9:53 PM IST
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6 min read
THE FATE OF BIG SCREENS (OTT vs Theatres - Analysis)

Mumbai, Feb 5, 2022: A movie theatre which is otherwise known as a movie hall, picture house, the silver screen is the place where the audience watches movies of their interest. Indian film industry stands itself among one of the top industries in the world, having produced a large number of movies of each genre.





Capital Cinema Hall in Mumbai is the oldest cinema theatre in India established in 1879. Currently, there are around 9000 movie theatres in India which include 6327 single screens 3200 multiple plexes as per stats. Movie halls are the best places where the audiences are accustomed to a marvellous experience which helps them overcome their
daily stress, anxiety etc.



The Theatre viewing
experience establishes a connection between the
viewer and the fantasy movie character. Big
screens provide wholesome entertainment that
the viewers gets locked in an imaginary world
throughout the duration of the movie.



During
the '50s, '60s and the 70's decade movie
theatres were the only sources to view movies
and they enjoyed a non-competitive and
dominant run in business.



Movies used to run
for over a year during these times as there
was no competition from ott, television etC.
Due to these reasons movies used to generate
very High footfalls back then. Movies used to
get reruns during that time and a prime
example is Sholay which was successful in its
all reruns. But as the times passed theatres
began to experience competition from other
platforms.




It all started in the 80's decade when piracy
came into existence, which eventually lead to
people watching movies in VCR doing piracy
which affected the silver screens. The footfalls
of the movie's started to decline to post this and
this was a matter of deep concern for the
producers and the theatre owners then.





The movie Maine Pyar Kiya busted this mythical
the belief that footfalls can't be rosen back after it
generated more than 4 cr footfalls the main
reason for which being its extraordinary
content.



After Maine Pyar Kiya the industry
struggled to even touch 3 Cr footfalls until
movies like Hum Aapke Hain Kon, DDLJ and
Raja Hindustani arrived. Around this time the
popularity for television was also increasing
rapidly, as a result of that, the producers began
to telecast the movie immediately after the
theatrical ended which put full stops on re-run
trend.



A larger number of people used to wait
till the movie appeared on television as a result
of the increase in television demand which
further affected the theatre business. The
years 2002-2007 witnessed a large increase in
multiplex audiences and decline in single
Screen audiences reason being the urban
friendly content movies which were produced
in large amount during this time.



Rural
audiences prefered massy actions movies
which were limited during this period due to
which single screens had a tough time. Due to
this trend in more urban-friendly movies they
struggled very much to hit 2 cr footfalls. These
instances lead to single screens being on the
verge of extinction.




The movies like Ghajini (2008), Wanted (2009)
and Dabangg (2010) broke this dogma and the
single screens were revived once again. This
encouraged the makers to make such types of
the movie's as the audiences were more into this
type of stuff. The business was revived very
well but it didn't meet the craze it used to have
before the 90's because of competition from
the rival platforms.



With the help of content and
their mass fan following actors like Salman
Khan and Aamir Khan were able to drive mass
audiences into the theatres. With its unique
storytelling and extraordinary visual experience
the movies Bahubali and its sequel Bahubali 2
recreated the magic which the movies of the
The '60s and 70's used to do.



At the present times
we are living in an era where theatres are facing
huge competition from cheap internet, old
enemy television and the biggest enemy Over
the top television (ott) in the recent years have
established itself as a formidable force to be
reckoned with.



The surge in covid cases and
the lockdown helped them in doing so. Many
of the movies which were ready for theatrical
the release was forced to release in ott. Movies
like Radhe and Laxmii which featured Megastar
Salman Khan and Akshay Kumar helped out
accelerate its growth.



Many of the theatres are
in closing state post-pandemic and theatre
owners are facing difficulty in the business
The audiences have started shifting
themselves to ott platforms more often as it
provides quality content at affordable rates
within the four walls safety of their homes.
The only thing well-wishers of theatres can do right
now hopes that situations get better as time
passes as the theatre owners are facing huge
debts and all the more ott cannot be an
alternative for the big screen Visual experience
in anyways.



It's a fact that during this tough
unfavourable situation and also senseless
content worsening the scenario movies will
struggle to even hit 1 cr footfalls in the
upcoming times. Actors like Salman Khan and
Aamir Khan who enjoy a large solid fan base
are in their last lap.



Actors like Ranbir Kapoor
and Ranveer Singh are labelled as new
comers despite working in the industry for
Over a decade. The industry can save itself
only if they produce quality content and also
the future of the covid pandemic will also play a
major role in this.



The public too should pledge
that they'll avoid piracy and try to watch movies
in theatres to get the irreplaceable visual
spectacle experience which can relieve them of
any mental ailments they are facing which are
exactly the purpose of cinema and
entertainment industry.



Many people who work
in the entertainment industry and the theatres
are going through very rough patches in their
lives and are struggling to meet their
livelihoods.



Our audiences can do our bit to
contribute towards helping these people, some
who are on the verge of suicide due to
financial issues by taking an oath to avoid
piracy and watch movies at theatres so that
these people get their bit.





Stay tuned.



Published on February 5, 2022 at 4:23 PM

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Nitesh Tiwari's Ramayana Part 1 Trailer To Be Launched On July 18 At Bharat Mandapam

BY SACNILK

Mumbai, July 8 - The excitement surrounding Nitesh Tiwari's Ramayana: Part 1 continues to build as the makers gear up to begin the film's full-scale promotional campaign. After creating immense buzz with its introduction glimpse, the epic is now preparing for its biggest marketing milestone ahead of its highly anticipated Diwali 2026 theatrical release. (adsbygoogle = window.adsbygoogle || []).push({}) According to a report by Variety India, the official trailer of Ramayana: Part 1 will be unveiled on July 18, 2026, at a grand launch event at Bharat Mandapam in New Delhi. The event is expected to be attended by director Nitesh Tiwari, producer Namit Malhotra, and several members of the star-studded cast. Reports suggest that Ranbir Kapoor, Sai Pallavi, Ravi Dubey, Rakul Preet Singh, and Kunal Kapoor are likely to be present, while the attendance of Yash and Sunny Deol is yet to be confirmed. (adsbygoogle = window.adsbygoogle || []).push({}) Ramayana stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. Backed by Prime Focus Studios and Monster Mind Creations, the ambitious two-part adaptation has been mounted on a massive scale with cutting-edge visual effects and is being positioned as one of the most expensive and visually spectacular films ever produced in Indian cinema. The upcoming trailer is expected to provide audiences with their first detailed look at the film's storytelling, action sequences, and visual grandeur. With anticipation already soaring among moviegoers, the July 18 launch is likely to become one of the biggest promotional events of the year. Ramayana: Part 1 is scheduled to arrive in cinemas worldwide during Diwali 2026, while its second instalment is slated for Diwali 2027.

From Dhurandhar 2 To Karuppu: Top 5 Highest-Grossing Indian Films of The First Half of 2026 At Worldwide Box Office Bollywood
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From Dhurandhar 2 To Karuppu: Top 5 Highest-Grossing Indian Films of The First Half of 2026 At Worldwide Box Office

BY SACNILK

Mumbai, July 8 - The first half of 2026 has delivered a few blockbuster successes across the Indian film industry, with Hindi, Telugu, and Tamil cinema all contributing major hits at the global box office. While a handful of films crossed significant milestones worldwide, one title stood far above the rest in the form of Dhurandhar: The Revenge The Ranveer Singh-fronted spy actioner emerged as the undisputed box office champion, becoming the biggest Indian blockbuster of the year so far and one of the biggest of all-time with a phenomenal worldwide gross of over 1800 crore. The film continued to dominate the box office week after week and shattered several records for an Indian film. (adsbygoogle = window.adsbygoogle || []).push({}) Sunny Deol's Border 2 lit up the box office earlier this year, justifying the hype around the film with its superb trending. The war drama secured the second position on the list with an impressive 450 crore worldwide gross, reaffirming the enduring popularity of the border franchise and patriotic action dramas. Tamil superstar Suriya found his lost box office mojo with the Tamil blockbuster Karuppu emerging as one of the biggest Indian blockbusters of the year so far. The action drama continued its remarkable theatrical run for weeks to finish with 310 crore globally, becoming the actor's highest-grossing film by more than 2x margin. (adsbygoogle = window.adsbygoogle || []).push({}) Megastar Chiranjeevi also muscled his star power with the Telugu family entertainer Mana Shankara Vara Prasad Garu, and proved that he can still challange biggest of the stars of Telugu cinema with his unmatched aura and fan following even at the age of 70. The Anil Ravipudi directorial collected over 300 crores worldwide and is among the top 5 highest-grossing Indian films of the year so far. Meanwhile, the Indian box office also delivered rich results, thanks to blockbuster runs of the top 5 movies and beyond. With over 6500+ crores gross so far, it is turning out to be one of the biggest years for Indian cinema. With several big-ticket releases still scheduled for the second half of 2026, the race for the year's highest-grossing Indian film is far from over. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Highest-Grossing Indian Films of the First Half of 2026 S. No. Movie Industry Worldwide Gross 1 Dhurandhar: The Revenge Bollywood (Hindi) ₹ 1813.00 Cr 2 Border 2 Bollywood (Hindi) ₹ 450.00 Cr 3 Peddi Tollywood (Telugu) ₹ 340+ Cr 4 Karuppu Kollywood (Tamil) ₹ 310.00 Cr 5 Mana Shankara Vara Prasad Garu Tollywood (Telugu) ₹ 301.50 Cr

Ramayana India Distribution Rights Sold For 250 Crore or 350 Crore? Here Is What We Know Bollywood
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Ramayana India Distribution Rights Sold For 250 Crore or 350 Crore? Here Is What We Know

BY SACNILK

Mumbai, July 8 - Nitesh Tiwari's Ramayana: Part 1 continues to dominate headlines even months ahead of its theatrical release. Starring Ranbir Kapoor as Lord Rama, the epic has easily been the most anticipated Indian movie in the making, not just among fans but also in the trade, for its enormous box-office potential. (adsbygoogle = window.adsbygoogle || []).push({}) As the release date gets nearer, the film distribution race is heating up. Yesterday, Variety India reported that Karan Johar's Dharma Productions has acquired the all-India distribution rights to Ramayana Part 1 in a massive 250-crore deal. While the deal is huge, it started a conversation on social media about whether the rights were really sold for 250 crores, a significant but half of what the makers reportedly quoted, as earlier reports stated a staggering 500 crore demand. Now, according to the latest report by Bollywood Hungama, Dharma Productions has reportedly secured the theatrical distribution rights for 350 crore, making it the biggest distribution deal in Bollywood history. While the official announcement hasn't been made yet, the 350 crore deal looks more believable given the massive box office potential and the distribution demand of the makers. (adsbygoogle = window.adsbygoogle || []).push({}) Dharma Productions is reportedly preparing an extensive nationwide release strategy for the epic. The project, directed by Nitesh Tiwari and backed by Namit Malhotra, stars Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, Yash as Ravana, Ravie Dubey as Laxman, and Sunny Deol as Hanuman, among many others in prominent roles. Mounted on a massive budget and envisioned as a two-part cinematic saga, Ramayana is among the most anticipated Indian films in recent years. Produced by Prime Focus Studios and Monster Mind Creations, the first instalment is scheduled for a grand worldwide theatrical release during the 2026 Diwali festive season, while Ramayana Part 2 will release on Diwali 2027.

Dhamaal 4 Advance Booking: Rs. 1.61 Cr Gross Recorded; Can the Franchise Replicate its Winning Streak? Bollywood
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Dhamaal 4 Advance Booking: Rs. 1.61 Cr Gross Recorded; Can the Franchise Replicate its Winning Streak?

BY SACNILK

The Dhamaal franchise has built a legendary reputation for delivering high-octane laughter, and the upcoming fourth installment is currently one of the most anticipated releases of 2026. After several shifts in the release schedule to find the perfect window, the makers have finally settled on a release date of July 10. The anticipation is visible on platforms like BookMyShow, where over 125K people have already marked their interest in the film, making it one of the most tracked Indian movies of the year on IMDb. Looking at the initial advance booking reports, the film is starting to gain momentum across the country. For the first day, Dhamaal 4 has recorded an all-India gross of 33.79 Lac. When we include block seats, this figure jumps to a much more substantial 1.61 Cr. So far, the film has sold roughly 13,475 tickets for its opening day across 3,698 shows. While the real occupancy currently sits at 1 percent, these are early numbers and the pace is expected to pick up significantly as the release day approaches. (adsbygoogle = window.adsbygoogle || []).push({}) Maharashtra is currently leading the charts among states, with a gross of 8.48 Lac and a total including block seats of 36.12 Lac from 912 shows. Delhi follows closely with a gross of 6.72 Lac, reaching 36.46 Lac with block seats. In terms of major regions, the National Capital Region (NCR) and Mumbai are the primary drivers, contributing 6.72 Lac and 6.57 Lac respectively to the opening day tally. Other markets like Gujarat and Rajasthan are also contributing, with Gujarat showing a gross with block seats of 19.59 Lac from 700 shows and Rajasthan recording 11.1 Lac with block seats. The pressure on this fourth installment is high because the franchise has a perfect track record at the box office. The original Dhamaal was a Hit with an India net collection of 33.06 Cr and a worldwide gross of 51.30 Cr. Double Dhamaal followed that success with 44.10 Cr net and 71.00 Cr worldwide gross, also earning a Hit verdict. The stakes were raised significantly with Total Dhamaal, which collected a massive 155.67 Cr net in India and a worldwide gross of 232.18 Cr, making it a Superhit. With all three previous films being successful, the industry is watching closely to see if Dhamaal 4 can maintain this 100 percent success rate. (adsbygoogle = window.adsbygoogle || []).push({}) The plot this time around follows the classic boys on a wild quest for the Treasure of Life, but with a few supernatural twists involving pirates and ghosts. Ajay Devgn returns as a quirky IRS officer, leading the veteran ensemble of Riteish Deshmukh, Arshad Warsi, Jaaved Jaaferi, and Sanjay Mishra. Interestingly, the film is moving away from the franchise tradition of having no female leads. After Madhuri Dixit joined the third part, Dhamaal 4 features a larger female cast including Sanjeeda Shaikh, Esha Gupta, and Anjali Anand. Ravi Kishan also joins the chaos as a quirky pirate. The technical aspects of the film are also set for a smooth release. The Censor Board has granted a U/A 13+ certificate with a runtime of 2 hours and 23 minutes. While no scenes were cut, minor modifications were made to certain hand gestures and vocabulary to keep it family-friendly. On the music front, the soundtrack is already generating buzz. Songs like Chatni, which is a recreation of the popular track originally by Mamta Sharma, and Guru Randhawa's energetic track Qeher are trending heavily, adding to the overall excitement for the film's theatrical debut on July 10.

Rajkummar Rao's Sourav Ganguly Biopic Officially Titled Dada; Set for Worldwide Release on May 14, 2027 Bollywood
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Rajkummar Rao's Sourav Ganguly Biopic Officially Titled Dada; Set for Worldwide Release on May 14, 2027

BY SACNILK

Mumbai, July 8 - The makers of Rajkummar Rao-fronted highly anticipated biopic on former Indian cricket captain Sourav Ganguly have officially unveiled the film's title, first-look poster, and release date. Titled Dada - The Sourav Ganguly Story, the sports drama is set for a worldwide theatrical release on May 14, 2027. The announcement was made on July 8, coinciding with Ganguly's birthday, giving fans their first glimpse of Rajkummar Rao's transformation into one of Indian cricket's greatest icons. (adsbygoogle = window.adsbygoogle || []).push({}) The first-look poster recreates one of the most unforgettable moments in Indian cricket history—Sourav Ganguly waving his jersey from the iconic Lord's balcony after India's dramatic NatWest Trophy triumph in 2002. Rajkummar Rao is seen sporting Ganguly's signature hairstyle and physique, while the tagline, "He Didn't Just Play The Game, He Changed It," highlights the legendary captain's impact on Indian cricket. The poster has already received an overwhelmingly positive response across social media. Directed by acclaimed filmmaker Vikramaditya Motwane, Dada will chronicle Ganguly's inspiring journey from a young cricketer in Kolkata to becoming one of India's most influential captains. The film is expected to delve into his leadership during a transformative phase in Indian cricket, his fearless approach on the field, and the legacy he built for future generations. Rajkummar Rao reportedly underwent extensive cricket training and spent considerable time studying Ganguly's batting style, mannerisms, and personality to portray the role authentically. (adsbygoogle = window.adsbygoogle || []).push({}) Happy Birthday Dada!@SGanguly99 #RajkummarRao #VikramadityaMotwane#Dada #DadaTheSouravGangulyStory #DadaFirstLook pic.twitter.com/5eCWDvkKFA— Luv Films (@LuvFilmsLLP) July 8, 2026 Backed by Luv Films, the biopic has been mounted on a grand scale, with filming taking place at several iconic cricket venues, including Eden Gardens. The project has been one of the most eagerly awaited sports dramas in Hindi cinema ever since Ganguly confirmed Rajkummar Rao would play him on screen. With its title now officially revealed and the release date locked, Dada: The Sourav Ganguly Story has become one of the biggest Bollywood releases to look forward to in 2027. Cricket fans and moviegoers alike will be eager to see Rajkummar Rao bring the remarkable story of one of India's most celebrated captains to life when the film arrives in cinemas on May 14, 2027.