Thalapathy Vijay's 'GOAT' Confirms IMAX Release

By Sacnilk Team
August 9, 2024 at 12:03 PM IST
10.8K
1 min read
Thalapathy Vijay's 'GOAT' Confirms IMAX Release
Chennai, August 8 - As the anticipation is shooting up for Thalapathy Vijay's sci-fi action thriller The Greatest of All-Time, the makers have confirmed its release in IMAX in India and international markets.



Directed by Venkat Prabhu, GOAT is the second back-to-back movie of Vijay to secure an IMAX debut. The actor's last film, Leo was also released in this premium format and did decently at the box office and the same is expected from the upcoming movie.





The movie is produced by AGS Entertainment, and as per the rumoured synopsis, "The shadows of an unknown past resurface, destabilizing a special anti-terrorist squad and shaking their trust as buried secrets come to light". The movie is said to be inspired by a real event, however, details about the same are not known yet.





Scheduled to be released on September 5 in multiple languages, GOAT star Thalapathy Vijay in the dual role as a father and son alongside Meenakshi Chaudhary, Prashanth, Prabhu Deva, and Ajmal Ameer, among others in key roles.





Stay tuned...



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Published on August 9, 2024 at 6:33 AM

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Karuppu Box Office: Suriya's Action Drama Tops 300 Crore Worldwide To Become 10th Tamil Film To Do So Kollywood
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Karuppu Box Office: Suriya's Action Drama Tops 300 Crore Worldwide To Become 10th Tamil Film To Do So

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Karuppu Week 3 Box Office: Film Hits 150 Crore in Tamil Nadu; Eyes 300 Crore Worldwide After Recording 2nd Best 3rd Week in Kollywood Kollywood
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Karuppu Week 3 Box Office: Film Hits 150 Crore in Tamil Nadu; Eyes 300 Crore Worldwide After Recording 2nd Best 3rd Week in Kollywood

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Suriya's Vishwanath And Sons Reportedly Locks 100+ Crore Non-Theatrical and Theatrical Business Kollywood
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Suriya's Vishwanath And Sons Reportedly Locks 100+ Crore Non-Theatrical and Theatrical Business

BY SACNILK

Chennai, May 31 - Tamil superstar Suriya is on cloud nine after the blockbuster success of Karuppu, and his upcoming film Vishwanath And Sons is already generating strong buzz in the trade circles. The family comedy drama is scheduled to release this August, and the latest reports suggest that the film has secured a massive theatrical and non-theatrical deal. (adsbygoogle = window.adsbygoogle || []).push({}) According to the Tamil media reports, Vishwanath And Sons has reportedly locked over 100 crore in non-theatrical and overseas revenue, significantly strengthening the film's financial position ahead of its arrival in cinemas. The biggest contributor to the film's pre-release business is said to be its digital streaming rights. Reports indicate that the OTT rights have been sold for a whopping 85+ crore. In recent years, OTT deals have become a crucial revenue stream for big-budget Indian films, and Vishwanath And Sons appears to have secured one of the most notable digital agreements for a Suriya starrer. Apart from the digital rights, the film has reportedly fetched 12+ crore through its music rights, while the overseas distribution rights are said to have been sold for 15+ crore, indicating strong interest in international markets. (adsbygoogle = window.adsbygoogle || []).push({}) With the combined value exceeding 112 crore, the film has already recovered a substantial portion of its reported production cost of 120+ crores. With Tamil Nadu and the rest of India theatrical deals are yet to be locked, the makers are already in profit even before its big screen debut on August 14. The development also highlights the continued demand for star-driven Tamil films in the digital and overseas markets, where established actors like Suriya command considerable value. The numbers have already become a major talking point among trade observers, and if the film manages to generate strong theatrical revenues upon release, Vishwanath And Sons could emerge as a back-to-back major success for Suriya.

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BY SACNILK

The action-drama genre in Tamil cinema has found a fresh pulse with Blast, a film that combines a high-stakes martial arts core with a grounded narrative about a family's survival against corporate greed. The story follows Rajaraman, Neelaveni, and their fearless daughter Nila, whose intervention in a local harassment case leads them into a dangerous confrontation with a violent sand mining baron, Varun. This battle of karate versus criminal syndicates has clearly piqued the audience's interest, further bolstered by the thunderous Tamil debut of music director Ravi Basrur, who brings his signature sonic weight to the project. As we head into the conclusion of the first weekend, Blast has witnessed an extraordinary surge in its trajectory. It appears that positive word of mouth is doing the heavy lifting, as the film has managed to see a notable surge in footfalls every single day of its opening run. On its third day, this momentum delivered a massive shot of oxygen to the box office, with a net collection of 4.55 crore. This represents a staggering 111.6 percent growth compared to Saturday’s 2.15 crore, proving that Sunday has been a complete game-changer. This push brings the total India net collection to 7.95 crore within just three days, with the film playing across 2,294 shows on Sunday alone. The worldwide picture looks equally healthy for a mid-budget actioner. While the India gross has reached 9.13 crore, the overseas market contributed a solid 2.00 crore on Sunday, taking the total international gross to 4.05 crore. This brings the overall worldwide gross tally to 13.18 crore. When you consider that the film has sustained itself across a total of 5,911 shows so far, it is evident that the moolah is coming in from multiple territories with consistent momentum. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the state-wise breakdown for Sunday, Tamil Nadu remains the primary engine, contributing 3.00 crore gross to the kitty. However, the film is finding traction in neighboring states as well, with Kerala pulling in 80 lakhs and the Telugu market (APTG) adding another 75 lakhs. Karnataka saw a gross of 64 lakhs, while the rest of India contributed 4 lakhs, bringing the single-day India gross for Sunday to 5.23 crore. The Telugu version is also holding its own, particularly in Hyderabad, where overall occupancy stood at 32.5 percent. The ground-level occupancy in Tamil Nadu is particularly impressive, indicating strong word-of-mouth. Chennai led the charts with a 64.8 percent overall occupancy, peaking at a massive 85 percent for the night shows. Coimbatore followed closely with 58.5 percent occupancy. Even in smaller Telugu centers like Vijayawada and Vizag, the film maintained steady occupancy levels between 17 and 20 percent. The footfalls are also reflected on digital platforms, with BookMyShow recording 152,890 tickets sold in the last 24 hours, bringing the platform's total to nearly 249,000 tickets. In the national chains, the film saw a significant volume of ticket sales as well. PVR saw approximately 12,000 tickets sold, while INOX and Cinepolis contributed roughly 3,500 and 1,700 tickets respectively. This brings the total ticket count in these three major chains to 17,200 for the day. For a film marking Ravi Basrur's entry into the Tamil market, the initial response suggests that the combination of gritty action and martial arts training has successfully landed with the mass audience.

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Karuppu Box Office: Suriya's Film Tops 200 Crore Domestically As It Nears 300 Crore Worldwide and 150 Crore In Tamil Nadu

BY SACNILK

Chennai, May 30 - Suriya is enjoying one of the biggest box office triumphs of his career as Karuppu continues to dominate theatres across India and overseas markets. The fantasy action entertainer, directed by RJ Balaji, is marching towards a historic double milestone for the Tamil superstar at the domestic and worldwide box office. (adsbygoogle = window.adsbygoogle || []).push({}) After 15 days in theatres, Karuppu has grossed approximately 274 crore worldwide and 134 crore in Tamil Nadu, which are already record numbers for the Singam actor. The film opened to strong collections and maintained excellent momentum through its first two weeks, putting it firmly on course to cross 300 crore globally and 150 crore in its home state. The film has emerged as the biggest Tamil hit of 2026 (so far), drawing audiences across domestic and international markets. At the time of writing this piece, it has topped 200 crores at the Indian box office, becoming the first film for Suriya to do so, as Tamil Nadu remains the film's strongest territory. With 134 crore already collected in just 15 days, Karuppu is expected to comfortably surpass the 150 crore mark in the state over the coming days. (adsbygoogle = window.adsbygoogle || []).push({}) Overseas markets have also contributed significantly to the film's success, with 75+ crores in 15 days. Combined with its robust domestic performance, Karuppu has amassed 274 crore worldwide, leaving the coveted 300 crore milestone within touching distance. Given the trend, the movie is expected to breach the milestone at the end of the third week or during the 4th weekend. The film marks the first collaboration between Suriya and RJ Balaji and has delivered the actor one of the biggest box office successes of his career. Suriya's performance, coupled with the film's blend of action, fantasy and emotional drama, has resonated strongly with audiences.

Karuppu Day 15 Box Office: God Mode Starrer earns 3.73 Cr; hitting 200 Cr India Gross today Box Office
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Karuppu Day 15 Box Office: God Mode Starrer earns 3.73 Cr; hitting 200 Cr India Gross today

BY SACNILK

Karuppu has entered its third week at the box office with a steady performance, bringing its total India net collection to 171.40 crore. On its 15th day, which was the third Friday, the film earned a net of 3.25 crore across 3,024 shows in India. This figure marks a 34.3 percent drop from the 4.95 crore collected on the previous day. This is expected as the film has been enjoying a high momentum period for an extended time, and it is now settling into a more consistent pace for its long run, with natural ups and downs during the holiday period. The total India gross collection currently stands at 198.28 crore. Given the usual jump in footfalls during the weekend, the movie is guaranteed to cross the 200 crore gross mark in India by today, its 16th day. This puts Karuppu in an elite club of high-earning regional films that have managed to sustain interest deep into their theatrical run. Looking at the engagement on BookMyShow for this third Friday, Karuppu sold approximately 77,000 tickets. By doing so, it has surpassed many other blockbusters like Leo and GOAT and is trailing only behind Jailer and Amaran, which sold 135,000 and 115,000 tickets respectively on their third Fridays. While Karuppu is slightly behind these giants, its overall performance remains robust, with a total of 4,095,560 tickets booked on the platform so far. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of national cinema chains, the advance bookings for Day 15 showed focused interest. PVR led the contributions with 10,000 tickets, followed by INOX with 3,800 tickets and Cinepolis with 700 tickets. This brings the total across these major chains to 14,500 tickets, generating a gross of 21.53 lakhs. These numbers indicate that while the mass centers are driving the bulk of the revenue, the urban audience in multiplexes is still contributing to the daily totals. The regional breakdown highlights Tamil Nadu as the primary contributor, accounting for 2.90 crore of the 3.73 crore gross earned on Day 15. The Andhra Pradesh and Telangana markets added 0.50 crore, while Karnataka and Kerala contributed 0.20 crore and 0.12 crore respectively. In terms of language, the Tamil version remains the dominant force with a net of 2.85 crore, while the Telugu version brought in 0.40 crore. Cities like Chennai and Coimbatore maintain healthy occupancy rates at 32.8 percent and 27.8 percent, showing the film still has legs in its home state. In the Telugu market, Hyderabad had the highest show count, with the film running across 235 shows at an overall average occupancy of over 12 percent, followed by Vizag-Visakhapatnam with the film running across 63 shows at the same average occupancy level. Globally, Karuppu is also making its mark. The film collected 1.75 crore from overseas markets on Day 15, taking its total international gross to 75.75 crore. When we combine the domestic gross of 198.28 crore with the overseas earnings, the worldwide gross collection has reached 274.03 crore. With 76,385 shows completed across its run, the movie has successfully transitioned from a strong opening into a reliable hit that continues to draw audiences into the third week.

Blast Box Office Collection | All Language | Day Wise | Worldwide Box Office
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Blast Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK

Here is the Tamil movie Blast box office collection which is an action thriller film. This film is directed by Subash K. Raj and produced by AGS Entertainment. ## Blast stars Arjun Sarja, Preity Mukhundhan, and Abhirami in key roles. ## Blast Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Blast Budget: ₹ - Cr * Approx ## Blast Verdict: Coming Soon ## Blast Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 28th May 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.Blast State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Thursday]₹ 0.1 Cr₹ 0.3 Cr₹ 0.95 Cr₹ 0.06 Cr₹ 0.02 Cr₹ 1.43 CrDay 2 [1st Friday]₹ 0.23 Cr₹ 0.38 Cr₹ 1.6 Cr₹ 0.25 Cr₹ 0.01 Cr₹ 2.47 CrDay 3 [1st Saturday]₹ 0.64 Cr₹ 0.75 Cr₹ 3 Cr₹ 0.8 Cr₹ 0.04 Cr₹ 5.23 CrDay 4 [1st Sunday]₹ 0.63 Cr₹ 1 Cr₹ 3.75 Cr₹ 1.45 Cr₹ 0.07 Cr₹ 6.9 CrDay 5 [1st Monday]₹ 0.23 Cr₹ 0.55 Cr₹ 2 Cr₹ 1.35 Cr₹ 0.01 Cr₹ 4.14 CrDay 6 [1st Tuesday]₹ 0.3 Cr₹ 0.5 Cr₹ 1.85 Cr₹ 1.3 Cr₹ 0.01 Cr₹ 3.96 CrDay 7 [1st Wednesday]₹ 0.15 Cr₹ 0.3 Cr₹ 1.55 Cr₹ 1.15 Cr₹ 0.01 Cr₹ 3.16 CrDay 8 [2nd Thursday]₹ 0.11 Cr₹ 0.03 Cr₹ 1.19 Cr₹ 1 Cr₹ 0.01 Cr₹ 2.34 CrWeek 1 Gross₹ 2.39 Cr₹ 3.81 Cr₹ 15.89 Cr₹ 7.36 Cr₹ 0.18 Cr₹ 29.63 CrTotal₹ 2.39 Cr₹ 3.81 Cr₹ 15.89 Cr₹ 7.36 Cr₹ 0.18 Cr₹ 29.63 Cr ##

The Paradise Box Office War: Nani Set for a Historic Showdown Against Suriya, Dulquer, and Prithviraj This August Box Office
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The Paradise Box Office War: Nani Set for a Historic Showdown Against Suriya, Dulquer, and Prithviraj This August

BY SACNILK

The upcoming August 2026 box office window is shaping up to be one of the most crowded and high-stakes periods for South Indian cinema in recent memory. Within a span of just eight days, four major superstars are bringing their highly anticipated projects to the big screen. This lineup creates a massive logistical challenge for theater owners and a feast for moviegoers, but it also raises important questions about whether such a close release schedule is a benefit or a risk for the industry. The wave begins on August 14 with Suriya's Vishwanath and Sons. Directed by Venky Atluri, this film stands out from the rest as it is a nuanced family drama and sports-romance rather than a typical mass-genre entertainer. Suriya plays an international pistol-shooting champion in a bilingual project shot in both Tamil and Telugu. While it gets a head start by releasing almost a week earlier, it will need to maintain strong word-of-mouth to survive the onslaught of three massive action films arriving just days later. The real explosion happens on August 20, when two of Malayalam cinema's biggest stars, Dulquer Salmaan and Prithviraj Sukumaran, go head-to-head. Dulquer's I'm Game, directed by Nahas Hidayath, is a pan-Indian action-thriller exploring themes of cricket betting and fantasy gaming. On the same day, Prithviraj's Khalifa hits theaters. Subtitled The Bloodline, this underworld saga features an extended cameo by Mohanlal, which has already sent expectations soaring. These two films will compete directly for screen space in Kerala, Tamil Nadu, and international markets like the Middle East. (adsbygoogle = window.adsbygoogle || []).push({}) The pressure intensifies just 24 hours later on August 21, with the release of Nani's period action-drama, The Paradise. Directed by Srikanth Odela and featuring music by Anirudh Ravichander, this film is set in the 1980s slums of Secunderabad. While Nani is expected to dominate the Telugu states, the overlap with the other releases is undeniable. In an interesting twist, actress Kayadu Lohar finds herself as the female lead in both I'm Game and The Paradise, meaning she will literally be competing against herself at the box office on the same weekend. A clash of this magnitude acts as a double-edged sword for the industry. On the positive side, it creates a massive surge in overall footfalls, turning the weekend into a festival-like atmosphere. The wide variety of genres—ranging from Suriya's family sports drama to the gritty underworld themes of Khalifa and the period setting of The Paradise—ensures that there is something for every type of moviegoer. The real challenge, however, lies in how the screens are distributed once the word of mouth kicks in. Unlike a solo release where a hit can monopolize every screen in a city, these four films will have to fight to retain their shows from the very first day. An average film that might have survived in a solo window could see its screens replaced much faster in this scenario, as theaters will have three other high-demand alternatives ready to take over. It effectively becomes a survival of the fittest scenario where only the strongest content will thrive. Furthermore, the marketing costs for each production house will skyrocket as they fight for the audience's attention in a cluttered space. While Nani's The Paradise may hold the upper hand in the AP-TG region and Dulquer's I'm Game might lead in Tamil and Malayalam markets, the overlap in the Telugu-Tamil bilingual space for Suriya and the pan-Indian aspirations of the others will lead to a fragmented box office. Ultimately, the success of this August madness will depend on whether the quality of the content can sustain four different narratives simultaneously, or if one dominant film will eventually push the others out of the race.