BY SACNILK

The horror-comedy genre has become a powerhouse at the box office, with the Bhool Bhulaiyaa franchise leading the way in India. Following the massive success of the second and third installments, fans have been looking for any confirmation regarding Bhool Bhulaiyaa 4. While the return of Kartik Aaryan as the fan-favorite Rooh Baba seems like a foregone conclusion, director Anees Bazmee has shared some realistic insights into why the project has not officially taken off yet. In a recent conversation with Variety India, Bazmee explained that while there is significant interest in a fourth film, the biggest hurdle is the script. The director admitted that after three successful movies, the creative team has essentially covered every major angle possible within this universe. He noted that they even took the bold step of turning the hero into a Manjulika-like figure in the previous film, which leaves very little room for a fresh surprise. For Bazmee, the priority is to find a story that justifies a return rather than just making another film for the sake of the franchise. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the track record of the franchise, Bhool Bhulaiyaa 2 and Bhool Bhulaiyaa 3 were both major hits, establishing Kartik Aaryan as a reliable star for this specific genre. Bazmee described Aaryan as a hard-working director's actor who excels in comedy, and their rapport is a key reason why another collaboration is inevitable. The director has a history of building long-term working relationships with stars, having done multiple projects with Ajay Devgn, Salman Khan, and Akshay Kumar in the past. It is clear that the team is ready to move forward the moment a compelling narrative is locked in. While the search for a new Bhool Bhulaiyaa story continues, Bazmee is already busy finishing his next big project. This upcoming film is also a comedy and features a reunion with Akshay Kumar, with whom the director has worked on hits like Welcome and Singh Is Kinng. The cast also includes Vidya Balan and Raashii Khanna, making it one of the more anticipated comedies of the coming year. This shows that while the horror-comedy franchise might be on a temporary pause, the director remains focused on delivering high-energy entertainment for the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) Ultimately, the fate of Bhool Bhulaiyaa 4 rests on finding a great story that can live up to the legacy of its predecessors. Given that the previous films set such high benchmarks in terms of both humor and box office numbers, the caution from the makers is logical. Once a unique hook is found that can offer something new to the audience, the director has confirmed he would love to be back at the helm to continue the Rooh Baba saga.

BY SACNILK

Dhamaal 4 is steadily approaching the end of its first month at the box office, continuing to show resilience even as newer releases dominate the screen space. On its twenty-seventh day, which fell on a Wednesday, the film recorded a net collection of 0.55 crore rupees. This reflects a drop of approximately 31.3 percent compared to Tuesday's net of 0.80 crore rupees. While the numbers have naturally tapered off after four weeks, the film managed to sustain these collections across 2,317 shows nationwide. Taking a look at the cumulative performance, the total India net collection now stands at 163 crore rupees, with the domestic gross reaching 194 crore rupees. The international market has also chipped in, with Wednesday adding 5 lakh rupees to the tally. This brings the total overseas gross to 31 crore rupees. When we combine these figures, Dhamaal 4 has achieved a global gross collection of 224 crore rupees. This consistent performance over 188,383 shows globally indicates that the comedy franchise still holds significant appeal for its target audience. (adsbygoogle = window.adsbygoogle || []).push({}) Lets take a look on how much the national chains contributed, Collectively, PVR, INOX, and Cinepolis sold 2,000 tickets, resulting in a total gross of 4.5 lakh rupees and an average occupancy of 3 percent. Breaking this down with rounded figures, PVR contributed 2.2 lakh rupees from 800 tickets across 180 shows. INOX followed with 1.6 lakh rupees from 900 tickets across 180 shows, while Cinepolis added 0.7 lakh rupees from 300 tickets across 100 shows. These numbers match the total national chain gross of 4.5 lakh rupees for the day, showing that footfalls are now concentrated in specific pockets. In terms of audience engagement for the Hindi 2D version, the overall occupancy for the day was 15 percent. Looking at the day's progression, the film started slow with 9 percent occupancy in the morning and nearly 10 percent in the afternoon. However, there was a noticeable uptick as the day progressed, with evening shows hitting 15 percent and night shows peaking at 18 percent. This trend suggests that the film is currently being driven by late-night family outings and casual viewers. (adsbygoogle = window.adsbygoogle || []).push({}) Regionally, the National Capital Region remained the most active hub for the film, hosting 220 shows with an overall occupancy of 12 percent. In this region, the afternoon slots were the busiest at 16 percent. Ahmedabad followed with 210 shows at 7 percent occupancy, while Mumbai saw 115 shows with a 9 percent occupancy rate. In Mumbai, the afternoon screenings were the highlight, reaching 11 percent. Surat recorded a lower engagement with 130 shows at 3 percent occupancy, reflecting the general fatigue that sets in for a film in its fourth week. On the fourth Tuesday, BookMyShow recorded 17k tickets, which settled at 8k tickets on Wednesday. So far, the platform has facilitated the sale of over 28 lakh tickets for the film. As Dhamaal 4 enters its final stretch before the fifth week begins, it has successfully secured its position as a profitable venture, having maintained a steady hold on the box office throughout its month-long theatrical run.

BY SACNILK

Mumbai, August 6 - Bollywood star Ajay Devgn is reportedly reshuffling his release calendar, setting up one of the biggest box office battles of 2026. Devgn's jungle adventure Ranger has reportedly been postponed to 2027, with Golmaal 5 taking over its December 4, 2026 release date, according to Variety India. If the report proves accurate, the Rohit Shetty directorial will lock horns with Prabhas' Fauzi and Akshay Kumar's untitled comedy entertainer directed by Anees Bazmee. (adsbygoogle = window.adsbygoogle || []).push({}) The reshuffle significantly raises the stakes for the December corridor. While Golmaal 5 and Akshay Kumar's yet-to-be-titled film belong to the comedy genre, Fauzi, directed by Hanu Raghavapudi, is a large-scale period action drama led by Prabhas. The clash would offer audiences two commercial comedies against a pan-India action spectacle, making it one of the most diverse and highly anticipated box office battles in recent years. However, Golmaal 5's arrival (if official) could also trigger another major release change. Akshay Kumar is playing a major role in Rohit Shetty's comedy alongside Ajay Devgn. Releasing two Akshay Kumar-led commercial entertainers on the same day would split both the actor's fanbase and the comedy audience, making it an unlikely scenario. As a result, Anees Bazmee's untitled film is also a strong candidate to move to another release date, although no official decision has been announced yet. (adsbygoogle = window.adsbygoogle || []).push({}) If that happens, Prabhas' Fauzi could be left facing only Golmaal 5, turning the clash into a battle between one of Indian cinema's biggest comedy franchises and one of the country's biggest pan-India stars. Golmaal 5 boasts an ensemble cast featuring Ajay Devgn, Akshay Kumar, Arshad Warsi, Shreyas Talpade, Tusshar Kapoor, Kunal Kemmu and Sharman Joshi, who returns to the franchise after appearing in the original Golmaal: Fun Unlimited (2006). Meanwhile, Fauzi stars Prabhas alongside Imanvi, Anupam Kher, Mithun Chakraborty, Bhanu Chander and Jayapradha. The film carries high expectations following director Hanu Raghavapudi's critically acclaimed Sita Ramam and Prabhas' massive pan-India fan base. On the other hand, Akshay Kumar's untitled comedy with Anees Bazmee also stars Vidya Balan and Raashii Khanna. While the release calendar is yet to be officially finalised, the coming weeks are expected to bring clarity on whether Bollywood will witness a three-way blockbuster clash or another round of strategic postponements.

BY SACNILK

Here is the Telugu movie DC (Tamil) box office collection which is a Action Crime Romantic film. This film is directed by Arun Matheshwaran and produced by . ## DC (Tamil) stars , Lokesh Kanagaraj, Wamiqa Gabbi, Avinash Raghudevan, Kasthuri Raja in key roles. ## DC (Tamil) Review ## DC (Tamil) Review: What Public Has To Say About This Movie ## DC (Tamil) Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## DC (Tamil) Budget: ₹ 1 Cr * Approx ## DC (Tamil) Verdict: Coming Soon ## DC (Tamil) Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 7th August 2026 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.

BY SACNILK

Chennai, August 5 - Thalapathy Vijay's Jana Nayagan has reportedly locked its OTT release date after its theatrical run is slowing down. Directed by H. Vinoth, the political action drama is set to debut on digital platforms later this month, giving fans another opportunity to watch the superstar's final film. According to the latest update, Jana Nayagan will stream on ZEE5 starting August 21, 2026. The film was initially expected to arrive on Amazon Prime Video after reports of a lucrative digital rights deal. However, those plans reportedly changed following multiple release delays and other factors, with ZEE5 eventually acquiring the streaming rights. (adsbygoogle = window.adsbygoogle || []).push({}) Released in theatres on July 23, Jana Nayagan opened to huge anticipation but received largely negative reviews from critics and audiences. Despite the poor word of mouth, the film managed to cross the 300 crore mark worldwide, driven primarily by Vijay's massive fan following. However, the collection was well below the expectations associated with the superstar's final film and is widely regarded as a disappointing theatrical performer. Produced by KVN Productions, Jana Nayagan stars Thalapathy Vijay alongside Pooja Hegde, Bobby Deol, Prakash Raj, Gautham Vasudev Menon, Priyamani, Mamitha Baiju, and Narain in pivotal roles. With its OTT premiere now confirmed, the film will look to find a wider audience on streaming after an underwhelming run in cinemas. (adsbygoogle = window.adsbygoogle || []).push({})

BY SACNILK

Yash Raj Films has officially stepped into the independent music scene with the launch of Raah Records. This new label and artist incubator is designed to discover and develop original Indian music talent specifically outside the realm of film soundtracks. For a studio that has defined the sound of Bollywood for over five decades, this move represents a logical expansion into the booming non-film music ecosystem. The label is starting its journey with the release of Jaadugari, a debut single by singer-songwriter Aman, which is scheduled to drop across major streaming platforms on August 5th. What makes this launch interesting is the approach behind it. Rather than a quick commercial release, Aman has reportedly spent nearly a year within the YRF incubator system. This allowed the artist to refine his sound and songwriting with professional support before facing the public, highlighting the label's commitment to quality over speed. (adsbygoogle = window.adsbygoogle || []).push({}) Akshaye Widhani, the CEO of Yash Raj Films, has emphasized that Raah Records is built on the philosophy of nurturing careers rather than just launching marketing campaigns. He noted that as the independent music space in India grows, artists need a foundation built on trust and time. By providing a structured environment that includes world-class production and strategic marketing, the studio intends to give emerging musicians a creative home where they can grow into their authentic selves without the pressure of cinematic requirements. The venture is being led by Nakul Sharma, who serves as the Senior General Manager of Music Management at YRF. Sharma has been a key figure in developing the incubator model, which focuses on every step of the artistic journey, from the initial songwriting phase to the final creative direction. He believes that standing beside an artist throughout their development is essential for long-term success. This artist-first approach is expected to define the label's roster as it expands in the coming months. (adsbygoogle = window.adsbygoogle || []).push({}) This initiative places YRF at the forefront of the evolving digital landscape in India. As streaming platforms continue to democratize music consumption, the demand for high-quality independent tracks is at an all-time high. By leveraging its vast industry experience and infrastructure, YRF is positioning Raah Records as a serious competitor in the non-film music space, offering a professional platform for a new generation of Indian voices.

BY SACNILK

The silent war for India's cinematic real estate has shifted from the ticket counter to the negotiation table as OTT giants issue a high-stakes ultimatum to Bollywood. While South Indian cinema has long embraced a lean 28-day theatrical-to-digital cycle, the Hindi film industry remains tethered to a rigid eight-week mandate. Now, streaming heavyweights like Netflix and Amazon are turning up the heat, essentially telling Hindi producers to cut the theatrical window in half or prepare to see their lucrative digital checks vanish. It is a fiscal standoff that is quickly redefining the financial architecture of the industry. The latest case study in this digital-first strategy is the Tamil romantic drama Idhayam Murali. Starring Atharvaa, Kayadu Lohar, and Preity Mukhundhan, the film is slated for a Netflix premiere on August 7, 2026, marking a precise 28-day transition from its theatrical debut. This four-week pivot serves as a vital recovery mechanism for projects that find themselves squeezed by relentless competitive pressure; the film's theatrical momentum was notably disrupted when the arrival of Jana Nayagan caused its screen count to shrink drastically. For Idhayam Murali, which was produced on a budget hovering between 25 crore and 26 crore rupees, the digital safety net has effectively supplanted the box office as its most bankable asset. (adsbygoogle = window.adsbygoogle || []).push({}) A deep dive into the box office numbers reveals why these OTT deals are now the lifeblood of mid-budget cinema. During its theatrical run, Idhayam Murali achieved a worldwide gross collection of 31.80 crore rupees, supported by an overseas contribution of 8.25 crore rupees. Domestically, the film managed an India gross of 23.55 crore rupees and an India net of 20.36 crore rupees. However, with a theatrical break-even target set at 25 crore rupees, the film fell approximately 4.64 crore short of its domestic target. While categorized as an average performer on the big screen, the film is expected to find its second wind on the streaming platform, where it will debut in Tamil along with dubbed versions in Telugu, Malayalam, Kannada, and Hindi. This trend highlights the growing friction in the North. OTT giants are no longer willing to pay premium prices for content that has been sitting in theaters for two months, arguing that the marketing heat cools off significantly after the first 30 days. The demand is simple: adapt to the South model or forget the big money. For Hindi producers, this creates a dizzying dilemma. Shortening the window risks the ire of multiplex chains that rely on exclusivity to drive footfalls, but holding out for eight weeks threatens to devalue their digital rights in an era where streaming revenue often dictates a project's profitability. (adsbygoogle = window.adsbygoogle || []).push({}) Idhayam Murali's journey from a modest theatrical run to a massive five-language global rollout on Netflix serves as a harbinger of things to come. As the lines between the big screen and the living room continue to blur, the eight-week window is starting to look like a relic of a bygone era. Whether Bollywood will blink first remains to be seen.

BY SACNILK

Rashmika Mandanna is learning the hard way that even the National Crush has a breaking point. After a series of back-to-back freak accidents, the actress took to social media to reveal a significant setback sustained on the sets of her upcoming project, Mysaa. The injury, which involves a detached tendon on her right hip, occurred during an intense dance shoot for what she describes as the most aggressive film of her career. The medical reality of the situation is quite technical, as Mandanna explained that one of the four tendons connecting her hip to her leg has detached and requires time to reattach naturally. This forced hiatus is a rare moment of stillness for an actress who famously treats her body like a machine, training and running like a beast to maintain her peak physical form. While she is currently trading the gym for puzzles and joking about her transition into a dessert monster, the industry is eyeing the recovery timeline closely given her packed professional calendar. (adsbygoogle = window.adsbygoogle || []).push({}) The film at the center of this incident, Mysaa, has been generating significant underground buzz as a high-octane venture that pushes Mandanna into a new territory of performance. Directed by Rawindra Pulle, the project is rumored to be a gritty, performance-oriented drama that demands both emotional depth and physical rigour. The aggressive nature of the shoot mentioned by the actress suggests that Mysaa will be a stark departure from her more traditional commercial outings, positioning her as a versatile lead capable of carrying intense, action-oriented narratives. This injury comes at a high-stakes juncture in Mandanna's career, as she navigates a post-Pushpa 2 landscape where her status as a pan-Indian A-lister is already cemented. With the global frenzy of Srivalli now a part of box office history following the film's massive 2024 release, her focus has shifted to a slate that is as diverse as it is demanding. Topping the current buzz is Mysaa, the very project that pushed her to this physical breaking point. Described as her most aggressive venture to date, Mysaa is expected to unveil a grittier, more physically taxing side of the actress that audiences have not yet witnessed. Also appearing on her professional timeline is Ranabaali, a period action epic that carries its own set of high expectations. The film features a powerhouse ensemble, headlined by her husband Vijay Deverakonda alongside international veteran Arnold Vosloo, whose presence adds a significant layer of commercial weight and global energy to the production. (adsbygoogle = window.adsbygoogle || []).push({}) Hie guyssss!🥰❤️Injuries suck.. 😩 and I was really hoping that no one will get to know.. but well 🐒🤷🏻‍♀️Sorry I’ve been MIA 🐒 but hieeee! I’m hereeee!🙋🏻‍♀️😁It happened awhile ago ya and this is my 3rd injury back to back.. 🤦🏻‍♀️ I should definitely learn to treat my body like a… pic.twitter.com/yJj70yEyAE— Rashmika Mandanna (@iamRashmika) August 3, 2026

BY SACNILK

The Tamil film industry is currently buzzing with the surprise announcement of Ajith Kumar's next project, titled Dare Devil. This reveal comes as a special tribute to celebrate the actor's 34-year journey in the world of cinema. Director Adhik Ravichandran, who is currently working on another project with the star, took to social media to unveil the title along with a striking poster featuring dice spelling out the name. What makes this project even more significant is the production house; the film is being produced by Shalini Ajith Kumar under the newly formed Bravehearts Production banner, marking a major personal and professional milestone for the family. Ajith Kumar had a highly active 2025, delivering two major theatrical releases. His year began with the February release of the Magizh Thirumeni directorial Vidaamuyarchi, which achieved a worldwide gross of approximately ₹135.89 crore. He followed this with the massive success of Good Bad Ugly, directed by Adhik Ravichandran. Good Bad Ugly emerged as one of the highest-grossing films of 2025, earning a worldwide gross of ₹248.25 crore and being declared a commercial Hit. With the announcement of Dare Devil, Ajith is set to continue this momentum, reuniting with the director of his most recent box office success. (adsbygoogle = window.adsbygoogle || []).push({}) The technical crew for Dare Devil suggests a high-octane commercial entertainer. Anirudh Ravichander has been roped in to compose the music, marking a quick reunion with Ajith Kumar following their collaboration on the 2025 film Vidaamuyarchi. Given Anirudh's track record, his presence is expected to deliver a chart-topping soundtrack and a significant boost to the film's pre-release buzz. The cinematography will be handled by Abinandhan Ramanujam, while Editor Vijay and stunt choreographer Supreme Sundar are also part of the core team. Adhik Ravichandran's recent dominance at the box office with the 2025 hit Good Bad Ugly has established him as a director who truly understands the pulse of the masses, making this new collaboration one of the most anticipated announcements in Kollywood. The choice of title, Dare Devil, fits perfectly with Ajith’s real-life persona as an adventure enthusiast and a risk-taker. Throughout his 34 years in the industry, he has built a massive fan base solely through his screen presence and the quality of his films, famously sticking to a no-promotions policy for over a decade. As the poster for Dare Devil circulates on social media, the dice aesthetic hints at a possible gambling or heist-related sub-plot, similar to some of his most loved characters in the past. 34 years of breaking barriers, inspiring millions, and redefining stardom. A journey built on passion, perseverance, and unmatched charisma-💥🎲 #DareDevil 🎲💥 is here , This is going to be very Special❤️🙏🏻 Thank you My Sir🙏🏻 #Ajithkumar sir for the Trust & Support❤️🙏🏻Thank you… pic.twitter.com/rW71vGZmTW— Adhik Ravichandran (@Adhikravi) August 3, 2026

BY SACNILK

The landscape of Indian film music is set for a major transformation as Excel Entertainment founders Ritesh Sidhwani and Farhan Akhtar have officially announced the launch of their dedicated music label, Excel Music. This move marks a significant expansion for the production house, which has been behind some of the most iconic and trend-setting soundtracks in Bollywood history, from Dil Chahta Hai and Rock On!! to Gully Boy. By launching a dedicated label, Excel is looking to take complete creative control over its musical scores while also creating a platform for other independent filmmakers across India. The development is not just a solo venture; it comes with a heavyweight global backing. Universal Music Group (UMG) has joined as a strategic shareholder in the label. Beyond just being a shareholder, UMG will serve as the marketing and distribution partner for Excel Music, ensuring that the label's content has a massive reach both domestically and on international streaming platforms. This partnership suggests a high level of corporate confidence in Excel’s ability to produce hit music that resonates with a global audience. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of the debut project, the label is starting with a massive brand. The first official release under Excel Music will be the soundtrack album for Mirzapur The Movie. This is a highly anticipated project as the fan-favorite franchise makes its transition from the OTT space to the big screen. The film is currently slated for a theatrical release on September 4, 2026. Given the gritty and intense musical legacy associated with the Mirzapur series, the soundtrack is expected to be a major talking point for the label's launch. Excel Music is designed to be more than just an in-house label for Farhan and Ritesh's own productions. While it will certainly be the home for all original film soundtracks and scores from the Excel Entertainment slate, the founders have clarified that the label will also release music from films produced by other leading filmmakers and production houses across the country. This positioning puts Excel Music in direct competition with established giants like T-Series, Zee Music, and Sony Music India. (adsbygoogle = window.adsbygoogle || []).push({}) For those who have followed Excel's journey, this move seems like a natural progression. The production house has always prioritized a unique sound, often blending indie sensibilities with commercial appeal. By bringing in Universal Music Group as a stakeholder, they are essentially creating a bridge between Indian cinematic music and global distribution standards. It remains to be seen how this will impact the traditional deal-making process between filmmakers and music labels, but for now, Excel Music has made one of the loudest entries into the market in recent years.

BY SACNILK

Mumbai, July 31 - After delivering success with Welcome To The Jungle, superstar Akshay Kumar and director Ahmed Khan are gearing up to collaborate once again. The filmmaker has confirmed that the duo is actively discussing their next project, with several ideas currently in development. While nothing has been officially finalised, Ahmed Khan revealed that both he and Akshay are eager to continue their successful partnership. Speaking about their plans, Ahmed Khan shared that he has multiple scripts in place for Akshay Kumar. According to the director, four different concepts are being discussed, ranging across action, comedy, and romance. The team is taking its time to identify the strongest script before making an official announcement, ensuring that their next venture lives up to the expectations created by Welcome To The Jungle. (adsbygoogle = window.adsbygoogle || []).push({}) The collaboration between Akshay Kumar and Ahmed Khan has been built on years of friendship and mutual trust. Their latest film, Welcome To The Jungle, brought together an ensemble cast and struck a chord with audiences, emerging as a box office success. The positive reception has further strengthened their confidence in working together again, making another collaboration a natural progression. Although details regarding the title, cast, and production schedule are being kept under wraps, Ahmed Khan indicated that an announcement could be made once the script is locked. With four promising ideas already on the table and both the actor and director keen to reunite, fans can look forward to another big-screen entertainer from the successful duo in the near future.

BY SACNILK

The trailer for DC, also known as DC: The Bloody Valentine, has finally landed, and the buzz on social media suggests that the audience is ready for something very raw. This project is particularly interesting because it features Lokesh Kanagaraj, the mastermind behind the Lokesh Cinematic Universe, stepping in front of the camera as the lead actor. Directed by Arun Matheswaran and backed by Sun Pictures, the film promises a gritty experience that is quite different from the usual commercial fare. The strategy behind the release date is quite logical. Initially planned for a late-July slot, the makers decided to move the film to August 7, 2026. This was done to ensure that Thalapathy Vijay's massive release, Jana Nayagan, which hit theaters on July 23, had enough breathing room at the box office. Interestingly, Lokesh himself made a cameo appearance in Jana Nayagan, showing the strong camaraderie between the director and the actor-politician before he prepares to lead his own film. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the trailer highlights, the story follows two outcasts, Devadas played by Lokesh and Chandra played by Wamiqa Gabbi. They find themselves on a violent run after a police officer seeks revenge for a fallen colleague. The narrative also introduces a gang of criminals who have stolen a stash of discarded weapons, a theme that feels very familiar to fans of Lokesh's previous works like Vikram. To elevate the intensity, director Arun Matheswaran has opted for high-contrast black-and-white visuals for the action scenes, which has earned the film an A certification from the censors due to the raw action sequencing. The musical score is handled by Anirudh Ravichander, who seems to have delivered a high-energy background that matches the film dark aesthetic. Lokesh is currently in a very busy phase of his career. Having delivered the Rajinikanth starrer Coolie in 2025, he is now balancing his acting debut while preparing for his official Telugu debut with Allu Arjun in a project currently referred to as AA23. Watch the trailer here: Public interest is already visible on digital platforms. Ahead of its August 7 release, over 14,000 users have already marked themselves as interested on BookMyShow India. With the heavy competition from July now starting to settle, DC: The Bloody Valentine is well-positioned to attract the target audience that enjoys intense, stylised action dramas. It remains to be seen if Lokesh the actor can match the massive success of Lokesh the director.