BY CHRISTA LINCY

The Dhamaal franchise has built a significant legacy over the last seventeen years, and the fourth installment is currently proving that there is still plenty of mileage left in its signature slapstick humor. Featuring the returning ensemble of Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, the film has managed to recapture the family audience that turned the previous chapters into major hits. The standout milestone in its current run comes from the international market, where the film has officially crossed the 1 million dollar mark in North America. This achievement, paired with a resilient second-week performance in India, confirms that the brand's appeal remains intact even after nearly two decades since the original film's release. According to Venky Box Office, Dhamaal 4 collected 20,000 dollars [₹16.6 lakhs] on Monday, bringing its total in North America to 993,000 dollars [₹8.24 crore]. Given that the film added another 0.40 crore rupees [~$48,000] to its total overseas gross on Tuesday, it has now officially surpassed the 1 million dollar milestone in this territory. (adsbygoogle = window.adsbygoogle || []).push({}) In the domestic market, the film registered a notable recovery on its second Tuesday. It collected a net of 4.00 crore rupees, which is a 23.1 percent jump from the 3.25 crore rupees earned on Monday. This mid-week growth across its 8,533 shows has pushed the total India net collection to 131.75 crore rupees. The total India gross now stands at 156.80 crore rupees, reflecting a resilient run for a sequel during its second week in cinemas. Looking at the global performance, the overseas gross has reached 22.30 crore rupees after adding 40 lakhs on day 12. Combined with the domestic numbers, the worldwide gross for Dhamaal 4 has reached 179.10 crore rupees. The film is now logically positioned to cross the 200 crore mark globally if it maintains this level of stability over the coming weekend shows. (adsbygoogle = window.adsbygoogle || []).push({}) Audience engagement on digital platforms remains strong, as seen in the daily BookMyShow ticket sales. The film sold 69,450 tickets on its second Tuesday, which is a clear improvement over the 53,070 tickets sold on Monday. This brings the total tracked tickets on the platform to over 2.31 million. In terms of season rankings for the 2025-26 period, Dhamaal 4 currently holds the tenth spot for highest second Tuesday ticket sales, trailing just behind Housefull 5 and Bhooth Bangla. The occupancy trends for day 12 show a clear preference for late-day viewing among the urban audience. The overall occupancy started at a modest 5.77 percent in the morning and climbed to a peak of 24.38 percent for the night shows. Regionally, the National Capital Region led the way with 25.8 percent occupancy across 761 shows. Mumbai followed with 19 percent, while Bengaluru saw a healthy 17.8 percent. Even in major regions like Ahmedabad and Lucknow, the film maintained steady double-digit occupancy, which is a positive indicator for its longevity. (adsbygoogle = window.adsbygoogle || []).push({}) In the national multiplex chains, including PVR, INOX, and Cinepolis, the film recorded a gross advance of 12 lakhs from 6,650 tickets. While the advance numbers were relatively quiet, the actual theater walk-ins throughout the day were far more substantial, helping drive that 4 crore net finish. This difference shows that a significant portion of the audience is still opting for spot bookings at the counter, especially for evening and night slots. As the film moves forward, these steady numbers suggest it still has enough momentum to reach its next major financial milestone.

BY SUNIT JANGIR

Mumbai, July 22 - Reports claiming that Aamir Khan's 2009 blockbuster 3 Idiots was set to return to theatres on September 4, 2026 created a wave of excitement among fans earlier this week. Several media outlets reported that the Rajkumar Hirani directorial would be re-released following NH Studioz's reported acquisition of the Vidhu Vinod Chopra Films catalogue, with the Teachers' Day weekend being touted as the perfect occasion for the film's comeback. (adsbygoogle = window.adsbygoogle || []).push({}) However, those reports have now been officially denied. Vidhu Vinod Chopra Films has issued a statement (via Variety India) clarifying that the news of 3 Idiots returning to cinemas is "false and factually incorrect". The production house urged fans and members of the media to rely only on announcements made through its verified official channels, effectively putting an end to the speculation surrounding the film's reported September re-release. The re-release rumours gained significant traction as 3 Idiots returned to the headlines following Aamir Khan's recent comments at the London Indian Film Festival. Addressing a long-standing belief, the actor clarified that his iconic character Rancho was not based on activist Sonam Wangchuk, despite years of speculation. The renewed public interest in the film, coupled with reports of a theatrical comeback, led many fans to believe that an official announcement was imminent. (adsbygoogle = window.adsbygoogle || []).push({}) While the theatrical re-release has now been ruled out, 3 Idiots remains one of the most celebrated films in Indian cinema. The Rajkumar Hirani directorial, starring Aamir Khan, R. Madhavan, Sharman Joshi, Kareena Kapoor Khan and Boman Irani, continues to enjoy immense popularity more than 16 years after its release. Fans can also look forward to the franchise's future, with Rajkumar Hirani previously confirming that a sequel is in development, although no release timeline has been announced yet.

BY CHRISTA LINCY

It is rare to see a superstar walk away from the screen while at the absolute peak of his career, but that is the reality facing the industry as Thalapathy Vijay prepares for his 69th and final film, Jana Nayagan. Over the last thirty years, he has transformed from a newcomer who faced immense early criticism into the most vital commercial force in Tamil cinema. His journey wasn't an overnight success; it was a decades-long evolution into a powerhouse whose releases now single-handedly sustain the entire theatrical ecosystem. The early 90s were far from easy for Vijay. Starting with Naalaiya Theerpu in 1992, he faced significant criticism regarding his looks and acting ability. For the first few years, he was primarily seen as a star-son being pushed by his father, director S.A. Chandrasekhar. The turning point came in 1996 with Poove Unakkaga. It was the first time the audience saw him as a vulnerable, romantic lead rather than an action hero. This film ran for over 250 days in theaters and established his massive female fan base, a demographic that remains his biggest strength even today. (adsbygoogle = window.adsbygoogle || []).push({}) For the generation that grew up in the late 90s, the nostalgia isn't just about the mass action; it is about the emotional vulnerability he brought to films like Love Today and Thulladha Manamum Thullum. Before he was the Thalapathy who could destroy armies, he was the Ilaya Thalapathy who made audiences weep with a single look of heartbreak. Whether it was his chemistry with Simran in Priyamanavale or the comedic timing he shared with Suriya in Friends, this era cemented his image as the lovable, relatable youth who felt like a brother or a friend to the audience. By the late 90s and early 2000s, films like Kadhalukku Mariyadhai and Kushi turned him into a romantic icon. However, the Vijay we see today—the mass hero who can single-handedly pull in 100 crore in a single weekend—was born in 2004 with Ghilli. According to trade archives, Ghilli was the first film to set the record for becoming the highest grossing non-Malayalam film in Kerala at the time, shattering records held by veterans. It was a cultural shift; he transitioned from the boy-next-door to the invincible hero of the masses. This era saw hits like Pokkiri, but it also led to a period of stagnation between 2007 and 2010 where repetitive scripts caused a dip in his market value. (adsbygoogle = window.adsbygoogle || []).push({}) You cannot talk about the Vijay legacy without mentioning the music that defined an entire era of Tamil pop culture. From the infectious energy of Appadi Podu in Ghilli to the viral craze of Vaathi Coming in Master, his films have consistently been the heartbeat of every celebration in the state. His evolution as a dancer—effortless, rhythmic, and charismatic—created a unique 'Vijay style' that fans across generations have tried to imitate. It wasn't just about the choreography; it was about the joy he radiated on screen, often making the theater feel like a giant dance floor. The Evolution of the Thalapathy BenchmarkFILM NAMEBOX OFFICE MILESTONEPoove Unakkaga (1996)250-Day Silver JubileeGhilli (2004)Becomes The Highest-Grossing Re-Release FilmThuppakki (2012)First ₹100 Cr Club entryMersal (2017)First ₹250 Cr GrosserLeo (2023)₹600 Cr+ Worldwide Gross (adsbygoogle = window.adsbygoogle || []).push({}) The modern era of Vijay's filmography began with Thuppakki in 2012. This film didn't just bring him back to the top; it modernized his image. Working with AR Murugadoss, Vijay moved away from the loud, rural mass hero to a sophisticated, urban soldier. Thuppakki was his first entry into the 100 crore club, a benchmark he now hits with almost every release regardless of the film's reviews. From 2017 onwards, starting with Mersal, his box office trajectory went vertical. He began competing with the numbers of Bollywood superstars and Rajinikanth, eventually reaching a career peak with Leo, which currently stands as his highest worldwide grosser at over 600 crore. Logically, the decision to leave cinema at this peak is unprecedented. Usually, stars transition when their market value starts to fade, but Vijay is leaving at a point where his films contribute roughly 26 percent of the industry's annual turnover. Films like Master and Varisu proved that even during a pandemic or alongside major festival clashes, his films have a guaranteed floor of 200-300 crore. As we move toward the release of Jana Nayagan, it isn't just about the numbers anymore; it is the final chapter of an actor who spent three decades perfecting the art of the commercial blockbuster. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the numbers, it is the small mannerisms and catchphrases that have etched themselves into the collective memory of fans. The iconic Im Waiting from Thuppakki, the playful Oru Kutti Kathai sessions in his later films, or even the subtle silence before a massive action set-piece—these moments became a shorthand for his screen presence. Looking back, his career is a highlight reel of these signature beats that turned simple commercial cinema into a shared cultural experience, proving that his connection with the people went far deeper than just ticket sales. The legacy he leaves behind is one of incredible consistency. While actors like Kamal Haasan or Rajinikanth changed the grammar of cinema, Vijay focused on the business of cinema, ensuring that every time his name appeared on a poster, the theaters would stay full. Whether Jana Nayagan manages to topple the records of Leo or Coolie is a question for the trackers, but for the fans, it represents the end of an era where a single name could guarantee the survival of the theatrical market.

BY CHRISTA LINCY

The Bhool Bhulaiyaa franchise has managed something rare in Hindi cinema: a perfect 100 percent hit record across three films. Following the success of the recent installments, Bollywood Hungama reports that producer Bhushan Kumar is now moving forward with plans for Bhool Bhulaiyaa 4. The focus is currently on developing the right core idea to ensure this remains one of the most successful horror-comedy series in the country. The core team that delivered the recent blockbusters is set to return. Reports suggest that Kartik Aaryan is already involved in the creative process to crack the perfect plot for the fourth installment. Furthermore, the legendary comedy filmmaker Anees Bazmee is in talks to return to the director's chair. While Bazmee is currently busy with a project starring Akshay Kumar, he is expected to dive into the development of Bhool Bhulaiyaa 4 right after. The makers are currently eyeing the second half of 2027 to take the film on floors, ensuring they have enough time to match the massive expectations set by the previous chapters. (adsbygoogle = window.adsbygoogle || []).push({}) The journey started in 2007 with Akshay Kumar, where the first film earned a solid 49.11 crore net in India and a worldwide total of 82.35 crore, earning a Superhit verdict. Fast forward to 2022, and Kartik Aaryan took over as Rooh Baba in the second part. That film was a major turning point, collecting 184.32 crore net in India and 265.50 crore worldwide. It was a massive Blockbuster that proved the franchise could thrive even with a change in lead actors. The trend continued upward with the third part in 2024, which skyrocketed to a 260.11 crore net collection in India and reached the 400 crore milestone worldwide. Logically, the jump from an 82 crore worldwide total to over 400 crore shows that the brand value of Bhool Bhulaiyaa has expanded exponentially. Much of this credit goes to the Rooh Baba era. Kartik Aaryan's portrayal of the quirky ghost-hunter completely redefined his career trajectory, making him a household name for families and children alike. The third installment also played a masterstroke by bringing back the original 2007 Manjulika, Vidya Balan, and pairing her with Madhuri Dixit for a dual-Manjulika twist that generated massive pre-release buzz. (adsbygoogle = window.adsbygoogle || []).push({}) While the star power remains the face of the film, the franchise's secret weapon is its permanent comic backbone. The recurring presence of Rajpal Yadav as Chhote Pandit, along with Sanjay Mishra and Ashwini Kalsekar, provides a sense of continuity that fans have grown to love. With Triptii Dimri adding significant commercial romantic value in the recent threequel, the blueprint for the fourth film seems clear: high-octane horror, family-friendly humor, and a plot that pays homage to the original roots while pushing the box office boundaries. If the 2027 timeline holds, the industry might be looking at its next 500-crore contender.

BY CHRISTA LINCY

The North American market has evolved into a major test of global reach for Tamil cinema, often proving just as important as the domestic run. While the home performance in Tamil Nadu is always the core focus, the premiere numbers from the USA and Canada now offer a real look at a film's international appeal. Later last year, Coolie set an incredible benchmark in this region, essentially creating a new standard for what a blockbuster opening looks like for Kollywood overseas. According to data from Venky Box Office, Coolie achieved an opening that was in a league of its own. It pulled in a staggering 3.95 million dollars on its North American opening day, with the premiere shows alone accounting for 3.04 million dollars. What made this even more impressive was the crossover appeal; the Telugu version itself contributed over 1 million dollars to those premiere numbers. This established Coolie as the undisputed number one in the territory, far surpassing the previous benchmarks set by Kabali and Leo. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Tamil Movie Premieres - North AmericaMOVIE NAMEPREMIERE GROSS (USD)Coolie (2025)$3.04 MillionKabali$1.92 MillionLeo$1.86 MillionPS1$1.10 MillionGOAT (2024)$1.09 Million Now, looking at the detailed breakdown for Thalapathy Vijay’s latest outing, Jana Nayagan, the final advance tracking for the USA premieres shows a gross of 280,693 dollars [₹2.71 crore] across 356 locations and 719 shows. When you expand this to the total North American territory, the premiere advance stands at 455,000 dollars [₹4.39 crore]. If we look at the specific state-wise data, Texas remains the strongest market for the film, contributing over 60,000 dollars [₹57.9 lakhs], followed by New Jersey and Illinois. Interestingly, the standard 2D format is driving almost all the revenue, with 271,673 dollars [₹2.62 crore] coming from those shows compared to just 9,000 dollars [₹8.68 lakhs] from PLF formats. Cinemark has also emerged as the preferred chain, handling roughly 51 percent of the total ticket sales. (adsbygoogle = window.adsbygoogle || []).push({}) While the 455,000 dollar [₹4.39 crore] premiere advance is a healthy number, it is trending significantly lower—about 60 percent—than the initial expectations or previous highs like Leo. When we combine the premiere advances with the day one, the North American opening day is currently projected at 650,000 dollars [₹6.27 crore]. This places the total overseas day one gross for Jana Nayagan at approximately 2 million dollars [₹19.3 crore]. While this is a massive number for most films, it faces stiff competition when compared to the all-time top five overseas openers. Top 5 Tamil Movies - Overseas Opening Day (Premieres + Day 1)MOVIE NAMEOVERSEAS DAY 1 GROSSCoolie$8.75 MillionLeo$8.15 MillionGOAT$5.60 MillionKabali$4.75 MillionPS1$4.60 Million *Note: Dollar values reflect exchange rates at the time of each film's release and are subject to currency fluctuations. (adsbygoogle = window.adsbygoogle || []).push({}) Comparing these projections to the all-time list gives us a clearer picture of where Jana Nayagan stands. At its current trajectory, the total overseas opening day—including premieres—is estimated to land at approximately 2 million dollars [₹19.3 crore]. This puts it quite a distance from the number five spot currently held by Ponniyin Selvan 1, which opened with 4.6 million dollars. For Jana Nayagan to bridge that 2.6 million dollar gap, it would need an unprecedented surge in the Gulf and European markets. Based on the current trends in North America, it is unlikely to break into the all-time top five overseas openers, but a 19.3 crore opening remains a very strong result on its own.

BY CHRISTA LINCY

If you have been following the South Indian box office lately, you know that a Thalapathy Vijay release is less of a movie opening and more of a state-wide event. This commercial dominance is a reality that industry veterans like Tirupur Subramaniam often highlight, noting that Vijay's film can contribute up to 26 percent of the entire industry's annual revenue. As we look at the numbers for his latest outing, Jana Nayagan, it is worth seeing how it measures up against the massive benchmarks he has set over the last few years. While the final figures are impressive, the journey to this release was actually quite rocky, especially with the significant last-minute hurdles the production had to navigate. To understand where Jana Nayagan stands, we have to look at the peak of Vijay's career: Leo. That film remains the undisputed gold standard for him, pulling in a staggering 46.36 crore in all-India advance bookings for day one. It sold over 2.4 million tickets before the first show even flickered on screen. Following that is Beast, which maintained a strong hold with a total day one gross of 31.75 crore, and then The Greatest Of All Time, which saw a solid 24.5 crore advance despite mixed pre-release buzz. Even films like Master and Varisu, which operated in different market conditions, brought in 17 crore and 11.49 crore respectively. This brings us to Jana Nayagan, which has officially clocked in a day one advance gross of 15.44 crore without block seats. When you factor those block seats in, the number jumps to a much more competitive 21.26 crore. (adsbygoogle = window.adsbygoogle || []).push({}) We can also look at the regional split to see where the growth is coming from. For Jana Nayagan, the Tamil version is doing the heavy lifting with over 15.2 crore in advance gross. However, the Hindi and Telugu markets have been much quieter, contributing less than 25 lakhs combined. In contrast, when we look back at Leo, it managed over 6.8 crore from Telugu and 1.3 crore from Hindi in advance alone. This suggests that Jana Nayagan is currently tracking as a more localized blockbuster rather than a pan-India breakout. The show count analysis also gives us a peek into distributor confidence. Jana Nayagan is opening with roughly 9,188 shows across India. While this is a step down from Leo's massive 14,060 show count, it is remarkably similar to the scale of Varisu. Considering factors like deilay in acquiring the CBFC Certificate and the leak that happened just a month ago, the fact that exhibitors have still allocated over 9,000 shows is a huge win for the film. It shows that the trade still has immense faith in the drawing power of the Thalapathy brand regardless of pre-release controversies. (adsbygoogle = window.adsbygoogle || []).push({}) If you look at the BookMyShow trends, the film had a very sluggish start. On July 16, it was moving about 11,000 tickets, which then actually dropped to just 5,400 tickets on July 17. This dip coincided perfectly with the reports of a major plot leak and rumors that the film might be delayed due to technical censorship issues. For a moment, it looked like the momentum might stall. However, the fan base responded in a big way once the makers cleared the air. By July 19, ticket sales skyrocketed to 236,000 in a single day, showing a clear recovery from the leak scare. By the day before release, Jana Nayagan had secured 731,000 tickets on BMS, placing it as the fifth-highest pre-seller in recent history, just behind Jailer and ahead of Varisu. 𝗕𝗠𝗦 𝗣𝗿𝗲-𝗦𝗮𝗹𝗲𝘀 - A day before release 1. Coolie - 1.82M 2. Leo - 1.69M 3. TheGoat - 859K 4. Jailer - 849K 5. JanaNayagan - 731K (adsbygoogle = window.adsbygoogle || []).push({}) When we break down the performance in the national multiplex chains—the PVR, INOX, and Cinepolis markets—the film is performing with a very specific regional focus. For the day one advance in these chains, Jana Nayagan has sold roughly over 7,000 tickets, resulting in a gross of 44 lakhs. PVR is leading the charge here with a contribution of 30 lakhs, followed by INOX at 11 lakhs, and Cinepolis at 3 lakhs. While these national chain numbers might seem modest compared to a massive Pan-India hit like Leo, they reflect a film that is leaning heavily on its core Tamil market, where the occupancy is sitting at a healthy 19 percent in these premium venues. Logically, what we are seeing is a film that has overcome significant external pressure. The total ticket sales across all platforms have reached approximately 671,000, and the show count is healthy at over 9,100 shows nationwide. While it hasn't quite reached the stratosphere of Leo or Beast, the fact that it surpassed the 21 crore mark with block seats—despite the leak and the uncertainty of a delay—proves that the Thalapathy brand is resilient. It is a solid performance that keeps him firmly at the top of the box office hierarchy, even when the cards are stacked against the release.

BY SUNIT JANGIR

Mumbai, July 22 - Marvel Studios has another massive hit on its hands. The first full trailer for Avengers: Doomsday has amassed an astonishing 503 million views worldwide in its first 24 hours, setting a new record as Disney's biggest trailer launch of all time. The impressive debut underscores the enormous anticipation surrounding the next chapter in the Marvel Cinematic Universe and its star-studded ensemble. (adsbygoogle = window.adsbygoogle || []).push({}) The 503 million views were recorded across all official digital platforms globally, making Avengers: Doomsday the second-biggest 24-hour trailer launch in history. The only film ahead of it is Spider-Man: Brand New Day, which currently holds the record with 718.6 million views in its first day. Nevertheless, Doomsday comfortably surpassed the previous Marvel benchmark set by Deadpool & Wolverine, which debuted with 365.5 million views. It also outperformed Spider-Man: No Way Home (355.5 million) and Avengers: Endgame (289 million). The extraordinary response reflects the immense excitement surrounding the film, which brings together some of Marvel's biggest heroes while also marking the highly anticipated return of Robert Downey Jr. to the MCU in the role of Doctor Doom. The trailer generated widespread discussion across social media immediately after its release, with fans dissecting every frame for clues about the multiverse storyline and the film's major character reveals. The record-breaking trailer launch is expected to translate into equally strong box office momentum. With advance ticket sales already off to a phenomenal start, scoring $16.5 million in the first 24 hours in North America, industry analysts believe Avengers: Doomsday is well-positioned to deliver one of the biggest worldwide openings in cinema history when it arrives in theatres, continuing Marvel Studios' tradition of blockbuster event films. (adsbygoogle = window.adsbygoogle || []).push({})

BY SACNILK TEAM

Here is the Tamil movie Jana Nayagan box office collection, which is an action thriller film. This film is directed by H. Vinoth and produced by KVN Productions. ## Jana Nayagan stars Vijay, Bobby Deol, Pooja Hegde, Mamitha Baiju, Gautham Vasudev Menon, Priyamani, Prakash Raj, Nani and Reba Monica John in key roles. ## Jana Nayagan Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Jana Nayagan Budget: ₹ - Cr * Approx ## Jana Nayagan Verdict: Coming Soon ## Jana Nayagan Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 9th January 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.

BY SUNIT JANGIR

Mumbai, July 21 - Christopher Nolan's The Odyssey continues to rewrite the record books even after its release. The filmmaker's ambitious epic has achieved another remarkable milestone, with every scheduled IMAX 70mm screening at London's iconic BFI IMAX selling out through September 10, 2026. The unprecedented demand has transformed the venue into a global destination for cinephiles, with fans travelling from across the world just to experience the film in its intended format. (adsbygoogle = window.adsbygoogle || []).push({}) The BFI IMAX has confirmed that all 173 IMAX 70mm screenings scheduled across August and into early September have been completely booked. According to reports, moviegoers have flown in from countries including Singapore, Canada, and the United States specifically to watch The Odyssey on one of the world's premier IMAX screens. Such demand is virtually unheard of for a theatrical release and further highlights Christopher Nolan's ability to turn premium-format cinema into a must-see event. The sellout comes just weeks after The Odyssey shattered BFI IMAX's all-time first-day ticket sales record when advance bookings opened. Since then, the film has continued to dominate the box office worldwide, while premium-format screenings have remained in exceptionally high demand. The BFI IMAX website currently lists the entire run of IMAX 70mm screenings as sold out, with additional dates expected to be added to meet overwhelming audience interest. (adsbygoogle = window.adsbygoogle || []).push({}) The Odyssey has sold out at the BFI IMAX theater in London until September It’s one of the 41 cinemas in the world that can show The Odyssey in authentic IMAX 70mm pic.twitter.com/TSSIWVv8Xg— ScreenTime (@screentime) July 21, 2026 Adding to the film's achievements, The Odyssey has also broken the BFI IMAX's opening weekend box office record, surpassing Star Wars: The Last Jedi to become the venue's biggest three-day performer ever. The accomplishment further cements Nolan's reputation as one of the few filmmakers capable of driving audiences to theatres purely for the cinematic experience, with The Odyssey proving that premium large-format exhibition remains a major attraction for movie lovers worldwide.

BY SUNIT JANGIR

Mumbai, July 21 - Marvel Studios and Sony's Spider-Man: Brand New Day is shaping up to be one of the biggest Hollywood releases ever in India. The Tom Holland starrer has generated unprecedented pre-release buzz, with exhibitors and trade circles witnessing demand levels that are rarely seen for an international title. (adsbygoogle = window.adsbygoogle || []).push({}) More than a week before its July 30 release, the film is already dominating ticket sales across the country, raising expectations of a historic start at the Indian box office. According to trade projections, Brand New Day is expected to collect a massive 50-60 crore gross on its opening day in India, easily among the biggest for a foreign title. If the film opens on the projected lines, it will put it within touching distance of Avengers: Endgame, which still holds the record for the biggest opening day by a non-Indian film with around 65 crore gross. If the current momentum continues through release week, Brand New Day could become the first Hollywood film in years to seriously challenge that historic benchmark. (adsbygoogle = window.adsbygoogle || []).push({}) The film's booking trends have been nothing short of extraordinary. Despite being over a week away from release, Brand New Day has been selling around 2,000 tickets every hour on BookMyShow since last week. Such sustained demand is almost unheard of this far ahead of release, with booking momentum remaining remarkably consistent day after day instead of relying on short-lived spikes. What makes the trend even more impressive is that even major Indian blockbusters rarely witness such consistent ticket sales more than two weeks before release. The response highlights the immense popularity of Spider-Man among Indian audiences and suggests that the film is on course for an event-level opening. Should bookings continue at the current pace before accelerating closer to release, Spider-Man: Brand New Day will have a realistic opportunity to challenge Avengers: Endgame for the biggest opening ever by a Hollywood film at the Indian box office.

BY CHRISTA LINCY

Christopher Nolan has once again proven that for Indian audiences, his films are more than just movies—they are high-end cinematic events. As first reported by Bollywood Hungama, his latest masterpiece, The Odyssey, is currently rewriting the record books for IMAX screenings in India, achieving numbers that have left trade analysts stunned. The film has achieved a feat that seems almost impossible on paper. It collected a massive ₹15.33 crore in just its first three days from a tiny footprint of only 34 IMAX screens across the country. To put that in perspective, while the film earned a total of ₹61.40 crore in India over its opening weekend, nearly 25 percent of that revenue came from just those 34 premium screens. The remaining 75 percent was spread across approximately 2,700 standard screens, highlighting an extraordinary demand for the premium experience despite the significantly higher ticket prices. (adsbygoogle = window.adsbygoogle || []).push({}) Let us look at the day-wise momentum that fueled this surge. On its opening Friday, July 17, the film sold over 45,700 tickets in the IMAX format alone, pulling in ₹4.72 crore with an occupancy of nearly 80 percent. Saturday saw even higher interest, reaching a peak of ₹5.36 crore with a staggering 86.3 percent occupancy. The momentum held firm on Sunday with ₹5.24 crore from nearly 50,000 ticket sales. Perhaps most impressively, the Monday hold remained rock-steady at ₹3.34 crore with a 63.1 percent occupancy, bringing the four-day IMAX total in India to ₹18.68 crore. This performance has effectively shattered the previous record held by Tom Cruise's Mission: Impossible – The Final Reckoning, which released in May 2025. The Odyssey now officially holds the highest-ever opening weekend for any IMAX release in Indian history, even outperforming locally produced big-budget spectacles in this format. This local success is part of a global trend where the film earned $52 million from 885 IMAX screens worldwide during its opening weekend. (adsbygoogle = window.adsbygoogle || []).push({}) The craze is far from over as the film heads into its second week. Trade experts note that the demand for the coming weekend is already hitting fever pitch. In many cities, bookings for the next Saturday and Sunday are filling up fast as soon as they open. For instance, Broadway Cinemas in Coimbatore has already opened its schedules until Wednesday, July 29, and many of those shows are already nearing a sell-out status well in advance. With such a powerful start, industry analysts believe The Odyssey has a very strong chance of crossing the ₹150 crore net mark in India during its lifetime run. Given the exclusive demand for the IMAX experience, it is likely that the film will maintain its hold on these premium screens for several weeks to come, potentially pushing its total even further than current projections suggest.

BY SUNIT JANGIR

Chennai, July 20 - The countdown for Thalapathy Vijay's swan song Jana Nayagan has begun as the film continues to post solid booking numbers ahead of its theatrical release. The film has already amassed strong pre-sales across India after full-fledged booking started on July 19, reaffirming the massive anticipation surrounding Vijay's final film. The bookings have been consistently growing with each passing day, putting the film on course for one of the biggest openings of 2026. (adsbygoogle = window.adsbygoogle || []).push({}) As of 5 PM on July 21, the political actioner has sold tickets worth around 17 crores gross for the opening day, including around 7.50 crores gross in the home state, Tamil Nadu, while worldwide sales are around 33 crores. However, while the overall advance booking figures are excellent, the booking trend has been slightly different from what a section of the trade had anticipated. Many industry insiders expected shows to sell out almost instantly, considering the historic significance of Vijay's farewell film. There are even projections that Jana Nayagan can challenge for the biggest domestic opening in Tamil cinema. Instead, the bookings have grown steadily rather than explosively, with occupancy improving day by day instead of witnessing immediate sell-outs, even though there are a couple of theatre chains which are witnessing near sold-out screenings. The current trend indicates that Jana Nayagan is likely in the 50-60 crore gross range opening, which itself would be an extraordinary achievement. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan First Day Advance Booking Report The excitement around the film, however, is real, and the final number may still exceed expectations. With a couple of days remaining before release, and last-minute ticket sales yet to come, there is still room for the film to gain further momentum. Directed by H. Vinoth, Jana Nayagan stars Thalapathy Vijay alongside Pooja Hegde, Bobby Deol, Prakash Raj, Priyamani, Gautham Vasudev Menon, and Mamitha Baiju. The film is set to hit theatres on July 23 and marks the end of Vijay's acting career. While it may not be rewriting booking records in the manner some expected, the film is nevertheless heading towards a phenomenal opening, with all eyes now on whether strong spot bookings can push it even closer to the all-time domestic opening benchmarks. Raavanamavan daa for a reason 🔥#JanaNayaganFromJuly23The Hon'ble Chief Minister @actorvijay @TheKVNofficial @KvnProductions #HVinoth @hegdepooja @anirudhofficial @thedeol @_mamithabaiju @Jagadishbliss @LohithNK01 @RamVJ2412 @TSeries pic.twitter.com/zTC6EegRkj— KVN Productions (@KvnProductions) July 20, 2026