Mollywood

1 hr ago

10 views

Mollywood Times: Censored U/A With 167 Minute Runtime; Advance Bookings Now Open For This Coming-Of-Age Comedy-Drama

BY CHRISTA LINCY

Mollywood Times has officially cleared the censorship process with a U/A certificate and a runtime of 167 minutes, which is roughly 2 hours and 47 minutes. The film also features Vineeth Sreenivasan and Basil Joseph as part of the cast, adding to the ensemble for this upcoming release. This film marks the highly anticipated second directorial outing of Abhinav Sunder Nayak, who previously surprised everyone with the dark-comedy hit Mukundan Unni Associates. This time, he is bringing a satirical coming-of-age story that stars Naslen in the lead role. He is joined by a talented group of actors including Sharafudheen, Sangeeth Prathap, and Roshan Shanavas, making it a very strong ensemble for a comedy-drama. What makes Mollywood Times stand out is its unique branding as a hate letter to cinema. Instead of the usual romanticized look at filmmaking, the story follows Vineeth Madhavan (played by Naslen), a young man from Kuttikkanam who is determined to become the best horror filmmaker Malayalam cinema has ever seen. He views the industry with a bit of cynicism and feels it is his mission to save it from repetitive cliches. The plot focuses on his chaotic and humorous struggle to get his unconventional horror vision onto the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) The film's marketing has also been quite a talking point, especially the first-look poster that mimics a retro 90s CD cover. It carries a bold tagline: Not for those who believe in the myth of a beautiful life, which perfectly sets the tone for the satirical nature of the movie. This unconventional approach seems to be working well with the target audience, as the film is already trending on BookMyShow. According to the latest interest metrics, the movie has already crossed over 64,000 Interested clicks on BookMyShow, reflecting a high level of anticipation. Advance bookings for the film are now officially open across various regions. Produced by Ashiq Usman, Mollywood Times is scheduled for a global theatrical release this Friday, June 5, 2026. It will be interesting to see how this satirical take on the film world resonates with the viewers this weekend.

Tollywood

1 hr ago

234 views

Allu Arjun's AA23 With Lokesh Kanagaraj Shelved? Here Is What We Know

BY SUNIT JANGIR

Hyderabad, June 3 - Rumours have been circulating on social media suggesting that Allu Arjun's highly anticipated collaboration with director Lokesh Kanagaraj, tentatively called AA23, may have been shelved. However, the latest developments indicate that the project remains very much on track. (adsbygoogle = window.adsbygoogle || []).push({}) The film was officially announced on January 14, 2026, by Mythri Movie Makers, marking the first-ever collaboration between Allu Arjun and Lokesh Kanagaraj. The announcement video generated massive excitement among fans, and it was confirmed that the project would begin production in 2026. In April 2026, updates revealed that script work for the project was actively underway, with the makers focusing on developing the screenplay before moving into full-scale production. Reports also suggested that shooting was planned to commence during 2026 after the completion of pre-production activities. (adsbygoogle = window.adsbygoogle || []).push({}) The speculation regarding the project cancellation appears to stem from the lengthy pre-production process and the busy schedules of both Allu Arjun and Lokesh Kanagaraj. According to the Tamil industry tracker, Ramesh Bala, all the rumours surrounding the project being shelved are completely baseless. The film is very much on track and progressing exactly as planned. At present, there is no official statement from the actor, director, or production house suggesting that AA23 has been shelved. On the contrary, the most recent reports indicate that the film remains in development, with scripting and pre-production continuing ahead of its planned shoot. Given the scale of the collaboration and the expectations surrounding the project, fans may have to wait longer than expected.

Bollywood

2 hrs ago

160 views

Lagaan Re-Release Date: Aamir Khan's Iconic Film To Return In Cinemas On June 12 For Three Days

BY SUNIT JANGIR

Mumbai, June 3 - One of Indian cinema's most celebrated classics is set to make its way back to the big screen. Lagaan: Once Upon a Time in India, starring and produced by Aamir Khan and directed by Ashutosh Gowariker, will be re-released in cinemas on June 12 for a limited three-day theatrical run, giving audiences a chance to relive the epic sports drama in theatres once again. (adsbygoogle = window.adsbygoogle || []).push({}) Originally released in 2001, Lagaan remains one of the most iconic films in the history of Indian cinema. The period sports drama tells the story of a small village in British-ruled India that challenges colonial oppression through a high-stakes game of cricket. The film starred Aamir Khan as Bhuvan alongside Gracy Singh, Rachel Shelley, and Paul Blackthorne. The re-release comes as part of the film's enduring legacy and its continued popularity among movie lovers across generations. With its memorable performances, powerful storytelling, stirring music by A.R. Rahman, and emotional underdog narrative, Lagaan continues to be regarded as one of Bollywood's finest achievements. (adsbygoogle = window.adsbygoogle || []).push({}) A timeless epic that touched every heart ✨On the 25th Anniversary of LAGAAN the epic sage returns to the big screen.Relive the magic in theatres on 12th, 13th and 14th June. #Lagaan25Years #AamirKhan #AshutoshGowariker pic.twitter.com/P3zsFA3jrf— Aamir Khan Productions (@AKPPL_Official) June 3, 2026 The film also enjoys a special place in Indian cinema history for becoming one of the few Indian films to receive an Academy Award nomination in the Best Foreign Language Film category. It went on to win several major honours in India, including multiple National Film Awards and Filmfare Awards, further cementing its status as a modern classic. At a time when re-releases of beloved films are attracting strong audience interest, Lagaan's return to theatres offers both longtime fans and younger viewers an opportunity to experience the nearly four-hour cinematic spectacle on the big screen. The film's grand scale, cricket sequences, and emotionally charged climax are widely considered best enjoyed in a theatrical setting.

Bollywood

4 hrs ago

109 views

Ranveer Singh FWICE Dispute: Federation Withdraws Non-Cooperation Directive; Calls For Amicable Resolution

BY CHRISTA LINCY

The Federation of Western India Cine Employees (FWICE) has officially withdrawn its non-cooperation directive against actor Ranveer Singh. This decision was announced during a press conference held on June 3, 2026, marking a major step toward resolving the recent friction between the actor and the federation. As first reported by Bollywood Hungama, this move effectively rolls back the directive that had been in place since May 25, bringing much-needed relief to several ongoing and upcoming projects. The decision to lift the directive follows an intervention by the Indian Motion Picture Producers Association (IMPPA). Chief Advisor Ashoke Pandit, alongside President Birendra Nath Tiwari and General Secretary Ashok Dubey, confirmed that the directive was being withdrawn with immediate effect. The federation credited IMPPA President Abhay Sinha for his role in mediating the situation, stating that the step was taken in good faith to ensure that the larger interests of the film industry and its members are protected. During the announcement, Ashoke Pandit emphasized the importance of maintaining a collaborative environment within the industry. He invited the actor to sit down with the federation and resolve the underlying issues together, noting that the film industry is like a family to everyone involved. The federation expressed its appreciation for the stardom the actor has achieved and shared a supportive stance, mentioning that they want to see him grow even further as a star rather than being caught in administrative disputes. (adsbygoogle = window.adsbygoogle || []).push({}) The backdrop of this withdrawal also includes a legal development, as the federation confirmed they had received a legal notice from Ranveer Singh regarding the non-cooperation directive. While the legal department is currently looking into a response for the notice, the leadership of FWICE clarified that their priority is to find a middle path that does not negatively impact producers, directors, or other technicians. The sentiment shared was that this resolution is not about victory or defeat for either side, but about finding a fair and mutually beneficial way forward. By taking this step, the federation aims to prevent any further encumbrances on content production. The focus is now on reaching an amicable and constructive resolution through dialogue. With the directive no longer in effect, the industry expects a smoother transition back to normalcy for the projects associated with the actor. This move is being seen as a positive sign of maturity within the industry bodies, showing a willingness to prioritize professional harmony over prolonged conflicts.

Bollywood

4 hrs ago

114 views

Post Ranveer Singh's Don 3 and Akshaye Khanna's Drishyam 3 Exits, Producers Guild Issues Official Statement On Professional Accountability

BY CHRISTA LINCY

The Producers Guild of India has taken a firm stand against the growing trend of talent and technicians backing out of projects at the last minute. In a strongly worded official statement released on June 3, 2026, the Guild addressed instances of professionals reneging on their commitments just days before the start of principal photography. This move comes at a time when the industry is already buzzing with reports of high-profile exits from major franchise films, specifically involving Excel Entertainment and Panorama Studios. As first reported by Bollywood Hungama, these developments have caused significant disruptions in the planning and execution of some of the most anticipated upcoming projects. The Guild revealed that it has received formal complaints from its members, Excel Entertainment Private Limited and Panorama Studios International Limited. While the official statement did not name any individuals, the timing points toward recent industry headlines. Excel Entertainment, led by Farhan Akhtar and Ritesh Sidhwani, has reportedly been dealing with complications after Ranveer Singh's exit from Don 3. The project had built massive expectations as Ranveer was set to carry forward the legacy of the iconic character played by Amitabh Bachchan and Shah Rukh Khan. His sudden departure at an advanced stage of preparation has reportedly created serious logistical and financial hurdles for the production house. (adsbygoogle = window.adsbygoogle || []).push({}) Similarly, Panorama Studios, headed by Kumar Mangat Pathak, faced a similar situation with Drishyam 3 following the exit of Akshaye Khanna. This particular development was a major point of contention in late 2025, with the producer expressing strong disapproval over the last-minute change. These instances served as the catalyst for the Guild to intervene, highlighting that such behavior is not just a breach of contract but a blow to the collaborative spirit of the filmmaking community. In its statement, the Guild emphasized that no industry member should engage in actions that result in substantial financial losses for producers and other sectors of the trade. It noted that these last-minute exits have serious and far-reaching consequences, undermining the trust and mutual respect upon which the film industry is built. Beyond the immediate financial impact on producers, the statement expressed concern for the livelihoods of hundreds of technicians and crew members who depend on these films for their income. (adsbygoogle = window.adsbygoogle || []).push({}) The statement further explained that such actions cause significant reputational damage and adversely impact the brand value and credibility of the films involved. While the Guild clarified that it supports a free and fair business environment, it made it clear that it does not encourage disruptions in the content production process. It termed any position contrary to this principle as unethical, as it harms the collective interests of the entire film fraternity. Statement by Producers Guild of India. pic.twitter.com/I4OoeTX5kC— Producers Guild of India (@producers_guild) June 3, 2026 Concluding its address, the Producers Guild urged all parties to resolve their disputes in an amicable manner. The organization asserted its commitment to protecting the interests of the industry and ensuring that professionalism remains a priority. This official stand is expected to trigger a much-needed conversation within Bollywood regarding accountability and the importance of honoring professional commitments to ensure the smooth functioning of the film business.

Tollywood

5 hrs ago

1.9K views

Peddi Box Office: Ram Charan Starrer Sets 500 Crore Worldwide Target

BY SUNIT JANGIR

Hyderabad, June 3 - Superstar Ram Charan is all set to return to the big screen with Peddi, one of the most anticipated Telugu films of the year. Directed by Buchi Babu Sana, the sports action drama carries enormous expectations, not just because of its scale and star power, but also because of the box-office target it reportedly needs to meet. (adsbygoogle = window.adsbygoogle || []).push({}) According to trade estimates, Peddi has a break-even target of around 500 crore worldwide gross, making it one of the riskiest and most ambitious projects in Ram Charan's career. As a result, the film cannot afford to finish below that figure if it hopes to emerge as a successful theatrical venture. Crossing the 500 crore mark would be a significant achievement for the actor. It would become Ram Charan's second film after RRR to enter the prestigious club. More importantly, it would be the first solo-led film of his career to reach the milestone, as RRR was a multi-starrer featuring Jr. NTR alongside him. The Path To 500 Crore Worldwide Is Anything But Easy (adsbygoogle = window.adsbygoogle || []).push({}) While the makers are confident about the film's prospects and the promotional material has generated considerable excitement among audiences, the outcome will depend on audience reception after release. Strong word-of-mouth, repeat viewership, and sustained collections beyond the opening weekend will be crucial if Peddi is to achieve its ambitious target. The pressure on Ram Charan is also considerably higher than usual due to the performance of his recent films. His last release, Game Changer, was expected to be a major blockbuster and capitalise on the goodwill generated by RRR. Instead, the film failed to meet expectations and ultimately became a box-office disaster. Before that, Acharya, which featured megastar Chiranjeevi in the lead role with Ram Charan playing an extended role, also underperformed at the box office despite carrying significant hype before release. The back-to-back setbacks have increased expectations surrounding Peddi, with trade observers viewing it as a crucial film for the actor's box office standing. (adsbygoogle = window.adsbygoogle || []).push({}) Fortunately for the makers, the film has several factors working in its favour. Ram Charan continues to enjoy massive popularity across domestic and overseas markets following the global success of RRR. The film's rural sports backdrop, large-scale production values, and music by A. R. Rahman have also helped generate strong pre-release buzz. Nevertheless, buzz alone will not guarantee success. The film must convert anticipation into sustained ticket sales if it wants to justify its massive theatrical valuation. With a reported ₹500 crore worldwide target against the budget of 350 crores, Peddi faces one of the toughest box office challenges of any Indian film this year. For Ram Charan, the stakes could not be higher. A successful run would not only give him his first solo 500 crore grosser but also provide the blockbuster comeback he has been seeking since Game Changer. Failure, on the other hand, would raise fresh questions about the commercial viability of big-budget star vehicles in the post-RRR era. The film is scheduled to release on June 4.

Bollywood

5 hrs ago

1.3K views

Who Will Be Next Dhurandhar 2? Five Films That May Break Box Office Records of Aditya Dhar's Spy Actioner

BY SUNIT JANGIR

Mumbai, June 2 - Bollywood star Ranveer Singh's Dhurandhar 2: The Revenge has set a benchmark that seemed unimaginable when the film was announced. The spy-action blockbuster shattered numerous domestic and worldwide box office records, emerging as one of the biggest Indian films of all time with over 1800 crores worldwide. Dhurandhar 2 is the highest-grossing Indian film worldwide (without China), and it took almost 10 years for a film to break Baahubali 2's record. However, with several mega-budget spectacles lined up over the next couple of years, it is believed that the reign of Dhurandhar 2 could eventually be challenged. Here are five films that have the potential to surpass Dhurandhar 2's historic box office achievements. 1. Ramayana Part 1 (Diwali 2026) (adsbygoogle = window.adsbygoogle || []).push({}) There is perhaps no Indian film carrying more anticipation than Ramayana Part 1. Directed by Nitesh Tiwari and featuring an ensemble cast led by Ranbir Kapoor as Lord Rama, the film aims to bring one of India's most revered epics to the big screen on an unprecedented scale. The story of Lord Ram has a universal appeal across generations and regions. Combined with cutting-edge visual effects and a massive production budget, Ramayana Part 1 has all the ingredients needed to become a global phenomenon. 2. Varanasi (April 2027) (adsbygoogle = window.adsbygoogle || []).push({}) Among all upcoming films, Varanasi may be the biggest wildcard. Directed by S. S. Rajamouli and starring Mahesh Babu and Priyanka Chopra, the film is reportedly being mounted on a scale rarely seen in Indian cinema. The Rajamouli factor alone makes Varanasi a serious contender. The filmmaker has consistently expanded the box office ceiling with films like Baahubali and RRR. Combined with the cast's worldwide appeal and an ambitious, globe-trotting adventure narrative rooted in Indian mythology, Varanasi is being positioned as a global cinematic event rather than a regular commercial release. 3. Raaka (TBA 2027) (adsbygoogle = window.adsbygoogle || []).push({}) Among the newer contenders, sci-fi actioner Raaka has quickly established itself as one of the biggest upcoming projects. Directed by Atlee and headlined by Allu Arjun, the film is being mounted as a large-scale sci-fi action entertainer with futuristic world-building and extensive visual effects. The film benefits from a dream combination of Atlee's commercial filmmaking expertise and Allu Arjun's massive popularity following the success of the Pushpa franchise. Unlike most Indian blockbusters, Raaka is exploring the relatively untapped sci-fi genre, which gives it a fresh identity in the marketplace. 4. Ramayana Part 2 (Diwali 2027) If Ramayana Part 1 becomes a blockbuster as expected, the second part could operate on an entirely different level. Historically, successful films often witness massive growth with their follow-up instalments. The climactic portions of the Ramayana, including the battle between Lord Ram and Ravana, are among the most celebrated stories in Indian epic. This gives Ramayana Part 2 the potential to become one of the biggest cinematic events in Indian history and possibly surpass every existing box office benchmark. (adsbygoogle = window.adsbygoogle || []).push({}) 5. Kalki Part 2 (TBA 2027/2028) Following the 1000+ crores success, the sequel to Kalki 2898 AD has been one of the most-awaited films with the first film leaving fans on the edge. With Prabhas, Amitabh Bachchan, and Kamal Haasan set to return, with Sai Pallavi replacing Deepika Padukone, Kalki Part 2 could benefit from both franchise goodwill and heightened audience curiosity. If the sequel successfully expands the scale and emotional stakes, it has the potential to become a worldwide box office juggernaut. Can These Films Really Surpass Dhurandhar 2? Breaking the records of Dhurandhar 2 will not be easy. The film benefited from exceptional word-of-mouth, repeat viewership, strong overseas performance, and massive pan-India appeal. However, Ramayana Part 1, Ramayana Part 2, Kalki Part 2, Varanasi, and Raaka represent a new generation of event cinema designed specifically for the theatrical experience. Each of these films possesses the scale, star power, and anticipation required to generate historic numbers. If exucation is right, then sky is the limit for these titles at the box office.

Kollywood

5 hrs ago

265 views

Blast Box Office Day 6: India Gross Hits Rs. 3.96 Crore; Holds Strong With a Minor 4% Drop Over Monday

BY CHRISTA LINCY

The latest action entertainer Blast is making quite some noise at the box office, and the credit largely goes to the lead stars and the execution by the director. Ever since the film hit the screens, the audience reactions have been overwhelmingly positive, with fans particularly praising the high-octane sequences and the engaging screenplay. This strong word-of-mouth is clearly reflecting in the numbers, as the movie is showing incredible stability on weekdays, a sign that it has truly connected with the masses. When we look at the theatrical performance, On its sixth day, which was its first Tuesday, Blast managed to collect a gross of nearly 3.96 Crore across India. What is truly impressive is the hold; the net collection of 3.45 Crore represents a very minor drop of just about 4 percent compared to Monday. Usually, films see a steeper decline after the opening weekend, but this movie is proving to be a steady horse in the race. This brings the total India gross to approximately 24.13 Crore within its first six days. The state-wise breakdown shows where the film is finding its strongest footing. Tamil Nadu led the charge on Tuesday with a gross of 1.85 Crore, followed by a very strong performance in Kerala, which added 1.30 Crore. The Telugu states (AP and Telangana) contributed around 0.50 Crore, while Karnataka added 0.30 Crore to the tally. These numbers suggest that the film is successfully crossing regional barriers, maintaining a solid presence across the southern belt. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket sales on BookMyShow further confirm this steady interest. In the last 24 hours alone, the platform saw about 85,670 tickets sold, taking the total sales on BookMyShow to over 5.57 Lakhs. The film was screened across roughly 2,750 shows on Tuesday, maintaining a very healthy overall occupancy. In Chennai, the occupancy was particularly strong at 39 percent, with night shows peaking at 50 percent. Other regions like Hyderabad and Coimbatore also saw good footfalls, with occupancies hovering around 26 percent and 31 percent respectively. The performance in national multiplex chains has been a highlight of this theatrical run. On Tuesday, the three major chains recorded a combined total of approximately 44,100 ticket sales from about 450 shows. PVR stood at the top, selling roughly 28,100 tickets with an impressive occupancy of around 53 percent. INOX followed with about 10,600 tickets sold across nearly 110 shows at 45 percent occupancy, while Cinepolis added 5,400 tickets with an occupancy of roughly 38 percent. On the global stage, Blast is quickly approaching a significant milestone. With an overseas gross of about 0.50 Crore on Day 6, the total international collection has reached 6.80 Crore. This pushes the total worldwide gross collection to approximately 30.93 Crore. For a mid-week performance, these figures are quite encouraging and suggest that the film is well on its way to becoming a profitable venture for the makers by the end of its first week.

Bollywood

7 hrs ago

445 views

Bhooth Bangla Box Office Day 47: 7th Tuesday Earns 0.60 Crore With 20% Growth Over Monday

BY CHRISTA LINCY

Bhooth Bangla continues to tick along as it moves through its seventh week. On Tuesday, the movie collected about 0.60 Crore across India in net collections. This is actually a slight increase from Monday's collection of 0.50 Crore, representing roughly 20 percent growth. Seeing a small midweek bump like this on the forty-seventh day is an interesting trend for the film as it maintains its theatrical presence. With this latest addition, the total India net collection for Bhooth Bangla now stands at 180.45 Crore. When we look at the gross figures, the domestic total has reached 213.74 Crore. The film has also performed consistently in international markets, contributing an overseas gross of 53.75 Crore. Combining these figures, the worldwide gross collection has now climbed to 267.49 Crore. It has been a long and successful journey for the film, which has now been screened across nearly 240,000 shows since its release. The ticket sales data from BookMyShow also reflects this midweek jump. While around 8,280 tickets were booked on the seventh Monday, that number nearly doubled on Tuesday with approximately 14,860 tickets sold. This brings the cumulative ticket sales on the platform to over 33.75 Lakhs. The theater count remains respectable as well, with the film playing in 1,568 shows on its forty-seventh day. (adsbygoogle = window.adsbygoogle || []).push({}) National multiplex chains are still playing a key role in the daily collections. On Tuesday, the three major chains recorded a combined total of over 27,000 ticket sales from around 550 shows, with an overall occupancy of 26 percent. PVR led the numbers with 12,580 tickets sold at an occupancy of 28.6 percent. INOX followed with 10,890 tickets at 25.2 percent occupancy, and Cinepolis added another 10,890 tickets with an occupancy of 21.9 percent. These figures show that urban audiences are still trickling in to watch the film in premium theaters. Regional performance also stays steady, particularly in the North. The National Capital Region (NCR) remains a stronghold, recording an overall occupancy of 25.5 percent across 238 shows. The evening and afternoon screenings in this region were particularly busy, with occupancy rates hitting 32 percent and 30 percent respectively. Ahmedabad also contributed with an occupancy of around 11.5 percent. As Bhooth Bangla continues to inch closer to the end of its seventh week, its ability to maintain these margins is keeping it relevant in the box office charts.

OTT

8 hrs ago

254 views

Dhurandhar Franchise Dominates Netflix: Part 1 Hits 18-Week Milestone While Sequel Reaches 4 Million Global Views

BY CHRISTA LINCY

The latest Netflix Top 10 charts for the week of May 25–31, 2026, are out, and the big story remains the absolute dominance of the Dhurandhar franchise. It is quite a rare sight to see a film and its alternate version—or sequel—simultaneously occupy spots in the Top 10, but that is exactly what Ranveer Singh's spy-thriller has pulled off in India. Leading the charge for the franchise is Dhurandhar (Raw & Undekha), the uncut version of the first film, which has secured the #3 spot in its second week on the chart. What is even more staggering is the longevity of the original Dhurandhar. Even after being on the platform for months, the original cut is sitting at #8, marking an incredible 18th week in the Top 10. While the first part continues to rule the domestic charts, the sequel—Dhurandhar The Revenge (Raw & Undekha)—is creating major ripples on the global stage. Even though it is currently not streaming in India, the sequel has managed to hold its spot in the Global Top 10 for Non-English movies for the third consecutive week, currently ranking at #10. During the week of May 25–31, it recorded 9,00,000 views, which brings its total cumulative audience to 4 million views at the end of its third weekend. What is particularly striking is its watch time; despite a massive runtime of 3 hours and 52 minutes, it clocked 33,00,000 hours viewed this week alone. This steady global performance is further highlighted by the fact that the film is trending in the Top 10 across 12 different countries. (adsbygoogle = window.adsbygoogle || []).push({}) In India, the weekly chart also saw strong debuts and steady holds from other titles. Saif Ali Khan's Kartavya continues its winning streak at #2, while the new release Kara has debuted straight at the top. Animation seems to be a big draw this week too, with Goat and Swapped finding plenty of takers among family audiences. Top 10 Movies on Netflix India (May 25 - May 31, 2026)RANKMOVIE NAMEWEEKS IN TOP 1001Kara102Kartavya303Dhurandhar (Raw & Undekha)204Goat105Ladies First106Swapped507Youth708Dhurandhar1809Bharathanatyam 2 Mohiniyattam410Do Deewane Seher Mein6 For fans in India waiting for the sequel, the wait is almost over. Dhurandhar: The Revenge is scheduled to premiere on JioHotstar on June 4 and will eventually make its way to Netflix India on June 19. Given how the prequel is still trending after 18 weeks, we can expect the sequel to explode once it finally lands on domestic screens.

Bollywood

8 hrs ago

259 views

Ranveer Singh Sues FWICE Over Non-Cooperation Directive Amid Don 3 Controversy

BY SUNIT JANGIR

Mumbai, June 3 - Bollywood star Ranveer Singh has reportedly taken legal action against the Federation of Western India Cine Employees (FWICE), escalating the ongoing controversy surrounding his exit from Don 3. The move comes just days after the industry body issued a non-cooperation directive against the actor following complaints from the film's producers. According to a report by India Today, Ranveer has served a legal notice to FWICE and approached the Bombay Civil Court, challenging the federation's decision. The actor's legal team is said to have questioned the legitimacy of the directive and its potential impact on his professional commitments. (adsbygoogle = window.adsbygoogle || []).push({}) What Is The Don 3 Dispute About? The controversy began after it was revealed that Ranveer Singh had stepped away from Don 3, the highly anticipated action thriller directed by Farhan Akhtar. Reports claimed that significant pre-production work had already been completed before the actor's withdrawal, leading to substantial financial losses of 45 crores for the producers. Following complaints from producers Farhan Akhtar and Ritesh Sidhwani, FWICE issued a non-cooperation directive on May 25. The federation alleged that Ranveer had failed to respond to multiple notices regarding the matter and urged its affiliated workers and technicians to refrain from collaborating with him until the dispute was resolved. (adsbygoogle = window.adsbygoogle || []).push({}) FWICE Clarifies Position As news of the directive spread, many reports described it as a "ban" on the actor. However, FWICE officials later clarified that the federation does not possess the authority to ban artists from working in the industry. FWICE Chief Advisor Ashoke Pandit stated that the organisation had merely issued a non-cooperation call to its affiliated members and that participation remained voluntary. Industry Reacts The issue has sparked strong reactions from several members of the film fraternity. Producer Nikhil Dwivedi publicly questioned the rationale behind actions that could potentially affect an individual's livelihood, arguing that contractual disagreements should be resolved through legal mechanisms rather than industry directives. (adsbygoogle = window.adsbygoogle || []).push({}) Veteran producer T. P. Aggarwal also expressed support for Ranveer Singh and reportedly challenged FWICE's decision in court. Meanwhile, actress and politician Kangana Ranaut voiced her support for the actor during the controversy. The debate has reignited discussions about the role of film industry associations and the extent of their powers in handling disputes involving actors and production houses.

Kollywood

9 hrs ago

425 views

Karuppu Box Office Day 19: Steady 3rd Tuesday Hold; Needs 5 Crore More for Suriya's First 300 Crore Movie

BY CHRISTA LINCY

It is quite impressive to see how Karuppu is maintaining its grip at the box office even as it nears the end of its third week. For a film to keep the momentum going on its nineteenth day is a clear sign of solid word-of-mouth. On its third Tuesday, the movie managed to pull in nearly 2.35 Crore in India gross collections. Such a hold on a weekday is a hallmark of a successful run, especially in the South where gross numbers truly reflect the theatrical footprint. This brings the total India gross to approximately 216 Crore, showing that the film is steadily building its legacy as a major commercial success. When we break down the performance by language, the Tamil version continues to be the primary driver, contributing around 1.65 Crore on Day 19. The Telugu version also added a decent 0.40 Crore to the tally. The film was screened across roughly 3,000 shows on Tuesday, maintaining an overall occupancy of about 19 percent for the Tamil version and 17 percent for the Telugu version. These numbers reflect a loyal audience base that is still turning up in theaters despite several newer releases being available. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the regional performance, Chennai remains the stronghold for Karuppu. The city saw an overall occupancy of nearly 26 percent across more than 400 shows, with night screenings performing even better at around 31 percent. Other regions like Coimbatore and Vizag are also showing healthy trends, with occupancies hovering around 20 percent and 18 percent respectively. Even in Hyderabad, the film managed to stay relevant with over 250 shows, proving its appeal across different states. The ticket sales data further supports this steady trend. On BookMyShow alone, the film managed to sell around 27,300 tickets on its third Tuesday, which is a solid number for this stage of its theatrical run. When we look closer at the national multiplex chains, they played a massive role in this volume, accounting for over 26,750 tickets in total. PVR led the way by selling approximately 18,400 tickets across 220 shows, maintaining a healthy occupancy of about 32 percent. INOX also contributed significantly with around 7,000 tickets sold from 105 shows at an occupancy of 27 percent. Meanwhile, Cinepolis added another 1,350 tickets from 40 shows with occupancy hovering near 16 percent. Karuppu is right on the doorstep of a Noteworthy achievement. The total worldwide gross has now climbed to approximately 295 Crore, fueled by a strong India gross of nearly 216 Crore and an overseas performance that has contributed about 79 Crore. With just 5 Crore left to hit the monumental 300 Crore mark and two more days still to go in its third week, the film is perfectly on track to reach this milestone before entering its fourth week. It is a significant feat that firmly establishes the movie as one of the standout commercial hits of the year. (adsbygoogle = window.adsbygoogle || []).push({}) What makes this run even more interesting is how Karuppu compares to other big-ticket films during their third week. Its third Tuesday performance has landed it a spot among the top five highest-collecting movies in Kollywood for that specific day. It is interesting to note that this list includes a mix of home-grown Tamil hits and successful dubbed versions from other industries like Kannada, highlighting how competitive the current box office landscape has become. Top 5 Movies - 3rd Tuesday Tamil Net CollectionMOVIE NAMETAMIL NET COLLECTIONKGF Chapter 2₹ 3.15 CrJailer₹ 2.80 CrKantara₹ 1.85 CrVikram₹ 1.68 CrKaruppu₹ 1.65 Cr The rankings in the table highlight the strong box office position Karuppu has maintained. By earning around 1.65 Crore in its Tamil version on the nineteenth day, the film has secured a spot among the top performers for a third Tuesday. If these steady numbers continue for the next two days, the film is expected to reach that 300 Crore milestone before the week concludes.