BY SACNILK

Dhamaal 4 released in theatres yesterday, July 10, 2026, and has instantly struck a chord with the family audience. On its opening day, the film recorded a solid performance, collecting a net of ₹14 Cr across 10,669 tracked shows in India. This brings the total India gross collections to ₹16.80 Cr. Early estimates for the overseas market suggest a gross of approximately ₹5.00 Cr, pushing the worldwide opening day total to a massive ₹21.80 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) With this opening, Dhamaal 4 has officially surpassed the Day 1 collections of Bol Bachchan (₹12.10 Cr) to become one of the Top 3 comedy openers of Ajay Devgn's career, trailing only behind Golmaal Again and Total Dhamaal. The film brings back the beloved trio of Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, while adding fresh energy with Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta. Critics have praised the fast-paced madness and the clean, kid-friendly humor that has been missing from the big screen lately. LIVE BLOG: DAY 2 UPDATES 04:15 PM (IST) 11 JUL 2026 Live Update: Saturday Afternoon Explosion; Dhamaal 4 Crosses 500K Ticket Milestone on BMS Dhamaal 4 is on a rampage this Saturday, showing a massive jump in footfalls across the country. As of 4:15 PM, the film has already minted ₹7.02 crore net live today across 6,236 tracked shows. This brings the total India net collection to ₹21.02 crore, with the total gross reaching ₹25.08 crore within just 40 hours of its release. The momentum on BookMyShow (BMS) is unprecedented for a comedy entertainer this year. Between 3 PM and 4 PM alone, the film sold 22,850 tickets, recording a significant surge compared to the 15,850 tickets sold during the same window yesterday. The cumulative sales since 7 AM this morning have now touched 1,59,170 tickets—nearly doubling yesterday's performance of 90,320 in the same period. The most significant milestone of the day comes from the platform itself, as Dhamaal 4 has officially crossed 500,000 (500K) total tickets sold on BookMyShow. The occupancy levels for the Hindi 2D version are reflecting a massive Saturday surge. While the morning shows started steadily at 12.77 per cent, the afternoon shows witnessed an explosive jump, recording 33.92 per cent occupancy across the country. Currently, the overall average for the day stands at 23.35 per cent. 01:45 PM (IST) 11 JUL 2026 Live Update: Saturday Momentum Skyrockets; Day 2 Live Net Crosses ₹2 Crore Dhamaal 4 is maintaining an extraordinary pace as it enters the Saturday afternoon shows. As of 1:45 PM, the film has already collected a net of ₹2.31 crore live today across 4,087 tracked shows. This takes the total India net collection to ₹16.31 crore, with the gross collection now standing at ₹19.53 crore so far. The ticket sales on BookMyShow are nearly doubling compared to the opening day. Between 12 PM and 1 PM today, the film sold 21,430 tickets, showing a massive jump from the 12,510 tickets sold during the same window yesterday. The total tickets booked since 7 AM this morning have reached a staggering 89,770, compared to 45,770 in the same period on Friday. 12:45 PM (IST) 11 JUL 2026 Live Update: Dhamaal 4 Crosses ₹15 Cr Net; Morning Occupancy Jumps by 50% Dhamaal 4 is witnessing a terrific surge on its first Saturday, with audience interest scaling new heights. As of 12:45 PM, the film has already minted ₹1.44 crore net live today across 3,575 tracked shows. This pushes the total India net collection to ₹15.19 crore (₹18.20 crore gross) so far. The ticket sales on BookMyShow have hit an explosive pace. Between 11 AM and 12 PM today, the film sold 24,510 tickets, which is more than double the 11,330 tickets sold during the same hour yesterday. The cumulative sales since 7 AM this morning have reached 68,340 tickets, compared to 33,260 yesterday. Occupancy trends are equally impressive. The morning shows recorded an overall occupancy of 12.77%, a significant leap from Friday's 8.38% morning start. Regionally, Mumbai and Pune are leading the charge with 18% occupancy each, followed by NCR and Bengaluru at 15% and 13% respectively. The Dhamaal wave has significantly altered the trending charts; while Alia Bhatt's Alpha has stopped trending on BMS , Welcome To The Jungle has started to emerge in the trending list during the 11 AM-12 PM window. With matinee and evening shows expected to see heavy walk-ins, the film is firmly on track for a huge Saturday finish. 10:15 AM (IST) 11 JUL 2026 Live Update: 2x Surge on Saturday Morning; Weekend Projections Eye ₹60 Crore Mark The momentum for Dhamaal 4 has witnessed a massive jump on Saturday morning. Between 9 AM and 10 AM today, the film sold 13,870 tickets on BookMyShow, which is more than double the 6,770 tickets sold in the same window yesterday. The total sales since 7 AM this morning have reached 24,330, compared to 12,660 yesterday morning. With an 8.9/10 rating on BMS from over 4,200 votes, the positive audience feedback is clearly driving a strong weekend surge. Based on current ticket sales and occupancy trends, the film is now gearing up to collect over ₹20 crore on both Saturday and Sunday, with a strong chance of hitting ₹25 crore tomorrow. If this pace continues, Dhamaal 4 is looking at a ₹60 crore plus opening weekend, comfortably surpassing initial trade expectations. 09:15 AM (IST) 11 JUL 2026 Live Update: Day 2 Morning Sales Explode; 77% Jump Over Friday Dhamaal 4 is showing signs of a massive weekend surge. As of 9:15 AM on Day 2, the film is running across 1,488 shows and has already collected a live net of ₹0.19 Cr today. This brings the cumulative India net to ₹13.94 Cr (₹16.72 Cr Gross) within the first few hours of Saturday. The momentum on BookMyShow (BMS) is staggering. Between 8 AM and 9 AM today, the film sold 7,320 tickets, compared to 4,230 tickets during the same window yesterday. The total sales since 7 AM today have reached 10,460 tickets, nearly doubling yesterday's 5,890. In the National Chains (PIC), the advance booking for today stands at a robust 71.8K tickets, generating a gross of approximately ₹2.74 Cr with a 9.3% occupancy. This is a significant jump compared to yesterday's 44K tickets at the same time. Leading the charge is PVR with 35.8K tickets (₹1.45 Cr), followed by INOX with 24.5K tickets (₹89 Lakh) and Cinepolis with 11.5K tickets (₹40 Lakh). The strong Word of Mouth is clearly translating into heavy spot bookings for the weekend. (adsbygoogle = window.adsbygoogle || []).push({}) @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; }

BY SACNILK

Hyderabad, July 11 - Telugu and Tamil cinema are gearing up for an exciting showdown, with two ambitious films based on Lord Murugan currently in development. While Indian cinema has produced several epics over the years, it is rare for two major industries to simultaneously back large-scale films inspired by the same Hindu deity. (adsbygoogle = window.adsbygoogle || []).push({}) On the Telugu front, filmmaker Trivikram Srinivas is developing a magnum opus on Lord Murugan with Jr NTR in the lead. The project has generated significant buzz since its announcement, with the makers reportedly planning a grand visual spectacle that combines history, emotion, and cutting-edge visual effects. The film is expected to begin production after Jr NTR wraps up his ongoing commitments. Tamil cinema, meanwhile, has announced Thamizh Murugan, starring Dhanush in the lead role. The ambitious project will be directed by acclaimed filmmaker Vetrimaaran and is expected to present a distinct cinematic interpretation of Lord Murugan. The announcement has already created considerable excitement, given the combination of Dhanush and Vetrimaaran, who have previously delivered acclaimed films together. (adsbygoogle = window.adsbygoogle || []).push({}) With both projects still in the early stages and release dates yet to be announced, the parallel development of these two films has become a major talking point among fans. If the films arrive within a similar timeframe, audiences could witness an intriguing comparison between Telugu and Tamil cinema's unique storytelling styles and their respective visions of one of Hinduism's most revered deities. About Lord Murugan Lord Murugan, also known as Kartikeya, Skanda, Subrahmanya, Shanmukha, and Kumara, is one of the most revered deities in Hinduism. He is especially worshipped in South India, particularly in Tamil Nadu, as the God of War, Courage, Victory, and Wisdom. Lord Murugan is the son of Lord Shiva and Goddess Parvati and the younger brother of Lord Ganesha. He is believed to have been born to defeat the powerful demon Tarakasura, who could only be slain by Shiva's son.

BY SACNILK

The bilingual romantic drama, Love Oh Love, has completed its first day at the box office with a modest opening. Released in both Tamil and Telugu, the film managed to collect a net of ₹ 0.15 crore in India on its opening Friday. With a total of 530 shows across the country, the India gross collection stood at ₹ 0.17 crore. As there were no significant collections reported from overseas markets, the worldwide gross total remains at ₹ 0.17 crore for the first day. If we look at the language-wise performance, the Tamil version led the collections, contributing ₹ 0.10 crore to the net total. It saw a 15.0 per cent occupancy across 319 shows. The Telugu version added the remaining ₹ 0.05 crore, recording a 14.0 per cent occupancy from 211 shows. While these numbers are on the lower side, the film is primarily targeting a niche audience that enjoys slow-paced romantic narratives. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of ticket volume, early estimates from BookMyShow suggest that Love Oh Love sold between 11,000 and 13,000 tickets nationally on its opening day. This includes both pre-sales and walk-in bookings. The interest levels remained somewhat low throughout the day, which was reflected in the overall occupancy for the Tamil 2D version, which averaged 7.70 per cent. Analyzing the occupancy trends by time of day, the film saw its highest traction during the night shows, which peaked at 9.46 per cent. It had a decent morning start at 7.38 per cent, but experienced a dip during the afternoon and evening hours, falling as low as 2.77 per cent in the evening. This pattern suggests that the film is currently attracting late-night moviegoers rather than daytime family or student crowds. (adsbygoogle = window.adsbygoogle || []).push({}) The performance in the national chains, including PVR, INOX, and Cinepolis, was limited to 80 shows across 58 venues. In these chains, the film sold a total of approximately 1.2k tickets, resulting in a gross collection of around ₹ 1.7 lakh at an occupancy of 9.4 per cent. PVR was the primary contributor among the chains, selling nearly 0.8k tickets and grossing about ₹ 1.1 lakh from 37 shows. INOX followed with approximately 0.2k tickets and a gross of around ₹ 0.3 lakh across 21 shows, while Cinepolis added another 0.2k tickets, earning nearly ₹ 0.3 lakh from 22 shows. PVR recorded the highest occupancy among the three at a notable 14.6 per cent. Regionally, Chennai was the strongest market for the film. Across 78 shows in the city, the overall occupancy stood at 19.3 per cent. The city shows started strong with 23 per cent occupancy in the morning and concluded with 22 per cent for the night shows. Coimbatore also showed some promise with a 12.0 per cent overall occupancy, peaking at 22 per cent at night. However, other major centers like Bengaluru remained quiet, recording a low overall occupancy of just 3.5 per cent across 32 shows.

BY SACNILK

The Dhamaal series has seen a steady transformation since the original film released in 2007. What started as a light-hearted road comedy focused on a treasure hunt has now grown into one of Bollywood’s most reliable comedy brands. Each sequel has attempted to scale up the stakes, moving from simple chases to the large-scale spectacle seen in Total Dhamaal. With Dhamaal 4, the narrative takes a new direction by incorporating sea pirates and supernatural themes into the mix. By bringing back core cast members like Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, the makers are sticking to the established chemistry that fans expect, while trying to give the franchise a fresh look for its latest theatrical run. Dhamaal 4 has concluded its first day with a net collection of ₹ 14 crore in India. Running across 10,669 shows, the film reached an India gross of ₹ 16.80 crore. When we look at the international market, early estimates suggest a gross of ₹ 5.00 crore, bringing the total worldwide opening day gross collection to ₹ 21.80 crore. (adsbygoogle = window.adsbygoogle || []).push({}) A notable aspect of this release is the 4DX format, making Dhamaal 4 the first movie in 2026 to receive a 4DX theatrical release. While this immersive format is rare for Indian cinema, it has been used for major titles in the past like Pathaan, Jawan, Tiger 3, and more recently for Kalki 2898 AD, Pushpa 2: The Rule, Thamma, and Bade Miyan Chote Miyan. The response for Dhamaal 4 has been quite encouraging, with an overall occupancy of 42.30 per cent for 4DX shows, which is significantly higher than the standard format. In Mumbai, the 4DX occupancy was as high as 50 per cent, while National Capital Region shows stood at 40.8 per cent. The night shows in this format reached 46.69 per cent, showing that a section of the audience is seeking a premium theatrical experience. If we analyze the performance of the franchise, this fourth installment has shown growth over the earlier parts but missed the high bar set by the previous film. The original Dhamaal opened with ₹ 2.38 crore in 2007, and Double Dhamaal grew to ₹ 7.6 crore in 2011. While Total Dhamaal had set a franchise record with ₹ 16.5 crore, Dhamaal 4 fell slightly short of that mark. However, with the current trend, a positive response from the audience could drive a significant weekend surge. (adsbygoogle = window.adsbygoogle || []).push({}) In the list of major openers for the year 2026, Dhamaal 4 has secured a spot in the top five. It currently ranks as the fourth-highest opener of the year so far, just ahead of Cocktail 2. You can see how the top performers compare in the following table: Top 5 Movie Openers of 2026 - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONDhurandhar 2: The Revenge₹ 99.10 CrBorder 2₹ 30.00 CrWelcome To The Jungle₹ 15.25 CrDhamaal 4₹ 14 CrCocktail 2₹ 13.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Looking at ticket sales on BookMyShow, the movie sold 270,190 tickets on its opening Friday. Combined with pre-sales of 92,810 tickets, the total count on the platform stands at 363,000 tickets. Interestingly, the film narrowly missed a spot in the top 10 ticket sellers of the 2025-26 cycle, landing at the 12th position. It was only about 1,000 tickets behind Sikandar and 8,000 tickets behind Raid 2. This suggests that while it is attracting a large crowd, it is operating in a very competitive environment. The national chains, which include PVR, INOX, and Cinepolis, contributed a total of roughly 45,000 tickets for the opening day. This amounted to a gross of ₹ 1.65 crore. PVR led the chains with approximately 23.4k tickets and a gross of ₹ 92 lakh at an occupancy of 7.71 per cent. INOX followed with about 15.4k tickets, earning ₹ 53 lakh with 5.45 per cent occupancy. Cinepolis recorded nearly 6.2k tickets, collecting around ₹ 21 lakh with a 3.90 per cent occupancy rate. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the standard Hindi 2D version was 24.54 per cent for the day. The film saw a clear upward trend as the day progressed. It started with 8.38 per cent in the morning and grew to 19.15 per cent in the afternoon. By the evening, occupancy reached 24.85 per cent, finally peaking at 42.00 per cent for the night shows. This pattern indicates that families and office-goers are opting for late shows, which is a good sign for Saturday and Sunday growth. Regionally, Mumbai and the National Capital Region were the strongest performers for the 2D version. Mumbai recorded 24 per cent occupancy across 820 shows, with night shows hitting 43 per cent. NCR followed closely with 22.8 per cent occupancy across 969 shows, peaking at 37 per cent at night. Other regions like Ahmedabad, Bengaluru, and Hyderabad also maintained steady levels around 22 to 23 per cent. Cities like Surat and Kolkata were on the lower side, staying under 15 per cent overall. (adsbygoogle = window.adsbygoogle || []).push({}) For those opting for the 4DX experience, the occupancy levels were notably higher than the standard format, with an overall average of 42.30 per cent. This premium version saw a slow start in the morning at 6.08 per cent, but it gained significant traction as the day progressed. By the afternoon, occupancy rose to 17.23 per cent, and while there was a slight dip in the evening to 11.15 per cent, the night shows recorded a very strong 46.69 per cent. In terms of regions, Mumbai saw the highest demand for 4DX with a 50 per cent overall occupancy across its 5 shows, peaking at 51 per cent in the evening. The National Capital Region, which had a larger volume of 15 shows, maintained a steady 40.8 per cent occupancy, starting particularly well in the morning at 44 per cent. Bengaluru recorded an overall occupancy of 28.7 per cent for its 11 shows, though its night shows stood out with a high of 54 per cent. These numbers suggest that while the show count for 4DX is limited, the audience interest for this specific immersive experience is quite high compared to regular screenings. While the opening numbers are stable, the film's long-term success will depend on how it holds up over the weekend. The fact that it is a clean family entertainer and is available in multiple formats like 4DX should help in sustaining the momentum if the word of mouth remains positive.

BY SACNILK

If you have a soft spot for the feel-good romances of 90s Tamil cinema, Idhayam Murali is a film designed specifically for that sentiment. Directed by Aakash Baskaran, the movie attempts to rekindle the old magic and nostalgia of that era, often drawing comparisons to the early romantic style of Karan Johar Films. It is a coming-of-age drama that follows a man who finds it impossible to express his love to women at various stages of his life, eventually documenting his journey to finding true love. On its opening day, the film has managed to find its audience, particularly in the urban centers of Tamil Nadu. Idhayam Murali collected a net of ₹ 1.90 crore across 1,283 shows in India. This resulted in a total India gross collection of ₹ 2.19 crore for the first day. The performance suggests that the film is catering well to the target audience that seeks emotional, character-driven narratives over high-octane action. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the state-wise gross distribution, Tamil Nadu was the primary driver of business, contributing ₹ 1.95 crore. In the neighboring states, Karnataka recorded a gross of ₹ 15 lakh, while Kerala contributed ₹ 7 lakh. The rest of India and the APTG (Andhra Pradesh and Telangana) regions together added approximately ₹ 2 lakh to the final tally. These numbers indicate that while the film has a very strong regional focus, it is starting to gain some traction in neighboring southern markets. With this opening, the film has officially secured a spot in the top 10 Tamil openers of 2026 so far. It currently ranks at the ninth position, ahead of Vaa Vaathiyaare but trailing behind Mankatha and Youth. You can see the full list of top performers for the year in the table below: Top 10 Tamil Movie Openers of 2026 - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONKaruppu₹ 13.10 CrParasakthi₹ 12.50 CrLIK: Love Insurance Kompany₹ 5.65 CrKara₹ 4.95 CrYouth₹ 3.65 CrMankatha₹ 3.50 CrGatta Kusthi 2₹ 2.70 CrThaai Kizhavi₹ 2.70 CrIdhayam Murali₹ 1.90 CrVaa Vaathiyaare₹ 1.65 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The occupancy levels for the opening day showed a very healthy growth pattern. The film recorded an overall occupancy of 32.38 per cent for the Tamil 2D version. It started with a quiet morning at 18.54 per cent, but moved up to 29.38 per cent by the afternoon. The evening shows maintained a similar level at 28.23 per cent, but the night shows witnessed a massive jump, reaching 45.15 per cent. This indicates that the movie is gaining strength through positive word-of-mouth as the day progresses. In the urban circuits, Chennai was the clear standout. The city recorded an overall occupancy of 44.3 per cent across 286 shows, with the night shows reaching an elite level of 65 per cent. Coimbatore also showed strong interest with 32.3 per cent overall occupancy, peaking at 48 per cent at night. Bengaluru saw a more modest overall occupancy of 20.5 per cent, but even there, the night shows climbed to 32 per cent. (adsbygoogle = window.adsbygoogle || []).push({}) In the national chains (PIC), the film delivered a very steady performance. It sold approximately 15.7k tickets, resulting in a gross of roughly ₹ 26 lakh at a high occupancy rate of 28.2 per cent. PVR led the chains with nearly 10.8k tickets and a gross of ₹ 18 lakh. INOX followed with about 3.9k tickets earning ₹ 6 lakh, while Cinepolis contributed nearly 1k tickets with a gross of around ₹ 1.8 lakh. The occupancy in PVR was particularly impressive, hovering around 34 per cent. As we enter the second day, Saturday, the momentum seems to be building further. The film is officially trending on BookMyShow, with 5.08k tickets booked in the last hour alone. In a rolling 24-hour cycle, the movie has already crossed 18.25k tickets booked nationally. Chennai remains the heart of this growth, where it recently clocked a peak velocity of 6.04k tickets booked in a single hour. Other centers like Mayiladuthurai are also providing solid support, tracking steady volumes with 3.74k tickets in the last hour. With a very strong BMS rating of 9.1/10 from over 2,000 votes, the film is well-positioned for a significant weekend jump.

BY SACNILK

Here is the Tamil movie Idhayam Murali box office collection which is a Drama Romantic film. This film is directed by Aakash Baskaran and produced by . ## Idhayam Murali stars , Atharvaa, Fahadh Faasil, Preity Mukhundhan, Kayadu Lohar, Natarajan Subramaniam, Thaman S in key roles. ## Idhayam Murali Review ## Idhayam Murali Review: What Public Has To Say About This Movie ## Idhayam Murali Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Idhayam Murali Budget: ₹ 1 Cr * Approx ## Idhayam Murali Verdict: Coming Soon ## Idhayam Murali Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 10th July 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.Idhayam Murali State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Friday]₹ 0.15 Cr₹ 0.01 Cr₹ 1.95 Cr₹ 0.07 Cr₹ 0.01 Cr₹ 2.19 CrDay 2 [1st Saturday]₹ 0.42 Cr₹ 0.02 Cr₹ 3 Cr₹ 0.08 Cr₹ 0.1 Cr₹ 3.62 CrTotal₹ 0.57 Cr₹ 0.03 Cr₹ 4.95 Cr₹ 0.15 Cr₹ 0.11 Cr₹ 5.81 Cr ##

BY SACNILK

The third Friday has proven to be a challenging day for Welcome To The Jungle, as the film faced a significant reduction in its theatrical footprint to accommodate the release of Dhamaal 4. On its 15th day, the comedy entertainer collected a net of ₹ 1.00 crore in India. This represents a 53.5 per cent drop from the ₹ 2.15 crore it managed on the previous day. This sharp decline is directly linked to a massive screen crunch; while the movie was running on 6,092 shows this Thursday, that number was cut down to 3,769 shows on Friday, effectively losing nearly half of its screens in a single day. Currently, the total India net collection for Welcome To The Jungle stands at ₹ 126.05 crore, with the India gross reaching ₹ 149.80 crore. On the international front, the film added ₹ 0.25 crore on Friday, bringing its total overseas gross to ₹ 31.70 crore. When we look at the global picture, the total worldwide gross collection has now reached ₹ 181.50 crore. (adsbygoogle = window.adsbygoogle || []).push({}) The impact of new competition is very clear when we examine the performance in national chains like PVR, INOX, and Cinepolis. On Thursday, the film was holding steady in these chains with around 12,000 tickets sold, generating a gross of approximately ₹ 26 lakh. However, by Friday, those numbers saw a steep fall. Across the three major chains, the film sold only about 2,900 tickets, bringing in a gross of ₹ 9 lakh. PVR contributed nearly 1.4k tickets with a gross of ₹ 4.5 lakh, followed by INOX with 1.3k tickets and ₹ 3 lakh gross. Cinepolis saw a much smaller contribution of nearly 0.3k tickets, amounting to around ₹ 70,000 in gross collections. On BookMyShow, the shift in audience interest was also evident. The film had sold about 27,640 tickets on its second Thursday, but that figure dropped to 13,940 tickets on the third Friday. The total lifetime tickets sold on the platform have now reached 2,235,000. Much like Alia Bhatt's Alpha, Welcome To The Jungle stopped trending on the BookMyShow charts on Saturday due to the Dhamaal 4 surge. However, in a surprising turn, the film has started to trend again, particularly during the 11 AM to 12 PM window, suggesting some level of recovery or interest from the weekend crowd. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the Hindi 2D version stood at 12.92 per cent on Friday. The film started the day with 8.77 per cent occupancy in the morning shows and saw a very minor increase to 9.38 per cent in the afternoon. Evening shows remained steady at 10.23 per cent, but there was a notable jump in the night shows, which reached 17.77 per cent. This indicates that while daytime shows are struggling due to the competition, there is still a dedicated audience opting for the late-night screenings. Regional data shows some interesting variations, particularly in Bengaluru. While most cities were quiet, Bengaluru recorded an impressive overall occupancy of 27.5 per cent, fueled by a massive 47 per cent occupancy during the morning shows. In contrast, the National Capital Region (NCR) saw a modest 10 per cent occupancy across 616 shows, with night shows peaking at 14 per cent. Mumbai, with 402 shows, managed an overall 12 per cent occupancy, where night shows were the most active at 17 per cent. Lucknow performed relatively well with 11.8 per cent overall occupancy, while cities like Ahmedabad and Pune stayed under the 10 per cent mark. Surat remained the weakest performing major circuit with an occupancy of just 3.5 per cent. (adsbygoogle = window.adsbygoogle || []).push({}) While the 50 per cent reduction in screens has limited its potential for a massive third week, Welcome To The Jungle is still finding pockets of audience, especially in the south. The coming two days will be crucial to see if the renewed trending status translates into a weekend jump that can help the film push further toward the ₹ 200 crore worldwide mark.

BY SACNILK

Alia Bhatt's Alpha has entered its second week of theatrical run, but the arrival of new releases has significantly impacted its momentum. On its eighth day, which was the second Friday, the film collected a net of ₹ 1.65 crore in India. This figure represents a 34.0 per cent drop compared to the previous day's collection of ₹ 2.50 crore. This decline is largely attributed to a sharp reduction in screen count, as a major portion of its shows were reassigned to the new comedy entertainer, Dhamaal 4. The total performance over eight days now brings the India net collection to ₹ 49.10 crore, with the India gross reaching ₹ 58.51 crore. In the international circuit, Alpha managed to add ₹ 1.00 crore on its eighth day. This takes the total overseas gross to ₹ 23.55 crore. When we combine the domestic and international numbers, the worldwide gross collection for the film now stands at ₹ 82.06 crore. (adsbygoogle = window.adsbygoogle || []).push({}) The impact of new competition is most visible in the national chains, including PVR, INOX, and Cinepolis. Just 24 hours ago, on its seventh day, Alpha was the top-performing movie across these chains with roughly 12,000 tickets sold in advance. However, on Friday, it was displaced by several new titles. Across the three major chains, Alpha sold approximately 4,670 tickets for the day, generating a gross of around ₹ 14.88 lakh. PVR led these contributions with nearly 2.4k tickets and a gross of ₹ 8.6 lakh at 2.70 per cent occupancy. INOX followed with about 1.7k tickets and ₹ 4.9 lakh gross, while Cinepolis contributed nearly 0.5k tickets with a gross of around ₹ 1.5 lakh. On BookMyShow, the ticket sales trend also reflected this downward shift. On Thursday, the film had sold about 33,180 tickets, but this number dropped to 22,750 tickets on the second Friday. The cumulative ticket sales on the platform have now reached 858,290. While the film had been a steady topper on the trending charts, it has now largely stopped trending as the spotlight has moved toward Dhamaal 4 and Lenin. This shift in audience attention was particularly evident as the film’s show count was reduced to 4,831 shows across India on Friday. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of theater occupancy, the film recorded an overall average of 12.89 per cent for the Hindi 2D version. The day started with a quiet morning at 5.85 per cent occupancy, which improved slightly to 10.15 per cent in the afternoon. The evening shows saw a further rise to 14.23 per cent, and the day concluded with its highest occupancy of 18.38 per cent during the night shows. This night-time peak suggests that there is still some lingering interest among urban audiences, even with fewer shows available. Looking at the major regions, Mumbai and the National Capital Region (NCR) remained the primary contributors, though both saw muted occupancy levels. Mumbai had 529 shows and an overall occupancy of 12.3 per cent, with night shows reaching 19 per cent. NCR operated with 724 shows and an overall occupancy of 11.3 per cent, peaking at 15 per cent at night. Other cities like Ahmedabad and Bengaluru recorded overall occupancies of 8.8 per cent and 11.0 per cent respectively. Surat remained on the lower end with just 6 per cent overall occupancy. (adsbygoogle = window.adsbygoogle || []).push({}) As the film moves into its second weekend, its ability to cross the ₹ 50 crore net mark in India seems likely, but the growth will be limited by its reduced footprint. The significant drop on the second Friday indicates that the movie is now entering a stage of its run where it will rely mostly on evening and night shows in major cities to sustain itself through the heavy competition.

BY SACNILK

Dhamaal 4 released in theatres today, July 10, 2026, opening as one of the most anticipated family entertainers of the year. The film marks the return of one of Bollywood's most successful comedy franchises, which has collectively grossed approximately ₹355 crore across its previous three installments. The fourth part looks to build on that legacy with a mix of returning favorites and new faces. (adsbygoogle = window.adsbygoogle || []).push({}) The film sees Ajay Devgn, Riteish Deshmukh, and Arshad Warsi returning to the madness, this time joined by Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta. Deviating from the standard road-trip formula, Dhamaal 4 introduces sea pirates and supernatural elements as the gang tracks down a ₹50 crore treasure. Notably, the film received a UA 13+ rating from the CBFC with zero scene cuts, making it a wide-access film for family audiences. Initial trends suggest the film is finding its footing in major circuits like Maharashtra and Delhi-NCR. While the franchise started in 2007 as a cult comedy inspired by the Hollywood classic 'It's a Mad, Mad, Mad, Mad World', the fourth installment aims to capture the box office momentum seen by Total Dhamaal. The coming hours will be crucial to see how spot bookings translate into the final Day 1 numbers. (adsbygoogle = window.adsbygoogle || []).push({}) LIVE BLOG 10:20 PM (IST) 10 JUL 2026 Live Update: Dhamaal 4 Hits Double Digits; Nearing 2 Lakh Tickets on BMS Dhamaal 4 is concluding its opening day with a power-packed performance across the country. As of 10:20 PM, the film has officially entered the double-digit club, collecting ₹11.88 crore net across 10,668 tracked shows. This brings the total India gross collection to ₹14.02 crore so far. The late-night shows are witnessing peak traffic on BookMyShow, with 20,090 tickets sold between 9 PM and 10 PM alone. The total tickets sold on the platform since 7 AM has now reached a massive 1,94,810, essentially knocking on the door of the 200K milestone. With strong word-of-mouth regarding the nostalgia and family-friendly humor, the film is set for a big finish for Day 1. 09:45 PM (IST) 10 JUL 2026 Live Update: Dhamaal 4 Leads Overseas Markets in Australia and NZ Dhamaal 4 is not just making noise domestically but is also leading the charge in overseas markets. Early reports from Australia and New Zealand show the Ajay Devgn-led comedy outperforming other recent releases like Welcome to the Jungle and Cocktail 2. In Australia, Dhamaal 4 has collected 84k AUD, comfortably ahead of Cocktail 2 (77.6k AUD) and Welcome to the Jungle (51k AUD). Similarly, in New Zealand, the film leads with 46k NZD, more than doubling the collections of Welcome to the Jungle (21k NZD). This strong international start, combined with the explosive evening occupancy in India, suggests a very healthy worldwide opening day total. 08:50 PM (IST) 10 JUL 2026 Live Update: Evening Shows On Fire; Nears ₹10 Crore Net Mark Dhamaal 4 is witnessing an explosive trend as night approaches. The film has recorded a massive jump in occupancy, with evening shows hitting 24.85%—nearly triple the morning show occupancy of 8.38%. As of 8:30 PM, the film has minted ₹8.90 crore net across 9,343 shows, bringing its total India gross to ₹10.50 crore so far. The momentum on BookMyShow is currently at its peak, with 19,540 tickets sold between 7 PM and 8 PM alone. This takes the total tickets sold since 7 AM this morning to an incredible 1,54,580. 04:05 PM (IST) 10 JUL 2026 Live Update: Afternoon Shows Surge; Collections Cross ₹3 Crore Net Dhamaal 4 is witnessing a massive surge in momentum as the evening shows approach. The film has officially crossed the ₹3 crore net mark, currently standing at ₹3.44 crore net (₹4.06 crore gross) across 5,724 tracked shows in India. The ticket sales on BookMyShow are currently in explosive mode. Between 3 PM and 4 PM alone, the film sold 15,850 tickets, maintaining the high pace seen in the previous hour (15,680 tickets). This brings the total tickets sold on the platform since 7 AM this morning to a staggering 90,320. With the film trending at nearly 16K tickets per hour, the night shows are expected to witness heavy capacity across multiplexes. 01:30 PM (IST) 10 JUL 2026 Live Update: Morning Occupancy Steady; Collections Near ₹2 Crore Mark Dhamaal 4 has recorded a steady morning occupancy of 8.38% for its Hindi (2D) version. As of 1:30 PM, the film has minted ₹1.82 crore net (₹2.15 crore gross) across 4,048 tracked shows in India. The momentum on BookMyShow remains strong, with 12,510 tickets sold between 12 PM and 1 PM alone. This takes the total tickets sold since 7 AM this morning to 45,770. 12:30 PM (IST) 10 JUL 2026 Live Update: Joginder Tuteja Interval Report - A HIT Loading Trade analyst Joginder Tuteja has shared a very positive interval report for Dhamaal 4, noting that the film is far more entertaining than its trailer suggested. He highlighted the very fast-paced screenplay, mentioning that the first hour and 15 minutes went by quickly. Tuteja particularly pointed out that the humor is well-designed for kids, which is rare in current Bollywood films, and concluded that if the second half holds up, a HIT is loading. #Dhamaal4 #IntervalReportThe film is far more entertaining than the trailer and the best part is that it’s very very very fast paced. 1:15 hour just went by in a jiffy. The humour element is designed especially for the kids, which is so rare in #Bollywood today. Second half… pic.twitter.com/kyuzXeQdSd— Joginder Tuteja (@Tutejajoginder) July 10, 2026 12:25 PM (IST) 10 JUL 2026 Live Update: Crosses ₹1 Crore Net Mark; Ticket Sales Spike Dhamaal 4 is showing significant momentum as it enters the afternoon shows. As of now, the film has minted ₹1.10 crore net across 3,558 tracked shows in India, bringing its total gross collections to ₹1.30 crore so far. The booking pace on BookMyShow has witnessed a sharp spike, with 11,330 tickets sold between 11 AM and 12 PM alone. This takes the total tickets sold since 7 AM this morning to an impressive 33,260. The trend indicates strong walk-in numbers as the day progresses, with final first-day figures expected to be much higher. 12:15 PM (IST) 10 JUL 2026 Live Update: Taran Adarsh Calls Dhamaal 4 "MAZEDAAR" Renowned film critic Taran Adarsh has shared his review for Dhamaal 4, giving it a 3.5-star rating and calling it MAZEDAAR. He noted that the film lives up to its title with LOL moments throughout the first half and an excellent post-interval sequence. While describing it as a stressbuster that doesn't require logic, he specifically praised the spot-on comic timing of Ajay Devgn and Sanjay Mishra. Riteish Deshmukh also earned high marks for his emotional switch in the climax, alongside refreshing energy brought in by Ravi Kishan and Sanjeeda Shaikh. #OneWordReview...#Dhamaal4: MAZEDAAR.Rating: ⭐⭐⭐️½#Dhamaal4 lives up to its title, taking the madness to an altogether new level... LOL moments in first half, excellent post interval, with tadka of emotions in climax... Don't look for logic – this one's a stressbuster.… pic.twitter.com/4EvlaKRVhj— taran adarsh (@taran_adarsh) July 9, 2026 09:30 AM (IST) 10 JUL 2026 Live Update: Early Morning Box Office Tracking As of Day 1, Dhamaal 4 is currently running across 51 shows and has collected a net of ₹0.02 Cr Live today. This brings total India gross collections to ₹0.02 Cr and total India net to ₹0.02 Cr so far, with India final collections yet to be reported. 10:15 AM (IST) 10 JUL 2026 Live Update: Morning Ticket Sales Momentum The film continues to see steady movement on BookMyShow as more theater shows open up. Between 9:00 AM and 10:00 AM today, Dhamaal 4 sold 6,770 tickets. This brings the total tickets sold since 7:00 AM this morning to 12,660. The accelerating pace indicates healthy interest for the morning and matinee shows across major cities. 8:30 AM (IST) 10 JUL 2026 Live Update: Final Advance Booking Reports Dhamaal 4 has concluded its pre-sales on a stable note, showing a significant surge in momentum during the final 24 hours. The film sold approximately 92.81K tickets on BookMyShow, which places its pre-sales ahead of notable films like Crew (98K), OMG 2 (90K), and Jolly LLB 3 (88K). The booking trend saw a sharp rise towards the end, jumping from 21K tickets sold on July 8 to over 65K on July 9 alone. In the national chains (PVR, INOX, and Cinepolis), the film sold nearly 45,000 tickets, contributing approximately ₹1.65 crore to the gross. PVR led the three chains with 23.4K tickets (₹92 lakh), followed by INOX with 15.4K tickets (₹52.7 lakh) and Cinepolis with 6.2K tickets (₹20.7 lakh). Overall, the total Day 1 advance gross for all of India stands at ₹2.57 crore without block seats. When including block seats, the figure reaches ₹5.79 crore. A total of 96,720 tickets were sold across all versions before the first show commenced. Geographically, Maharashtra is the top-performing state for the film, recording a real gross of ₹59.4 lakh (₹1.2 crore with block seats). Delhi followed with ₹42.9 lakh, while Gujarat contributed ₹22.9 lakh to the opening day advance totals. In terms of major regions, the National Capital Region (NCR) and Mumbai showed the highest occupancy, both hovering around the 4% mark in early reports. The total Day 1 advance gross (excluding block seats) stands at ₹2.57 crore, while the figure with block seats reaches ₹5.79 crore. Geographically, Maharashtra led the charts with a gross of ₹59.4 lakh, followed by Delhi at ₹42.9 lakh. (adsbygoogle = window.adsbygoogle || []).push({}) @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; } { "@context": "https://schema.org", "@type": "LiveBlogPosting", "headline": "Dhamaal 4 Box Office Collection Day 1 Live Update", "description": "Live updates and analysis for Dhamaal 4 Day 1 box office performance and advance booking.", "liveBlogUpdate": [ { "@type": "BlogPosting", "headline": "Dhamaal 4 Final Advance Booking Report", "datePublished": "2026-07-10T10:00:00+05:30", "articleBody": "Dhamaal 4 finishes pre-sales with 92.8K tickets sold on BMS and a gross of 2.57 Cr excluding block seats." } ] }

BY SACNILK

One of the most notable director-actor pairings in Kollywood cinema has officially announced their next project. Dhanush and Vetri Maaran, the creative duo behind films like Polladhavan, Aadukalam, Vada Chennai, and Asuran, are reuniting for their fifth collaboration. Titled Thamizh Murugan, the first look of the film was unveiled today, July 10, 2026, marking a significant milestone for the pair who have consistently delivered both critical and commercial successes over the years. For months, fans have been desperately waiting for any news regarding Vada Chennai 2. However, the creators have thrown a complete curveball with this announcement. Moving away from the gritty, contemporary gangster and crime-drama roots that defined their previous work, the duo is mounting a grand, culturally rooted historical epic. Centered around the Tamil deity Lord Murugan—referenced in the hashtag #sonofkottravai—the film looks to explore ancient Tamil identity and leadership on a scale never seen before in Kollywood. (adsbygoogle = window.adsbygoogle || []).push({}) The technical crew for the project brings its own set of surprises. The film is written by the prominent lyricist-writer Arivumathi. However, the biggest talking point is the music director. In an unexpected twist, the musical reins have been handed over to the sensational Sai Abhyankkar. Known for his viral global hits like Katchi Sera, this marks a significant shift for Vetri Maaran, who has traditionally collaborated with veterans like Santhosh Narayanan or G.V. Prakash Kumar. The film is being produced jointly by Dhanush’s own banner, Wunderbar Films, alongside Production Miles To Go. Industry trackers are noting that Thamizh Murugan firmly cements Kollywood’s massive new wave of divine and folkloric blockbusters. With several faith-and-legend-driven films currently in development across the industry, Dhanush and Vetri Maaran are clearly looking to set a new benchmark in the genre. The first look poster, featuring Dhanush in a warrior avatar atop a decorated elephant holding a spear, has already sparked intense discussion about the film's visual language. (adsbygoogle = window.adsbygoogle || []).push({}) The Eternal Protector, warrior, THE KING & LEADER of the Thamizh people and lands.#sonofkottravaiதமிழ் முருகன் 🙏🙏🙏THAMIZH MURUGAN https://t.co/3wjGHGfAjG— Dhanush (@dhanushkraja) July 10, 2026 Interestingly, fans on social media are already drawing nostalgic comparisons to Dhanush's 2011 movie Seedan, where he played an extended cameo as a modern-day incarnation of Lord Murugan. While that was a simple family drama, Thamizh Murugan appears to be a much more intense, high-budget warrior epic. As of now, the project is moving under the working tag #DxV, and with the first look already breaking records in engagement, the anticipation for this dream reunion is at an all-time high.

BY SACNILK

The contemporary romantic drama Love Oh Love hit the big screens today, July 10, 2026, aiming to capture the pulse of the younger generation. Directed by Magesh Rajendran and starring newcomers Pavish and Nagadurga in the lead roles, the film explores the complexities of modern-age relationships, focusing on themes like possessiveness, lifestyle differences, and the friction between men and women in a commercial format. On its opening day, the film has recorded a modest start at the box office. According to early tracking data, Love Oh Love is currently running across 523 shows in India and has collected a net of approximately ₹0.10 crore. This brings the total India gross collection to roughly ₹0.12 crore so far. The film saw an overall occupancy of around 14%, with the Tamil version leading the footprint across 317 shows and the Telugu version contributing through 206 shows. (adsbygoogle = window.adsbygoogle || []).push({}) Initial critical reception has been largely positive, particularly regarding its appeal to Gen Z audiences. Trade analyst Ramesh Bala gave the film a 3.5/5 rating, calling it an entertaining theatrical watch with standout dialogues and a strong musical score by Foxn Music. He noted that while the first half focuses on fun, the second half brings in emotional depth and fresh ideas on romance. Similarly, critic Rajasekar rated the film 3/5, drawing comparisons between the lead actor Pavish and the early-career energy of Dhanush. He mentioned that the film’s execution occasionally reminds viewers of the hit film Love Today, particularly in its treatment of flawed relationships. While he suggested that certain sensitive dialogues intended for comedy could have been avoided, he credited the film for being an adequately entertaining commercial venture for its target demographic. (adsbygoogle = window.adsbygoogle || []).push({}) Given the niche romantic-comedy genre and the lack of a heavy star cast, the film's trajectory will now depend on evening show growth and weekend word-of-mouth. While the Day 1 numbers are on the lower side, romantic films of this nature often find stability through family and youth audiences over their first three days. Final first-day collections are yet to be reported as late-night show data is compiled. #LoveOhLove [3.5/5] : A fun, romantic entertainer. First half is total fun while second half is full of emotion and new ideas on romance. Dialogues in the film stands out. @Pavishvofficial and @nagadurgaoffl have performed well..@foxnmusic ’s songs & Magesh Rajendran as… pic.twitter.com/IqOHEjJcEO— Ramesh Bala (@rameshlaus) July 10, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) #LoveOhLove is all about the current gen man vs woman relationship. Their possessiveness, spendthrift lifestyle, exploiting each other in the name of love of revenge etc., in a commercial treatment. Masses will enjoy the one liners and the cat and mouse game between the couple.… pic.twitter.com/TZONibONU1— Rajasekar (@sekartweets) July 10, 2026

BY SACNILK

Fans walking into theatres for Dhamaal 4 today were greeted with an unexpected and emotional surprise right at the start. The film, which marks the fourth installment of the long-running comedy franchise, opens with a specially designed animated sequence that features a digital resurrection of the late veteran actor Satish Kaushik. Reprising his iconic role as Bata Bhai from Double Dhamaal (2011), the late actor's appearance was made possible through a blend of high-end CGI and Artificial Intelligence. Satish Kaushik, whose sudden passing in 2023 left a void in the Indian film industry, was a key highlight of the second film with his hilarious underworld antics. By using AI to recreate his likeness and voice, director Indra Kumar has ensured that the actor's legacy remains part of the Dhamaal universe. In a touching gesture, the makers have specifically thanked Satish Kaushik's wife, Shashi Kaushik, in the opening credits for her support in making this digital tribute possible. This sequence serves as a bridge between the new story and the franchise's history, immediately setting a nostalgic tone for the audience. (adsbygoogle = window.adsbygoogle || []).push({}) The surprises don't stop with Bata Bhai. The same animated sequence also features an appearance by Jackie Shroff, marking his second unique contribution to the series. In the previous installment, Total Dhamaal (2019), Jackie Shroff had lent his distinct voice to a tapori-style GPS system that guided the characters—a gimmick that became a fan favorite. This time, his AI-generated appearance adds another layer of madness to the opening, signaling that the film intends to lean heavily into the slapstick, pure-comedy roots that made the 2007 original a cult classic. Produced on a reported budget of ₹200 crore, Dhamaal 4 is a high-stakes adventure that moves away from the multi-story structure of Total Dhamaal, functioning instead as a direct continuation. The film follows a massive treasure hunt involving sea pirates and supernatural elements, where the gang tracks down a hidden ₹50 crore treasure. The scale of the production is evident in the technical work, especially the use of CGI to bring back beloved characters, which allows the film to balance modern technology with old-school humor. (adsbygoogle = window.adsbygoogle || []).push({}) The core of the film remains the dynamic between the veteran cast. Ajay Devgn leads as the sharp-witted Guddu Rastogi, alongside the franchise's original trio: Arshad Warsi as Aditya Srivastav, Jaaved Jaaferi as the lovable but dim-witted Manav, and Riteish Deshmukh as the eccentric Deshbandhu Roy. Joining them in this chaotic race is Sanjay Mishra as Johnny D'Costa and Ravi Kishan, who plays the primary antagonist, a pirate captain named Michael. The film also introduces Sanjeeda Shaikh, Esha Gupta, and Anjali Anand, the latter of whom is already receiving praise for her performance as Paaro. By honoring Satish Kaushik right at the beginning, Indra Kumar has successfully tapped into the emotional connection fans have with this franchise, making Dhamaal 4 more than just a typical comedy sequel.