BY CHRISTA LINCY

Alia Bhatt's Alpha has entered its second week of theatrical run, but the arrival of new releases has significantly impacted its momentum. On its eighth day, which was the second Friday, the film collected a net of ₹ 1.65 crore in India. This figure represents a 34.0 per cent drop compared to the previous day's collection of ₹ 2.50 crore. This decline is largely attributed to a sharp reduction in screen count, as a major portion of its shows were reassigned to the new comedy entertainer, Dhamaal 4. The total performance over eight days now brings the India net collection to ₹ 49.10 crore, with the India gross reaching ₹ 58.51 crore. In the international circuit, Alpha managed to add ₹ 1.00 crore on its eighth day. This takes the total overseas gross to ₹ 23.55 crore. When we combine the domestic and international numbers, the worldwide gross collection for the film now stands at ₹ 82.06 crore. (adsbygoogle = window.adsbygoogle || []).push({}) The impact of new competition is most visible in the national chains, including PVR, INOX, and Cinepolis. Just 24 hours ago, on its seventh day, Alpha was the top-performing movie across these chains with roughly 12,000 tickets sold in advance. However, on Friday, it was displaced by several new titles. Across the three major chains, Alpha sold approximately 4,670 tickets for the day, generating a gross of around ₹ 14.88 lakh. PVR led these contributions with nearly 2.4k tickets and a gross of ₹ 8.6 lakh at 2.70 per cent occupancy. INOX followed with about 1.7k tickets and ₹ 4.9 lakh gross, while Cinepolis contributed nearly 0.5k tickets with a gross of around ₹ 1.5 lakh. On BookMyShow, the ticket sales trend also reflected this downward shift. On Thursday, the film had sold about 33,180 tickets, but this number dropped to 22,750 tickets on the second Friday. The cumulative ticket sales on the platform have now reached 858,290. While the film had been a steady topper on the trending charts, it has now largely stopped trending as the spotlight has moved toward Dhamaal 4 and Lenin. This shift in audience attention was particularly evident as the film’s show count was reduced to 4,831 shows across India on Friday. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of theater occupancy, the film recorded an overall average of 12.89 per cent for the Hindi 2D version. The day started with a quiet morning at 5.85 per cent occupancy, which improved slightly to 10.15 per cent in the afternoon. The evening shows saw a further rise to 14.23 per cent, and the day concluded with its highest occupancy of 18.38 per cent during the night shows. This night-time peak suggests that there is still some lingering interest among urban audiences, even with fewer shows available. Looking at the major regions, Mumbai and the National Capital Region (NCR) remained the primary contributors, though both saw muted occupancy levels. Mumbai had 529 shows and an overall occupancy of 12.3 per cent, with night shows reaching 19 per cent. NCR operated with 724 shows and an overall occupancy of 11.3 per cent, peaking at 15 per cent at night. Other cities like Ahmedabad and Bengaluru recorded overall occupancies of 8.8 per cent and 11.0 per cent respectively. Surat remained on the lower end with just 6 per cent overall occupancy. (adsbygoogle = window.adsbygoogle || []).push({}) As the film moves into its second weekend, its ability to cross the ₹ 50 crore net mark in India seems likely, but the growth will be limited by its reduced footprint. The significant drop on the second Friday indicates that the movie is now entering a stage of its run where it will rely mostly on evening and night shows in major cities to sustain itself through the heavy competition.

BY CHRISTA LINCY

As we previously reported during the early production stages of this magnum opus, the scale of Nitesh Tiwari's adaptation of the Ramayana has been a subject of intense discussion within the film industry. The project has now reached a significant milestone with the official announcement of its trailer premiere. The makers have confirmed that the first look at this cinematic epic will be unveiled to the world on July 24, 2026. The San Diego Comic-Con Premiere marks a strategic shift in how the film is being positioned globally. The producers, Prime Focus Studios, officially shifted from a domestic-only rollout to a massive international platform. The trailer will debut at San Diego Comic-Con 2026 on July 23, which translates to July 24 IST, in the prestigious Ballroom 20. Producer Namit Malhotra, director Nitesh Tiwari, and the main cast will present the panel, making it one of the most high-profile international debuts for an Indian film to date. (adsbygoogle = window.adsbygoogle || []).push({}) This decision to launch at SDCC underlines the ambition of the makers to present the Ramayana not just as a regional film, but as a global civilizational epic. The project features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, and Yash as Ravana. Reports suggest that the cast has undergone extensive preparation to do justice to these iconic roles, with Ranbir Kapoor reportedly spending months on physical and dialect training to capture the essence of his character. Technically, the film is aiming for a standard that competes with international big-budget franchises. The visual effects are being handled by DNEG, a studio with multiple Academy Awards to its name. Perhaps the most intriguing collaboration is on the musical front, where Hans Zimmer and A.R. Rahman are teaming up to create the score. This fusion of Western orchestral expertise and Indian soul is intended to give the film a unique auditory identity that resonates across borders. (adsbygoogle = window.adsbygoogle || []).push({}) The choice of Ballroom 20 at Comic-Con is a calculated move. Historically, this venue has hosted the biggest television and film reveals from major Hollywood studios. By securing this space, Prime Focus Studios is ensuring that the first visual representation of their ₹ 800 crore plus investment reaches the core global audience of fantasy and epic enthusiasts. It signals a move towards a worldwide distribution strategy similar to major superhero or adventure film releases. From Bharat to the world, the Ramayana trailer premieres worldwide on 24th July, 2026. 🏹 pic.twitter.com/rphSFR99OE— The World Of Ramayana (@WorldOfRamayana) July 11, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Following the international debut, the trailer is expected to be screened across thousands of theaters in India in multiple languages, including 3D and IMAX formats. The film is currently scheduled for a grand release during Diwali 2026. This trailer launch will serve as the first real test of the visual and emotional depth Nitesh Tiwari has brought to this ancient story, and it remains one of the most anticipated events in the 2026 film calendar.

BY CHRISTA LINCY

Dhamaal 4 released in theatres yesterday, July 10, 2026, and has instantly struck a chord with the family audience. On its opening day, the film recorded a solid performance, collecting a net of ₹13.75 Cr across 10,669 tracked shows in India. This brings the total India gross collections to ₹16.50 Cr. Early estimates for the overseas market suggest a gross of approximately ₹5.00 Cr, pushing the worldwide opening day total to a massive ₹21.50 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) With this opening, Dhamaal 4 has officially surpassed the Day 1 collections of Bol Bachchan (₹12.10 Cr) to become one of the Top 3 comedy openers of Ajay Devgn's career, trailing only behind Golmaal Again and Total Dhamaal. The film brings back the beloved trio of Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, while adding fresh energy with Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta. Critics have praised the fast-paced madness and the clean, kid-friendly humor that has been missing from the big screen lately. LIVE BLOG: DAY 2 UPDATES 10:15 AM (IST) 11 JUL 2026 Live Update: 2x Surge on Saturday Morning; Weekend Projections Eye ₹60 Crore Mark The momentum for Dhamaal 4 has witnessed a massive jump on Saturday morning. Between 9 AM and 10 AM today, the film sold 13,870 tickets on BookMyShow, which is more than double the 6,770 tickets sold in the same window yesterday. The total sales since 7 AM this morning have reached 24,330, compared to 12,660 yesterday morning. With an 8.9/10 rating on BMS from over 4,200 votes, the positive audience feedback is clearly driving a strong weekend surge. Based on current ticket sales and occupancy trends, the film is now gearing up to collect over ₹20 crore on both Saturday and Sunday, with a strong chance of hitting ₹25 crore tomorrow. If this pace continues, Dhamaal 4 is looking at a ₹60 crore plus opening weekend, comfortably surpassing initial trade expectations. 09:15 AM (IST) 11 JUL 2026 Live Update: Day 2 Morning Sales Explode; 77% Jump Over Friday Dhamaal 4 is showing signs of a massive weekend surge. As of 9:15 AM on Day 2, the film is running across 1,488 shows and has already collected a live net of ₹0.19 Cr today. This brings the cumulative India net to ₹13.94 Cr (₹16.72 Cr Gross) within the first few hours of Saturday. The momentum on BookMyShow (BMS) is staggering. Between 8 AM and 9 AM today, the film sold 7,320 tickets, compared to 4,230 tickets during the same window yesterday. The total sales since 7 AM today have reached 10,460 tickets, nearly doubling yesterday's 5,890. In the National Chains (PIC), the advance booking for today stands at a robust 71.8K tickets, generating a gross of approximately ₹2.74 Cr with a 9.3% occupancy. This is a significant jump compared to yesterday's 44K tickets at the same time. Leading the charge is PVR with 35.8K tickets (₹1.45 Cr), followed by INOX with 24.5K tickets (₹89 Lakh) and Cinepolis with 11.5K tickets (₹40 Lakh). The strong Word of Mouth is clearly translating into heavy spot bookings for the weekend. (adsbygoogle = window.adsbygoogle || []).push({}) @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; }

BY CHRISTA LINCY

The Dhamaal series has seen a steady transformation since the original film released in 2007. What started as a light-hearted road comedy focused on a treasure hunt has now grown into one of Bollywood’s most reliable comedy brands. Each sequel has attempted to scale up the stakes, moving from simple chases to the large-scale spectacle seen in Total Dhamaal. With Dhamaal 4, the narrative takes a new direction by incorporating sea pirates and supernatural themes into the mix. By bringing back core cast members like Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, the makers are sticking to the established chemistry that fans expect, while trying to give the franchise a fresh look for its latest theatrical run. Dhamaal 4 has concluded its first day with a net collection of ₹ 13.75 crore in India. Running across 10,669 shows, the film reached an India gross of ₹ 16.50 crore. When we look at the international market, early estimates suggest a gross of ₹ 5.00 crore, bringing the total worldwide opening day gross collection to ₹ 21.50 crore. (adsbygoogle = window.adsbygoogle || []).push({}) A notable aspect of this release is the 4DX format, making Dhamaal 4 the first movie in 2026 to receive a 4DX theatrical release. While this immersive format is rare for Indian cinema, it has been used for major titles in the past like Pathaan, Jawan, Tiger 3, and more recently for Kalki 2898 AD, Pushpa 2: The Rule, Thamma, and Bade Miyan Chote Miyan. The response for Dhamaal 4 has been quite encouraging, with an overall occupancy of 42.30 per cent for 4DX shows, which is significantly higher than the standard format. In Mumbai, the 4DX occupancy was as high as 50 per cent, while National Capital Region shows stood at 40.8 per cent. The night shows in this format reached 46.69 per cent, showing that a section of the audience is seeking a premium theatrical experience. If we analyze the performance of the franchise, this fourth installment has shown growth over the earlier parts but missed the high bar set by the previous film. The original Dhamaal opened with ₹ 2.38 crore in 2007, and Double Dhamaal grew to ₹ 7.6 crore in 2011. While Total Dhamaal had set a franchise record with ₹ 16.5 crore, Dhamaal 4 fell slightly short of that mark. However, with the current trend, a positive response from the audience could drive a significant weekend surge. (adsbygoogle = window.adsbygoogle || []).push({}) In the list of major openers for the year 2026, Dhamaal 4 has secured a spot in the top five. It currently ranks as the fourth-highest opener of the year so far, just ahead of Cocktail 2. You can see how the top performers compare in the following table: Top 5 Movie Openers of 2026 - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONDhurandhar 2: The Revenge₹ 99.10 CrBorder 2₹ 30.00 CrWelcome To The Jungle₹ 15.25 CrDhamaal 4₹ 13.75 CrCocktail 2₹ 13.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Looking at ticket sales on BookMyShow, the movie sold 270,190 tickets on its opening Friday. Combined with pre-sales of 92,810 tickets, the total count on the platform stands at 363,000 tickets. Interestingly, the film narrowly missed a spot in the top 10 ticket sellers of the 2025-26 cycle, landing at the 12th position. It was only about 1,000 tickets behind Sikandar and 8,000 tickets behind Raid 2. This suggests that while it is attracting a large crowd, it is operating in a very competitive environment. The national chains, which include PVR, INOX, and Cinepolis, contributed a total of roughly 45,000 tickets for the opening day. This amounted to a gross of ₹ 1.65 crore. PVR led the chains with approximately 23.4k tickets and a gross of ₹ 92 lakh at an occupancy of 7.71 per cent. INOX followed with about 15.4k tickets, earning ₹ 53 lakh with 5.45 per cent occupancy. Cinepolis recorded nearly 6.2k tickets, collecting around ₹ 21 lakh with a 3.90 per cent occupancy rate. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the standard Hindi 2D version was 24.54 per cent for the day. The film saw a clear upward trend as the day progressed. It started with 8.38 per cent in the morning and grew to 19.15 per cent in the afternoon. By the evening, occupancy reached 24.85 per cent, finally peaking at 42.00 per cent for the night shows. This pattern indicates that families and office-goers are opting for late shows, which is a good sign for Saturday and Sunday growth. Regionally, Mumbai and the National Capital Region were the strongest performers for the 2D version. Mumbai recorded 24 per cent occupancy across 820 shows, with night shows hitting 43 per cent. NCR followed closely with 22.8 per cent occupancy across 969 shows, peaking at 37 per cent at night. Other regions like Ahmedabad, Bengaluru, and Hyderabad also maintained steady levels around 22 to 23 per cent. Cities like Surat and Kolkata were on the lower side, staying under 15 per cent overall. (adsbygoogle = window.adsbygoogle || []).push({}) For those opting for the 4DX experience, the occupancy levels were notably higher than the standard format, with an overall average of 42.30 per cent. This premium version saw a slow start in the morning at 6.08 per cent, but it gained significant traction as the day progressed. By the afternoon, occupancy rose to 17.23 per cent, and while there was a slight dip in the evening to 11.15 per cent, the night shows recorded a very strong 46.69 per cent. In terms of regions, Mumbai saw the highest demand for 4DX with a 50 per cent overall occupancy across its 5 shows, peaking at 51 per cent in the evening. The National Capital Region, which had a larger volume of 15 shows, maintained a steady 40.8 per cent occupancy, starting particularly well in the morning at 44 per cent. Bengaluru recorded an overall occupancy of 28.7 per cent for its 11 shows, though its night shows stood out with a high of 54 per cent. These numbers suggest that while the show count for 4DX is limited, the audience interest for this specific immersive experience is quite high compared to regular screenings. While the opening numbers are stable, the film's long-term success will depend on how it holds up over the weekend. The fact that it is a clean family entertainer and is available in multiple formats like 4DX should help in sustaining the momentum if the word of mouth remains positive.

BY SACNILK TEAM

Here is the English movie Evil Dead Burn box office collection which is a Horror Thriller film. This film is directed by Sébastien Vanicek and produced by . ## Evil Dead Burn stars , Luciane Buchanan, Hunter Doohan, Souheila Yacoub in key roles. ## Evil Dead Burn Review ## Evil Dead Burn Review: What Public Has To Say About This Movie ## Evil Dead Burn Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Evil Dead Burn Budget: ₹ 1 Cr * Approx ## Evil Dead Burn Verdict: Coming Soon ## Evil Dead Burn Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 10th July 2026 ## For more and the latest news about Hollywood Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

Dhamaal 4 released in theatres today, July 10, 2026, opening as one of the most anticipated family entertainers of the year. The film marks the return of one of Bollywood's most successful comedy franchises, which has collectively grossed approximately ₹355 crore across its previous three installments. The fourth part looks to build on that legacy with a mix of returning favorites and new faces. (adsbygoogle = window.adsbygoogle || []).push({}) The film sees Ajay Devgn, Riteish Deshmukh, and Arshad Warsi returning to the madness, this time joined by Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta. Deviating from the standard road-trip formula, Dhamaal 4 introduces sea pirates and supernatural elements as the gang tracks down a ₹50 crore treasure. Notably, the film received a UA 13+ rating from the CBFC with zero scene cuts, making it a wide-access film for family audiences. Initial trends suggest the film is finding its footing in major circuits like Maharashtra and Delhi-NCR. While the franchise started in 2007 as a cult comedy inspired by the Hollywood classic 'It's a Mad, Mad, Mad, Mad World', the fourth installment aims to capture the box office momentum seen by Total Dhamaal. The coming hours will be crucial to see how spot bookings translate into the final Day 1 numbers. (adsbygoogle = window.adsbygoogle || []).push({}) LIVE BLOG 10:20 PM (IST) 10 JUL 2026 Live Update: Dhamaal 4 Hits Double Digits; Nearing 2 Lakh Tickets on BMS Dhamaal 4 is concluding its opening day with a power-packed performance across the country. As of 10:20 PM, the film has officially entered the double-digit club, collecting ₹11.88 crore net across 10,668 tracked shows. This brings the total India gross collection to ₹14.02 crore so far. The late-night shows are witnessing peak traffic on BookMyShow, with 20,090 tickets sold between 9 PM and 10 PM alone. The total tickets sold on the platform since 7 AM has now reached a massive 1,94,810, essentially knocking on the door of the 200K milestone. With strong word-of-mouth regarding the nostalgia and family-friendly humor, the film is set for a big finish for Day 1. 09:45 PM (IST) 10 JUL 2026 Live Update: Dhamaal 4 Leads Overseas Markets in Australia and NZ Dhamaal 4 is not just making noise domestically but is also leading the charge in overseas markets. Early reports from Australia and New Zealand show the Ajay Devgn-led comedy outperforming other recent releases like Welcome to the Jungle and Cocktail 2. In Australia, Dhamaal 4 has collected 84k AUD, comfortably ahead of Cocktail 2 (77.6k AUD) and Welcome to the Jungle (51k AUD). Similarly, in New Zealand, the film leads with 46k NZD, more than doubling the collections of Welcome to the Jungle (21k NZD). This strong international start, combined with the explosive evening occupancy in India, suggests a very healthy worldwide opening day total. 08:50 PM (IST) 10 JUL 2026 Live Update: Evening Shows On Fire; Nears ₹10 Crore Net Mark Dhamaal 4 is witnessing an explosive trend as night approaches. The film has recorded a massive jump in occupancy, with evening shows hitting 24.85%—nearly triple the morning show occupancy of 8.38%. As of 8:30 PM, the film has minted ₹8.90 crore net across 9,343 shows, bringing its total India gross to ₹10.50 crore so far. The momentum on BookMyShow is currently at its peak, with 19,540 tickets sold between 7 PM and 8 PM alone. This takes the total tickets sold since 7 AM this morning to an incredible 1,54,580. 04:05 PM (IST) 10 JUL 2026 Live Update: Afternoon Shows Surge; Collections Cross ₹3 Crore Net Dhamaal 4 is witnessing a massive surge in momentum as the evening shows approach. The film has officially crossed the ₹3 crore net mark, currently standing at ₹3.44 crore net (₹4.06 crore gross) across 5,724 tracked shows in India. The ticket sales on BookMyShow are currently in explosive mode. Between 3 PM and 4 PM alone, the film sold 15,850 tickets, maintaining the high pace seen in the previous hour (15,680 tickets). This brings the total tickets sold on the platform since 7 AM this morning to a staggering 90,320. With the film trending at nearly 16K tickets per hour, the night shows are expected to witness heavy capacity across multiplexes. 01:30 PM (IST) 10 JUL 2026 Live Update: Morning Occupancy Steady; Collections Near ₹2 Crore Mark Dhamaal 4 has recorded a steady morning occupancy of 8.38% for its Hindi (2D) version. As of 1:30 PM, the film has minted ₹1.82 crore net (₹2.15 crore gross) across 4,048 tracked shows in India. The momentum on BookMyShow remains strong, with 12,510 tickets sold between 12 PM and 1 PM alone. This takes the total tickets sold since 7 AM this morning to 45,770. 12:30 PM (IST) 10 JUL 2026 Live Update: Joginder Tuteja Interval Report - A HIT Loading Trade analyst Joginder Tuteja has shared a very positive interval report for Dhamaal 4, noting that the film is far more entertaining than its trailer suggested. He highlighted the very fast-paced screenplay, mentioning that the first hour and 15 minutes went by quickly. Tuteja particularly pointed out that the humor is well-designed for kids, which is rare in current Bollywood films, and concluded that if the second half holds up, a HIT is loading. #Dhamaal4 #IntervalReportThe film is far more entertaining than the trailer and the best part is that it’s very very very fast paced. 1:15 hour just went by in a jiffy. The humour element is designed especially for the kids, which is so rare in #Bollywood today. Second half… pic.twitter.com/kyuzXeQdSd— Joginder Tuteja (@Tutejajoginder) July 10, 2026 12:25 PM (IST) 10 JUL 2026 Live Update: Crosses ₹1 Crore Net Mark; Ticket Sales Spike Dhamaal 4 is showing significant momentum as it enters the afternoon shows. As of now, the film has minted ₹1.10 crore net across 3,558 tracked shows in India, bringing its total gross collections to ₹1.30 crore so far. The booking pace on BookMyShow has witnessed a sharp spike, with 11,330 tickets sold between 11 AM and 12 PM alone. This takes the total tickets sold since 7 AM this morning to an impressive 33,260. The trend indicates strong walk-in numbers as the day progresses, with final first-day figures expected to be much higher. 12:15 PM (IST) 10 JUL 2026 Live Update: Taran Adarsh Calls Dhamaal 4 "MAZEDAAR" Renowned film critic Taran Adarsh has shared his review for Dhamaal 4, giving it a 3.5-star rating and calling it MAZEDAAR. He noted that the film lives up to its title with LOL moments throughout the first half and an excellent post-interval sequence. While describing it as a stressbuster that doesn't require logic, he specifically praised the spot-on comic timing of Ajay Devgn and Sanjay Mishra. Riteish Deshmukh also earned high marks for his emotional switch in the climax, alongside refreshing energy brought in by Ravi Kishan and Sanjeeda Shaikh. #OneWordReview...#Dhamaal4: MAZEDAAR.Rating: ⭐⭐⭐️½#Dhamaal4 lives up to its title, taking the madness to an altogether new level... LOL moments in first half, excellent post interval, with tadka of emotions in climax... Don't look for logic – this one's a stressbuster.… pic.twitter.com/4EvlaKRVhj— taran adarsh (@taran_adarsh) July 9, 2026 09:30 AM (IST) 10 JUL 2026 Live Update: Early Morning Box Office Tracking As of Day 1, Dhamaal 4 is currently running across 51 shows and has collected a net of ₹0.02 Cr Live today. This brings total India gross collections to ₹0.02 Cr and total India net to ₹0.02 Cr so far, with India final collections yet to be reported. 10:15 AM (IST) 10 JUL 2026 Live Update: Morning Ticket Sales Momentum The film continues to see steady movement on BookMyShow as more theater shows open up. Between 9:00 AM and 10:00 AM today, Dhamaal 4 sold 6,770 tickets. This brings the total tickets sold since 7:00 AM this morning to 12,660. The accelerating pace indicates healthy interest for the morning and matinee shows across major cities. 8:30 AM (IST) 10 JUL 2026 Live Update: Final Advance Booking Reports Dhamaal 4 has concluded its pre-sales on a stable note, showing a significant surge in momentum during the final 24 hours. The film sold approximately 92.81K tickets on BookMyShow, which places its pre-sales ahead of notable films like Crew (98K), OMG 2 (90K), and Jolly LLB 3 (88K). The booking trend saw a sharp rise towards the end, jumping from 21K tickets sold on July 8 to over 65K on July 9 alone. In the national chains (PVR, INOX, and Cinepolis), the film sold nearly 45,000 tickets, contributing approximately ₹1.65 crore to the gross. PVR led the three chains with 23.4K tickets (₹92 lakh), followed by INOX with 15.4K tickets (₹52.7 lakh) and Cinepolis with 6.2K tickets (₹20.7 lakh). Overall, the total Day 1 advance gross for all of India stands at ₹2.57 crore without block seats. When including block seats, the figure reaches ₹5.79 crore. A total of 96,720 tickets were sold across all versions before the first show commenced. Geographically, Maharashtra is the top-performing state for the film, recording a real gross of ₹59.4 lakh (₹1.2 crore with block seats). Delhi followed with ₹42.9 lakh, while Gujarat contributed ₹22.9 lakh to the opening day advance totals. In terms of major regions, the National Capital Region (NCR) and Mumbai showed the highest occupancy, both hovering around the 4% mark in early reports. The total Day 1 advance gross (excluding block seats) stands at ₹2.57 crore, while the figure with block seats reaches ₹5.79 crore. Geographically, Maharashtra led the charts with a gross of ₹59.4 lakh, followed by Delhi at ₹42.9 lakh. (adsbygoogle = window.adsbygoogle || []).push({}) @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; } { "@context": "https://schema.org", "@type": "LiveBlogPosting", "headline": "Dhamaal 4 Box Office Collection Day 1 Live Update", "description": "Live updates and analysis for Dhamaal 4 Day 1 box office performance and advance booking.", "liveBlogUpdate": [ { "@type": "BlogPosting", "headline": "Dhamaal 4 Final Advance Booking Report", "datePublished": "2026-07-10T10:00:00+05:30", "articleBody": "Dhamaal 4 finishes pre-sales with 92.8K tickets sold on BMS and a gross of 2.57 Cr excluding block seats." } ] }

BY CHRISTA LINCY

One of the most notable director-actor pairings in Kollywood cinema has officially announced their next project. Dhanush and Vetri Maaran, the creative duo behind films like Polladhavan, Aadukalam, Vada Chennai, and Asuran, are reuniting for their fifth collaboration. Titled Thamizh Murugan, the first look of the film was unveiled today, July 10, 2026, marking a significant milestone for the pair who have consistently delivered both critical and commercial successes over the years. For months, fans have been desperately waiting for any news regarding Vada Chennai 2. However, the creators have thrown a complete curveball with this announcement. Moving away from the gritty, contemporary gangster and crime-drama roots that defined their previous work, the duo is mounting a grand, culturally rooted historical epic. Centered around the Tamil deity Lord Murugan—referenced in the hashtag #sonofkottravai—the film looks to explore ancient Tamil identity and leadership on a scale never seen before in Kollywood. (adsbygoogle = window.adsbygoogle || []).push({}) The technical crew for the project brings its own set of surprises. The film is written by the prominent lyricist-writer Arivumathi. However, the biggest talking point is the music director. In an unexpected twist, the musical reins have been handed over to the sensational Sai Abhyankkar. Known for his viral global hits like Katchi Sera, this marks a significant shift for Vetri Maaran, who has traditionally collaborated with veterans like Santhosh Narayanan or G.V. Prakash Kumar. The film is being produced jointly by Dhanush’s own banner, Wunderbar Films, alongside Production Miles To Go. Industry trackers are noting that Thamizh Murugan firmly cements Kollywood’s massive new wave of divine and folkloric blockbusters. With several faith-and-legend-driven films currently in development across the industry, Dhanush and Vetri Maaran are clearly looking to set a new benchmark in the genre. The first look poster, featuring Dhanush in a warrior avatar atop a decorated elephant holding a spear, has already sparked intense discussion about the film's visual language. (adsbygoogle = window.adsbygoogle || []).push({}) The Eternal Protector, warrior, THE KING & LEADER of the Thamizh people and lands.#sonofkottravaiதமிழ் முருகன் 🙏🙏🙏THAMIZH MURUGAN https://t.co/3wjGHGfAjG— Dhanush (@dhanushkraja) July 10, 2026 Interestingly, fans on social media are already drawing nostalgic comparisons to Dhanush's 2011 movie Seedan, where he played an extended cameo as a modern-day incarnation of Lord Murugan. While that was a simple family drama, Thamizh Murugan appears to be a much more intense, high-budget warrior epic. As of now, the project is moving under the working tag #DxV, and with the first look already breaking records in engagement, the anticipation for this dream reunion is at an all-time high.

BY CHRISTA LINCY

The contemporary romantic drama Love Oh Love hit the big screens today, July 10, 2026, aiming to capture the pulse of the younger generation. Directed by Magesh Rajendran and starring newcomers Pavish and Nagadurga in the lead roles, the film explores the complexities of modern-age relationships, focusing on themes like possessiveness, lifestyle differences, and the friction between men and women in a commercial format. On its opening day, the film has recorded a modest start at the box office. According to early tracking data, Love Oh Love is currently running across 523 shows in India and has collected a net of approximately ₹0.10 crore. This brings the total India gross collection to roughly ₹0.12 crore so far. The film saw an overall occupancy of around 14%, with the Tamil version leading the footprint across 317 shows and the Telugu version contributing through 206 shows. (adsbygoogle = window.adsbygoogle || []).push({}) Initial critical reception has been largely positive, particularly regarding its appeal to Gen Z audiences. Trade analyst Ramesh Bala gave the film a 3.5/5 rating, calling it an entertaining theatrical watch with standout dialogues and a strong musical score by Foxn Music. He noted that while the first half focuses on fun, the second half brings in emotional depth and fresh ideas on romance. Similarly, critic Rajasekar rated the film 3/5, drawing comparisons between the lead actor Pavish and the early-career energy of Dhanush. He mentioned that the film’s execution occasionally reminds viewers of the hit film Love Today, particularly in its treatment of flawed relationships. While he suggested that certain sensitive dialogues intended for comedy could have been avoided, he credited the film for being an adequately entertaining commercial venture for its target demographic. (adsbygoogle = window.adsbygoogle || []).push({}) Given the niche romantic-comedy genre and the lack of a heavy star cast, the film's trajectory will now depend on evening show growth and weekend word-of-mouth. While the Day 1 numbers are on the lower side, romantic films of this nature often find stability through family and youth audiences over their first three days. Final first-day collections are yet to be reported as late-night show data is compiled. #LoveOhLove [3.5/5] : A fun, romantic entertainer. First half is total fun while second half is full of emotion and new ideas on romance. Dialogues in the film stands out. @Pavishvofficial and @nagadurgaoffl have performed well..@foxnmusic ’s songs & Magesh Rajendran as… pic.twitter.com/IqOHEjJcEO— Ramesh Bala (@rameshlaus) July 10, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) #LoveOhLove is all about the current gen man vs woman relationship. Their possessiveness, spendthrift lifestyle, exploiting each other in the name of love of revenge etc., in a commercial treatment. Masses will enjoy the one liners and the cat and mouse game between the couple.… pic.twitter.com/TZONibONU1— Rajasekar (@sekartweets) July 10, 2026

BY SUNIT JANGIR

Los Angeles, July 10 - Sony Pictures and Marvel Studios' Spider-Man: Brand New Day is shaping up to deliver one of the biggest domestic openings in box office history. While excitement surrounding the Tom Holland-starrer continues to soar, the latest industry estimates indicate that the film is headed for a massive debut in North America. (adsbygoogle = window.adsbygoogle || []).push({}) According to Deadline, Spider-Man: Brand New Day is currently projected to open in the $180 million - $190 million range across North America. If the estimate holds, it would comfortably register the biggest opening weekend of 2026 and rank among the largest superhero debuts ever. However, the projection currently falls just short of the coveted $200 million milestone that many analysts and fans are anticipating. Despite the current tracking, the film has every chance of surpassing expectations. Advance ticket sales are reportedly staggering, indicating demand that appears stronger than what a $180-190 million opening would typically suggest. With three weeks remaining before release, tracking is expected to evolve as premium-format screenings continue to sell out and momentum builds closer to opening day. (adsbygoogle = window.adsbygoogle || []).push({}) History has shown that major event films, particularly Marvel releases, often outperform early projections thanks to explosive walk-up business and last-minute ticket sales. Given the exceptional pace of pre-sales, the current estimates could prove conservative, making a $200 million-plus opening weekend a realistic possibility. The last movie, Spider-Man: No Way Home, swung to a monstrous $260 million domestically, which was way more than what projections were showing. A similar kind of hysteria is expected for Brand New Day, which is most likely to open above $200 million during its domestic opening weekend; at least, this is what pre-sales reportedly suggest. The film is scheduled to release on July 31.

BY CHRISTA LINCY

Fans walking into theatres for Dhamaal 4 today were greeted with an unexpected and emotional surprise right at the start. The film, which marks the fourth installment of the long-running comedy franchise, opens with a specially designed animated sequence that features a digital resurrection of the late veteran actor Satish Kaushik. Reprising his iconic role as Bata Bhai from Double Dhamaal (2011), the late actor's appearance was made possible through a blend of high-end CGI and Artificial Intelligence. Satish Kaushik, whose sudden passing in 2023 left a void in the Indian film industry, was a key highlight of the second film with his hilarious underworld antics. By using AI to recreate his likeness and voice, director Indra Kumar has ensured that the actor's legacy remains part of the Dhamaal universe. In a touching gesture, the makers have specifically thanked Satish Kaushik's wife, Shashi Kaushik, in the opening credits for her support in making this digital tribute possible. This sequence serves as a bridge between the new story and the franchise's history, immediately setting a nostalgic tone for the audience. (adsbygoogle = window.adsbygoogle || []).push({}) The surprises don't stop with Bata Bhai. The same animated sequence also features an appearance by Jackie Shroff, marking his second unique contribution to the series. In the previous installment, Total Dhamaal (2019), Jackie Shroff had lent his distinct voice to a tapori-style GPS system that guided the characters—a gimmick that became a fan favorite. This time, his AI-generated appearance adds another layer of madness to the opening, signaling that the film intends to lean heavily into the slapstick, pure-comedy roots that made the 2007 original a cult classic. Produced on a reported budget of ₹200 crore, Dhamaal 4 is a high-stakes adventure that moves away from the multi-story structure of Total Dhamaal, functioning instead as a direct continuation. The film follows a massive treasure hunt involving sea pirates and supernatural elements, where the gang tracks down a hidden ₹50 crore treasure. The scale of the production is evident in the technical work, especially the use of CGI to bring back beloved characters, which allows the film to balance modern technology with old-school humor. (adsbygoogle = window.adsbygoogle || []).push({}) The core of the film remains the dynamic between the veteran cast. Ajay Devgn leads as the sharp-witted Guddu Rastogi, alongside the franchise's original trio: Arshad Warsi as Aditya Srivastav, Jaaved Jaaferi as the lovable but dim-witted Manav, and Riteish Deshmukh as the eccentric Deshbandhu Roy. Joining them in this chaotic race is Sanjay Mishra as Johnny D'Costa and Ravi Kishan, who plays the primary antagonist, a pirate captain named Michael. The film also introduces Sanjeeda Shaikh, Esha Gupta, and Anjali Anand, the latter of whom is already receiving praise for her performance as Paaro. By honoring Satish Kaushik right at the beginning, Indra Kumar has successfully tapped into the emotional connection fans have with this franchise, making Dhamaal 4 more than just a typical comedy sequel.

BY CHRISTA LINCY

Ajay Devgn has carved out a unique space for himself where he effortlessly balances high-octane action with mass-market comedy. While he is often associated with the intense Singham persona, his track record in the comedy genre is arguably just as impressive. With Dhamaal 4 arriving in cinemas today, July 10, 2026, all eyes are on the box office to see if this new installment can break into the list of his all-time biggest comedy openers. Top 5 Comedy Openers of Ajay Devgn - India Net CollectionMOVIE NAMEDAY 1 NET COLLECTIONRELEASE YEARGolmaal Again₹ 30.14 Cr2017Total Dhamaal₹ 16.50 Cr2019Bol Bachchan₹ 12.10 Cr2012Golmaal 3₹ 8.10 Cr2010Double Dhamaal₹ 7.60 Cr2011 (adsbygoogle = window.adsbygoogle || []).push({}) At the top of the pyramid sits Golmaal Again, which remains a landmark film in the genre. Its opening of 30.14 crore in 2017 is particularly historic because it came during a massive Diwali clash against Secret Superstar. Despite the competition, the Rohit Shetty-Ajay Devgn brand ensured maximum theatre occupancy, making it the highest opening day ever for a Bollywood comedy at the time. It eventually finished as one of the career-best performers for Devgn, proving that family audiences would turn up in droves for the right brand of humor. Total Dhamaal holds the second spot with a 16.50 crore opening in 2019. What makes this number special is that it was achieved on a standard, non-holiday Friday. Most big openers rely on festival windows, but this film relied purely on mass-market dominance, especially in circuits like Gujarat and Central India. It also famously reunited the hit pair of Anil Kapoor and Madhuri Dixit after seventeen years, adding a layer of nostalgia that helped it kick off a double-blockbuster year for the actor. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the 2012 release Bol Bachchan, its 12.10 crore start was a significant milestone because double-digit openings were relatively rare back then for comedy films. It was also a breakthrough film for Devgn in overseas markets, particularly in the UAE and North America, where it collected 2.05 million dollars in its first weekend. It remains one of the fastest comedies of that era to cross the 100 crore net mark, finishing its domestic run at an exact 103.12 crore. Golmaal 3, which released in 2010, remains one of the most significant milestones in the history of Indian comedy. It shattered long-standing records by becoming the first-ever film in a Bollywood comedy franchise to enter the prestigious 100 crore net club. Backed by a lean production budget of 40 crore, the film performed exceptionally well not just in India but also in international markets, securing over 18 crore in overseas collections. It eventually finished with a massive 162.30 crore worldwide gross, earning an undisputed Blockbuster verdict and setting the stage for the even larger sequels that followed. Following closely in 2011 was Double Dhamaal, which recorded a solid 7.60 crore on its opening day. This film was a massive win in terms of profitability, achieving complete recovery and earning a Hit verdict with an India lifetime net of 44.10 crore. It was a true heavyweight in the mass market, deriving more than 65% of its total theatrical footfalls from single-screen theatres and B-centers across North and Central India. This performance established the Dhamaal brand as a family-favorite commercial draw, eventually closing its global run with a 71 crore worldwide gross. (adsbygoogle = window.adsbygoogle || []).push({}) So, where does Dhamaal 4 stand in this elite company? Current tracking and advance booking data suggest that the film is heading for a very strong start. With a net advance of 2.57 crore and steady morning occupancy of around 8.38 percent, trade experts are projecting an opening day in the range of 10 to 14.5 crore net. If the film touches the upper end of these estimates, it will comfortably overtake Bol Bachchan to secure the third spot on this list, trailing only behind the massive holiday records of Golmaal Again and Total Dhamaal. Even a mid-range performance will see it easily surpassing the initial day figures of Golmaal 3 and Double Dhamaal, solidifying the Dhamaal brand's enduring pull at the box office. The momentum for Dhamaal 4 is being driven by strong ticket sales on BookMyShow, which saw over 33,000 tickets sold in the morning hours alone. While it may not challenge the massive holiday record of Golmaal Again, entering the top three would be a significant achievement for the franchise. It would further solidify Ajay Devgn's position as a consistent star in the comedy space, showing that his brand of entertainment continues to resonate with both multiplex and single-screen audiences.

BY CHRISTA LINCY

Before the global spotlight hits the international stage, the makers of Ramayana are starting their journey at home by engaging with India's youngest creators. They have launched the Colours of Ramayana contest, an art competition specifically for school students across the nation. It's a creative call to bring the ancient epic to life through paintings and sketches, with some very exciting rewards on the line. Winners won't just get official limited-edition merchandise; they will also get a world-first chance to watch the movie's trailer in 3D in theaters before anyone else. This local initiative, which closes for entries on July 14, 2026, is just the first step in a massive marketing campaign that is now heading toward a historic global debut. The scale of this outreach is truly massive, with the promotional tour set to actively reach over 400 schools across 18 major cities in India. The goal is to connect directly with more than 5 lakh students through various interactive segments. Beyond just the art competition, the team is hosting historical quizzes and educational sessions designed to make the epic's rich history relatable to the younger generation. (adsbygoogle = window.adsbygoogle || []).push({}) The "Ramayana: Our Truth. Our History. Contest" is LIVE!We invite school students across India to participate in Colours of Ramayana, an art competition that celebrates their imagination, devotion and creativity.Bring your vision to life with your paintings, sketches and… pic.twitter.com/BMv8tflqax— The World Of Ramayana (@WorldOfRamayana) July 9, 2026 The global stage is being set for what is perhaps the most ambitious project in the history of Indian cinema. Namit Malhotra and Nitesh Tiwari’s upcoming retelling of the Ramayana is heading to the prestigious San Diego Comic-Con (SDCC) for a major international showcase on July 23, 2026. This move places the Indian epic alongside top-tier global franchises and television networks that traditionally dominate the event. (adsbygoogle = window.adsbygoogle || []).push({}) For its exclusive international debut, the movie has been officially titled Ramayana: The Epic Begins. The panel is scheduled to take place in Ballroom 20, located on the upper level of the San Diego Convention Center. To understand the scale of this event, one must look at the venue itself. Ballroom 20 is the second-largest hall at SDCC, boasting a massive seating capacity of approximately 4,800 to 5,000 attendees. Historically, this space is reserved for major studio presentations and top-tier television networks. With this milestone, Ramayana becomes only the second Indian film in history to secure a major hall showcase at SDCC, following in the footsteps of Kalki 2898 AD. The panel is scheduled for Thursday, July 23, 2026, running for exactly one hour from 3:15 PM to 4:15 PM PDT. For fans in India who want to track the updates live, the event will kick off early the next morning at 3:15 AM IST on Friday, July 24. The creators are treating this as a Hollywood-grade international launch, intended to introduce the scale of the Indian epic to a global audience. The lineup for the panel is equally impressive. Lead superstars Ranbir Kapoor, who portrays Lord Ram, and Yash, who plays Ravana, will take the stage live alongside director Nitesh Tiwari and producer Namit Malhotra, who is also the Global CEO of the Academy Award-winning VFX powerhouse DNEG. Their presence indicates a significant level of commitment to the film’s international positioning, offering fans a chance for live interactions and interviews. (adsbygoogle = window.adsbygoogle || []).push({}) One of the most intriguing highlights of the presentation will be the reveal of world-first technology. The team is expected to unveil a special version of the trailer that utilizes Brahma AI. This is an indigenously developed, advanced artificial intelligence system designed to sync English lip movements perfectly with the live-action footage. This technological leap aims to solve the immersion issues often found in dubbed content, making the film more accessible to international viewers without losing the impact of the performances. Beyond the technical reveals, attendees in Ballroom 20 will be treated to never-before-seen footage and exclusive behind-the-scenes breakdown clips that detail how this ancient epic was visualized for the modern big screen. The one-hour block also promises live stage performances and special limited-edition giveaways for those inside the hall. While the global marketing kicks off in San Diego, the makers are also engaging audiences back home through the Colours of Ramayana art contest, which offers Indian school students a chance to win exclusive merchandise and early trailer screenings.