Hollywood

2 hrs ago

189 views

The Odyssey Advance Booking: Here Is When Pre-Sales For Christopher Nolan's Film Open In IMAX In India

BY SUNIT JANGIR

Mumbai, June 5 - Christopher Nolan's The Odyssey is among the most-anticipated films in India, and the makers are set to open IMAX advance bookings for the same on June 8, Warner Bros. Discovery India confirmed. The announcement comes amid unprecedented global excitement surrounding the filmmaker's next cinematic spectacle, which is scheduled for worldwide release on July 17, 2026. The Odyssey Bookings Open on June 8 in IMAX in India (adsbygoogle = window.adsbygoogle || []).push({}) Indian audiences will now get their chance to reserve seats beginning June 8 through participating IMAX theatres and ticketing platforms. Given Nolan's massive popularity in the country and the strong performance of his previous films in the premium format, demand for opening-weekend shows is expected to be extremely high. The move highlights IMAX's confidence in the film's appeal among Indian moviegoers. Nolan's last release, Oppenheimer, emerged as a major success in India, particularly across IMAX screens, and exhibitors are expecting The Odyssey to deliver another event-level theatrical experience, as The Odyssey is said to be the first film in cinema history to be shot entirely on IMAX cameras. Christopher Nolan's Most Ambitious Film Yet (adsbygoogle = window.adsbygoogle || []).push({}) Based on Homer's timeless Greek epic, The Odyssey follows Odysseus on his perilous journey home after the Trojan War. The film stars Matt Damon in the lead role, alongside Tom Holland, Zendaya, Anne Hathaway, Robert Pattinson, Charlize Theron, and Lupita Nyong'o. The project is also notable for being the first feature film shot entirely using IMAX film cameras, showcasing brand-new technology developed specifically for the production. Nolan has repeatedly pushed the boundaries of large-format filmmaking, and The Odyssey is expected to offer one of the most immersive theatrical experiences ever presented on IMAX screens. With bookings opening more than a month before release, The Odyssey is already shaping up to be one of the biggest movie events of 2026. Trade expects premium-format screenings to witness exceptional demand in the country, where IMAX screens have become the preferred destination for Nolan fans.

Tollywood

2 hrs ago

725 views

Every 100 Crore Telugu Opener Worldwide; Ram Charan's Peddi Joins Prabhas Dominated List

BY SUNIT JANGIR

Hyderabad, June 5 - Superstar Ram Charan has added another major milestone to his career with Peddi. Directed by Buchi Babu Sana, the sports action drama stormed past the coveted 100 crore worldwide gross mark on its opening day, becoming the 11th Telugu film to achieve the feat. The film earned around 110 crore worldwide on Day 1, including more than 82 crore from India and approximately 28 crore from overseas markets. The 100 crores opening day achievement further cements Telugu cinema's dominance in the pan-Indian market, where event films have consistently delivered massive opening-day numbers over the last decade. What started with Baahubali 2 in 2017 has now become a benchmark for the industry's biggest releases. (adsbygoogle = window.adsbygoogle || []).push({}) Prabhas Continues To Rule The List One of the most striking aspects of the elite club is the overwhelming presence of Pan India superstar Prabhas. The actor headlines six of the eleven films on the list, with Baahubali 2, Saaho, Adipurush, Salaar, Kalki 2898 AD, and The Raja Saab. No other Telugu actor, or say an Indian actor, comes close to matching that level of representation. Prabhas' consistent ability to deliver record-breaking openings across genres has made him the undisputed king of opening-day box-office records in Indian cinema. The remaining entries belong to some of the industry's biggest stars, including Ram Charan (RRR and Peddi), Jr NTR (RRR and Devara), Allu Arjun (Pushpa 2), and Pawan Kalyan (They Call Him OG). (adsbygoogle = window.adsbygoogle || []).push({}) ₹100 Crore Telugu Openers Worldwide (Highest to Lowest) Rank Movie Lead Actor(s) Opening Day Worldwide GBOC 1 Pushpa 2 Allu Arjun ₹ 275.00 Cr 2 RRR Jr. NTR / Ram Charan ₹ 223.00 Cr 3 Baahubali 2 Prabhas ₹ 217.00 Cr 4 Kalki 2898 AD Prabhas ₹ 177.70 Cr 5 Salaar Part 1 Prabhas ₹ 158.10 Cr 6 They Call Him OG Pawan Kalyan ₹ 144.00 Cr 7 Devara Jr. NTR ₹ 142.00 Cr 8 Saaho Prabhas ₹ 130.00 Cr 9 Adipurush Prabhas ₹ 127.50 Cr 10 Peddi Ram Charan ₹ 110.50 Cr 11 The Raja Saab Prabhas ₹ 100.60 Cr (adsbygoogle = window.adsbygoogle || []).push({}) A Major Milestone For Ram Charan For Ram Charan, Peddi marks a particularly significant achievement. While RRR had previously crossed the 100 crore worldwide opening-day mark, it was a multi-starrer alongside Jr NTR and backed by the massive brand value of director S. S. Rajamouli. Peddi becomes Charan's first solo-led film to enter the coveted club, proving his box office strength outside of franchise and multi-starrer setups. The opening also comes as a major boost for the actor following the disappointing theatrical performance of Game Changer earlier last year.

Tollywood

2 hrs ago

8.7K views

Peddi Box Office: Ram Charan Starrer Clocks 100+ Crore Worldwide Opening; Joins Elite Telugu Club

BY SUNIT JANGIR

Hyderabad, June 4 - Superstar Ram Charan has delivered a thunderous start at the box office with Peddi, as the sports action drama has grossed over 100 crore worldwide on its opening day. The film has emerged as one of the biggest openers in Telugu cinema history and has become the 11th Telugu film to achieve the coveted ₹100 crore worldwide opening-day milestone. Strong Momentum From Premiere Shows (adsbygoogle = window.adsbygoogle || []).push({}) According to early estimates, Peddi has earned more than 80 crore gross in India on its first day, with Telugu states contributing around 67 crore, including premieres. The film witnessed exceptional occupancy across Andhra Pradesh and Telangana, while Karnataka and other markets also contributed significantly to the overall tally. The overseas territories added another 28-30 crore gross, taking the film's worldwide opening-day collection around 110 crore. The strong international performance was led by North America, where the film enjoyed an excellent response at the premieres and on day 1. (adsbygoogle = window.adsbygoogle || []).push({}) The blockbuster opening was aided by the film's stellar premiere performance. Peddi had already grossed around 40 crore worldwide from preview shows, including approximately 18.50 crore from the Telugu states and 3.10 crore from Karnataka. The film also recorded more than $1.5 million in North America from premiere screenings alone, indicating strong demand ahead of its official release. 11th Telugu Film To Achieve 100+ Crore Opening With its massive first-day haul, Peddi has entered an exclusive league of Telugu blockbusters that have crossed 100 crore worldwide on the opening day. Since Baahubali 2 became the first 100 crores opener of Indian cinema, there have been a total of 11 Telugu films, including Peddi, to score a 100 crores worldwide start. (adsbygoogle = window.adsbygoogle || []).push({}) The achievement highlights Ram Charan's box-office pull and marks one of the biggest openings of his career. The result is particularly significant for the actor as it comes after the disappointing theatrical performance of Game Changer, reaffirming his status as one of Telugu cinema's biggest stars. The initial word of mouth for Peddi seems to be positive, and with a worldwide opening of 110 crore, the film has laid a solid foundation for a huge opening weekend. The coming days will determine how far the film can capitalise on its extraordinary start and progress towards its long-term box-office goals.

Bollywood

3 hrs ago

301 views

Dhurandhar 2 Week 11 Box Office: Film Eyes 1150 Crore Net Milestone After Adding Rs. 0.82 Crore Net

BY CHRISTA LINCY

Dhurandhar 2: The Revenge has officially cemented its status as one of the biggest cinematic events in Indian history. Following the massive success of the first installment, the sequel has not only met but exceeded the high expectations set by fans. With a gripping narrative and high-octane action, the film has managed to sustain its theatrical run for over eleven weeks, a feat that is rarely seen in today’s fast-paced box office environment. As the movie enters its twelfth weekend, all eyes are on a major domestic milestone that is now just a few lakhs away. The journey of this sequel has shown how much staying power a film can have when the audience connects with the content. After a massive start in its opening week, the movie has maintained a consistent presence in theaters across the country. Currently, the cumulative India net collection stands at 1,149.02 crore, which means the project is now less than a crore away from hitting the 1,150 crore milestone. It is highly likely that this target will be reached before the end of the following week. To see the progression of these numbers over time, here is the week-wise net collection breakdown: (adsbygoogle = window.adsbygoogle || []).push({}) Week 1 - ₹ 674.17 Cr Week 2 - ₹ 263.65 Cr Week 3 - ₹ 110.60 Cr Week 4 - ₹ 54.70 Cr Week 5 - ₹ 19.52 Cr Week 6 - ₹ 12.45 Cr Week 7 - ₹ 5.58 Cr Week 8 - ₹ 3.89 Cr Week 9 - ₹ 2.19 Cr Week 10 - ₹ 1.45 Cr Week 11 - ₹0.82 Cr Even in its eleventh week, the film continued to draw audiences, particularly in the Hindi belt which remains its strongest territory. The Hindi version alone has contributed over 1,080 crore to the total net. During Week 11, the film added another 0.82 crore to its tally. While the numbers are naturally smaller at this stage, the fact that it is still running across 233 shows on its 77th day shows the level of interest that still exists. The national chains also saw over 7,300 ticket sales during the eleventh week. Here is the daily performance for the most recent week: (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar 2 India Net Collection - Week 11DAYNET COLLECTIONSHOWSDay 72 (11th Friday)₹ 0.10 Cr203Day 73 (11th Saturday)₹ 0.20 Cr225Day 74 (11th Sunday)₹ 0.20 Cr233Day 75 (11th Monday)₹ 0.08 Cr235Day 76 (11th Tuesday)₹ 0.10 Cr239Day 77 (11th Wednesday)₹ 0.07 Cr233Day 78 (12th Thursday)₹ 0.07 Cr174TOTAL WEEK 11₹ 0.82 Cr1,542 The occupancy trends for the week remained remarkably healthy for a film already in its third month of release. On the 77th day, the movie recorded a net of 0.07 crore, and it maintained that same level of performance on its 78th day, bringing in another 0.07 crore despite the show count adjusting to 174. Throughout the week, the average occupancy stayed around 15 percent, with weekend spikes reaching as high as 21 percent on Sunday and 20 percent on Saturday. This steady footfall has propelled the film to a massive worldwide gross of 1,813.11 crore, with the overseas market contributing a substantial 438 crore. Since its debut, the sequel has been showcased across more than 5.27 lakh shows globally, a clear indicator of its incredible scale and endurance.

Bollywood

3 hrs ago

257 views

Bhooth Bangla Week 7 Box Office: Film Adds Rs. 4.40 Crore Net Showing Great Longevity; Worldwide Total Reaches Rs. 268 Crore

BY CHRISTA LINCY

Bhooth Bangla has turned out to be a marathon runner at the box office, proving that the reunion of Akshay Kumar and director Priyadarshan was exactly what the horror-comedy genre needed. While many high-profile releases tend to exhaust their theatrical potential fairly quickly, this film is currently navigating its seventh week with a level of stability that stands out in the current market. The light-hearted treatment combined with nostalgic appeal has allowed it to find a permanent home in theaters, especially among family audiences who have kept the ticket windows busy long after the initial hype subsided. As we look at the numbers for the seventh week, the film managed to pull in a net collection of 4.40 crore. While this is a slight step down from the 5.45 crore it earned in its sixth week, the hold is remarkable considering the number of new releases it has faced. On its 49th day, which fell on a Thursday, the movie collected 0.35 crore. This represents a 30 percent drop from the previous day's collection of 0.50 crore, a trend that is quite normal for a film at this stage of its theatrical life. So far, the total India net collection stands at a solid 181.30 crore. (adsbygoogle = window.adsbygoogle || []).push({}) The global performance of Bhooth Bangla has also been a major contributor to its success story. With an India gross of 214.73 crore and an overseas contribution of 53.75 crore, the film has officially reached a worldwide gross of 268.48 crore. This has been achieved across a massive 242,341 shows since its opening day. To understand how the film maintained its momentum throughout this most recent week, let us look at the day-wise net collections in India: Bhooth Bangla India Net Collection - Week 7DAYNET COLLECTIONDay 43 (7th Friday)₹ 0.55 CrDay 44 (7th Saturday)₹ 0.80 CrDay 45 (7th Sunday)₹ 1.10 CrDay 46 (7th Monday)₹ 0.50 CrDay 47 (7th Tuesday)₹ 0.60 CrDay 48 (7th Wednesday)₹ 0.50 CrDay 49 (7th Thursday)₹ 0.35 CrTOTAL WEEK 7₹ 4.40 Cr Looking at the attendance for this period, the movie maintained a steady average occupancy of approximately 13.4 percent throughout its seventh week. This was achieved across a total of 10,453 shows scheduled during these seven days. Significant spikes were noted on Sunday and Tuesday, where occupancy hit the 18 percent mark, reflecting a solid result for a film nearing its fiftieth day in theaters. Even on other weekdays, the numbers remained stable between 10 to 11 percent. This consistent performance across a high volume of shows highlights how the film has become a reliable choice for audiences looking for a casual theatrical experience. (adsbygoogle = window.adsbygoogle || []).push({}) The engagement on digital booking platforms remains steady as well. During the seventh week, the film saw consistent ticket sales on BookMyShow, totaling over 3.3 million cumulative bookings since the release. In the national cinema chains, the film recorded over 15,700 ticket sales for the week alone, showing that it still has a presence in premium multiplexes. Here is a breakdown of the daily ticket sales trends on BookMyShow for the seventh week: 7th Friday - 8.11K 7th Saturday - 12.04K 7th Sunday - 16.09K 7th Monday - 8.28K 7th Tuesday - 14.86K 7th Wednesday - 6.79K The regional occupancy data reveals that the National Capital Region (NCR) continues to be a strong market for the film, maintaining an 11 percent occupancy across 189 shows on its 49th day. In Ahmedabad, the occupancy stood at 5.8 percent for 74 shows, with the evening and night shows generally performing better than the morning slots. This consistent interest across major territories suggests that the film is not just fading away but is gradually concluding its run with dignity. As it moves into its eighth week, Bhooth Bangla has already secured its position as one of the most successful and durable films of 2026.

Kollywood

4 hrs ago

543 views

Karuppu Week 3 Box Office: Film Hits 150 Crore in Tamil Nadu; Eyes 300 Crore Worldwide After Recording 2nd Best 3rd Week in Kollywood

BY CHRISTA LINCY

Karuppu has been a standout performer in the Tamil film industry since its release, and its journey into the third week shows that the film still has plenty of gas in the tank. Directed with a gritty vision and led by a powerhouse performance, the movie has resonated deeply with the masses, particularly in the rural and semi-urban pockets of Tamil Nadu. It is not just about the star power; the emotional core of the film has allowed it to maintain a steady grip on the box office, even as new releases attempt to take over the screen space. As we wrap up the third week, the film is now on the verge of entering the elite 300 crore club, a feat that very few Tamil films have achieved in recent times. The stability of Karuppu is best reflected in its cumulative third-week net collection. According to data from Sacnilk, the film earned 18.30 crore in its third week from the Tamil version alone. This performance is significant because it places Karuppu as the second-highest third-week earner in Kollywood history, trailing only behind the massive numbers of Jailer. It managed to outperform several recent big-budget blockbusters, proving that the word-of-mouth remains exceptionally strong. Here is a look at the all-time highest third-week net collections in the Tamil film industry: 1. Jailer - ₹ 22.20 Cr 2. Karuppu - ₹ 18.30 Cr 3. Amaran - ₹ 17.49 Cr 4. The Greatest Of All Time - ₹ 14.17 Cr 5. Leo - ₹ 13.68 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The regional breakdown of the third-week gross collections shows exactly how the film is maintaining its momentum, bringing in a total of 24.34 crore from across Indian territories this week. Tamil Nadu continues to be the primary engine, contributing 18.60 crore gross, which pushes the state total collection to 149.90 crore. The Telugu states of Andhra Pradesh and Telangana follow as the second strongest territory for the week, adding 3.43 crore in gross for a cumulative total of 31.96 crore in that region. Other regions have also contributed to the steady climb during this period. Karnataka added 1.41 crore this week for a total gross of 21.07 crore, while Kerala and the rest of India saw gross additions of 0.75 crore and 0.15 crore respectively. These combined contributions have pushed the total India gross collection to 218.89 crore. When looking at the net figures, the overall India net collection stands at 189.35 crore, which has been earned across a massive 93,634 shows since the film first hit the screens. As the film reaches the 150 crore milestone in Tamil Nadu, its position on the all-time charts becomes a major talking point. By hitting this mark, Karuppu has successfully climbed to the 8th spot among the highest-grossing films in the state's history. In this process, it has surpassed the lifetime Tamil Nadu collections of major hits like Coolie (₹ 147.15 Cr), Varisu (₹ 142.54 Cr), and Bigil (₹ 141.1 Cr). The film is now chasing Good Bad Ugly (₹ 152 Cr), and given its current trajectory, it is expected to move past that figure by its fourth weekend. While Leo (₹ 213.62 Cr) remains safely at the top, the steady climb of Karuppu into the top 10 is a testament to its long-term theatrical appeal. (adsbygoogle = window.adsbygoogle || []).push({}) To see how the momentum fluctuated on a daily basis during this period, here is the day-wise worldwide gross collection for the third week: Karuppu India Gross Collection - Week 3DAYINDIA GROSSDay 15 (3rd Friday)₹ 3.74 CrDay 16 (3rd Saturday)₹ 5.92 CrDay 17 (3rd Sunday)₹ 6.79 CrDay 18 (3rd Monday)₹ 2.76 CrDay 19 (3rd Tuesday)₹ 2.35 CrDay 20 (3rd Wednesday)₹ 1.77 CrDay 21 (3rd Thursday)₹ 1.03 CrTOTAL WEEK 3₹ 24.34 Cr The engagement on digital platforms like BookMyShow also tells a story of consistent interest. Over the course of the third week, Karuppu saw a total of 4.39 million tickets booked on the platform, narrowly missing a spot in the top five all-time highest ticket sales list. During the third week alone, the film maintained a healthy flow of bookings, especially during the weekend. To understand the daily trend throughout the week, let us look at the BookMyShow ticket sales data: 3rd Friday - 76.54K 3rd Saturday - 113.6K 3rd Sunday - 98.61K 3rd Monday - 27.26K 3rd Tuesday - 27.26K 3rd Wednesday - 17.57K 3rd Thursday - 13.44K (adsbygoogle = window.adsbygoogle || []).push({}) In the national cinema chains, the film recorded over 101,800 ticket sales for the week, which is a solid number for a third-week run. However, the film did see a noticeable dip as it approached the end of the week. On Day 21 (Thursday), the collection stood at 0.90 crore, which is a 41.9 percent drop compared to the previous day’s 1.55 crore. Despite this mid-week slowdown, the overall health of the film remains positive. On the international front, Karuppu added 0.25 crore on its 21st day, bringing the total overseas gross to 79.50 crore. Currently, the worldwide gross for Karuppu stands at 298.39 crore. This leaves the film just less than 2 crore shy of achieving the 300 crore milestone. Given the trend of an uptick in collections during the weekends, it is a certainty that the film will cross this major benchmark within the next 48 hours. Reaching 300 crore worldwide is a massive achievement for the cast and crew, solidifying the film's status as a genuine blockbuster. As it enters its fourth week, the focus will be on how much further it can push its lifetime total before the next set of major releases arrives.

Box Office

4 hrs ago

10.5K views

Bandar Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK TEAM

Here is the Hindi movie Bandar box office collection which is a crime thriller film. This film is directed by Anurag Kashyap and produced by Saffron Magicworks. ## Bandar stars Bobby Deol, Sapna Pabbi, Jitendra Joshi, and Raj B. Shetty in key roles. ## Bandar Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Bandar Budget: ₹ - Cr * Approx ## Bandar Verdict: Coming Soon ## Bandar Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 5th June 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

Bollywood

5 hrs ago

214 views

Ajay Devgn's Drishyam 3 Gets Major Changes for Hindi Audience; Ravi Basrur Comes On Board

BY CHRISTA LINCY

Ajay Devgn's much-awaited Drishyam 3 is gearing up for its theatrical release on October 2, 2026, and a fresh report has revealed an interesting update about the film's story and music. According to a report by Bollywood Hungama, the Hindi version of Drishyam 3 will not closely follow the recently released Malayalam original and will instead feature significant changes tailored for Hindi audiences. The first two installments of the franchise largely stayed faithful to their Malayalam counterparts. However, the report states that the makers have taken a different approach with the third chapter by introducing major alterations to the narrative, including several plot developments and twists. Despite these changes, the film is said to retain the essence of the Drishyam universe that audiences have come to associate with the franchise. The development is in line with what director Abhishek Pathak had previously indicated while discussing the project. The filmmaker explained that while both versions share the same emotional foundation, they have been designed differently in terms of storytelling. According to Pathak, the Malayalam version leans more towards a family drama, whereas the Hindi adaptation has been developed as a family thriller, a distinction that is expected to become more evident in the third installment. (adsbygoogle = window.adsbygoogle || []).push({}) The report further claims that the makers are pleased with the performances delivered by the ensemble cast. Apart from Ajay Devgn reprising his role as Vijay Salgaonkar, the film also features Tabu, Shriya Saran and several returning cast members from the previous installments. New additions such as Jaideep Ahlawat and Prakash Raj are also expected to play significant roles in the narrative, adding fresh dynamics to the story. Another notable update concerns the film's music. As per the report, acclaimed composer Ravi Basrur has come on board for Drishyam 3. Best known for his work in blockbuster films such as KGF, Salaar, Marco and Toxic, Basrur reunites with Ajay Devgn after their collaborations on Bholaa and Singham Again. His inclusion marks another change for the franchise, as each Hindi installment has featured a different musical team. While Vishal Bhardwaj composed the music for the first film, Devi Sri Prasad took over scoring duties for Drishyam 2. (adsbygoogle = window.adsbygoogle || []).push({}) Drishyam remains one of the most successful thriller franchises in Indian cinema. The Hindi adaptation of Drishyam 2 emerged as a major box office success in 2022, collecting over ₹342 crore worldwide and reaffirming the popularity of Vijay Salgaonkar's story among Hindi audiences. As a result, expectations for the third installment are considerably high. Presented by Star Studios and produced under the Panorama Studios banner, Drishyam 3 is directed by Abhishek Pathak and written by Abhishek Pathak, Aamil Keeyan Khan and Parveez Shaikh. The film is produced by Kumar Mangat Pathak, Abhishek Pathak, Alok Jain and Ajit Andhare and is currently scheduled to arrive in cinemas on October 2, 2026.

Kollywood

6 hrs ago

253 views

Jana Nayagan Faces Fresh Twist as Thalapathy Vijay Reportedly Asks Makers to Rework Distribution Deals

BY CHRISTA LINCY

Fresh reports suggest that Thalapathy Vijay has asked the makers of Jana Nayagan to revisit the film's theatrical distribution strategy amid the ongoing uncertainty surrounding its release. According to the latest industry buzz, Vijay has reportedly advised KVN Productions to cancel the theatrical deals that were previously finalized and refund the advances received from distributors. The actor is said to prefer a fresh round of negotiations once the film's release date is officially locked. While there has been no official confirmation regarding these reports, the development has generated significant discussion within trade circles. Industry insiders believe the move, if true, would allow the makers to retain complete control over the film's theatrical business and potentially secure revised terms closer to release. Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan is one of the biggest Tamil releases currently awaiting a theatrical release. The film features Vijay in the lead role alongside Pooja Hegde, Mamitha Baiju, Bobby Deol, Prakash Raj and Gautham Vasudev Menon. Beyond its scale and commercial prospects, the project holds additional significance as it is Vijay's first film release since becoming the Chief Minister of Tamil Nadu, a factor that has amplified interest from audiences, exhibitors and trade circles alike. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan's journey to release has been further complicated by one of the biggest piracy controversies seen in Indian cinema in recent years. In April, an HD version of the entire film surfaced online and spread rapidly across piracy networks, social media groups and messaging platforms even before its official release. The leak triggered widespread concern across the film industry and prompted swift legal action from the makers. The Tamil Nadu Cyber Crime Wing subsequently launched an extensive investigation, arresting multiple individuals allegedly involved in the theft and circulation of the film. Investigators later claimed that the leak originated from unauthorized access to the movie's digital files during the post-production stage. The controversy resulted in hundreds of piracy links being taken down and even led to court intervention as the producers sought to curb the further circulation of the leaked version. The unprecedented leak is widely believed to have influenced the cautious approach currently being adopted towards the film's release plans and business agreements. Adding to the uncertainty are reports regarding the film's certification process. Trade discussions indicate that the makers are awaiting clarity on CBFC certification before proceeding with several key business decisions. It is being reported that fresh agreements for satellite, digital and other non-theatrical rights may only be finalized after the certification process is completed. (adsbygoogle = window.adsbygoogle || []).push({}) The delay in finalizing a release date has further fueled speculation. Although multiple release windows have been discussed in industry circles over the past few months, the makers have yet to announce a definitive release plan. Sources close to the trade suggest that the production team wants all approvals, clearances and business arrangements in place before committing to a release date. The reported move to restructure theatrical deals has naturally attracted attention from distributors and exhibitors. Given Vijay's massive box-office track record, Jana Nayagan is expected to be one of the biggest Tamil releases whenever it eventually hits theatres. Any change in the film's distribution strategy could therefore have a significant impact on its overall business prospects. For now, the makers have not issued an official statement regarding the reported cancellation of theatrical agreements. Until then, the claims remain part of the ongoing speculation surrounding Jana Nayagan, a film that continues to generate immense interest among fans and the trade alike as it moves closer to release.

Bollywood

7 hrs ago

429 views

Dhurandhar and Dhurandhar (Uncensored) Feature in 2026 OTT Rankings; Main Version Tops With 31.1M Views

BY CHRISTA LINCY

The OTT market has produced several major successes in 2026, with a mix of theatrical blockbusters and direct-to-digital releases attracting significant viewership across platforms. The latest rankings of the most-viewed Indian films on OTT reveal a clear leader at the top, while also highlighting the growing dominance of Netflix in the streaming space. Dhurandhar currently stands as the most-watched Indian film on OTT in 2026. Streaming on Netflix, the film has accumulated an impressive 31.1 million views, making it the only title to cross the 30 million-view milestone so far this year. The gap between Dhurandhar and the rest of the field is substantial, underlining the scale of its digital success. Accused occupies the second position with 16.6 million views, followed by Made In Korea with 13.5 million views. Haq and Mardaani 3 complete the top five with 11.3 million and 10.7 million views respectively. While several films have managed to cross the 10 million-view mark, none have come close to matching Dhurandhar's performance. (adsbygoogle = window.adsbygoogle || []).push({}) Most Watched Indian OTT Films in 2026RANKMOVIE NAMEPLATFORMVIEWERSHIP (MILLIONS)1DhurandharNetflix31.1M2AccusedNetflix16.6M3Made In KoreaNetflix13.5M4HaqNetflix11.3M5Mardaani 3Netflix10.7M6KartavyaNetflix10.3M7The Raja SaabJioHotstar10.3M8Tere Ishk MeinNetflix9.7M9SubedaarAmazon Prime Video9.6M10De De Pyaar De 2Netflix7.7M A closer look at the rankings shows just how far ahead Dhurandhar is from its competitors. The film's 31.1 million views are nearly double the 16.6 million views recorded by Accused and more than twice the tally of third-placed Made In Korea. In fact, Dhurandhar enjoys a lead of 14.5 million views over the film placed immediately behind it. Another interesting detail from the rankings is the presence of Dhurandhar (Uncensored). The alternate version of the film has also found an audience on streaming platforms, accumulating 3.3 million views across Netflix . The title currently ranks 22nd among the most-viewed Indian OTT films of 2026. (adsbygoogle = window.adsbygoogle || []).push({}) When both versions are considered together, the Dhurandhar brand has generated a combined 34.4 million views across OTT platform. While the main version accounts for the overwhelming majority of the audience, the additional viewership recorded by the uncensored cut further extends the film's digital reach. Platform-wise, Netflix dominates the rankings. Eight of the top ten films are streaming on the platform, including each of the top six positions. JioHotstar's The Raja Saab and Amazon Prime Video's Subedaar are the only non-Netflix titles to secure places in the top ten. The rankings also highlight the increasing scale of OTT consumption in India. Seven films have crossed the 10 million-view mark, while only three titles have managed to exceed 13 million views. Dhurandhar remains the lone film to breach the 30 million-view milestone, making it the standout performer of the year so far. With several major theatrical releases still expected to arrive on streaming platforms in the coming months, the leaderboard could see further changes. For now, however, Dhurandhar remains the clear leader among Indian OTT films in 2026, with its main version topping the charts and its uncensored version also securing a place among the year's most-viewed digital releases.

Tollywood

8 hrs ago

1.8K views

Peddi Becomes India's Third-Highest Premiere Grosser, Surpasses Hari Hara Veera Mallu and Pushpa 2

BY CHRISTA LINCY

Directed by Buchi Babu Sana, Peddi is a sports-action drama headlined by Ram Charan in the titular role. The film features Janhvi Kapoor as the female lead, while Shiva Rajkumar, Divyendu Sharma and Jagapathi Babu play key supporting roles. Backed by Mythri Movie Makers in association with Vriddhi Cinemas and Sukumar Writings, the film arrived in theatres carrying substantial expectations following its promotional campaign, teaser launch and strong advance bookings. Set against a rural backdrop, Peddi revolves around an underdog whose journey is intertwined with sport, ambition and personal challenges, with the narrative blending action, emotion and mass-commercial elements. The strong pre-release buzz surrounding the film translated into exceptional demand for premiere shows, helping Peddi collect ₹21.83 crore and secure the third spot among the highest premiere grossers in Indian cinema history. Ram Charan's Peddi has started its theatrical run on a strong note. After recording one of the biggest premiere performances in Indian cinema history, the film followed it up with an estimated ₹51 crore net collection on its opening day, taking its total India net collection to ₹69.50 crore within just two days of release. The film's impressive start was powered by a ₹21.83 crore premiere gross, which helped Peddi secure the third spot among the highest premiere grossers in Indian cinema. The feat places the film behind only Dhurandhar 2: The Revenge and They Call Him OG on the all-time list. (adsbygoogle = window.adsbygoogle || []).push({}) Top Premiere Grossers in IndiaRANKMOVIE NAMEPREMIERE GROSS1Dhurandhar 2: The Revenge₹51.60 Cr2They Call Him OG₹24.78 Cr3Peddi₹21.83 Cr4Hari Hara Veera Mallu₹15.05 Cr5Pushpa 2: The Rule₹12.57 Cr While Dhurandhar 2: The Revenge remains comfortably ahead with a ₹51.60 crore premiere gross, Peddi's entry into the top three is significant given the competition. The film surpassed Hari Hara Veera Mallu's ₹15.05 crore premiere gross by nearly ₹7 crore and outperformed Pushpa 2: The Rule's ₹12.57 crore premiere figure by over ₹9 crore. Peddi also came within ₹3 crore of They Call Him OG, which currently occupies the second position on the all-time list. The latest ranking highlights how premiere shows have evolved into a major box office event in India. In recent years, films such as Pushpa 2: The Rule, Hari Hara Veera Mallu, They Call Him OG and now Peddi have generated substantial revenue even before the commencement of regular shows, reflecting the growing influence of advance bookings and fan-driven demand. (adsbygoogle = window.adsbygoogle || []).push({}) Among the five films on the list, four belong to the Telugu film industry, underlining the strength of the market when it comes to premiere and special-show business. Peddi's ₹21.83 crore premiere gross is the third-highest ever recorded by an Indian film, trailing only Dhurandhar 2: The Revenge and They Call Him OG. According to early estimates, the momentum generated by Peddi's record-breaking premiere run carried into its opening day as well. The film is estimated to have collected around ₹51 crore net on Day 1, reflecting a growth of approximately 176% over its premiere-day net collection. If these estimates hold, the film's cumulative India gross collection would stand at around ₹82.49 crore, while its worldwide gross could cross ₹112 crore, including roughly ₹30 crore from overseas markets. For Ram Charan, the latest milestone adds another notable achievement to his box office record. While the film now stands among the top premiere performers in Indian cinema, its opening-day numbers suggest that the strong premiere response was not merely fan-driven frontloading but translated into substantial theatrical business as well. With Peddi already crossing ₹100 crore worldwide gross within its first two days, all eyes are now on its weekend trajectory and whether it can maintain the momentum generated by its record-setting premiere and opening-day performance.

Tollywood

9 hrs ago

1.7K views

Peddi Overseas Breakeven: Ram Charan Hits $1.57 Million Premieres, Second Best After RRR, Eyes High Breakeven Targets

BY CHRISTA LINCY

Ram Charan is back on the big screen with Peddi, and the buzz surrounding this release has been nothing short of electric. Following the global impact of RRR, there is a natural curiosity to see how his solo films perform, especially on the international stage. Directed by Buchi Babu Sana and featuring Janhvi Kapoor as the leading lady, the movie has the benefit of a high-profile crew, including a musical score by AR Rahman. While the domestic response is always key, the real conversation this time is about the film's massive footprint in the overseas markets and the significant targets it needs to hit. Peddi started its journey with a strong financial base, having already crossed 275 crore in non-theatrical revenue. This includes the digital rights sold to Netflix for 115 to 130 crore, which could see an additional 20 crore bonus. Music rights brought in 35 crore via T-Series, while satellite deals are expected to range between 50 and 70 crore. The overseas theatrical rights were sold for 40 crore, which sets a high bar for the international market. Including the costs for print and advertising publicity and theater shares, the film needs to reach a cumulative international gross of 9 million dollars to hit the breakeven mark. Within that total international goal, the North American region alone accounts for a 6.5 million dollar breakeven target. Achieving this will require a very consistent performance across the United States and Canada over the coming weeks. The initial reports from Venky Box Office are encouraging, as the North American premiere shows brought in 1.57 million dollars. This figure is particularly notable because it stands as Ram Charans highest solo premiere number to date and his second-best overall, trailing only the massive opening of RRR. (adsbygoogle = window.adsbygoogle || []).push({}) The premiere performance has successfully placed Peddi among the top Telugu openings ever recorded in the United States. Looking at how these numbers compare to previous major releases helps show where the film stands in the current market. Here is how the rankings for the highest North American premieres currently look: 1. Kalki 2898 AD - $3.9M 2. RRR - $3.5M 3. Pushpa 2: The Rule - $3.34M 4. They Call Him OG - $3.14M 5. Devara - $2.85M 6. Salaar - $2.6M 7. Baahubali 2 - $2.45M 8. Peddi - $1.57M 9. Agnathavaasi - $1.52M 10. Guntur Kaaram - $1.42M While landing at the eighth spot on this all-time list is impressive, the road to profitability requires sustained momentum. A key comparison point often discussed is the Rangasthalam benchmark. Ram Charan's previous solo career-best in North America was the masterpiece Rangasthalam, which finished its lifetime run at 3.51 million dollars. For Peddi to hit its 6.5 million dollar breakeven goal, it must gross roughly 85 percent more than what Rangasthalam achieved. This shows just how much the market and the costs have expanded in recent years. With advance sales for the first weekend in North America already hitting 1.37 million dollars, the film is moving in the right direction, but the weekdays will be the ultimate decider. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the broader overseas picture, the early estimates for the opening day, which includes both premieres and Day 1, are looking very healthy. Early figures suggest a collection in the range of 2.85 million to 2.9 million dollars, which is approximately 27.5 crore in Indian currency. This marks the second-biggest overseas opening for Ram Charan, trailing only RRR, which opened at 3.5 million dollars. The total advance sales for the overseas opening day had already set a high bar at 1.65 million dollars, proving that the actor's brand value has grown significantly across different global territories. In summary, Peddi has successfully converted the pre-release hype into a massive opening. The film has the advantage of a strong non-theatrical cushion, but the focus remains on reaching the 9 million dollar target for a successful run. The start is historic, the numbers are record-breaking for a solo film of its kind, and the trend looks positive. However, achieving the status of a clean hit will require the film to hold its ground firmly through its second week.