BY SACNILK

Mumbai, July 15 - Netflix has released its latest Global Top 10 Non-English Films rankings, and Indian cinema continues to enjoy a strong presence on the platform. A total of five Indian films found a place in the weekly chart, led by fresh OTT releases and recent theatrical titles. Among them is Ram Charan's Peddi, which made its streaming debut with a relatively modest start despite arriving with considerable buzz following its theatrical release. (adsbygoogle = window.adsbygoogle || []).push({}) According to Netflix's weekly viewership rankings, Peddi garnered 1.9 million views in its first tracking week after premiering on the platform on July 9. It was the 5th most-watched non-English title during July 6-12. The sports drama managed to enter the Global Top 10 Non-English Films chart, but its opening viewership is on the lower side compared to several recent high-profile Indian releases on the streamer. Peddi had an average run at the box office, and its digital debut has followed a similar trajectory, opening without a major surge in viewership. The Hindi version of the film is yet to premiere, and it would have helped it score much better viewership data had it been streamed simultaneously, which is not the case. (adsbygoogle = window.adsbygoogle || []).push({}) Apart from Peddi, four other Indian films also secured places in Netflix's weekly global rankings, including Sunny Deol's direct digital release, Ikka (4.4 million) at 2, Daadi Ki Shaadi (2.1 million) at 4, Pati Patni Aur Woh Do (1.8 million) at 6, and Blast (1.1 million) at 8, underlining the consistent performance of Indian titles across languages on the streaming platform. The latest chart features films from different genres and industries, showcasing the diversity of Indian cinema and its growing appeal among international audiences. Having five Indian films in the same weekly chart is another indication of Netflix's increasing investment in Indian content and its worldwide consumption. Streaming viewership often builds over multiple weeks through positive word of mouth, and the coming weeks will determine whether the Ram Charan starrer can improve its performance. For now, Netflix's latest weekly rankings reaffirm the strong global footprint of Indian cinema, with five homegrown films earning a place among the platform's most-watched non-English titles.

BY SACNILK

Mumbai, July 9 - The first six months of 2026 have painted an interesting picture for the Indian film industry. While a handful of blockbuster releases dominated the box office and broke multiple records, some high-profile films struggled to justify their massive budgets. Overall, the period from January 1 to June 30 witnessed a healthy theatrical market led by Hindi cinema, while Malayalam films continued to punch above their weight with remarkable overseas performances. The biggest story of the year was undoubtedly the phenomenal success of Dhurandhar 2: The Revenge, which emerged as the highest-grossing Indian film of the year by a massive margin. The Ranveer Singh-led action spectacle crossed 1800 crore worldwide, making it one of the biggest Indian successes in history. It was followed by Border 2, while Telugu cinema contributed one major success in the form of Mana ShankaraVaraprasad Garu. Tamil cinema's biggest performer was Karuppu, which comfortably crossed the 300 crore mark worldwide. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Movies Overall – All-India (First Half of 2026) Rank Movie Language India Gross Worldwide Gross Footfalls (India) 1 Dhurandhar 2 Hindi ₹ 1375.00 Cr ₹ 1813.00 Cr 4.50+ Cr 2 Border 2 Hindi ₹ 393.00 Cr ₹ 450.00 Cr 1.58 Cr 3 Peddi Telugu ₹ 288.00 Cr ₹ 340+ Cr N/A 4 MSVPG Telugu ₹ 258.50 Cr ₹ 301.50 Cr 1.27 Cr 5 Karuppu Tamil ₹ 229.00 Cr ₹ 310.00 Cr N/A Hindi cinema enjoyed the strongest headline performance thanks to Dhurandhar 2 and Border 2, but the overall success was largely concentrated among a few event films. Telugu cinema delivered mixed results, with the only major success being Mana Shankara. The box office collections alone did not always translate into commercial success, as some expensive productions failed to recover their investments despite respectable worldwide numbers. (adsbygoogle = window.adsbygoogle || []).push({}) Malayalam cinema once again proved why it continues to be one of India's most consistent film industries. Films like Vaazha 2 and Drishyam 3 not only performed exceptionally well in Kerala but also generated huge revenues overseas. The industry continued to benefit from its strong presence in international markets, especially across the Gulf region, allowing several medium-budget films to achieve impressive worldwide totals. Tamil cinema also experienced a mixed first half. While Karuppu emerged as a blockbuster and became one of the biggest Tamil hits of the year, mid-budget films such as Thaai Kizhavi and Blast also delivered solid numbers, indicating that audiences were willing to support well-made commercial entertainers beyond star-driven spectacles. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Hollywood Movies Rank Movie India Gross Worldwide Gross 1 Obsession ₹ 100.15 Cr ₹ 3850+ Cr 2 Project Hail Mary ₹ 89.50 Cr ₹ 6436+ Cr 3 Michael ₹ 83.65 Cr ₹ 9050+ Cr 4 The Devil Wears Prada 2 ₹ 35.90 Cr ₹ 6400+ Cr 5 Lee Cronin's The Mummy ₹ 30.00 Cr ₹ 30.00 Cr Hollywood releases maintained a steady presence in India, with films such as Obsession, Project Hail Mary, and Michael attracting strong urban audiences. However, their worldwide collections were naturally driven by international markets rather than India, making domestic box office comparisons with Indian films less meaningful. Kannada cinema endured a relatively quiet first half compared to other industries. No Sandalwood release managed to create a nationwide impact, and the industry's highest-grossing films remained significantly behind their counterparts from Tamil, Telugu, Malayalam, and Hindi cinema. The second half of the year will be crucial for Kannada cinema to regain momentum. (adsbygoogle = window.adsbygoogle || []).push({}) Surprise Indian Successes S. No. Movie Industry India Gross Worldwide Gross 1 Thaai Kizhavi Kollywood ₹ 71.65 Cr ₹ 82.00 Cr 2 Vaazha 2 Mollywood ₹ 149.50 Cr ₹ 235.25 Cr 3 Aadu 3 Mollywood ₹ 59.10 Cr ₹ 120.10 Cr 4 Blast Kollywood ₹ 61.00 Cr ₹ 75.40 Cr One of the most encouraging trends of the first half was the continued success of content-driven cinema. Films like Thaai Kizhavi, Blast, and Aadu 3 exceeded trade expectations despite not carrying the scale or hype of pan-India spectacles. Their performances reinforced the fact that audiences continue to reward strong storytelling and positive word of mouth. At the same time, a few expensive productions struggled to meet expectations. Despite collecting well worldwide, some big-budget releases were unable to secure profitable theatrical runs due to their enormous production costs. This once again highlighted that worldwide collections alone are no longer sufficient to determine a film's commercial success. (adsbygoogle = window.adsbygoogle || []).push({}) Hyped but Failed/Underwhelmed Movies S. No. Movie Industry India Gross Worldwide Gross 1 The Raja Saab Tollywood ₹ 174.15 Cr ₹ 208.40 Cr 2 Peddi Tollywood ₹ 288.00 Cr ₹ 340+ Cr 3 Patriot Mollywood ₹ 36.75 Cr ₹ 80.00 Cr Overall, the first half of 2026 can be described as top-heavy but healthy. Films across industries have grossed around 6500 crores at the Indian box office in the first 6 months, which is better than the first halves of the previous post-pandemic years. Bollywood produced the year's biggest blockbuster, Telugu cinema delivered mixed results, Malayalam cinema continued its remarkable consistency, and Tamil cinema found success through both star vehicles and mid-budget entertainers. As the industry heads into the second half of the year with several highly anticipated releases on the horizon, the box office appears well-positioned to build on an encouraging start to 2026.

BY SACNILK

Mumbai, July 8 - The first half of 2026 has delivered a few blockbuster successes across the Indian film industry, with Hindi, Telugu, and Tamil cinema all contributing major hits at the global box office. While a handful of films crossed significant milestones worldwide, one title stood far above the rest in the form of Dhurandhar: The Revenge The Ranveer Singh-fronted spy actioner emerged as the undisputed box office champion, becoming the biggest Indian blockbuster of the year so far and one of the biggest of all-time with a phenomenal worldwide gross of over 1800 crore. The film continued to dominate the box office week after week and shattered several records for an Indian film. (adsbygoogle = window.adsbygoogle || []).push({}) Sunny Deol's Border 2 lit up the box office earlier this year, justifying the hype around the film with its superb trending. The war drama secured the second position on the list with an impressive 450 crore worldwide gross, reaffirming the enduring popularity of the border franchise and patriotic action dramas. Tamil superstar Suriya found his lost box office mojo with the Tamil blockbuster Karuppu emerging as one of the biggest Indian blockbusters of the year so far. The action drama continued its remarkable theatrical run for weeks to finish with 310 crore globally, becoming the actor's highest-grossing film by more than 2x margin. (adsbygoogle = window.adsbygoogle || []).push({}) Megastar Chiranjeevi also muscled his star power with the Telugu family entertainer Mana Shankara Vara Prasad Garu, and proved that he can still challange biggest of the stars of Telugu cinema with his unmatched aura and fan following even at the age of 70. The Anil Ravipudi directorial collected over 300 crores worldwide and is among the top 5 highest-grossing Indian films of the year so far. Meanwhile, the Indian box office also delivered rich results, thanks to blockbuster runs of the top 5 movies and beyond. With over 6500+ crores gross so far, it is turning out to be one of the biggest years for Indian cinema. With several big-ticket releases still scheduled for the second half of 2026, the race for the year's highest-grossing Indian film is far from over. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Highest-Grossing Indian Films of the First Half of 2026 S. No. Movie Industry Worldwide Gross 1 Dhurandhar: The Revenge Bollywood (Hindi) ₹ 1813.00 Cr 2 Border 2 Bollywood (Hindi) ₹ 450.00 Cr 3 Peddi Tollywood (Telugu) ₹ 340+ Cr 4 Karuppu Kollywood (Tamil) ₹ 310.00 Cr 5 Mana Shankara Vara Prasad Garu Tollywood (Telugu) ₹ 301.50 Cr

BY SACNILK

Mumbai, July 4 - Superstar Ram Charan's sports action drama Peddi is finally heading to OTT after almost completing its theatrical run. Directed by Buchi Babu Sana, the film released with solid expectations and went on to post an average performance at the global box office with around 340 crore gross worldwide. The film will start streaming on Netflix from July 9 in Telugu, Tamil, Malayalam, and Kannada languages. The Hindi version, however, will arrive later after completing the compulsory eight-week theatrical run in cinemas (if a film is released in national chains). (adsbygoogle = window.adsbygoogle || []).push({}) Peddi received mixed reactions from audiences and critics upon release, though Ram Charan's performance was widely appreciated. The film's action episodes, emotional moments, and sports backdrop helped it maintain a steady theatrical run, especially in Telugu states. However, despite the 100+ crores worldwide opening day, Peddi failed to achieve its massive theatrical target and eventually ended up as a below-average to average performer at the box office. The movie, though, managed to become Ram Charan's highest solo grosser, and his second highest after multistarrer RRR, directed by SS Rajamouli. Janhvi Kapoor played the female lead in the film, alongside Shivarajkumar, Jagapathi Babu, and Divyenndu Sharma in key roles. With the OTT release date now locked, fans who missed Peddi in theatres will soon be able to watch the film from the comfort of their homes. The Netflix premiere is expected to bring the film to a wider digital audience across multiple languages.

BY SACNILK

After a month-long theatrical run, the final box office numbers for the Ram Charan starrer Peddi have settled. As one of the most anticipated sports epics of 2026, the film arrived with immense expectations and a heavy production price tag of 350 crore rupees. While the movie has registered significant milestones in its home territory and certain international markets, the overall pan-India performance tells a more complex story of regional success versus a broader commercial underperformance. The journey began with a thunderous opening day, where the film registered a massive domestic gross of roughly 82.50 crore rupees. This performance secured its place as the second-highest opening for Ram Charan, trailing only the record-breaking RRR. This initial momentum was primarily driven by the Telugu states, where the film saw packed houses across more than 118,000 tracked shows during its entire run. By the end of its first extended week, the movie had already amassed a net collection of approximately 193.55 crore rupees in India. (adsbygoogle = window.adsbygoogle || []).push({}) Peddi - Regional Gross Collection Breakdown (India)PERIODAPTGKARNATAKAREST OF INDIATOTAL GROSSWeek 1 Total₹ 175.80 Cr₹ 24.38 Cr₹ 29.77 Cr₹ 229.95 CrWeek 2 Total₹ 29.40 Cr₹ 4.60 Cr₹ 6.10 Cr₹ 40.10 CrWeek 3 Total₹ 9.30 Cr₹ 0.72 Cr₹ 0.73 Cr₹ 10.75 CrWeek 4 Total₹ 4.50 Cr₹ 0.11 Cr₹ 0.06 Cr₹ 4.67 CrCumulative Total₹ 219.00 Cr₹ 29.81 Cr₹ 36.66 Cr₹ 285.47 Cr In the regional circuit of Andhra Pradesh and Telangana, Peddi has achieved a historic feat. By grossing 219 crore rupees in these states alone, it has become the 8th Telugu film to ever cross the 200 crore mark in the local market. This puts it in an elite list alongside blockbusters like Baahubali 2, RRR, and Pushpa 2. For the local regional distributors, the film is considered a clean hit. Since the regional theatrical rights were sold at a reachable target, the massive opening day and dominance in the Telugu heartland allowed for a theatrical recovery rate of nearly 96 percent by the end of its 28-day run.The following list highlights the top-grossing Telugu films in Andhra Pradesh and Telangana that have crossed the 200 crore milestone: RRR: ₹406.82 Cr Pushpa 2: The Rule: ₹330.48 Cr Baahubali 2: The Conclusion: ₹304.00 Cr Kalki 2898 AD: ₹277.70 Cr Devara: Part 1: ₹225.80 Cr Mana Shankara Vara Prasad Garu: ₹225.02 Cr Salaar: Part 1 – Ceasefire: ₹221.62 Cr Peddi: ₹219.00 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the gross figures, Peddi also carved out a spot in the history books for its net collections. The film managed to cross the 200 crore net milestone in the Telugu market within just 14 days of its release. This achievement makes it the 6th fastest Tollywood film to reach this mark, trailing only behind industry giants like RRR, Pushpa 2, Baahubali 2, Kalki 2898 AD, and Salaar. Notably, it outpaced other major hits like Devara - Part 1, which took 16 days to reach the same figure. This rapid pace of collection in the home states further reinforces the film's massive drawing power among the local audience, even as it faced a steeper climb in other markets. The film also found significant success in North America, where it surpassed 3.4 million dollars in just 13 days. This achievement made it the highest-grossing Telugu film of 2026 in that specific international market, surpassing the previous record held by Mana Shankara Vara Prasad Garu. While this was historically successful for a solo Ram Charan sports film, the financial bar was set incredibly high. Against an extraordinarily high valuation and a 6.5 million dollar breakeven target, the film ultimately left overseas distributors with a steep loss despite its record-breaking numbers. (adsbygoogle = window.adsbygoogle || []).push({}) When examining the digital footprint, the volume of audience engagement remains noteworthy. The film recorded a final tally of 3.92 million tickets sold on BookMyShow, with a significant 875,000 of those coming from pre-sales alone. In the national theater chains—comprising PVR, INOX, and Cinepolis—the movie sold approximately 4 lakh tickets throughout its first month. The week-by-week breakdown of ticket sales on BookMyShow highlights the film's massive start and gradual tapering: Pre-Sales: 875,000 1st Extended Week: 2,310,000 2nd Week: 554,000 3rd Week: 140,000 4th Weekend (Fri-Sun): 40,000 Total Final Sales: 3,920,000 However, when we shift the lens to the pan-India and global perspective, the results are less celebratory. Despite a worldwide gross that has reached approximately 340 crore rupees—comprising a domestic gross of 285 crore and an overseas gross of 53 crore—the film remains an underperformer relative to its 350 crore budget. The primary reason for this was the early collapse of the Hindi, Tamil, and Malayalam dubbed markets. The sports epic failed to find the same resonance in non-Telugu states, leaving a massive gap between the total collections and the break-even point for the production house. (adsbygoogle = window.adsbygoogle || []).push({}) The biggest issue for Peddi internationally was how quickly its theater traffic faded after launch. As tracked day-by-day globally, it made more than half of its total international money on its first day. The film opened with a massive 28.00 crore on its first Thursday, but then saw a sharp decline. It collected 6.00 crore on Friday, followed by 8.00 crore on Saturday and 4.00 crore on Sunday. The entire remaining lifetime run through weeks two to four contributed only around 6.90 crore. This trend indicates that while the opening was historic, the film lacked the legs to sustain interest in overseas markets beyond the initial fan-driven rush. In summary, Peddi is a tale of two different box office outcomes. Locally, it is a landmark success for Ram Charan and his regional distributors, cementing his drawing power in the Telugu states. Globally and across India, the film serves as a reminder of the risks involved in high-budget pan-Indian filmmaking. While it will continue to run in a limited capacity for a few more days, the final verdict stands as a hit for regional markets but a losing venture on a macroeconomic scale due to its immense production costs.

BY SACNILK

Hyderabad, June 23 - Superstar Ram Charan's latest big-screen outing Peddi may have emerged as the highest-grossing South Indian film of 2026, but the film's theatrical journey has also sparked a larger conversation around cinema affordability in India. Amid reports of mixed audience reactions and fluctuating collections after a record-breaking opening, discussions around expensive theatre snacks have gained momentum online. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Buchi Babu Sana, Peddi opened to massive fanfare and crossed the 100 crore mark worldwide on its first day itself. The movie showed decent momentum during the opening weekend, but collections started dropping once the weekend was over, and despite the massive opening day, the film has grossed around 330 crores worldwide in 19 days so far, which is a kind of mixed result. As conversations around the film's performance intensified, social media users and cinema enthusiasts also began discussing the rising cost of watching movies in theatres. High popcorn and beverage prices have become a recurring complaint among Indian moviegoers, with many arguing that inflated food costs discourage repeat viewing, particularly for family audiences. (adsbygoogle = window.adsbygoogle || []).push({}) Industry observers believe that reducing concession prices could help theatres improve audience retention, especially when films depend heavily on long theatrical runs rather than opening weekend collections alone. The debate gained further traction as Peddi attempted to sustain momentum by adding nearly six minutes of fresh footage during its third week in cinemas. The discussion surrounding popcorn pricing or even ticket prices reflects a broader issue facing the exhibition industry today: while big-budget spectacles continue to draw opening crowds, maintaining audience interest over several weeks increasingly depends on making the overall theatre experience more affordable and accessible. (adsbygoogle = window.adsbygoogle || []).push({}) #RepublicSummit2026 | “When there is a great cinema, people have come back to theatres. In India, the cheapest form of entertainment is still cinema”: Ram Charan, Actor and Film Producer (@AlwaysRamCharan)From promise to proof. From aspiration to execution. #RepublicSummit2026… pic.twitter.com/QJ9Z9nXdjf— Republic (@republic) June 22, 2026

BY SACNILK

Hyderabad, June 18 - Superstar Ram Charan's Peddi is already in its second week in theatres, and the film's overall reception has been noticeably mixed despite the massive pre-release hype surrounding it. While the movie opened strongly on the back of star power and aggressive promotions, the momentum appears to have slowed after the initial weekend as audience reactions became more divided. (adsbygoogle = window.adsbygoogle || []).push({}) Meanwhile, considering the fading momentum at the box office, the makers have announced additional footage which will be attached to the already existing runtime from today (June 18). The movie is already nearing the end of its second week, and it has been in the unwanted controversy amid the mixed box office results. Newly inserted scenes are reportedly intended to enhance emotional depth and strengthen certain character arcs, based on audience feedback. The move once again highlights a familiar trend in Telugu cinema. Whenever a film fails to meet the industry's towering expectations, filmmakers often turn to post-release additions such as extended scenes, restored deleted footage, or modified edits in an attempt to revive audience interest. These revised versions are usually marketed as "improved cuts," creating fresh discussion around the film. (adsbygoogle = window.adsbygoogle || []).push({}) However, past results show that such gimmicks rarely make any significant impact on a movie's long-term box office prospects. In today's social media era, audience verdicts are formed within the first few days itself. Once word-of-mouth settles, changing public perception becomes extremely difficult. At best, additional footage may generate temporary curiosity among hardcore fans, but it seldom changes the overall theatrical fate of a film. In the case of Peddi, the six added minutes may slightly improve the viewing experience for audiences still watching the film in theatres. But expecting the additional runtime to dramatically alter the film's commercial trajectory may be unrealistic. Ultimately, a film's success depends on strong storytelling and emotional connection — not on post-release patchwork designed to manage perception after the first week. (adsbygoogle = window.adsbygoogle || []).push({}) The film has already grossed around 320 crores worldwide in 14 days, which is otherwise a decent performance, thanks to a good performance in the Telugu states. However, the film needs to score way more than this worldwide to emerge as a clean box office hit, which is looking tough at this moment. After the initial rush, the box office momentum is slowing down, and if the additional footage also fails to improve buzz, the movie may be heading to an average affair.

BY SACNILK

While Peddi has managed to cross the $3.4 million mark in North America after 13 days, the numbers tell a story of underperformance when placed against its high stakes. On the surface, surpassing the $3.38 million lifetime gross of Mana Shankara Vara Prasad Garu and becoming the top Telugu grosser of 2026 in this territory looks like a milestone. However, when we look at the actual economics, the film is struggling to justify its massive pre-release valuation in the overseas market. The North America breakeven target for this Ram Charan starrer was set at a staggering $6.5 million, which is roughly ₹62.22 crore. This was the highest target ever set for his solo lead films in this region, setting a very high bar for success. With the film currently trending toward an expected closing gross of approximately $3.50 million, it is clear that Peddi will fall significantly short of its recovery goal. Despite the top-ranking status for the current year, the wide gap between the target and the actual collection marks the film as a box office failure in the overseas circuit. (adsbygoogle = window.adsbygoogle || []).push({}) The films current performance has allowed it to overtake the lifetime collections of Mana Shankara Vara Prasad Garu, which earned $3.38 million in the region. Reaching this total in less than two weeks shows a strong connection with the NRI audience and reflects the steady interest the film has maintained since its release. It is currently sitting at $3.42 million and is continuing to add to its tally as it nears the end of its second week. When looking at the all-time list of Telugu grossers in this market, Peddi has now entered the top tier. It is currently placed at the 12th spot, having moved past films like Bharat Ane Nenu and Mana Shankara Vara Prasad Garu. The film is now chasing the numbers set by Rangasthalam, which is the next target on the list. (adsbygoogle = window.adsbygoogle || []).push({}) Top Telugu Grossers in North AmericaRANKMOVIE NAMENORTH AMERICA GROSS ($ MILLION)1Baahubali 2 The Conclusion$ 20.77 M2Kalki 2898 AD$ 18.57 M3RRR$ 15.34 M4Pushpa 2: The Rule$ 15.26 M5Salaar Part 1 - Cease Fire$ 8.92 M6Baahubali The Beginning$ 8.47 M7Devara: Part - 1$ 6.07 M8They Call Him OG$ 5.59 M9Hanu-Man$ 5.31 M10Ala Vaikunthapurramuloo$ 3.63 M11Rangasthalam$ 3.51 M12Peddi$ 3.42 M13Bharat Ane Nenu$ 3.41 M14Mana Shankara Vara Prasad Garu$ 3.38 M

BY SACNILK

Peddi is heading toward the end of its second week at the box office. On its fourteenth day, the film collected a gross of ₹2.83 crore across India. When we look at the previous day, where it earned ₹3.96 crore gross, there is a clear downward movement as the film nears the end of its second week. Most of the revenue continues to come from the Telugu states, but the drop indicates that the initial frenzy is now stabilizing into a steady run. Breaking down the state-wise gross for Day 14, the Andhra Pradesh and Telangana regions contributed ₹2.10 crore. Other territories followed with Karnataka at ₹0.25 crore, Tamil Nadu at ₹0.08 crore, and the Rest of India bringing in ₹0.40 crore. Comparing these to Day 13, where APTG stood at ₹2.80 crore and the Rest of India was at ₹0.71 crore, it is evident that the Hindi and other language markets are seeing a steeper decline than the home market. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of screen presence and viewer interest, Peddi held approximately 3,800 shows across India on Wednesday with an overall occupancy of 17 percent. In major hubs like Hyderabad, the Telugu version maintained a decent 17.3 percent occupancy from 379 shows. Meanwhile, the Hindi version in the National Capital Region saw 9.8 percent occupancy across 89 shows, and Surat recorded a lower 3.8 percent. These numbers reflect a film that is performing well in its primary market while finding it tougher to sustain momentum in the North. The total India net collection of ₹226 crore shows a heavy reliance on the Telugu version, which has contributed ₹200.48 crore. The Hindi dub has performed decently with ₹21.57 crore so far. Contributions from other languages include ₹1.96 crore from the Tamil version, ₹1.69 crore from Kannada, and ₹0.30 crore from Malayalam. These figures clarify that while the film has made an impact across multiple markets, its core strength remains the Telugu audience. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales on BookMyShow also tell a similar story. After selling 43.03K tickets on its second Tuesday, the count moved to 27.71K on the second Wednesday. This brings the total tickets sold on the platform to 3,709,770. This consistent interest has helped the film cross a significant milestone in its home language, officially entering the 200 crore net club in Telugu alone. Looking at the performance in national multiplex chains, Peddi sold nearly 2,800 tickets across PVR, INOX, and Cinepolis on Wednesday. This resulted in a total gross of approximately ₹7 lakh from 780 shows. Among the chains, INOX contributed the most with 1,400 tickets sold and a gross of ₹3 lakh. PVR and Cinepolis followed with 770 and 660 tickets respectively, each adding about ₹2 lakh to the tally. With an overall occupancy of 2 percent in these urban centers, it is clear that the films current momentum is largely driven by single screens and regional circuits. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, the film added ₹0.25 crore on Day 14. According to data from Venky Box Office, the North America total has reached $3.42 million after a $66K Tuesday. Based on early estimates, the total overseas gross now stands at ₹52.45 crore. When combined with the India gross of ₹268 crore, the worldwide gross collection for Peddi reaches an estimated ₹320 crore, while the total India net collection currently sits at ₹226 crore. Fastest Movies to 200 Cr Net (Telugu Version)MOVIE NAMEDAYS TAKENTELUGU NET COLLECTIONRRR3₹ 216.23 CrPushpa: The Rule - Part 25₹ 211.60 CrBaahubali 2 The Conclusion7₹ 203.00 CrKalki 2898 AD7₹ 202.05 CrSalaar: Cease Fire - Part 111₹ 205.75 CrPeddi14₹ 200.48 CrDevara - Part 116₹ 200.25 CrMana ShankaraVaraprasad Garu17₹ 200.65 CrAla Vaikunthapurramuloo47₹ 200.25 Cr

BY SACNILK

Peddi has reached an overseas gross of 52.20 crore after thirteen days in theaters. This total puts the film within reach of the all-time top ten list for Telugu cinema in international markets. Currently, Hanu-Man occupies the tenth spot with 57 crore, meaning Peddi requires a little under 5 crore to surpass that mark and enter the rankings. While the film is approaching this milestone, the current daily numbers suggest it will take some time to bridge the remaining gap. Here is how the top ten list currently looks for the highest-grossing Telugu movies overseas: Baahubali 2: The Conclusion - 371.16 Cr RRR - 314.15 Cr Kalki 2898 AD - 275.00 Cr Pushpa 2: The Rule - 271.00 Cr Baahubali: The Beginning - 134.00 Cr Salaar: Part 1 – Ceasefire - 130.00 Cr Saaho - 92.00 Cr Devara: Part 1 - 77.00 Cr They Call Him OG - 65.25 Cr Hanu-Man - 57.00 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Despite being close to the top ten, the financial outlook for the film is quite complicated. According to reports from Venky Box Office, the film recorded 13,000 dollars [~₹11 Lakh] this past Monday in North America, bringing its total in that region to 3.35 million dollars [~₹28.14 Crore]. The trade perspective on this is quite sobering; the closing number is likely to settle near what was originally expected from the opening day alone. It is a significant shock for the industry, especially considering the initial high expectations, and it suggests a need for a market correction regarding the buying prices of overseas rights. The total overseas breakeven target for Peddi was estimated to be around 85 crore. With the current momentum, it appears the film will end its run with a loss of approximately 25 to 30 crore. The North American market alone had a breakeven goal of 6.5 million dollars [~₹54.60 Crore] across all languages, but reaching that target seems highly unlikely at the current daily pace. This gap between the target and the actual performance highlights the challenges big-budget projects face in sustaining interest beyond the first weekend. (adsbygoogle = window.adsbygoogle || []).push({}) If we examine the day-wise overseas collections, the slowing momentum becomes very clear. The film had a strong start with 28 crore on its first day, but the numbers began to drop significantly after the first weekend. For the last few days, the daily collection has settled into the range of 0.35 crore. You can see the daily progression in the table below: Peddi - Daily Overseas Gross Collection(Estimated Data)DAYOVERSEAS GROSSDay 1₹ 28.00 CrDay 2₹ 6.00 CrDay 3₹ 8.00 CrDay 4₹ 4.00 CrDay 5₹ 1.00 CrDay 6₹ 1.00 CrDay 7₹ 0.80 CrDay 8₹ 0.70 CrDay 9₹ 0.50 CrDay 10₹ 0.80 CrDay 11₹ 0.70 CrDay 12₹ 0.35 CrDay 13₹ 0.35 Cr While the goal of entering the top ten is within reach, the underlying business reality is that the film is underperforming relative to its high acquisition costs. The next few days will determine if it can cross the 57 crore mark to secure its place in the all-time list, even if it does so as a loss-making venture for its distributors.

BY SACNILK

Peddi, On its thirteenth day, recorded a gross collection of 3.96 crore across India. When we compare this to the 4.73 crore gross it earned on Monday, it indicates a drop of roughly 16.2 percent. However, we are starting to see the momentum visibly slow down now. While a drop on a working Tuesday is expected, this cooling trend suggests the long-term legs of the film might be under pressure, which isn't the best sign for its extended theatrical run.It is also clear that the movie is maintaining a steady grip on the domestic market without any sudden collapse in numbers. If we look into the language-wise performance, the Telugu version remains the primary driver. It contributed 2.75 crore on day 13 with an occupancy rate of 23 percent. Meanwhile, the Hindi version brought in 0.60 crore. Interestingly, the occupancy in certain regions tells a localized story. While Hyderabad saw nearly 20 percent occupancy across 404 shows, Vizag-Visakhapatnam stood out with a much stronger 38.8 percent. Even the National Capital Region for the Hindi version held up well with 21.5 percent occupancy, showing that the film still has a pulse in major urban centers. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the gross figures, the day 13 gross stands at 3.96 crore. The lion's share came from Andhra Pradesh and Telangana with 2.80 crore. Karnataka added 0.35 crore, while the rest of India contributed 0.71 crore. This brings the total India gross to 264.92 crore. On the net side, the total domestic collection has reached 223.55 crore after two weeks of theatrical run across over 91,000 shows. One of the biggest achievements for Peddi is its climb up the all-time charts in the Telugu states. With a total gross of 201.45 crore in Andhra Pradesh and Telangana, the film has officially broken into the top ten list. It has surpassed Sankranthiki Vasthunam to take the ninth spot. Here is a look at how the leaderboard currently stands for the highest-grossing films in that region: RRR - 406.82 Cr Pushpa 2: The Rule - 330.63 Cr Baahubali 2: The Conclusion - 327+ Cr Kalki 2898 AD - 277.70 Cr Devara: Part 1 - 225.80 Cr Mana Shankara Vara Prasad Garu - 225.02 Cr Salaar: Part 1 – Ceasefire - 215.20 Cr They Call Him OG - 201.50 Cr Peddi - 201.45 Cr Sankranthiki Vasthunam - 196.44 Cr (adsbygoogle = window.adsbygoogle || []).push({}) On the global front, early estimates for overseas collections on day 13 sit at around 0.35 crore. This brings the total overseas gross to 52.20 crore. When we combine the final domestic gross with these early international estimates, the worldwide gross for Peddi reaches approximately 317.12 crore. This total is supported by massive audience engagement, with BookMyShow reporting over 43,000 tickets sold on Tuesday alone, bringing the platform’s total to over 3.68 million tickets since its release. If we look specifically at the performance within national chains for day 13, the numbers show a settling trend. In PVR, Inox, and Cinepolis, the film sold a total of 5,100 tickets, generating a gross of 8.55 lakh. PVR led this segment with 2,232 tickets, followed closely by Inox with 2,112. The overall occupancy in these chains stood at 3.40 percent across 745 shows. While these figures represent the standard cooling of a big-budget project in its second week, they emphasize that the majority of the film's weight is being carried by single screens and regional circuits rather than the major urban chains.

BY SACNILK

Peddi has entered its second Monday with expected stability, following a strong performance over its second weekend. The film earned a gross collection of ₹4.73 crore on Day 12, marking a 55.8% drop from the previous day's gross collection of ₹10.70 crore. This is a standard trend for big-ticket films on a second Monday after a heavy weekend run. With 4,164 shows currently running across India, the film has reached a total India gross collection of ₹260.96 crore and a net collection of ₹220.10 crore. The state-wise gross breakdown for the day shows that the Andhra Pradesh and Telangana regions remain the backbone of the film success, contributing ₹3.35 crore. Karnataka saw a gross of ₹0.55 crore, while Tamil Nadu brought in ₹0.10 crore. Other parts of the country, categorized as the rest of India, accounted for a gross of ₹0.73 crore. Within this segment, the Hindi version managed a net collection of just ₹0.60 crore on its 12th day. It is quite evident that the Hindi version is underperforming, and the occupancy data reflects this struggle in the northern belt. For instance, in the National Capital Region, the film saw an overall occupancy of 11.8 percent across 100 shows. Other major cities like Ahmedabad and Surat also saw low engagement, with overall occupancies of 13 percent and 6.8 percent respectively. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, early estimates suggest that the film collected approximately ₹0.35 crore overseas on its 12th day, taking the total overseas gross to around ₹51.85 crore. When we combine the domestic and international numbers, Peddi has officially crossed the major milestone of ₹300 crore, with the early estimate for the worldwide gross total standing at ₹312.81 crore. The Telugu version of the film is performing exceptionally well and is very close to hitting the ₹200 crore net mark. As of Day 12, the Telugu net stands at ₹195.70 crore. Based on the current momentum, it is likely to cross this milestone by the end of today. If it achieves this on Day 13, it will secure a high ranking among the fastest Telugu films to reach the ₹200 crore net club. Fastest 200 Cr Net — Tollywood (Telugu Version)RANKMOVIE NAMEDAYS TAKENCOLLECTION (TELUGU)1RRR3₹216.23 Cr2Pushpa: The Rule - Part 25₹211.60 Cr3Baahubali 2 The Conclusion7₹203.00 Cr4Kalki 2898 AD7₹202.05 Cr5Salaar: Cease Fire - Part 111₹205.75 Cr6Peddi13 (Est)₹200.00 Cr+7Devara - Part 116₹200.25 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the national chains, the daily advance and current performance show steady footfalls. For the major chains including PVR, INOX, and Cinepolis, the film sold a total of 4,600 tickets on its 12th day. This resulted in a combined gross of ₹10.2 lakh with an overall occupancy of 3%. Individually, PVR sold 2,000 tickets with a gross of ₹4.6 lakh at 3.3% occupancy. INOX followed with 1,900 tickets and a gross of ₹4.0 lakh at 3.3% occupancy, while Cinepolis contributed 700 tickets and a gross of ₹1.6 lakh at 2.4% occupancy. Regionally, the occupancy for the Telugu 2D version remains healthy in key markets. In Hyderabad, the film recorded 22.8% occupancy across 425 shows. The Vizag-Visakhapatnam region showed even stronger numbers with an average occupancy of 44.3% across 125 shows, including evening shows peaking at 58%. On BookMyShow, the film saw 51.56K tickets booked on its second Monday, bringing the total tickets sold on the platform to over 36.39 lakh. (adsbygoogle = window.adsbygoogle || []).push({}) When we look at the historical records for the second Monday in the Tollywood market, Peddi has managed to secure a spot among the top performers. Here is how its Day 12 Telugu net collection compares to other major releases on their respective second Mondays: 1. RRR - 8.63 Cr 2. Ala Vaikunthapurramuloo - 8.20 Cr 3. Mana ShankaraVaraprasad Garu - 8.00 Cr 4. Baahubali 2 The Conclusion - 7.75 Cr 5. Salaar: Cease Fire - Part 1 - 7.50 Cr 6. Sarileru Neekevvaru - 5.20 Cr 7. Pushpa: The Rule - Part 2 - 4.95 Cr 8. Hanuman - 4.59 Cr 9. Devara - Part 1 - 3.48 Cr 10. Peddi - 3.40 Cr With a total India gross of ₹260.96 crore and steady regional occupancy, Peddi is maintaining its hold at the box office. The next few days will determine how far the film can push its lifetime total