Box Office

3 days ago

2.3K views

Raja Shivaji 4th Weekend Box Office: Riteish Deshmukh Starrer Collects Rs. 3.05 Cr; Worldwide Total Reaches Rs. 113 Cr

BY SACNILK

Raja Shivaji has officially etched its name in the history books of Marathi cinema. On its fourth Friday, the film has achieved a monumental milestone by surpassing the lifetime collections of Sairat, effectively becoming the number one Marathi movie of all time. This historical epic is not just holding its ground but is continuing to rake in significant moolah even after a month in theatres, driven by a powerful narrative and strong emotional connect with the audience. The fourth weekend performance highlights the film's incredible resilience. After starting the weekend on Friday (Day 22) with 0.60 crore, the movie witnessed a massive 91.7 percent surge on Saturday (Day 23) to collect 1.15 crore. The momentum continued on Sunday (Day 24) with a collection of 1.30 crore, representing a 13 percent growth from the previous day. This brings the total India net collections to a staggering 92.07 crore, while the India gross stands at 108.78 crore. Including the overseas kitty of 4.22 crore, the worldwide gross has reached the 113.00 crore mark. Raja Shivaji 4th Weekend India Net CollectionDAYCOLLECTION (NET)SHOWS4th Friday (Day 22)₹ 0.60 Cr9094th Saturday (Day 23)₹ 1.22 Cr9424th Sunday (Day 24)₹ 1.30 Cr950Weekend Total₹ 3.12 Cr2,801 (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales data further reflects this dominance. Over the fourth weekend alone, Raja Shivaji sold approximately 80,000 tickets on the BookMyShow platform, pushing its total sales on the app past the 2.5 million mark—a historic feat for a regional film. National chains have also been a major contributor to this success. On Friday, the three major chains (PVR, INOX, and Cinepolis) sold roughly 2,240 tickets. This number surged to 4,670 tickets on Saturday and peaked at 6,750 tickets on Sunday, showcasing a clear weekend uptick despite the film being in its fourth week. Regionally, the Marathi heartland continues to lead the charge. On Sunday, Mumbai recorded an overall occupancy of 46.5 percent across 125 shows, while Pune saw a brilliant 62 percent occupancy across 111 shows. The Marathi version alone contributed 1.10 crore on Day 24 with a 39 percent occupancy rate, while the Hindi version added 0.20 crore. To date, the Marathi version has collected 67.42 crore net, while the Hindi version has added a healthy 24.65 crore to the overall total across a cumulative 85,426 shows worldwide. Looking at the cumulative language-wise breakdown, the Marathi version has clearly been the primary driver of this success, contributing ₹67.42 crore in net collections (₹79.64 crore gross) from 38,130 shows with a solid average occupancy of 33.8 percent. On the other hand, the Hindi version has played a significant supporting role, adding ₹24.65 crore to the net total (₹29.14 crore gross) across a wider spread of 47,296 shows, maintaining an average occupancy of 13.4 percent throughout its run. While the film is slowly nearing the end of its theatrical run, its performance in urban pockets like Surat and Ahmedabad—where it saw 21 percent and 25 percent occupancy respectively—indicates that the appeal transcends beyond just Maharashtra. By becoming the highest-grossing Marathi film in history, Raja Shivaji has set a new benchmark for regional cinema, proving that high-quality storytelling combined with a grand scale can result in massive theatrical success. The trade is now watching to see if it can push past the 100 crore net mark before its digital premiere.

Box Office

10 days ago

7.7K views

Raja Shivaji Day 18 Box Office: Earns Rs. 1.15 Cr; Now Just 5 Cr Away From Surpassing Sairat's All-Time Worldwide Record

BY SACNILK

Raja Shivaji has maintained a steady presence at the box office as it enters its third week of release. While the initial momentum has naturally slowed down, the film is now approaching a significant historical milestone in Marathi cinema. On its 18th day, which was the third Monday, the movie collected a net of 1.15 crore across India. This represents a 66.7 percent drop from the previous day's collection of 3.45 crore, a trend that is expected for a weekday following a weekend. The language-wise breakdown for Day 18 shows that the Marathi version remains the primary driver of revenue, contributing 1.00 crore from 1,401 shows with an overall occupancy of 17 percent. The Hindi version added 0.15 crore from 764 shows, operating at an 8 percent occupancy level. These numbers bring the total India net collection to 85.70 crore, with the Marathi version accounting for 62.00 crore and the Hindi version contributing 23.70 crore so far. The total India gross has now reached 101.42 crore. Regional occupancy data for the Marathi version highlights strong interest in key cities like Pune and Mumbai. In Pune, the film saw an overall occupancy of 19.8 percent across 270 shows, with night screenings peaking at 23 percent. Mumbai followed with 337 shows and an overall occupancy of 15.3 percent. On the Hindi front, the film saw a 7.8 percent occupancy in both Ahmedabad and Surat, while the National Capital Region recorded 6 percent occupancy across 45 shows. This suggests that while the Marathi version holds strong in its home state, the Hindi version is finding its audience primarily in specific urban pockets. (adsbygoogle = window.adsbygoogle || []).push({}) The film's performance in national chains on Monday saw a total of approximately 3,540 tickets sold. Breaking this down, PVR contributed 1,310 tickets, INOX followed with 1,240, and Cinepolis added around 990 tickets. On the BookMyShow platform, the movie sold 38.92 thousand tickets on its third Monday, bringing the total ticket sales on the site to over 23.32 lakh. These figures indicate that the movie still has a functional level of demand despite the length of its theatrical run. Looking at the broader financial picture, the film added 0.10 crore from overseas markets on Day 18, taking the total overseas gross to 4.00 crore. This brings the total worldwide gross collection to 105.42 crore. In North America, however, the film has struggled to find significant footing, closing its recent gross at 202 thousand dollars, which is categorized as a flop in that specific territory. Domestically, the film had a strong start with a Week 1 collection of 52.65 crore, followed by 24.30 crore in its second week. The most important story for Raja Shivaji right now is its pursuit of the all-time Marathi box office record. The film is currently just 5 crore away from surpassing Sairat to become the number one Marathi movie of all time. If it continues at this pace, it is projected to reach a worldwide total of 110 crore by the end of its third week. Achieving this would cement its legacy as a historic success and a new benchmark for Marathi cinema on the global stage.

Box Office

13 days ago

2.7K views

Raja Shivaji Day 15 Box Office: Steady Third Friday Adds Rs. 1.45 Cr; Total Reaches over 78 Cr Net

BY SACNILK

Raja Shivaji is showing solid staying power as it moves into its third week of release. While many films face a sharp decline after the initial two-week period, this historical drama has managed to keep a steady pace, continuing to be a reliable earner for the Marathi film industry. The film’s ability to maintain a consistent audience suggests that the subject matter is resonating well, allowing it to navigate the arrival of new titles without losing its core momentum at the ticket windows. On its 15th day, which was its third Friday, the film brought in a net collection of 1.45 crore. While this is a 23.7 percent drop from the previous day's 1.90 crore, it is a very resilient performance considering the arrival of new competition. This takes the total India net collection to 78.40 crore, while the India gross has climbed to 92.81 crore. The film operated across 2,142 shows nationwide, showing that exhibitors still have immense faith in its ability to bring in the moolah. The language-wise breakdown clearly shows where the film's primary strength lies. The Marathi version remains the heavy lifter, contributing 1.25 crore on Friday with a healthy 20 percent occupancy across 1,327 shows. The Hindi version added another 0.20 crore to the kitty from 815 shows. Even in its third week, the film is finding enough oxygen in the Hindi markets to keep the numbers ticking, though the Marathi heartland continues to be the driving force. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the performance in national multiplex chains, the film recorded approximately 5,350 tickets sold on Friday. Across the big three—PVR, INOX, and Cinepolis—it generated a gross of roughly 13 lakh. INOX led the segment with around 2,400 tickets, followed by PVR with 2,000 tickets and Cinepolis adding another 900. These numbers indicate a steady flow of urban audiences who are still catching up with the epic on the big screen. Digital engagement remains explosive as well, with BookMyShow recording 50.78K tickets for the day, pushing the lifetime total on the platform to a massive 21,30,390 tickets. Regional occupancy remains strongest in Maharashtra's core centers. In Mumbai, the Marathi version saw an overall occupancy of 18.5 percent across 333 shows, with night shows peaking at 25 percent. Pune performed even better, recording a 22.5 percent occupancy across 254 shows, with night screenings hitting the 30 percent mark. In the Hindi circuits, the film saw 9.8 percent occupancy in Ahmedabad and around 7.3 percent in both Surat and the National Capital Region (NCR). With its current total of 78.40 crore net, Raja Shivaji has already cemented its place in history by surpassing the lifetime collections of blockbusters like Ved and Baipan Bhari Deva. It now sits firmly in the second position of all-time Marathi grossers. The only target left to conquer is the legendary Sairat, which holds the top spot with a lifetime collection of 110 crore. With a steady trend and a lack of major competition in the regional market, the focus remains on whether this epic can bridge the gap and eventually claim the top spot as the highest-grossing Marathi film of all time.

Box Office

16 days ago

2.7K views

Raja Shivaji Day 12 Box Office: 2nd Tuesday Net Hits Rs. 2.50 Cr, Becomes Highest Grossing Marathi Film of 2026

BY SACNILK

Raja Shivaji has reached a significant turning point in its theatrical journey, officially claiming the top spot as the highest-grossing film of 2026. On its 12th day, the biographical epic showed an impressive level of resilience, netting 2.50 crore across the country. What makes this figure noteworthy is the 4.2 percent growth seen on Tuesday compared to Monday’s 2.40 crore. It is quite unusual for a film to see an upward trend on a second Tuesday, suggesting that word-of-mouth is acting as a strong theatrical anchor for the project. The regional bedrock of this success remains the Marathi market, which continues to outperform the Hindi version by a wide margin. On Tuesday, the Marathi version alone contributed 1.85 crore with a very healthy 30 percent occupancy rate across 1,920 shows. Meanwhile, the Hindi version added 0.65 crore from 1,938 shows at a 14 percent occupancy. When looking at the cumulative totals, the Marathi market has generated 51.75 crore net so far, while the Hindi version has brought in 21.40 crore, highlighting how deeply the film has resonated with its primary audience. Looking at the national multiplex chains, the film is maintaining a very competitive footprint. On day 12, it recorded the second-highest ticket sales across major chains, trailing only behind the new release Krishnavataram. To give you an idea of the volume, PVR accounted for approximately 9.8 thousand tickets, while INOX saw about 10 thousand bookings. Cinepolis contributed another 5.7 thousand, bringing the combined total from these three giants over 25 thousand tickets for the day. This steady participation from premium urban venues has been a key factor in the film's financial stability. (adsbygoogle = window.adsbygoogle || []).push({}) The digital engagement on platforms like BookMyShow also paints a picture of long-term theatrical stamina. The total number of tickets booked via the platform is now approaching the 2 million mark. Following a strong first week that saw 1.22 million tickets sold, the second week has remained surprisingly consistent. After a busy weekend, Monday and Tuesday have stabilized with roughly 75 thousand tickets each, ensuring that the daily run-rate remains high enough to keep the project at the top of the charts. From a broader perspective, the financial health of the film is record-breaking for the current year. The total India net collection has reached 73.15 crore, which translates to a domestic gross of 86.65 crore. By crossing these figures, Raja Shivaji has now surpassed every other release in 2026 to become the number one movie of the year in terms of collection. This achievement is a testament to the film's ability to balance regional appeal with a broader national presence. Ultimately, the logic behind these numbers suggests that the film has successfully navigated the difficult second-week hurdle. Over its 12-day run, the project has spanned a total of 60,155 shows, resulting in a domestic net collection of 73.15 crore. As there has been no contribution from overseas markets yet, the worldwide gross matches the India gross at 86.65 crore. With 3,858 shows still active nationwide, the film is effectively maximizing its reach during the weekdays. As these cumulative totals continue to climb, the focus now shifts to where the final lifetime benchmark will land, especially as the film remains the primary choice for audiences across its key markets.

Box Office

25 days ago

6K views

Raja Shivaji Dominates May 1 Releases with Rs. 33 Crore Net; Comparing how Patriot, Prada 2, and Ek Din Fared in a Diverse Weekend

BY SACNILK

The opening weekend numbers for movies released on May 1 show Raja Shivaji leading the domestic market with a 33.90 crore net collection. While the Marathi biopic found strong footing in India, Patriot focused its success overseas, grossing 38.50 crore internationally despite a downward trend in domestic shows. Along with The Devil Wears Prada 2, which held steady in premium multiplexes, the weekend data highlights a concentrated audience interest in big-ticket regional and international content over smaller releases like Ek Din and Jetlee. May 1 New Releases: Opening Weekend (3-Day) Box Office SnapshotMOVIE NAMEINDIA NET COLLECTIONWORLDWIDE GROSSTOTAL SHOWSRaja Shivaji₹ 33.90 Cr₹ 40.34 Cr18,238Patriot₹ 21.65 Cr₹ 63.61 Cr7,239The Devil Wears Prada 2₹ 13.35 Cr₹ 2,215.00 Cr5,592Ek Din₹ 3.85 Cr₹ 3.65 Cr5,216Jetlee₹ 2.45 Cr₹ 3.69 Cr2,661 Raja Shivaji has undeniably stolen the show domestically, recording the highest opening weekend among the new releases. With an India net of 33.90 crore, it benefited from massive show counts and strong regional loyalty. Looking at the BookMyShow data, the film sold nearly 1 million tickets in its opening weekend, with a total of 998,290 bookings. The national multiplex chains (PVR, INOX, and Cinepolis) played a significant role, contributing 222,406 tickets across the three days. Interestingly, Sunday saw a strong recovery in these chains with 82,028 tickets sold, surpassing the opening Friday numbers of 81,866, indicating healthy word-of-mouth in urban centers. (adsbygoogle = window.adsbygoogle || []).push({}) In contrast, the Malayalam release Patriot tells a story of two different markets. In India, the film started with a promising 10 crore on Friday but struggled to sustain that momentum, dropping to 5.50 crore by Sunday. This 10.6 percent dip from Saturday suggests that the initial buzz was driven by fan excitement rather than general audience growth. However, its overseas performance is where the film truly shines. It grossed 38.50 crore internationally in just three days, which is significantly higher than its total India gross of 25.11 crore. In North America specifically, it delivered a total weekend gross of 334 thousand dollars, making it the third-biggest opening for a Malayalam film in that region. The Hollywood entrant, The Devil Wears Prada 2, maintained a very steady profile throughout the weekend. After an opening day net of 3.80 crore (including pre-sales bringing the first day total to 5.50 crore), it saw a 5.3 percent growth on Saturday with 4.00 crore. While Sunday saw a minor 3.7 percent dip to 3.85 crore, the film's national chain presence remained robust. It sold over 150,000 tickets across PVR, INOX, and Cinepolis over the three days, proving that urban multiplex audiences were consistently interested. On BookMyShow alone, it trended with over 36,180 tickets booked in a single 24-hour period on Sunday. Ek Din followed a volatile path during its opening weekend, struggling to find a consistent audience despite a late-weekend surge. The film opened on Friday with a net collection of 1.15 crore across 1,961 shows, supported by 9,559 ticket sales in national chains like PVR, INOX, and Cinepolis. Saturday saw a 13 percent drop as collections dipped to 1.00 crore, while ticket sales in these premium chains fell significantly to 6,339. However, the film managed a notable recovery on Sunday, netting 1.70 crore across 1,490 shows with a recorded occupancy of 14.4 percent. While the Sunday performance provided a much-needed bounce-back, the national chain ticket sales only rose slightly to 7,240, indicating that the bulk of the Sunday growth came from single screens or non-national multiplexes. With a total India net collection of 3.85 crore and a modest overseas gross of 0.25 crore, the film's worldwide gross stands at 3.65 crore, suggesting it may struggle to maintain its screen count in the coming week. (adsbygoogle = window.adsbygoogle || []).push({}) Jetlee faced a challenging opening weekend, beginning its run with a net collection of 1.10 crore on Friday. Despite operating across 893 shows, the film struggled to build momentum in the premium national chains, selling only 4,151 tickets on the first day. This downward trend intensified on Saturday, where collections dropped by 27.3 percent to reach 0.80 crore. By Sunday, the film saw another significant decline of 31.3 percent, netting just 0.55 crore. Interestingly, while digital platforms recorded a surge of over 58,000 tickets for Sunday, the actual theatrical turnout in national chains was at its lowest, with only 1,599 tickets sold across PVR, INOX, and Cinepolis. This disconnect between digital bookings and ground-level footfalls resulted in a domestic weekend total of 2.45 crore net. When combined with an overseas gross of 0.85 crore, Jetlee ends its first three days with a worldwide gross collection of 3.69 crore, a figure that places it at the bottom of the weekend major releases. National Chain Ticket Sales : Raja Shivaji: 222,406 Total Tickets | Friday: 81,866 | Saturday: 58,512 | Sunday: 82,028 The Devil Wears Prada 2: 154,878 Total Tickets | Friday: 49,328 | Saturday: 53,127 | Sunday: 52,423 Patriot: 126,107 Total Tickets | Friday: 54,814 | Saturday: 38,980 | Sunday: 32,313 Ek Din: 23,138 Total Tickets | Friday: 9,559 | Saturday: 6,339 | Sunday: 7,240 Jetlee: 7,907 Total Tickets | Friday: 4,151 | Saturday: 2,157 | Sunday: 1,599 Raja Shivaji has undeniably stolen the show domestically... Overall, Raja Shivaji is setting new benchmarks for Marathi cinema, while Patriot highlights the growing power of the Malayalam diaspora in global box office tallies. The Devil Wears Prada 2 remains a reliable option for urban viewers, but for Ek Din and Jetlee, the road ahead looks difficult as show counts are likely to be redistributed to the better-performing regional titles in the coming week.

Box Office

28 days ago

11.5K views

Raja Shivaji vs. Chhaava Advance Booking:Analyzing the Clash Between Regional Authenticity and Bollywood's Record-Breaking Scale

BY SACNILK

The historical genre in Indian cinema has recently seen two major projects based on the Maratha legacy take very different paths at the box office. While Chhaava was released as a purely Hindi production, the upcoming Raja Shivaji is taking a dual-language approach by releasing in both Marathi and Hindi. Although it is clear from the data that Raja Shivaji is playing on a different commercial level, comparing the two provides a fascinating look at how a multi-lingual regional film stands against a massive Bollywood production. To understand the scale of this competition, we have to look at the benchmark set by Chhaava for its opening day. Even as a Hindi-only release, the film managed to generate immense momentum, particularly within Maharashtra. Its final advance booking for day one stood at approximately 4.88 lakh tickets sold across India, translating to a gross of nearly 17.89 crore including block seats. This volume was driven by a heavy presence in national chains, where it sold over 2.14 lakh tickets, setting a high bar for any historical drama aiming for a massive start. On the other hand, Raja Shivaji is leaning into a strategy that combines regional loyalty with a wide national footprint. Backed by Jio Studios, the film is aiming for a massive showing of around 5,700 shows nationwide across its two versions. However, the internal breakdown of these shows tells a very interesting story about where the demand actually lies. Despite having a massive push in Hindi with nearly 3,900 shows, that version has sold only about 34,000 tickets so far. In sharp contrast, the Marathi version is completely dominating the pre-sales, selling over 1.67 lakh tickets from just 1,786 shows. This clear preference for the native language version is what has pushed the total opening day advance to approximately 2.02 lakh tickets, resulting in a gross of 6.54 crore with block seats. (adsbygoogle = window.adsbygoogle || []).push({}) Day 1 Advance Booking: Chhaava vs. Raja ShivajiMETRICCHHAAVA (HINDI ONLY)RAJA SHIVAJI (MAR + HIN)Total Tickets Sold4.88 Lakh2.02 LakhTotal Advance Gross (With Block)₹ 17.89 Cr₹ 6.54 CrBMS Final Pre-Sales776.6K Tickets217.3K TicketsNational Chain Sales2.14 Lakh81,866 Tickets The regional data is where the story gets even more detailed. Even though Chhaava was purely in Hindi, its subject matter ensured that it dominated Maharashtra. It recorded a massive opening with nearly 4.50 crore in advance sales from the state alone, with Pune and Mumbai showing occupancy peaks of 62.5 percent and nearly 80 percent. Coming to Raja Shivaji, the response is heavily concentrated in its native language. The Marathi 2D version has sold over 1.67 lakh tickets, with Mumbai and Pune showing real occupancy levels of 44 percent and 55 percent respectively. However, the Hindi version is seeing a slower start, with territories like NCR currently at a 2 percent occupancy across 433 shows. Regional Comparison: Raja Shivaji vs Chhaava (Day 1)REGION & METRICRAJA SHIVAJI (MAR/HIN)CHHAAVA (HINDI)Mumbai Shows6151,230Mumbai Occupancy44%36%Mumbai Gross (With Block)₹ 2.08 Cr₹ 4.06 CrPune Shows350654Pune Occupancy55%48%Pune Gross (With Block)₹ 1.38 Cr₹ 2.81 CrNCR Shows4331,249NCR Occupancy2%8%NCR Gross (With Block)₹ 19.98 Lac₹ 1.11 Cr Ultimately, Raja Shivaji is operating on a different scale compared to the massive Hindi-only production of Chhaava. While Chhaava set a high benchmark with its 33.50 crore opening day net, Raja Shivaji is testing how far a film can go when it prioritizes its regional roots while still competing for a national footprint. Even if it does not reach the same opening day totals as a major Bollywood actioner, the current pre-sales and the sheer scale of its release are already setting a historic new benchmark for the Marathi film industry.

Bollywood

31 days ago

1.5K views

From Patriot and Raja Shivaji to Kara and Ek Din: 7 Major Theatrical Releases This Week

BY SACNILK

The final week of April and the beginning of May 2026 are shaping up to be one of the most significant periods for the Indian box office this year. With the Maharashtra Day and May Day holidays providing a lucrative window, several high-profile films across Kannada, Tamil, Malayalam, Marathi, and Hindi are slated for release. The lineup features a mix of massive superstar reunions, highly anticipated debuts, and historical magnums opuses that have already begun showing decent momentum in pre-sales and audience interest. Leading the charge in terms of sheer scale and nostalgia is the Malayalam spy thriller Patriot, which brings together legends Mammootty and Mohanlal. Simultaneously, the Tamil and Kannada markets are bracing for intense action dramas like Kara and KD: The Devil. In the North and Maharashtra circuits, the focus remains on the historical scale of Raja Shivaji and the debut of Junaid Khan in Ek Din. This multi-lingual explosion ensures that every major film circuit will have a high-stakes release to drive footfalls over the long weekend. Below is the detailed breakdown of the major releases scheduled for this week: Movie Name: KD: The Devil Release Date: April 30, 2026 Language: Kannada, Hindi, Telugu, Tamil, Malayalam Director: Prem Set in 1970s Bangalore and based on real-life underworld events, this period actioner marks a grand return for Dhruva Sarja. The production scale is heavily bolstered by the presence of Sanjay Dutt as the antagonist Dhak Deva and Shilpa Shetty's return to Kannada cinema. The film has already recorded 13.12K tickets sold on BookMyShow within a 24-hour window, benefiting from its wide multi-lingual release and a star-studded ensemble that includes Nora Fatehi making her Kannada debut. Movie Name: Kara Release Date: April 30, 2026 Language: Tamil, Telugu Director: Vignesh Raja This gritty thriller is set in 1991 Ramanathapuram, unfolding over 16 days against the backdrop of the Gulf War fuel crisis. Dhanush plays Karasamy, a man returning to protect his ancestral land, supported by Mamitha Baiju and Suraj Venjaramoodu. With a meaty runtime of 2 hours 41 minutes and a UA 16+ certificate, the film has seen 5.41K tickets sold on BookMyShow in 24 hours, with Netflix already bagging the digital rights for a significant price. (adsbygoogle = window.adsbygoogle || []).push({}) Movie Name: Raja Shivaji Release Date: May 1, 2026 Language: Marathi, Hindi Director: Riteish Deshmukh Mounted as the most expensive Marathi film to date with a budget of ₹100–200 crore, this is a decade-long dream project for Riteish Deshmukh. Featuring the technical pedigree of cinematographer Santosh Sivan and the music duo Ajay-Atul, the film is witnessing high ground-level excitement. Early trends show 22.41K tickets sold in a 24-hour period, with an additional 5,000 new users marking their interest daily on BookMyShow as it heads into a major Maharashtra Day release. Movie Name: Ek Din Release Date: May 1, 2026 Language: Hindi, Tamil, Telugu Director: Sunil Pandey This Aamir Khan production marks the official Bollywood debut of Junaid Khan and South star Sai Pallavi. An official remake of the Thai film One Day, the narrative follows a socially awkward man who gets to live his dream with his colleague for just one day in Sapporo, Japan. The film is generating steady interest through its emotional soundtrack by Ram Sampath and strong early praise from Aamir Khan regarding the lead pair's performances. (adsbygoogle = window.adsbygoogle || []).push({}) Movie Name: Patriot Release Date: May 1, 2026 Language: Malayalam Director: Mahesh Narayanan This high-stakes spy thriller is breaking pre-sale records by reuniting industry titans Mammootty and Mohanlal after 13 years. Shot on a massive ₹140 crore budget across international locations, the film recorded an unprecedented 10.62K tickets booked in just one hour. Despite overseas pre-sales crossing $200,000, Mammootty has explicitly stated that the project is designed to set a new standard for Malayali cinema rather than simply chasing pan-India trends. Movie Name:Nooru Saamy Release Date: May 1, 2026 Language: Tamil Director: Sasi Reuniting actor-producer Vijay Antony with director Sasi nearly a decade after their hit Pichaikkaran, this film is described as a family biopic based on true events. The story explores a mother's unfulfilled desires and the bond with her son, aiming to capture the emotional audience segment. While the title draws inspiration from their previous collaboration, the director has clarified that this is a standalone story focused on grounded realism. Movie Name: Varavu Release Date: May 1, 2026 Language: Malayalam Director: Shaji Kailas This action-survival thriller marks the first collaboration between veteran director Shaji Kailas and Joju George. Set in the rugged hilly regions of Kerala, Joju plays a man on a quest for revenge against a power-ruled town. The film has gathered strong momentum online, with over 39,000 users marking themselves as interested on BookMyShow, signaling strong potential for a mass opening in the Kerala circuit.

Bollywood

84 days ago

4.6K views

Dhurandhar: The Revenge: Teasers of Raja Shivaji and Cocktail 2 to be Attached with Ranveer Singh's Actioner

BY SACNILK

Jio Studios is reportedly planning a major promotional push for its upcoming slate by attaching highly anticipated teasers to the theatrical prints of Dhurandhar: The Revenge. According to an exclusive report by Pinkvilla, the teasers for Raja Shivaji and Cocktail 2 will be showcased in cinemas alongside the Ranveer Singh-starrer, which is scheduled for a grand release on March 19, 2026. This follows earlier reports that the trailer for Akshay Kumar's Bhooth Bangla is also set to be attached to the film. The decision to feature these teasers alongside Dhurandhar: The Revenge is viewed as a strategic move to leverage the significant audience turnout expected for the Aditya Dhar directorial. As one of the most anticipated films of the year, the spy action-thriller provides a massive platform for Jio Studios to introduce its future projects to a global audience. (adsbygoogle = window.adsbygoogle || []).push({})   Raja Shivaji, a historical epic based on the life of Chhatrapati Shivaji Maharaj, is positioned as a landmark project for Marathi cinema. Directed by and starring Riteish Deshmukh in the titular role, the film is a Pan-India production slated for release on May 1, 2026. The ensemble cast includes Abhishek Bachchan, Sanjay Dutt, Vidya Balan, and Fardeen Khan, with reports also suggesting a guest appearance by Salman Khan. The film will be released in Marathi and Hindi, with dubbed versions in Tamil, Telugu, Kannada, and Malayalam. Simultaneously, the teaser for Cocktail 2 is expected to be unveiled. Directed by Homi Adajania, the romantic drama features Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna in lead roles. While the official release date for Cocktail 2 has not yet been confirmed, industry insiders expect the announcement to coincide with the teaser drop during the Eid 2026 period. With the domestic advance bookings for Dhurandhar: The Revenge set to open on March 7, the marketing campaign is expected to intensify, further driving interest in these upcoming theatrical releases.

Bollywood

182 days ago

3.4K views

120 Bahadur vs Mastiii 4 Box Office: A Dud First Week Total For Both Films

BY SACNILK

Mumbai, November 28 - The first-week box office collection for Mastiii 4 and 120 Bahadur have turned out to be highly disappointing, with both films failing to attract audiences despite arriving on relatively clear release frames. Both films were almost non-starters and ended up with poor first-week totals. Director Milap Zaveri, who recently scored an unexpected box office hit with Deewaniyat, witnessed a major turnaround with the adult comedy, Mastiii 4, which recorded a washout first-week performance, collecting just around 13.75 crores net (approximately 16.50 crores gross) in India. The film's overseas performance was equally underwhelming, adding only an estimated 1.50 crores to its 18 crores worldwide tally. (adsbygoogle = window.adsbygoogle || []).push({}) The opening week box office performance of Masti 4 is far from the expected one for a brand-backed comedy franchise. Poor word-of-mouth and minimal traction during weekdays ensured that the film never gained momentum after its modest opening. Tere Ishk Mein Day 1 Box Office Trend: Dhanush Joins Rajinikanth In The Elite Double-Digit Opening List On the other hand, 120 Bahadur managed to score slightly better numbers but still ended its first week on a forgettable note. The Farhan Akhtar-led war drama earned approximately 15 crores net (18 crores gross) domestically, with its worldwide collection touching roughly 20 crores. (adsbygoogle = window.adsbygoogle || []).push({}) 120 Bahadur opened below Mastiii 4 but couldn't take the momentum into the weekdays after the decent opening weekend. With competition increasing from fresh releases and major titles on the horizon, the chances of any late turnaround for either film remain slim. Projections now suggest that the combined domestic total of both films is headed for under 35 crores net, marking one of the weakest twin releases with familiar faces in recent times. Both films will depend heavily on digital and satellite rights to recover their investments as their box office journey nears its end. Stay tuned...

Bollywood

185 days ago

2.9K views

120 Bahadur vs Mastiii 4 Box Office Comparison: A Forgettable Weekend For Bollywood

BY SACNILK

Mumbai, November 24 - Bollywood witnessed one of the most disastrous weekends as both 120 Bahadur and Mastiii 4 delivered modest numbers at the box office, despite arriving with brand value and familiar faces. While Farhan Akhtar's war drama 120 Bahadur managed to put better numbers than the other one, neither film could create the kind of impact the industry was hoping for. 120 Bahadur, based on the Battle of Rezang La, opened on a lukewarm note but showed some signs of improvement over the weekend. After a low start, the film witnessed growth on Saturday and maintained the same pace on Sunday, taking its 3-day India net total to approximately 10 crore. While the jump indicates favourable word of mouth in certain pockets, the overall weekend remained below expectations considering the film's scale and subject. Check Out Box Office Comparison of Both Films (Net Collection) Day 120 Bahadur Mastiii 4 Day 1 ₹ 2.25 Cr ₹ 2.75 Cr Day 2 ₹ 3.85 Cr ₹ 2.75 Cr Day 3 ₹ 4.00 Cr ₹ 3.00 Cr Total ₹ 10.10 Cr ₹ 8.50 Cr Estimated Collection* On the other hand, Masti 4, the fourth instalment in the once-popular adult-comedy franchise, failed to capitalise on the brand name. The film remained flat through the weekend, collecting around 8.50 crore across its first three days. With negligible growth from Friday to Sunday, the franchise's fatigue has become evident, and the film has turned out to be one of the weakest performers in the series. In comparison, 120 Bahadur holds the edge in both growth and total weekend collection. However, with neither film delivering a substantial opening, the weekend as a whole has turned out to be forgettable for Bollywood. Low occupancies, cautious audience response, and lack of strong buzz contributed to the subdued performance. Stay tuned...

Bollywood

233 days ago

4.3K views

Akshay Kumar-led Housefull 5 Star Cast Discussed The Possible Plot of Housefull 6

BY SACNILK

Mumbai, October 8 - Bollywood superstar Akshay Kumar-led Housefull 5 was released in theatres on June 6, 2025, and did decent business at the box office. Also starring Riteish Deshmukh, Abhishek Bachchan, Jacqueline Fernandez, Sonam Bajwa, and Nargis Fakri, among others, the film is all set for a World TV premiere on October 11 on the Star Gold India channel. As the movie is gearing up for the television premiere, the Housefull 5 star cast, while promoting the film's TV release, sat for a discussion about what could be the plot for Housefull 6, possibly hinting at the sixth instalment of the blockbuster comedy franchise. In the playful promo, shared by Nadiadwala Grandson Entertainment on X, Riteish Deshmukh revealed his wild idea for Housefull 6. The actor said he would love to see the comedy franchise turn into a horror-comedy, with a twist — all the girls in the film appearing without make-up! His tongue-in-cheek remark had everyone bursting into laughter. When Akshay Kumar was asked about his take on the theme, he couldn't resist one of his signature witty comebacks. The superstar joked that in his version, all the cast members die and go up, but the title still makes sense because, well — "it remains Housefull!". Abhishek Bachchan too joined the party and shared that he wishes to see Housefull 6 as a superhero film. The lighthearted exchange perfectly captures the fun, over-the-top energy that's made the Housefull series a fan favourite. While there’s no official confirmation yet on Housefull 6, it might happen sooner than expected. Housefull 6 could be a Horror Comedy or a Superhero film? Hear what the cast has to say about the upcoming lineup of the superhit Housefull franchise.Dekhiye Killer comedy Housefull 5 ke World TV Premiere mein, 11th October, Saturday raat 8 baje, sirf @StarGoldIndia par. ⭐… pic.twitter.com/KBNMRtfTmc— Nadiadwala Grandson (@NGEMovies) October 8, 2025 Stay tuned...

Bollywood

265 days ago

4.4K views

Dhamaal 4 Wraps Filming: Ajay Devgn and Team Re-confirm A Blockbuster Box Office Clash As Complete Cast Reveal

BY SACNILK

Mumbai, September 6 – The wait for one of Bollywood's most beloved comedy franchises just got more exciting as the shoot of Dhamaal 4, directed by Indra Kumar, has officially wrapped up, and the makers have reconfirmed its release date for Eid 2026. Fronted by Ajay Devgn, the fourth instalment brings back the iconic trio of Riteish Deshmukh, Arshad Warsi, and Jaaved Jaaferi, who have been synonymous with the franchise's success. The upcoming film also marks the return of Sanjay Mishra and Esha Gupta from the last film, while also featuring Upendra Limaye, Anjali Anand, Sanjeeda Shaikh, and Ravi Kishan. Produced by T-Series, Maruti International, Ajay Devgn Films, and Panorama Studios, one of the most star-studded comedies in recent years promises to be a laughter-filled extravaganza that continues the legacy of Indra Kumar's comedy blockbusters. Aaj ki taaza khabar, brought to you by the gang, jo ab jald hi lootne aa rahe hain aapka dil…aur dimaag! 😉#Dhamaal4 arrives in cinemas on Eid 2026💥 @Riteishd @ArshadWarsi @jaavedjaaferi @imsanjaimishra #UpendraLimaye #AnjaliAnand @iamsanjeeda @ravikishann #EshaGupta… pic.twitter.com/VvBXSF7nY5— Ajay Devgn (@ajaydevgn) September 6, 2025 With its shooting wrapped and a powerhouse cast on board, fans can expect a perfect festive entertainer as the film gears up to hit theatres during Eid 2026. The Dhamaal franchise has been a fan-favourite since its inception, and with Ajay Devgn leading the madness this time, expectations are sky-high for another box office riot. Perfect But Highly Risky Release Date While Eid is a lucrative festive weekend for the box office, it is going to be a highly risky affair for the 2026 release. With Dhamaal 4 sticking to the original plan, the movie will have to face a mighty clash with Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal's Love & War, along with Yash's Toxic, which are slated for a March 19 debut. It needs to be seen if all three films, arrive on Eid 2026, which is unlikely.