BY CHRISTA LINCY

The era of the dinosaurs is returning to the small screen with a level of visual fidelity never seen before. Netflix has unveiled the first trailer for its landmark natural history event, THE DINOSAURS, a four-part docuseries that aims to be the definitive chronicle of nature's greatest empire. Scheduled for a global premiere on March 6, 2026, the project brings together a dream team of Hollywood titans and world-class scientists to recreate the 150-million-year reign of the prehistoric world. The creative pedigree behind the project is unparalleled in the documentary world. The series is executive produced by filmmaking legend Steven Spielberg and his banner Amblin Documentaries, marking a spiritual return to the prehistoric themes he popularized with Jurassic Park.To bring these long-extinct creatures back to life with photorealistic accuracy, Netflix has reunited the award-winning team behind Life on Our Planet, including showrunners Dan Tapster, Keith Scholey, and Alastair Fothergill.The visual effects and animation are being handled by Industrial Light & Magic (ILM), the same studio responsible for the groundbreaking VFX in Star Wars and Avatar. View the trailer here: First trailer for ‘THE DINOSAURS’, a new documentary series narrated by Morgan Freeman with visual effects by ILM.Releasing March 6 on Netflix. pic.twitter.com/MYn4nrqvTA— DiscussingFilm (@DiscussingFilm) February 5, 2026 (adsbygoogle = window.adsbygoogle || []).push({})   Spanning four hour-long episodes, THE DINOSAURS is not just another nature show; it is an epic journey into a lost world.The series begins on the supercontinent of Pangea, tracing the lineage of dinosaurs from tiny, agile proto-dinosaurs like the Marasuchus to earth-shaking giants like the Mamenchisaurus.According to the production notes, the series utilizes the latest expert paleontological research to inform its creature animation, covering how these animals evolved, why they mattered, and how they eventually met their ultimate fate. The technical ambition of the series is further elevated by its cinematic presentation. Directed by Nick Shoolingin-Jordan with a score by renowned composer Lorne Balfe (Mission: Impossible, Top Gun: Maverick), the production combines state-of-the-art CG environments with digital creature animation to visualize ecosystems that no longer exist. From apex predators like the T-Rex and Allosaurus to leviathans of the deep like Pliosaurus, the series promises a level of immersion that blurs the line between a traditional documentary and a big-budget blockbuster. As the prehistoric trend continues to dominate streaming—following the success of Apple TV+'s Prehistoric Planet—Netflix is clearly aiming for the crown. By merging Spielberg's cinematic vision with Freeman's gravitas and ILM's technical wizardry, THE DINOSAURS is set to be the definitive story of life on Earth before the age of man. All four episodes will be available for streaming globally on March 6.

BY SUNIT JANGIR

Hyderabad, February 7 - Director SS Rajamouli is currently working on his next, titled Varanasi, starring Mahesh Babu, Priyanka Chopra, and Prithviraj Sukumaran. Touted as a global adventure rooted in Indian culture, Varanasi has been announced for a worldwide release on April 7, 2027, in multiple formats and languages. As the maverick filmmaker is busy making the next Indian phenomenon, his last film, RRR, could also return to the big screens in a new form. Released in 2022, the period action drama opened new markets for Rajamouli and team by becoming one of the biggest Indian grossers ever. Now, the Baahubali director is working to bring the film as an animation. (adsbygoogle = window.adsbygoogle || []).push({}) During a recent Varanasi promotional interview with Polygon, SS Rajamouli revealed, "We have been in talks with a few studios in Japan to make RRR in anime. So I'm waiting for things to get through. Hopefully it happens, and hopefully we can announce a cool continuation of RRR anime". Rajamouli has become a fan of anime lately, after expressing admiration for animated films like Demon Slayer and Attack on Titan. While work to bring RRR as an anime is ongoing, the director's Baahubali is already in development as an animation for a 2027 release. (adsbygoogle = window.adsbygoogle || []).push({}) Recently, the filmmaker's Baahubali (both parts) re-released as a single part epic, and with this, an animated film, titled Baahubali: The Eternal War, was announced with the epic first look teaser. Directed by Ishan Shukla, the animated film will be released in two parts, with the first part confirmed to hit the big screens in 2027. In the animated movie, the murdered Prince Baahubali enters the afterlife and joins an eternal war between gods and demons across 14 realms. Released in March 2022, RRR stars Jr. NTR and Ram Charan, along with Alia Bhatt, Ajay Devgn, Ray Stevenson, Alison Doody, Olivia Morris, Shriya Saran, and Samuthirakani in key roles. The film was a massive hit at the box office, grossing over 1200 crores worldwide. Stay tuned...

BY SACNILK TEAM

Mumbai, February 6 - Shahid Kapoor and Rashmika Mandanna are preparing to reunite even before the release of their first collaboration Cocktail 2. The Homi Adajania-directed sequel, also featuring Kriti Sanon, is scheduled to release in theatres worldwide later this year. According to Variety India's report, Shahid and Rashmika will team up for Badhaai Ho director Amit Ravindernath Sharma's next film, which is said to be a romantic comedy. The duo has reportedly struck a great professional rapport during the filming of Cocktail 2, and when they were approached again, it was immidiate yes from them. (adsbygoogle = window.adsbygoogle || []).push({}) This untitled film promises a refreshing blend of romance and comedy, with their on-screen dynamic expected to be more personal, emotional and layered compared to the breezy, modern relationships explored in Cocktail 2. It will be produced by Sunir Kheterpal under the Vermilion World banner in association with Jio Studios. (adsbygoogle = window.adsbygoogle || []).push({}) The shoot of the film is expected to commence in August this year after Shahid and Rashmika wrap their ongoing commitments. The Kabir Singh actor is currently busy promoting Vishal Bhardwaj's O Romeo, which is scheduled to release on February 13. He will then start the second season of Farzi, directed by Raj & DK. Rashmika, on the other hand, has multiple films in the development. Other than Cocktail 2, the actress will feature opposite Vijay Deverakonda in the historical epic, Ranabaali. She also has Mysaa and Allu Arjun-Atlees ambitious actioner, AA22xA6, in the pipeline. Meanwhile, the Pushpa actress is set to marry Vijay Deverakonda later this month, in Udaipur, Rajasthan. Stay tuned...

BY SUNIT JANGIR

Mumbai, February 7 - Yash Raj Films' third instalment of Mthe ardaani franchise, fronted by Rani Mukerji, Mardaani 3 recently hit the big screens amid decent buzz. The film focuses on the missing girl issue in the country, and it has invited sharp reactions across social media platforms. Since the last few days, several videos, allegedly citing Delhi Police data, claiming that over 800 people, including children and women, have gone missing in the National Capital between January 1 and 15, 2026, have been circulated on social media, causing panic and fear among the public. The claims are being circulated amid Mardaani 3 is playing in theatres. (adsbygoogle = window.adsbygoogle || []).push({}) After the claims of people going missing went viral, Delhi Police stepped in and clarified that the hype around the surge in missing girls in Delhi is being pushed through paid promotion. After this, many people on X criticised Yash Raj Films for creating panic among the people to generate attention for its movie, Mardaani 3. YRF, however, denied the allegations of circulating fake data. Following Delhi Police's tweet, a YRF spokesperson told ANI, "Yash Raj Films is a 50-year-old company founded on the core principles of being highly ethical and transparent. We strongly deny the accusations floating on social media that Mardaani 3’s promotional campaign has deliberately sensationalised a sensitive issue like this. We have immense trust in our authorities that they will share all facts and truths in due course of time". (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Abhiraj Minawala, Mardaani 3 follows police officer Shivani Shivaji Roy (played by Rani Mukerji) as she investigates the case of 93 young girls who have gone missing under mysterious circumstances in just three months. The movie received mixed reception among the moviegoers, but it is doing decent business at the box office after scoring around 40 crores gross worldwide in the first week. Stay tuned...

BY CHRISTA LINCY

In a monumental shift for the global media landscape, YouTube has officially surpassed Netflix to become the highest-earning streaming platform in the world. According to the final consolidated financial reports for the 2025 fiscal year, Alphabet's YouTube ecosystem generated a staggering revenue of approximately 60 billion. This figure significantly eclipses Netflix's full−year revenue, which stood at a record−high 45.18 billion. This milestone marks the first time in the history of the Streaming Wars that a platform driven by user-generated content has financially outperformed the world's leading subscription-based movie and series powerhouse. The surge in YouTube's revenue is attributed to a massive diversification of its income streams. While traditional advertising remains a cornerstone, contributing significantly to the $60 billion total, the real growth engine has been YouTube Consumer Subscriptions. Alphabet CEO Sundar Pichai confirmed that the combination of YouTube Premium, YouTube Music, and the cable-replacement service, YouTube TV, now generates an annual run rate exceeding $15 billion. By successfully converting a fraction of its 2.7 billion monthly active users into paid subscribers, YouTube has built a financial fortress that traditional streamers, who rely almost entirely on subscription fees, are finding difficult to match. Despite losing the top revenue spot to YouTube, Netflix reported its strongest financial year to date. Reaching $45.18 billion in revenue represents nearly 16% year-on-year growth, driven by a successful crackdown on password sharing and the rapid scaling of its ad-supported tier. Netflix officially ended 2025 with over 310 million global paid memberships, maintaining its crown as the go-to destination for high-budget scripted content. However, the $15 billion revenue gap between the two giants highlights a fundamental shift: the market is currently favoring YouTube's hybrid model, which blends free ad-supported content with premium paid features and live sports like the NFL Sunday Ticket. (adsbygoogle = window.adsbygoogle || []).push({})   A critical factor in this takeover is YouTube's dominance in the Living Room market. Nielsen data throughout 2025 consistently ranked YouTube as the #1 streaming service on television screens, accounting for nearly 10% of total TV usage in major markets. This Big Screen success has allowed YouTube to command higher ad rates and attract a demographic that was previously exclusive to traditional broadcasters and Netflix. With creators now producing high-production-value content specifically for 4K television sets, the line between YouTube videos and TV shows has effectively vanished, pulling both viewers and advertisers away from traditional platforms. Looking ahead to 2026, this $60 billion milestone signals a permanent change in the entertainment hierarchy. YouTube is no longer just a video-sharing site; it is a global media conglomerate that rivals the total revenue of legacy giants like Disney and Warner Bros. Discovery. For the industry, the message is clear: the integration of creator-led content, live sports, and music under one ecosystem has created a financial scale that is now the new gold standard. As Netflix continues to pivot toward live events and gaming to bridge the revenue gap, YouTube's massive lead sets a daunting benchmark for the future of digital entertainment.

BY CHRISTA LINCY

In the world of global cinema, S.S. Rajamouli is no longer just a filmmaker; he is a visionary architect of spectacle. Following the historic global success of RRR, Rajamouli is now setting his sights on a new frontier—one that isn't just about the story on screen, but the screen itself.His upcoming globe-trotting adventure, officially titled Varanasi (formerly #SSMB29), starring Superstar Mahesh Babu, is being positioned as a cultural and technological inflection point for India. During a high-profile interaction, Rajamouli issued a playful yet pointed ultimatum to the tech giants in Los Angeles, sparking a viral conversation about India's theatrical infrastructure. The filmmaker's frustration centers on the lack of True IMAX screens in India—specifically those capable of the immersive 1.43:1 aspect ratio. To emphasize his point, Rajamouli shared a sentiment that has now become the rallying cry for Indian cinephiles: In India, we call something like Dharna that says like if you are not happy with someone we pitch tents outside their office and say we demand some theatre. So I am going to pitch tent outside IMAX in LA and demand them... we need big screens here in India. This isn't just a joke; it is a signal of intent from a director who refuses to let his 1,300-crore vision be compressed into standard formats. The irony of the current situation is hard to ignore. India is already IMAX's 7th largest market, with a staggering footprint growth of nearly 60% since 2020. The audience's appetite for premium large-format experiences is undeniable, yet the infrastructure lags behind the ambition. While most Indian IMAX screens are digital versions on smaller 1.90:1 displays, Rajamouli's Varanasi is being filmed specifically for the towering 1.43:1 format. For a story that spans multiple worlds—from the spiritual ghats of Varanasi to the frozen wastes of Antarctica and even the mythic Treta Yuga—the director insists that only the vertical scale of a True IMAX can do justice to the magnificent visuals. (adsbygoogle = window.adsbygoogle || []).push({})   Perhaps the most stinging irony lies in Hyderabad, the heart of Telugu cinema. Despite producing the country's biggest blockbusters and housing a massive fan base, the city currently lacks a confirmed, top-tier IMAX screen. This gap between the industry's creative ambition and its technical infrastructure is precisely what Varanasi hopes to bridge. With a star-studded cast including Mahesh Babu as the protagonist Rudhra, Priyanka Chopra Jonas as Mandakini, and Prithviraj Sukumaran as the antagonist Kumbha, the film is designed for scale, myth, and immersion. Rajamouli has even noted that for the film's teaser launch, they audaciously built a custom 100-foot by 130-foot screen just to show the footage as intended. The ball is now firmly in the court of Indian exhibitors. IMAX has already responded to Rajamouli's Dharna comment with a clear we're ready, signaling that they are open for business and eager to expand.If Varanasi receives the IMAX treatment it deserves by its April 7, 2027 release, it won't just elevate one film; it will reset the expectations for how Indian blockbusters are experienced. It could finally normalize IMAX-first filmmaking in India, turning it from a premium afterthought into a standard for excellence. As Rajamouli prepares to take his fight to LA, the message is clear: Indian cinema has the vision—it's time for the theaters to provide the canvas.

BY CHRISTA LINCY

The Indian film industry is witnessing a monumental shift in non-theatrical valuations as the Ranveer Singh-led action epic, Dhurandhar 2, has reportedly locked one of the most lucrative deals in recent history. According to an exclusive report by Pinkvilla, the Aditya Dhar-directed sequel has secured a staggering ₹245 Crore non-theatrical package, cementing its status as a massive revenue generator even before its theatrical arrival. As per sources close to the development cited by the portal, the non-theatrical rights—comprising digital, satellite, and music—have been snatched up by industry giants at record-breaking prices. The digital streaming rights of Dhurandhar 2 have been acquired by Jio Hotstar for a massive ₹150 Crore, while the satellite rights for all languages have gone to Star Network for ₹50 Crore. Adding further to the deal, the music rights have been picked up by T-Series for ₹45 Crore, taking the overall non-theatrical value to unprecedented levels. For context, the non-theatrical rights of Dhurandhar: Part 1 were previously sold for a hefty price of around ₹140 Crore. With the sequel clocking in at ₹245 Crore, the brand value of the franchise has nearly doubled. The combined profit for Jio Studios from the two films is considered immense, especially given the unique production strategy employed by the makers. (adsbygoogle = window.adsbygoogle || []).push({})   The project was initially planned as a single, expansive theatrical release. However, due to the sheer depth and scale of the story, the makers came up with the idea of releasing the movie in two parts just two days before the release of Part 1. Since the production costs were largely absorbed during the initial filming phase, the revenue generated by Dhurandhar 2 is being viewed by trade analysts as a complete profit venture for the producers. Directed by Aditya Dhar, known for Uri: The Surgical Strike, the film features a powerhouse ensemble cast including Ranveer Singh, Sanjay Dutt, R. Madhavan, Akshaye Khanna, and Arjun Rampal. Produced under the banners of Jio Studios (Jyoti Deshpande) and B62 Studios (Lokesh Dhar), Dhurandhar 2 is positioned as a high-octane political action-thriller based on real-life intelligence operations.

BY CHRISTA LINCY

Tum Mere Main Tumhara (TMMTMTTM), the romantic comedy starring Kartik Aaryan and Ananya Panday, has officially made its digital debut following an eight-week theatrical window. Released theatrically on December 25, 2025, the film is now available for home viewing, though it follows the Early Access rental model before becoming available to all subscribers. The film arrived with significant hype, primarily because it reunited the lead pair of Kartik Aaryan and Ananya Panday, who previously delivered the 2019 hit Pati Patni Aur Woh.However, despite the strong anticipation, the film struggled to replicate that magic at the box office. While the chemistry of the lead pair remained a highlight, a weak plot coupled with the overwhelming Dhurandhar wave resulted in a lukewarm theatrical performance. After completing its eight-week theatrical window, the film has now made its way to the digital world. When and Where to Watch Tu Meri Main Tera Main Tera Tu Meri(TMMTMTTM) Online? Starting February 5, 2026, Tu Meri Main Tera Main Tera Tu Meri is available to stream on Amazon Prime Video. Currently, the film is part of the Prime Video Store under the early access model. Viewers who wish to watch the film immediately can rent it for a price of ₹349. For those who prefer not to pay the additional rental fee, the movie will be made available free of cost for all Amazon Prime members approximately two weeks later. This phased release strategy has become a standard for several mid-budget Bollywood films to maximize digital revenue. (adsbygoogle = window.adsbygoogle || []).push({})   What is the story of Tu Meri Main Tera Main Tera Tu Meri? Directed by Sameer Vidwans and produced by Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari, Shareen Mantri Kedia, and Kishor Arora under the banners of Dharma Productions and Namah Pictures, Tum Mere Main Tumhara presents a modern romantic collision between two contrasting worlds. The narrative follows Rehaan (played by Kartik Aaryan), a cynical LA wedding planner who finds himself falling for Rumi (Ananya Panday), a traditional soul from Agra, during a chance encounter in Croatia. Their whirlwind romance hits a major roadblock when Rumi chooses her duty to her widowed father over a life in the U.S., forcing Rehaan to ditch his no-strings lifestyle and travel to India. To win her back, he must master the art of the big fat Indian wedding and prove he's willing to become a ghar jamai to keep their love alive. Kartik Aaryan & Ananya Panday: Movie Performance Comparison MOVIE NAME INDIA NET COLLECTION WORLDWIDE GROSS Pati Patni Aur Woh (2019) ₹ 84.56 Cr ₹ 109.00 Cr Tum Mere Main Tumhara (2025) ₹ 32.95 Cr ₹ 49.50 Cr Box Office Performance: Comparison with Pati Patni Aur Woh The film's performance remained significantly lower than the duo's previous collaboration. While Pati Patni Aur Woh (2019) crossed the century mark worldwide, TMMTMTTM struggled to reach the ₹50 Crore gross milestone. Frequently Asked Questions (FAQs) - Tu Meri Main Tera Main Tera Tu Meri OTT Release 1. What is the OTT release date of tu meri main tera main tera tu meri? February 5, 2026 (Now available for rental) 2. Where to stream tu meri main tera main tera tu meri? (The film is available for streaming exclusively via Early Access on the Amazon Prime Store at a rental price of ₹349.) 3. When will it be free for Prime members? Late February 2026 (Expected 14 days after the rental premiere) 1. Is Tu Meri Main Tera Main Tera Tu Meri a hit or flop? Below Average/Flop (The film failed to meet expectations, collecting only ₹32.95 Cr India Net)

BY SUNIT JANGIR

Hyderabad, February 6 - The buzz around superstar Yash's Toxic: A Fairytale For Grown-Ups has intensified after the makers officially locked a theatrical deal for the Telugu states. Producer Dil Raju's Sri Venkateswara Creations has officially been confirmed to distribute the movie in AP/TG. On Friday (February 6), producers KVN Productions and Monster Mind Creations officially confirmed on social media that the theatrical distribution deal for Toxic has been locked for Andhra Pradesh and Telangana. While the makers didn't reveal the acquisition's price, credible reports suggest that the deal has been locked for 120 crores. (adsbygoogle = window.adsbygoogle || []).push({}) If true, it is among the biggest ever deals for a non-Telugu film. Interestingly, the movie will be clashing with Ranveer Singh's Dhurandhar The Revenge, which is itself carrying huge buzz in Telugu states. This shows that the makers are super confident that Toxic will deliver rich results at the box office in the Southern State. The gangster action drama is certainly one of the hottest properties for the big screens, especially given that it is the first movie of Yash after the all-time blockbuster KGF: Chapter 2, which was a massive success in Telugu states with around 140 crores gross collection. Written by Yash and Geetu Mohandas and directed by Geetu Mohandas, Toxic has been simultaneously shot in Kannada and English, with dubbed versions planned in Hindi, Telugu, Tamil, Malayalam, and several other languages for its global ambition. The film is scheduled to release on March 19, 2026. Stay tuned...

BY CHRISTA LINCY

Rani Mukerji's return as the fierce Shivani Shivaji Roy in Mardaani 3 has completed its first week at the domestic box office, establishing itself as a steady performer in the thriller genre. Directed by Abhiraj Minawala, the film opened to positive reviews and managed to maintain a consistent hold throughout its first seven days, primarily driven by urban centers and multiplex audiences. Produced by Aditya Chopra under the prestigious Yash Raj Films banner, Mardaani 3 is a Hindi-language action thriller directed by Abhiraj Minawala. Released on January 30, 2026, as the third installment of the franchise, the film stars Rani Mukerji reprising her role as the fearless police officer Shivani Shivaji Roy, alongside Janki Bodiwala and Mallika Prasad. The narrative follows Roy's high-stakes investigation into a harrowing case involving the disappearance of 93 young girls under mysterious circumstances in just three months. Upon its theatrical release, the film has received a mixed-to-positive response from critics, primarily noted for its social relevance and Mukerji's powerful performance. The film's journey began with a respectable ₹4.00 Crore on its opening Friday. It witnessed a significant surge over the weekend, growing by over 56% on Saturday to collect ₹6.25 Crore and peaking on Sunday with ₹7.25 Crore. During the crucial weekday test, the film showed resilience; notably, Day 5 (Tuesday) saw a minor jump to ₹2.6 Crore, indicating healthy word-of-mouth. By the end of its first Thursday, the India net collection stood at ₹26.3 Crore. (adsbygoogle = window.adsbygoogle || []).push({})   On the global front, Mardaani 3 has garnered a worldwide gross of ₹39 Crore. This includes an India gross of ₹31 Crore and a steady contribution of ₹8 Crore from international markets. While the film faces competition from big-ticket actioners, its niche appeal as a gritty crime drama has helped it carve out a profitable space. When compared to previous installments of the franchise, Mardaani 3 has successfully surpassed the first week collections of the 2014 original. However, it remains slightly behind the 2019 sequel, which had a more aggressive weekday run. Mardaani Franchise - Week 1 India Net Comparison MOVIE NAME WEEK 1 INDIA NET Mardaani 2 (2019) ₹ 28.05 Cr Mardaani 3 (2026) ₹ 26.30 Cr Mardaani (2014) ₹ 22.87 Cr

BY SUNIT JANGIR

Mumbai, February 6 - Filmmaker Neeraj Pandey has released a statement addressing the ongoing controversy surrounding his upcoming project Ghooskhor Pandat, starring Manoj Bajpayee. The director clarified that the film is a fictional cop drama, and the term Pandat has been used purely as a colloquial name for a fictional character, without any intention to comment on or represent any caste, religion, or community. In his statement, Pandey emphasised that the narrative focuses solely on an individual's actions and choices. He reiterated that, as a filmmaker, he approaches storytelling with a strong sense of responsibility and aims to create content that is both thoughtful and respectful, adding that the film has been made with sincere intent purely to entertain audiences. (adsbygoogle = window.adsbygoogle || []).push({}) pic.twitter.com/ddGScOTqSc— Neeraj Pandey (@neerajpofficial) February 6, 2026 Acknowledging that the film's title has caused hurt to certain sections of viewers, Pandey said the team genuinely understands and respects these sentiments. In response to the concerns raised, the makers have decided to temporarily take down all promotional materials, stating that the film should be experienced in its entirety and understood in the proper narrative context rather than being judged through partial glimpses. The controversy around Ghooskhor Pandat erupted soon after the film's title and promotional material surfaced online. A section of social media users and community groups objected to the use of the word Pandat in the title, alleging that it could be interpreted as a derogatory reference to a particular caste or community. They claimed that associating the term with corruption ("Ghooskhor") reinforces negative stereotypes. Stay tuned...

BY CHRISTA LINCY

Director Koratala Siva, who recently delivered a massive global success with Devara: Part 1, is reportedly not planning on any long breaks. While the industry eagerly awaits the second installment of his coastal action saga starring Jr NTR, latest industry reports shared by Chitrambhalare suggest that the filmmaker has locked a versatile three-project lineup, including a potential collaboration with veteran powerhouse Nandamuri Balakrishna. The most buzzing update from the director's camp involves a fresh script narrated to the God of Masses, Nandamuri Balakrishna (NBK). Known for weaving social messages into high-octane commercial entertainers like Mirchi and Srimanthudu, industry reports shared by Chitrambhalare indicate that Koratala Siva has already held talks with Balayya. This project is reportedly part of a back-to-back lineup the director is locking while waiting for Jr NTR to complete his current commitments for Dragon and return for the Devara 2 shoot in mid-2026 Fans of Jr NTR have been anxious for updates on Devara 2. According to recent reports, the project is scheduled to resume filming by mid-2026. This timeline aligns with Jr NTR's current commitments, as the actor is expected to complete his work on the highly anticipated film Dragon (and War 2) before returning to the world of Devara. (adsbygoogle = window.adsbygoogle || []).push({})   The anticipation for the sequel stems from the massive success of the first part, which established Jr NTR as a global force and marked a strong comeback for Koratala Siva. Devara: Part 1 (2024) - Final Box Office Performance Worldwide Gross: ₹428Crore India Net (All Languages): ₹292.47 Crore Overseas Collection: ₹77 Crore Theatrical Verdict: SuperHit Devara: Part 1 concluded on a massive cliffhanger, setting the stage for an intense clash between the characters portrayed by Jr NTR and Saif Ali Khan.While there is no official confirmation yet regarding the NBK project, Koratala Siva's strategy seems clear: staying prolific while waiting for the Man of Masses to return for the epic conclusion of the Devara saga.