The Big Bull

The Big Bull

⭐ User Rating

4.6 /10
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The Big Bull

🎬 Key Details

  • Genre: Biography, Drama
  • Runtime: N/A
  • CBFC Rating: N/A
  • Languages: Hindi

📅 Release Information

  • Theatrical Release: 08 Apr 2021
  • 📺 OTT Release Not Available

🎭 Cast & Crew

🎭

Cast

Abhishek Bachchan Kumud Mishra Varun Sharma Chunky Pandey Nikita Dutta Ileana D'Cruz
👥

Crew

Director: Kookie Gulati

⚡ Quick Stats

Total Gross: ₹0.00 Cr
India Net: ₹0.00 Cr
Overseas: ₹0.00 Cr
Budget: N/A

Tags

Hindi Bollywood Biography Drama Box Office 2021

Please Note

The Box Office Data are compiled from various sources and by our own research. These data can be approximate or may have huge difference from producer figure and Sacnilk™ does not make any claims about the authenticity of the data. This is box office collection data report new data.

💰 Total Collections Summary

Tap Worldwide card to view detailed analysis

India Gross
₹0.00 Cr
Worldwide
₹0.00 Cr
Overseas
₹0.00 Cr
India Net
₹0.00 Cr
0.00%
India Share
₹0.00 Cr
Total Worldwide
0.00%
Overseas Share
N/A
Box Office Verdict

Related News & Articles

Raja Shivaji Box Office Collection | All Language | Day Wise | Worldwide Box Office
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Raja Shivaji Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK

Here is the Marathi movie Raja Shivaji box office collection, which is a historical action drama film. This film is directed by Riteish Deshmukh and produced by Jio Studios and Mumbai Film Company. ## Raja Shivaji stars Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Vidya Balan, Genelia Deshmukh, Bhagyashree Patwardhan, Fardeen Khan, Salman Khan, and Sachin Khedekar in key roles. ## Raja Shivaji Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Raja Shivaji Budget: ₹ - Cr * Approx ## Raja Shivaji Verdict: Coming Soon ## Raja Shivaji Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 1st May 2026 ## For more and the latest news about Marathi Film Box Office Collection, Stay tuned to us.

Raja Shivaji 4th Weekend Box Office: Riteish Deshmukh Starrer Collects Rs. 3.05 Cr; Worldwide Total Reaches Rs. 113 Cr Box Office
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Raja Shivaji 4th Weekend Box Office: Riteish Deshmukh Starrer Collects Rs. 3.05 Cr; Worldwide Total Reaches Rs. 113 Cr

BY SACNILK

Raja Shivaji has officially etched its name in the history books of Marathi cinema. On its fourth Friday, the film has achieved a monumental milestone by surpassing the lifetime collections of Sairat, effectively becoming the number one Marathi movie of all time. This historical epic is not just holding its ground but is continuing to rake in significant moolah even after a month in theatres, driven by a powerful narrative and strong emotional connect with the audience. The fourth weekend performance highlights the film's incredible resilience. After starting the weekend on Friday (Day 22) with 0.60 crore, the movie witnessed a massive 91.7 percent surge on Saturday (Day 23) to collect 1.15 crore. The momentum continued on Sunday (Day 24) with a collection of 1.30 crore, representing a 13 percent growth from the previous day. This brings the total India net collections to a staggering 92.07 crore, while the India gross stands at 108.78 crore. Including the overseas kitty of 4.22 crore, the worldwide gross has reached the 113.00 crore mark. Raja Shivaji 4th Weekend India Net CollectionDAYCOLLECTION (NET)SHOWS4th Friday (Day 22)₹ 0.60 Cr9094th Saturday (Day 23)₹ 1.22 Cr9424th Sunday (Day 24)₹ 1.30 Cr950Weekend Total₹ 3.12 Cr2,801 (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales data further reflects this dominance. Over the fourth weekend alone, Raja Shivaji sold approximately 80,000 tickets on the BookMyShow platform, pushing its total sales on the app past the 2.5 million mark—a historic feat for a regional film. National chains have also been a major contributor to this success. On Friday, the three major chains (PVR, INOX, and Cinepolis) sold roughly 2,240 tickets. This number surged to 4,670 tickets on Saturday and peaked at 6,750 tickets on Sunday, showcasing a clear weekend uptick despite the film being in its fourth week. Regionally, the Marathi heartland continues to lead the charge. On Sunday, Mumbai recorded an overall occupancy of 46.5 percent across 125 shows, while Pune saw a brilliant 62 percent occupancy across 111 shows. The Marathi version alone contributed 1.10 crore on Day 24 with a 39 percent occupancy rate, while the Hindi version added 0.20 crore. To date, the Marathi version has collected 67.42 crore net, while the Hindi version has added a healthy 24.65 crore to the overall total across a cumulative 85,426 shows worldwide. Looking at the cumulative language-wise breakdown, the Marathi version has clearly been the primary driver of this success, contributing ₹67.42 crore in net collections (₹79.64 crore gross) from 38,130 shows with a solid average occupancy of 33.8 percent. On the other hand, the Hindi version has played a significant supporting role, adding ₹24.65 crore to the net total (₹29.14 crore gross) across a wider spread of 47,296 shows, maintaining an average occupancy of 13.4 percent throughout its run. While the film is slowly nearing the end of its theatrical run, its performance in urban pockets like Surat and Ahmedabad—where it saw 21 percent and 25 percent occupancy respectively—indicates that the appeal transcends beyond just Maharashtra. By becoming the highest-grossing Marathi film in history, Raja Shivaji has set a new benchmark for regional cinema, proving that high-quality storytelling combined with a grand scale can result in massive theatrical success. The trade is now watching to see if it can push past the 100 crore net mark before its digital premiere.

Raja Shivaji Day 18 Box Office: Earns Rs. 1.15 Cr; Now Just 5 Cr Away From Surpassing Sairat's All-Time Worldwide Record Box Office
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Raja Shivaji Day 18 Box Office: Earns Rs. 1.15 Cr; Now Just 5 Cr Away From Surpassing Sairat's All-Time Worldwide Record

BY SACNILK

Raja Shivaji has maintained a steady presence at the box office as it enters its third week of release. While the initial momentum has naturally slowed down, the film is now approaching a significant historical milestone in Marathi cinema. On its 18th day, which was the third Monday, the movie collected a net of 1.15 crore across India. This represents a 66.7 percent drop from the previous day's collection of 3.45 crore, a trend that is expected for a weekday following a weekend. The language-wise breakdown for Day 18 shows that the Marathi version remains the primary driver of revenue, contributing 1.00 crore from 1,401 shows with an overall occupancy of 17 percent. The Hindi version added 0.15 crore from 764 shows, operating at an 8 percent occupancy level. These numbers bring the total India net collection to 85.70 crore, with the Marathi version accounting for 62.00 crore and the Hindi version contributing 23.70 crore so far. The total India gross has now reached 101.42 crore. Regional occupancy data for the Marathi version highlights strong interest in key cities like Pune and Mumbai. In Pune, the film saw an overall occupancy of 19.8 percent across 270 shows, with night screenings peaking at 23 percent. Mumbai followed with 337 shows and an overall occupancy of 15.3 percent. On the Hindi front, the film saw a 7.8 percent occupancy in both Ahmedabad and Surat, while the National Capital Region recorded 6 percent occupancy across 45 shows. This suggests that while the Marathi version holds strong in its home state, the Hindi version is finding its audience primarily in specific urban pockets. (adsbygoogle = window.adsbygoogle || []).push({}) The film's performance in national chains on Monday saw a total of approximately 3,540 tickets sold. Breaking this down, PVR contributed 1,310 tickets, INOX followed with 1,240, and Cinepolis added around 990 tickets. On the BookMyShow platform, the movie sold 38.92 thousand tickets on its third Monday, bringing the total ticket sales on the site to over 23.32 lakh. These figures indicate that the movie still has a functional level of demand despite the length of its theatrical run. Looking at the broader financial picture, the film added 0.10 crore from overseas markets on Day 18, taking the total overseas gross to 4.00 crore. This brings the total worldwide gross collection to 105.42 crore. In North America, however, the film has struggled to find significant footing, closing its recent gross at 202 thousand dollars, which is categorized as a flop in that specific territory. Domestically, the film had a strong start with a Week 1 collection of 52.65 crore, followed by 24.30 crore in its second week. The most important story for Raja Shivaji right now is its pursuit of the all-time Marathi box office record. The film is currently just 5 crore away from surpassing Sairat to become the number one Marathi movie of all time. If it continues at this pace, it is projected to reach a worldwide total of 110 crore by the end of its third week. Achieving this would cement its legacy as a historic success and a new benchmark for Marathi cinema on the global stage.

Raja Shivaji Day 15 Box Office: Steady Third Friday Adds Rs. 1.45 Cr; Total Reaches over 78 Cr Net Box Office
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Raja Shivaji Day 15 Box Office: Steady Third Friday Adds Rs. 1.45 Cr; Total Reaches over 78 Cr Net

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Raja Shivaji is showing solid staying power as it moves into its third week of release. While many films face a sharp decline after the initial two-week period, this historical drama has managed to keep a steady pace, continuing to be a reliable earner for the Marathi film industry. The film’s ability to maintain a consistent audience suggests that the subject matter is resonating well, allowing it to navigate the arrival of new titles without losing its core momentum at the ticket windows. On its 15th day, which was its third Friday, the film brought in a net collection of 1.45 crore. While this is a 23.7 percent drop from the previous day's 1.90 crore, it is a very resilient performance considering the arrival of new competition. This takes the total India net collection to 78.40 crore, while the India gross has climbed to 92.81 crore. The film operated across 2,142 shows nationwide, showing that exhibitors still have immense faith in its ability to bring in the moolah. The language-wise breakdown clearly shows where the film's primary strength lies. The Marathi version remains the heavy lifter, contributing 1.25 crore on Friday with a healthy 20 percent occupancy across 1,327 shows. The Hindi version added another 0.20 crore to the kitty from 815 shows. Even in its third week, the film is finding enough oxygen in the Hindi markets to keep the numbers ticking, though the Marathi heartland continues to be the driving force. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the performance in national multiplex chains, the film recorded approximately 5,350 tickets sold on Friday. Across the big three—PVR, INOX, and Cinepolis—it generated a gross of roughly 13 lakh. INOX led the segment with around 2,400 tickets, followed by PVR with 2,000 tickets and Cinepolis adding another 900. These numbers indicate a steady flow of urban audiences who are still catching up with the epic on the big screen. Digital engagement remains explosive as well, with BookMyShow recording 50.78K tickets for the day, pushing the lifetime total on the platform to a massive 21,30,390 tickets. Regional occupancy remains strongest in Maharashtra's core centers. In Mumbai, the Marathi version saw an overall occupancy of 18.5 percent across 333 shows, with night shows peaking at 25 percent. Pune performed even better, recording a 22.5 percent occupancy across 254 shows, with night screenings hitting the 30 percent mark. In the Hindi circuits, the film saw 9.8 percent occupancy in Ahmedabad and around 7.3 percent in both Surat and the National Capital Region (NCR). With its current total of 78.40 crore net, Raja Shivaji has already cemented its place in history by surpassing the lifetime collections of blockbusters like Ved and Baipan Bhari Deva. It now sits firmly in the second position of all-time Marathi grossers. The only target left to conquer is the legendary Sairat, which holds the top spot with a lifetime collection of 110 crore. With a steady trend and a lack of major competition in the regional market, the focus remains on whether this epic can bridge the gap and eventually claim the top spot as the highest-grossing Marathi film of all time.

Raja Shivaji Day 12 Box Office: 2nd Tuesday Net Hits Rs. 2.50 Cr, Becomes Highest Grossing Marathi Film of 2026 Box Office
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Raja Shivaji Day 12 Box Office: 2nd Tuesday Net Hits Rs. 2.50 Cr, Becomes Highest Grossing Marathi Film of 2026

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Raja Shivaji has reached a significant turning point in its theatrical journey, officially claiming the top spot as the highest-grossing film of 2026. On its 12th day, the biographical epic showed an impressive level of resilience, netting 2.50 crore across the country. What makes this figure noteworthy is the 4.2 percent growth seen on Tuesday compared to Monday’s 2.40 crore. It is quite unusual for a film to see an upward trend on a second Tuesday, suggesting that word-of-mouth is acting as a strong theatrical anchor for the project. The regional bedrock of this success remains the Marathi market, which continues to outperform the Hindi version by a wide margin. On Tuesday, the Marathi version alone contributed 1.85 crore with a very healthy 30 percent occupancy rate across 1,920 shows. Meanwhile, the Hindi version added 0.65 crore from 1,938 shows at a 14 percent occupancy. When looking at the cumulative totals, the Marathi market has generated 51.75 crore net so far, while the Hindi version has brought in 21.40 crore, highlighting how deeply the film has resonated with its primary audience. Looking at the national multiplex chains, the film is maintaining a very competitive footprint. On day 12, it recorded the second-highest ticket sales across major chains, trailing only behind the new release Krishnavataram. To give you an idea of the volume, PVR accounted for approximately 9.8 thousand tickets, while INOX saw about 10 thousand bookings. Cinepolis contributed another 5.7 thousand, bringing the combined total from these three giants over 25 thousand tickets for the day. This steady participation from premium urban venues has been a key factor in the film's financial stability. (adsbygoogle = window.adsbygoogle || []).push({}) The digital engagement on platforms like BookMyShow also paints a picture of long-term theatrical stamina. The total number of tickets booked via the platform is now approaching the 2 million mark. Following a strong first week that saw 1.22 million tickets sold, the second week has remained surprisingly consistent. After a busy weekend, Monday and Tuesday have stabilized with roughly 75 thousand tickets each, ensuring that the daily run-rate remains high enough to keep the project at the top of the charts. From a broader perspective, the financial health of the film is record-breaking for the current year. The total India net collection has reached 73.15 crore, which translates to a domestic gross of 86.65 crore. By crossing these figures, Raja Shivaji has now surpassed every other release in 2026 to become the number one movie of the year in terms of collection. This achievement is a testament to the film's ability to balance regional appeal with a broader national presence. Ultimately, the logic behind these numbers suggests that the film has successfully navigated the difficult second-week hurdle. Over its 12-day run, the project has spanned a total of 60,155 shows, resulting in a domestic net collection of 73.15 crore. As there has been no contribution from overseas markets yet, the worldwide gross matches the India gross at 86.65 crore. With 3,858 shows still active nationwide, the film is effectively maximizing its reach during the weekdays. As these cumulative totals continue to climb, the focus now shifts to where the final lifetime benchmark will land, especially as the film remains the primary choice for audiences across its key markets.

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King:Shah Rukh Khan and Suhana Khan Wrap Intense Action Sequence Set Against Vijayadashami Backdrop

BY SACNILK

The upcoming action spectacle King has officially moved into its next major phase of production. Superstar Shah Rukh Khan and his daughter, Suhana Khan, have successfully completed a grueling eight-day action schedule at Ellora Studios in Bhayandar. This high-octane thriller, directed by Sujoy Ghosh and co-produced by Siddharth Anand's Marflix along with Gauri Khan's Red Chillies Entertainment, is being built as one of the most ambitious and visually stunning projects in Indian cinema. Sources close to the production have revealed that this recently wrapped sequence is a pivotal moment in the film's narrative. The action unfolds against the vibrant and dramatic backdrop of Vijayadashami celebrations, for which a massive, culturally detailed set was constructed. Following the gritty tone established in the initial date announcement video, King promises to deliver a raw and grounded action experience, showcasing a unique father-daughter dynamic on the silver screen for the first time. (adsbygoogle = window.adsbygoogle || []).push({})   Beyond the lead pair, the film boasts a stellar ensemble cast that elevates its scale significantly. Abhishek Bachchan is set to portray a sophisticated and powerful antagonist, creating a highly anticipated face-off with Shah Rukh Khan. Furthermore, it is also said that Rani Mukerji and Deepika Padukone will also play integral roles in the film, adding immense star power to this collaboration. The project aims to blend the slick, international-standard action sensibilities of Siddharth Anand with the taut, suspenseful storytelling for which Sujoy Ghosh is renowned. Production for King remains on schedule for its slated theatrical release on December 24, 2026. The project has generated significant industry interest, both for its commercial prospects and for marking the first major big-screen collaboration between Shah Rukh Khan and Suhana Khan. Early reports suggest that the film will feature a grittier and more grounded characterization for the lead actor, distinguishing it from his recent commercial action roles.

King India Theatrical Rights: Shah Rukh Khan Starrer Sparks Bidding War; ₹200 Crore Advance Offer on Table Bollywood
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King India Theatrical Rights: Shah Rukh Khan Starrer Sparks Bidding War; ₹200 Crore Advance Offer on Table

BY SACNILK

Following the official announcement earlier this week that Yash Raj Films (YRF) will handle the international distribution for the action spectacle King, the spotlight has now shifted to the film's domestic theatrical rights. In a major exclusive report by Pinkvilla, it has been revealed that the trade is currently abuzz with a record-shattering distribution offer. Starring Shah Rukh Khan alongside Suhana Khan, the project has reportedly sparked an intense bidding war among India's leading distribution studios, with financial proposals reaching levels rarely seen in the Indian film industry. According to the exclusive details shared by Pinkvilla, the proposed top offer currently under discussion involves a staggering ₹200 crore advance coupled with an 8% distribution commission. This represents one of the largest commission-based deals in recent times, aligning with the modern industry norm where acquisition models have taken a backseat to partnership-based structures. This high-value deal reflects the massive confidence the trade has in the theatrical pull of the Shah Rukh Khan brand following his record-breaking run in 2023. (adsbygoogle = window.adsbygoogle || []).push({})   Historic India Theatrical Distribution Benchmarks 1. Pathaan (2023): Self-Distributed (Handled in-house by YRF;) 2. Jawan (2023): ₹125 Cr - ₹150 Cr Advance (North/West India only; Distributed by Pen Marudhar) 3. Pushpa 2: The Rule (2024): ₹200 Cr (North India) (Acquired by AA Films on a Minimum Guarantee (MG) basis—the highest for a dubbed film) 4. King (2026): ₹200 Cr Advance Offer (The highest-ever proposed Advance for a solo SRK film on an 8% commission deal) Several major studios are in contention for the pan-India rights, including A.A. Films, Yash Raj Films, and Dharma Productions. However, Pinkvilla reports that Pen Marudhar, Jio Studios, and PVRINOX Pictures have emerged as the primary front-runners at this stage. Pen Marudhar holds a significant advantage due to its frequent and successful association with Red Chillies Entertainment, having previously distributed Jawan and Dunki. Meanwhile, PVRINOX Pictures remains a strong contender due to its status as the owner of the largest multiplex chain in the country, and Jio Studios is aggressively looking to add this high-profile asset to its dominant 2026 theatrical slate. Directed by Siddharth Anand and produced by Red Chillies Entertainment in association with Marflix Pictures, King is being mounted as a global action event. The film marks the highly anticipated theatrical debut of Suhana Khan, with Abhishek Bachchan confirmed to play the primary antagonist. With the overseas market already locked by YRF and a ₹200 crore bidding war underway for the Indian domestic market, King is positioned to be the most significant theatrical event of the December 24, 2026 (Christmas) window.

King Movie Production Update: Shah Rukh Khan and Siddharth Anand Film 50 Crore Action Sequence in Europe Bollywood
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King Movie Production Update: Shah Rukh Khan and Siddharth Anand Film 50 Crore Action Sequence in Europe

BY SACNILK

The production of Shah Rukh Khan's upcoming action thriller King has reached a new scale. Reports from Bollywood Hungama confirm that director Siddharth Anand and the production team recently concluded a massive 10-day action schedule in Europe, with a total expenditure of ₹50 crore for this single sequence. This brings the average daily production cost of the schedule to approximately ₹5 crore. The film, which features an ensemble cast including Suhana Khan and Abhishek Bachchan, is being mounted on a reported budget of ₹350 crore (excluding marketing). Siddharth Anand, known for high-budget spectacles like Pathaan and War, has reportedly designed six major action set pieces for the film. The Europe schedule featured a high-octane confrontation shot at real international locations rather than on a studio set. In Indian cinema, a ₹50 crore spend on a single action sequence represents a major industry benchmark. For context, the introductory sequences for the lead characters in S.S. Rajamouli's RRR were reportedly filmed at a cost of approximately ₹45 crore. By investing ₹50 crore in a 10-day block, the makers of King are aiming for a level of realism and scale that matches international action standards. Indian Cinema: Most Expensive Action Sequences Ever Filmed MOVIE NAME SEQUENCE COST (EST) LOCATION / KEY DETAIL King (2026) ₹ 50.00 Cr Europe (10-Day Real Location Shoot) RRR (2022) ₹ 45.00 Cr Climax Sequence (Massive Junior Artist Count) 2.0 (2018) ₹ 20.00 Cr Stadium Climax (VFX & Animatronics) Saaho (2019) ₹ 70.00 Cr Abu Dhabi Desert Chase (Real Car Crashes) (adsbygoogle = window.adsbygoogle || []).push({})   The decision to film these sequences on real locations suggests a focus on realistic action over studio-based VFX. With the shooting scheduled to wrap by mid-2026, the film is expected to have a significant post-production window to ensure technical precision for its December release. While Saaho and 2.0 spent heavily on hardware (cars) and VFX (CGI), the ₹50 crore spend for King is unique because it is being spent on a real-location shoot in Europe. This indicates a shift in Siddharth Anand's filmmaking—moving away from studio-based green screens toward high-stakes, realistic action similar to the Mission Impossible franchise. Siddharth Anand: Evolution of Action Scale 1. War (2019): First Indian film shot in the Arctic Circle (Finland). 2. Pathaan (2023): Introduced the Frozen Lake chase sequence in Siberia. 3. Fighter (2024): India's first aerial action franchise using real fighter jets. 4. King (2026): ₹50 Crore single-sequence budget at real European locations.

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King: Shah Rukh Khan and Siddharth Anand Lock Christmas 2026 Release; Strategic 45-Day Gap from Ramayana

BY SACNILK

The anticipation for Shah Rukh Khan's next big-screen venture has reached a fever pitch.In what is being reported as an exclusive scoop by Bollywood Hungama, the makers of the high-octane action thriller King have officially locked December 25, 2026, for its global theatrical release. This move confirms that King Khan will be reclaiming the lucrative Christmas window, a slot he has successfully dominated in the past. According to trade sources, the decision to opt for a Christmas release was highly strategic. The team was initially considering a December 4 window, but decided to skip it to avoid any proximity to Nitesh Tiwari's magnum opus, Ramayana.By locking December 25, the makers have ensured a 45-day gap between the release of Ramayana and King.This breathing space is intended to allow both tentpole films—one a divine epic and the other a modern action spectacle—the opportunity to maximize their box office potential without eating into each other's business.Director Siddharth Anand has been teasing this announcement on social media recently with cryptic posts, further fueling the Announcement on the way buzz. King is set to be a landmark film for several reasons, most notably because it marks the theatrical debut of Suhana Khan. She will be sharing the screen with her father, Shah Rukh Khan, in a full-fledged role. Reports suggest the film is inspired by the French classic Leon: The Professional, with SRK playing a sleek, deadly assassin and Suhana portraying his student. (adsbygoogle = window.adsbygoogle || []).push({})   The film features a stellar lineup, headlined by Shah Rukh Khan in the lead role, reportedly portraying a deadly assassin. Adding to the excitement is the theatrical debut of Suhana Khan, who joins her father on screen as his protege. The project also marks a major face-off as Abhishek Bachchan has been cast as the main antagonist, playing the formidable villain, while Abhay Verma is set to appear in a pivotal role. Beyond the primary cast, there is significant industry buzz regarding the broader ensemble; names like Deepika Padukone (rumored for a powerful cameo), Jaideep Ahlawat, and Arshad Warsi are heavily linked to the project, promising one of the most star-studded cinematic events in recent years. While Sujoy Ghosh was initially tied to the director's chair, the reigns have now been officially handed over to Siddharth Anand, who previously collaborated with SRK for the historic blockbuster Pathaan. Sujoy Ghosh remains an integral part of the project, credited with the story and screenplay alongside Siddharth Anand, Suresh Nair, and Sagar Pandya. The film is being produced on a massive scale under the banners of Red Chillies Entertainment and Marflix Pictures, with a reported budget of ₹350 crore. Adding to the technical brilliance is musical sensation Anirudh Ravichander, who will be composing the soundtrack and background score, marking his second collaboration with SRK after the record-breaking Jawan. With principal photography nearing its final stages and post-production planned on a global scale, King is shaping up to be the most anticipated cinematic event of 2026. Fans can expect an official release date announcement from the makers within the coming week.

Akshay Kumar-led Housefull 5 Star Cast Discussed The Possible Plot of Housefull 6 Bollywood
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Akshay Kumar-led Housefull 5 Star Cast Discussed The Possible Plot of Housefull 6

BY SACNILK

Mumbai, October 8 - Bollywood superstar Akshay Kumar-led Housefull 5 was released in theatres on June 6, 2025, and did decent business at the box office. Also starring Riteish Deshmukh, Abhishek Bachchan, Jacqueline Fernandez, Sonam Bajwa, and Nargis Fakri, among others, the film is all set for a World TV premiere on October 11 on the Star Gold India channel. As the movie is gearing up for the television premiere, the Housefull 5 star cast, while promoting the film's TV release, sat for a discussion about what could be the plot for Housefull 6, possibly hinting at the sixth instalment of the blockbuster comedy franchise. In the playful promo, shared by Nadiadwala Grandson Entertainment on X, Riteish Deshmukh revealed his wild idea for Housefull 6. The actor said he would love to see the comedy franchise turn into a horror-comedy, with a twist — all the girls in the film appearing without make-up! His tongue-in-cheek remark had everyone bursting into laughter. When Akshay Kumar was asked about his take on the theme, he couldn't resist one of his signature witty comebacks. The superstar joked that in his version, all the cast members die and go up, but the title still makes sense because, well — "it remains Housefull!". Abhishek Bachchan too joined the party and shared that he wishes to see Housefull 6 as a superhero film. The lighthearted exchange perfectly captures the fun, over-the-top energy that's made the Housefull series a fan favourite. While there’s no official confirmation yet on Housefull 6, it might happen sooner than expected. Housefull 6 could be a Horror Comedy or a Superhero film? Hear what the cast has to say about the upcoming lineup of the superhit Housefull franchise.Dekhiye Killer comedy Housefull 5 ke World TV Premiere mein, 11th October, Saturday raat 8 baje, sirf @StarGoldIndia par. ⭐… pic.twitter.com/KBNMRtfTmc— Nadiadwala Grandson (@NGEMovies) October 8, 2025 Stay tuned...

Superstar Shah Rukh Khan's Grey Shades Look In King Reportedly Leaked, Sends Fans Into Frenzy Bollywood
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Superstar Shah Rukh Khan's Grey Shades Look In King Reportedly Leaked, Sends Fans Into Frenzy

BY SACNILK

Mumbai, September 5 – One of the most-awaited Bollywood films, King, starring superstar Shah Rukh Khan, can't stop hitting media headlines as it has once again taken social media by storm for a leaked image, even without the official announcement of the film yet. The millions of fans of King Khan, who was last seen in director Rajkumar Hirani's Dunki in December 2023, have been waiting with bated breath for King. While there hasn't been any official update on the movie yet, the movie is keeping fans excited with leaks now and then, and the latest leak has sent them into a frenzy. King just became the talk of the town after a leaked on-set image, reportedly featuring SRK, surfaced online. The picture, reportedly taken during an outdoor shoot, has quickly spread across social media, giving fans their very first glimpse of SRK's much-hyped look for the action thriller. In the leaked still, the superstar can be seen surrounded by the film's crew, standing near a set location with heavy lighting and equipment as he comes out of a house. Though not a clear close-up, the image is enough to spark excitement as it reveals SRK's rugged new avatar—suggesting a mature yet stylish transformation tailor-made for the film's edgy narrative. The Jawan star is reportedly playing a character with grey shades in King, which is being directed by Siddharth Anand, and the leaked image shows the same. Fans are already dissecting the photo frame by frame, with hashtags like #KingSRK and #KingIsBack. Directed by Siddharth Anand and co-produced by Gauri Khan under Red Chillies Entertainment, King is touted to be a high-octane action extravaganza set for a late 2026 or early 2027 release. The film reportedly features a huge ensemble, including SRK's daughter Suhana Khan, Abhishek Bachchan, Anil Kapoor, Deepika Padukone, Arshad Warsi, Rani Mukerji, Jaideep Ahlawat, Abhay Varma, and Raghav Juyal. Stay tuned...

Shah Rukh Khan's King To Not Release On Gandhi Jayanti 2026? Possible New Date Revealed Bollywood
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Shah Rukh Khan's King To Not Release On Gandhi Jayanti 2026? Possible New Date Revealed

BY SACNILK

Mumbai, August 27 - Superstar Shah Rukh Khan was last seen in director Rajkumar Hirani's comedy drama, Dunki, in December 2023. Since then, he has been working on his next, which is an action thriller King, with his Pathaan director Siddharth Anand. King went on floors in June this year, but an unfortunate shoulder injury to Shah Rukh Khan, which he sustained while filming for an action sequence, has proved to be a roadblock. King Khan was advised to rest for a couple of months before he resumes filming, and that has reportedly altered the release plans. According to the report by Mid-day, King, which was reportedly eying the Gandhi Jayanti 2026 release, has now been pushed back due to a delay in the shoot. "Shah Rukh needs to rest it out for weeks before he can face the camera again. It is an action-heavy film, so the team doesn’t want to take a chance with his health", says the report. While the official release date has not been announced yet, a recent report by peepingmoon.com suggested that Shah Rukh Khan and director Anand are eyeing Christmas 2026 as the possible theatrical release date. The chances have become bright for this date after the postponement of Vicky Kaushal's ambitious Mahavatar. Produced by Red Chillies Entertainment and Marflix, King marks SRK's first screen outing with daughter Suhana Khan, who makes her big screen debut with this. The film also stars Deepika Padukone as the female lead alongside Abhishek Bachchan, Anil Kapoor, Arshad Warsi, and Abhay Verma in key roles. Stay tuned...