BY CHRISTA LINCY

Dhamaal 4 is showing surprising resilience as it moves through its third week. For a comedy franchise that relies on repeat value and family audiences, the film is holding its ground despite newer competition. On its nineteenth day, which was its third Tuesday, the movie brought in a net collection of 2.10 crore. This is a notable 31.3 percent jump from Monday's 1.60 crore, suggesting that the film is benefiting from mid-week theater-goers and perhaps a steady word-of-mouth trail. This growth is particularly impressive because the film is currently navigating a market with strong holdover like The Odyssey, which continues to see good traction in India. While it currently sits as the fourth highest-grossing Bollywood film of the year, catching up to Bhooth Bangla will be a challenge. The road ahead is packed with upcoming releases like Batwara 1947 and Awarapan 2, plus the major Hollywood arrival of Spider-Man, which will make securing screens much tougher in the coming weeks. If we look at the broader picture, the India gross collection has now reached 182.32 crore, which translates to a domestic net total of 153.35 crore. The film has also found some traction abroad, adding 0.25 crore on Tuesday to bring its total overseas gross to 29.45 crore. Combining the domestic and international business, the worldwide gross for Dhamaal 4 now stands at 211.77 crore. This milestone is significant because it puts the film in striking distance of some of Ajay Devgn's biggest career hits. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket sales on BookMyShow reflect this late-week surge. On Monday, the film sold about 27,900 tickets, but that number climbed to 39,250 on Tuesday. In total, the film has sold over 26.56 lakh tickets on the platform since its release. In the national cinema chains—PVR, INOX, and Cinepolis—it currently stands as the third highest-selling movie, trailing only behind the massive holdover of The Odyssey and the recent hit Jana Nayagan. Looking at the daily advance figures for these chains, the film generated a gross of approximately 32.3 lakh. This came from around 16.7 lakh at PVR, 11.1 lakh at INOX, and 4.5 lakh at Cinepolis, totaling roughly 23,400 tickets sold across these venues. The regional occupancy for the Hindi 2D version shows that the National Capital Region (NCR) remains a stronghold with 21.3 percent occupancy across 620 shows. Mumbai followed with 17.8 percent occupancy across 405 shows, while Pune recorded a healthy 17.3 percent. Other regions like Ahmedabad and Surat saw lower overall occupancy but maintained strong night show turnouts, often peaking near 26 to 29 percent. This trend of evening and night show growth is helping the film sustain its daily numbers. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of annual rankings, Dhamaal 4 is currently the fourth highest-grossing Bollywood movie of the year. It trails behind Dhurandhar 2: The Revenge, Border 2, and Bhooth Bangla. While it is performing well, surpassing Bhooth Bangla might be a tall order. The upcoming schedule is crowded with major releases like Batwara and Awarapan on the domestic front, alongside Hollywood heavyweights like Spider-Man. Additionally, the continued dominance of The Odyssey makes it difficult for any holdover film to claim more screen space. For Ajay Devgn, this film is another strong addition to his box office portfolio. It is currently very close to surpassing Singham Returns, which earned 216.56 crore worldwide. Once it crosses that mark, it will cement its place among his most successful leading roles. To give you some context on where this film stands compared to his other major solo hits, here is the ranking of his top movies based on worldwide gross collection. Top 5 Leading Role Movies of Ajay Devgn - Worldwide Gross CollectionMOVIE NAMEWORLDWIDE GROSS Singham Again₹ 372.41 CrTanhaji: The Unsung Warrior₹ 361.00 CrDrishyam 2₹ 342.31 CrGolmaal Again₹ 308.62 CrTotal Dhamaal₹ 232.18 Cr

BY CHRISTA LINCY

The most anticipated cinematic spectacle in Indian film history has finally unveiled its grand vision. The official trailer for Ramayana: Part 1, directed by Nitesh Tiwari, was released globally during the auspicious Brahma Muhurat. Touted as the most expensive Indian motion picture ever made, the magnum opus brings together a stellar ensemble cast led by Ranbir Kapoor, Sai Pallavi, and Yash. Powerful Visuals and Grand Character Introductions The trailer opens with a gripping sequence set against the opulent architecture of Lanka and Ayodhya. Rocking a commanding presence, Ranbir Kapoor makes a majestic entry as Lord Ram, displaying a flawless blend of calm nobility and fierce resolve. Opposite him, Sai Pallavi makes her debut as Sita, embodying serenity and grace. However, it is Yash who steals the limelight with his menacing screen presence. Portraying the formidable Asura king Ravana, Yash commands every frame with dark, terrifying authority, setting up an epic clash of divine forces. A High-Octane Sonic Experience: The background score is co-composed by Academy Award winners Hans Zimmer and A.R. Rahman, alongside sitar virtuoso Rishab Rikhiram Sharma. The score blends rich traditional Indian classical instrumentation with massive global orchestral themes. Key Cast & Project Overview Director: Nitesh Tiwari (Dangal, Chhichhore) Producer: Namit Malhotra (Prime Focus / DNEG) in association with Sony Pictures Entertainment Ranbir Kapoor as Lord Ram Sai Pallavi as Sita Yash as Ravana Sunny Deol as Lord Hanuman Ravie Dubey as Lakshman Rakul Preet Singh as Shurpanakha Box Office Expectations & Release Schedule With Prime Focus's Oscar-winning visual effects studio DNEG backing the CGI, Ramayana is engineered to set unprecedented records at the Indian and international box office. Film Title: Ramayana: Part 1 Genre: Epic Mythological / Action / Drama Theatrical Release: Diwali 2026 (Part 1) / Diwali 2027 (Part 2) Languages: Hindi, Tamil, Telugu, Kannada, Malayalam & International Dubs Frequently Asked Questions (FAQs) Q: When is Ramayana Part 1 releasing in theatres?A: Ramayana: Part 1 is scheduled for a grand worldwide theatrical release during Diwali 2026, followed by Part 2 on Diwali 2027. Q: Who plays Ravana in Nitesh Tiwari's Ramayana?A: Rocking Star Yash plays the role of Asura King Ravana in Nitesh Tiwari's two-part cinematic adaptation. Q: Who composed the music and background score for the Ramayana movie?A: The soundtrack and score are jointly composed by Oscar winners Hans Zimmer and A.R. Rahman, featuring sitar music by Rishab Rikhiram Sharma. Q: Which studio is handling the VFX for Ramayana?A: The visual effects and CGI are powered by the Oscar-winning studio DNEG in collaboration with Prime Focus Studios.

BY SUNIT JANGIR

Chennai, July 29 - Thalapathy Vijay's Jana Nayagan has reached another major milestone at the box office, crossing 250 crore worldwide while also surpassing 100 crore gross in Tamil Nadu in 7 days. After opening below the sky-high expectations associated with Vijay's farewell film, the H. Vinoth directorial has displayed good staying power, posting a solid first week despite the usual weekday slowdown. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan has grossed around 246 crore worldwide in its first six days of release, with Tamil Nadu leading the charge with around 97 crore gross. The film has now crossed the prestigious 100 crore gross mark in the state, making it Thalapathy Vijay's ninth film to achieve the feat in the state, while also topping 250 crore worldwide in just 7 days. The milestone once again highlights Vijay's extraordinary dominance at the Tamil Nadu box office, where he continues to set benchmarks unmatched by any contemporary Tamil star. The film's performance becomes even more impressive considering the challenges it faced before release. Jana Nayagan arrived in cinemas after a release delay, suffered an online leak, and was awarded an 'A' certificate, factors that could have significantly affected its commercial prospects. (adsbygoogle = window.adsbygoogle || []).push({}) However, strong fan support and Vijay's immense popularity ensured a solid opening weekend, while the surprisingly steady weekday hold has kept the collections, despite outright negative reception. The focus now shifts to the film's second weekend, which is expected to determine its long-term theatrical run. A strong hold over the weekend could comfortably push Jana Nayagan beyond the 300 crore worldwide milestone, which will be a massive win given the circumstances.

BY CHRISTA LINCY

Sanjay Leela Bhansali has always had a flair for the grand and the unconventional, and it looks like he is about to change the rules of the game once again with his upcoming project, Love and War. According to an exclusive report by Bollywood Hungama, the film—which features the powerhouse trio of Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal—will not be starting its promotional journey with a typical teaser or a motion poster. Instead of the usual marketing route, the director is reportedly working on something far more ambitious. Bhansali is personally shaping a special promotional asset designed to be an immersive experience for the audience. This isn't just a standard clip or a still image; it is being crafted to serve as a proper introduction to the emotional depth and scale of the cinematic world he has built for this movie. The idea is to give fans a first glimpse that feels like a journey into the film's atmosphere rather than just a quick preview. (adsbygoogle = window.adsbygoogle || []).push({}) The project is currently in its final stages of development, with the filmmaker collaborating closely with his creative team to ensure the vision is perfect. The plan is to unveil this special asset sometime in August, which will mark the official start of the marketing campaign. By skipping the traditional teaser format, the aim is to create an event-like atmosphere that transports viewers straight into the essence of the story before they even see a full trailer. This strategy fits perfectly with Bhansali's philosophy that storytelling begins the moment a project is announced. He wants to capture the specific mood and scale of Love and War rather than just showing isolated character looks or a standard motion poster. Since this is the first time Ranbir, Alia, and Vicky are sharing the screen under his direction, the anticipation is already at a fever pitch, and this unique launch strategy is likely to amplify that buzz significantly. (adsbygoogle = window.adsbygoogle || []).push({}) Industry insiders are calling this a potential landmark in promotional history. It suggests that the movie is much more than a standard big-budget release; it is an experience that the director wants the audience to feel from the very first glimpse. If everything goes according to plan next month, fans will finally get their first taste of what is expected to be one of the biggest releases in the Hindi film industry in recent years.

BY CHRISTA LINCY

The collaboration between Allu Arjun and director Atlee for their upcoming film Raaka is taking the Indian film industry by storm with its massive scale. According to an exclusive report by India Today, this project is no longer just a single film but has been expanded into a two-part franchise. The sheer ambition of the project is reflected in its staggering budget, which is currently estimated to be around 1,000 crore, making it one of the most expensive cinematic ventures ever attempted in the country. What makes Raaka particularly interesting is its narrative structure, which aims to bridge the gap between ancient mythology and the modern day. The film is set to weave together two entirely different worlds across distinct timelines. One major segment of the story will transport audiences back to a tribal Puranic Vedic era, a period that promises to showcase a unique aesthetic rarely explored with such high-end production values. The second segment will contrast this by bringing the story into a modern contemporary world. This dual-timeline approach suggests a deep, interconnected mystery between the ancestral past and the present, with Allu Arjun at the center of the narrative. (adsbygoogle = window.adsbygoogle || []).push({}) The casting choices for the film further highlight the divide between these two distinct eras. In the contemporary setting, Mrunal Thakur is set to play a lead role. Meanwhile, the historical Puranic Vedic segment will feature an incredible trio of leading ladies, including Deepika Padukone, Janhvi Kapoor, and Rashmika Mandanna. Having four major stars like this in a single project shows the level of world-building Atlee is putting into the franchise, ensuring that both parts carry significant star power and narrative weight across the different time periods. Beyond the primary cast, the film continues to generate headlines with its high-profile special appearances. The much-anticipated cameo by Shah Rukh Khan remains a key highlight for fans. It is reported that his portions are yet to be filmed and are currently being planned for an international schedule overseas to match the global aesthetic the makers are aiming for. Despite the complexity of filming two separate timelines and managing such a massive ensemble, industry reports suggest that the team intends to complete the principal photography for both parts before the end of this year. (adsbygoogle = window.adsbygoogle || []).push({}) While the production house has kept specific plot points under wraps, the vision for Raaka is clearly aimed at creating a landmark cinematic experience. By moving away from a standalone format and embracing a two-part franchise model, Atlee and Allu Arjun are giving the story the room it needs to breathe.

BY SUNIT JANGIR

Mumbai, July 29 - Marvel Studios and Sony Pictures' Spider-Man: Brand New Day is rewriting the record books even before hitting the big screens in India. The Tom Holland-led superhero blockbuster has registered unprecedented demand across the country, putting it on course to deliver the biggest opening ever for a non-Indian film. With bookings continuing to surge, the film is now within touching distance of surpassing Avengers: Endgame's long-standing pre-sales record. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest update, Spider-Man: Brand New Day has sold approximately 85+ crore gross worth of tickets for its opening weekend, including around 45+ crore gross for the opening day alone. The film is expected to overtake Avengers: Endgame's estimated 90 crore opening weekend advance booking before the first show begins and could even become the first Hollywood release in India to touch the 100 crore gross pre-sales milestone. These are unprecedented numbers for a non-Indian title and reflect the extraordinary anticipation surrounding the latest Spider-Man adventure. The massive bookings have put Brand New Day firmly on track for a historic debut at the Indian box office. Industry projections suggest the film is capable of delivering the biggest opening day and opening weekend ever for a Hollywood release in India, surpassing the benchmarks established by Avengers: Endgame. (adsbygoogle = window.adsbygoogle || []).push({}) Strong occupancy across premium formats, coupled with exceptional momentum in national multiplex chains, has fueled confidence that the film will shatter multiple box office records over its first four days. The record-breaking trend is mirrored worldwide, where Spider-Man: Brand New Day is tracking for one of the biggest global openings in cinema history. With exceptional pre-sales across major international markets and overwhelmingly positive early buzz, the Marvel blockbuster is poised to begin its theatrical run with a historic worldwide opening, further cementing Spider-Man's status as one of the biggest cinematic brands on the planet. It is scheduled to release on July 30 in India in multiple languages.