Venu

Venu

🎂
Date of Birth
Jan 26, 1957
📅
Age
69 Years
🎬
Known For
Indian Cinema
Director Cinematographer

Career Stats

Total Movies 2
Debut Year N/A
Awards Won Coming Soon
Box Office ₹11 Cr
💰

Box Office Summary

🏆
₹11 Cr
Ekka
💎
0
1000+ Cr Movies
💎
0
500+ Cr Movies
💎
0
200+ Cr Movies
💎
0
100+ Cr Movies
💹

Top 10 Net Collection

Ekka
Collection: ₹9.76 Cr
Munnariyippu
Collection: ₹0.00 Cr
🎬

Recent Movies

Ekka
Ekka
Jul 2025
Munnariyippu
Munnariyippu
Aug 2014

Related News & Articles

Dhurandhar 2 Day 69 Box Office: Ranveer Singh's sequel records a 25% jump on its 10th Tuesday Box Office
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Dhurandhar 2 Day 69 Box Office: Ranveer Singh's sequel records a 25% jump on its 10th Tuesday

BY SACNILK

It is truly remarkable to see a film still finding fresh oxygen in its tenth week, but Ranveer Singh’s Dhurandhar 2: The Revenge is doing exactly that. On its 69th day in theaters, the sequel managed to rake in a net of 0.15 Cr across India. While the number might seem small in isolation, it actually represents a 25 percent growth compared to the previous day's 0.12 Cr. For a movie to show an upward trend this late in its theatrical run is a testament to its incredible legs at the box office. With this latest addition to the kitty, the total India net collection has reached a staggering 1,147.85 Cr. Most of this moolah has come from the Hindi version, which alone has crossed the 1,000 Crore milestone, sitting at 1,079.31 Cr. The film has also seen healthy contributions from the South, particularly from the Telugu version, which netted 43.07 Cr. Overall, the India gross now stands at 1,373.73 Cr, and when you combine that with an overseas gross of 426.67 Cr, the film has officially breached the massive 1,800 Crore worldwide milestone. If you look at the occupancy levels for Day 69, the film is performing exceptionally well in specific pockets despite having only 246 shows left nationwide. Pune was the standout performer yesterday, recording a massive 66 percent overall occupancy, with afternoon shows even hitting 100 percent capacity. Mumbai also saw strong footfalls with 43 percent occupancy, including an evening peak of 91 percent. In the National Capital Region (NCR), which still holds the highest show count at 56, the occupancy stayed solid at 30.5 percent. It is clear that the core audience is still showing up to experience this spectacle on the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) National multiplex chains like PVR, INOX, and Cinepolis show that the film added around 1.3 Lakhs to its gross through advance sales for the day. Specifically, PVR brought in approximately 61K, followed by INOX at 40K and Cinepolis at 31K. Total ticket sales across these chains for the day were around 780 tickets. These figures show that while the volume is low, the film is still maintaining its presence in premium screens even after 525,460 cumulative shows since its release. In total, Dhurandhar 2: The Revenge has cemented itself as an all-time blockbuster with worldwide collections of 1,800.40 Cr. The journey from its opening day to Day 69 has been record-breaking, and even as it nears the end of its theatrical journey, it continues to add those final bits of revenue to its legendary total. Logically, with new releases taking over most screens, the film is now making the most of its loyal urban fan base to finish its run on a high note.

Kollywood Gets a Major Policy Boost: 5 Daily Shows Now Permitted Across Tamil Nadu Kollywood
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Kollywood Gets a Major Policy Boost: 5 Daily Shows Now Permitted Across Tamil Nadu

BY SACNILK

Tamil Nadu's theatrical landscape just witnessed a major policy shift that is being hailed as a life-saving move for the film industry. Chief Minister C. Joseph Vijay, known to his fans as Thalapathy, has officially issued a government order (GO) permitting all cinema halls across the state to screen five shows daily. This landmark decision marks a significant departure from the decades-old regulations that limited daily screenings to four shows. What has changed with the new order? The directive, issued on May 25, 2026, officially amends the Tamil Nadu Cinema Theatres (Regulation) Rules, 1957. Under the previous rules, specifically Condition 14-A, theaters were restricted to four shows a day. A fifth special show was only allowed on specific festive occasions and required separate approval from District Collectors or, in the case of Chennai, the Commissioner of Police. With this new amendment, all newly released films are now permitted to have five daily shows for the first seven days of their release. Most importantly, the government has removed the requirement for theater owners to obtain separate special permission or wait for a specific G.O. to be issued for these shows. This flexibility also extends to all weekends, public holidays, and local festival days throughout the year. (adsbygoogle = window.adsbygoogle || []).push({}) A Direct Result of Industry Outreach This pro-cinema move follows a key meeting on May 16, 2026, where industry representatives met CM Vijay to present a charter of demands aimed at reviving the theatrical business. Just days later, industry veteran Kamal Haasan also met the Chief Minister, presenting a memorandum that highlighted the need for more daily screenings and a government-backed anti-piracy wing. By fast-tracking this specific demand, the CM has sent a clear signal that his administration is committed to the growth of Kollywood. Industry stakeholders have been quick to welcome the news. Exhibitors have noted that this change will help curb the demand that often leads to unauthorized early morning shows and will significantly boost the opening-week collections of big-ticket films. For theater owners, who have been battling the rapid shift toward OTT platforms, the ability to run an extra show without administrative hurdles provides much-needed operational relief. Analytical trends suggest that for a standard multiplex or single screen, adding a fifth show can increase daily revenue capacity by nearly 20 to 25 percent during peak demand periods. This move is expected to have a cascading effect on the box office records of upcoming releases, as the increased show count naturally expands the ceiling for Day 1 and opening weekend numbers. As Tamil cinema enters this more flexible era of exhibition, the focus now shifts to how the industry will utilize this extra capacity to battle piracy and bring audiences back to the big screen.

Krishnavataram Part 1 Day 19 Box Office: Adding Rs. 0.75 Cr Net to its Status as the 9th Highest-Grossing Hindi Film of 2026 Box Office
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Krishnavataram Part 1 Day 19 Box Office: Adding Rs. 0.75 Cr Net to its Status as the 9th Highest-Grossing Hindi Film of 2026

BY SACNILK

As Krishnavataram Part 1: The Heart moves through its nineteenth day, the daily collections are starting to level off. The film earned around 0.75 Crore net on its third Monday across 1,587 shows, marking around 63 per cent drop from the 2.05 Crore it collected on Sunday. While this decline is standard for a weekday, it brings the total India net collection to 29.82 Crore and the gross to 35.18 Crore. When we look at the financial health of the project, the situation is quite challenging. With a reported production cost of 60 Crore, the movie is currently underperforming and struggling to reach even the halfway mark for cost recovery. However, in a year that has seen mixed results for many Hindi releases, Krishnavataram Part 1: The Heart still manages to secure a spot in the top 10 highest-grossing Hindi films of 2026 so far, currently sitting at rank number 9 in terms of total gross volume. (adsbygoogle = window.adsbygoogle || []).push({}) While the film is still working toward recovering its production costs, its current collection volume places it among the highest-grossing Hindi releases of the year so far. It currently stands as the ninth highest-grossing Hindi film of 2026. Here is how the top ten list looks so far: Dhurandhar 2: The Revenge: ₹1,800+ Cr Border 2: ₹450.19 Cr Bhooth Bangla: ₹260.97 Cr(As of day 39) O Romeo: ₹110.81 Cr Mardaani 3: ₹76.27 Cr The Kerala Story 2: Goes Beyond: ₹62.39 Cr Pati Patni Aur Woh Do: ₹50.52 Cr(As of day 11) Ikkis: ₹41.65 Cr Krishnavataram Part 1: The Heart: ₹35.18 Cr(As of day 19) Chand Mera Dil: ₹18.02 Cr(As of day 4) Looking at the broader scale of the release, the film has completed a total of 34,359 shows across the country since its opening day. What stands out in the data is that the entire worldwide gross of 35+ Crore has been generated solely within the domestic market. This underlines the film's heavy reliance on the local audience as it continues its struggle toward a stable financial finish. (adsbygoogle = window.adsbygoogle || []).push({}) Breaking down the performance in the major national multiplex chains for the day, we see a very limited flow of revenue. Across PVR, INOX, and Cinepolis, the film collected about 7.1 Lakhs gross from roughly 3.2K tickets sold. Looking at individual chains, INOX led with 2.8 Lakhs, followed by PVR with 2.5 Lakhs, and Cinepolis with 1.8 Lakhs. The average occupancy across these specific venues stayed low at 2.38 per cent across 775 shows. Despite the slowing pace, the film still saw 22.64K tickets booked on BookMyShow this Monday, bringing the total ticket count across its entire run to approximately 765K. Geographically, Mumbai remains the most active region with 20.0 per cent occupancy for its 92 shows. Ahmedabad and the National Capital Region followed with 12.0 per cent and 11.8 per cent, respectively. Meanwhile, Surat saw much lower engagement with only 4.3 per cent occupancy. In terms of total language-wise contribution, the Hindi version is carrying the bulk of the weight with a net of 27.10 Crore. The Telugu and Tamil versions have added 2.30 Crore and 0.42 Crore, respectively, to the domestic total. As the film concludes its third week, the primary focus will be to see how much further it can push its totals before its eventual digital transition, as the theatrical window starts to narrow significantly.

Bhooth Bangla Day 39 Box Office: Rs. 0.50 Cr Net; Misses All-Time Top 10 Spot by Rs. 0.60 Cr Margin Box Office
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Bhooth Bangla Day 39 Box Office: Rs. 0.50 Cr Net; Misses All-Time Top 10 Spot by Rs. 0.60 Cr Margin

BY SACNILK

The reunion of Akshay Kumar and director Priyadarshan has clearly struck a chord with the audience, as Bhooth Bangla continues its steady march through its sixth week. Horror-comedies often rely on strong word-of-mouth to survive the initial weeks, and this film has managed to do just that, maintaining a consistent presence in theaters even as new releases arrive. Entering Day 39, the film is showing the kind of endurance that is becoming increasingly rare in today's fast-paced box office cycle. According to early estimates, Bhooth Bangla collected a net of 0.50 Crore on its sixth Monday. This reflects a logical 63.0 percent drop from the previous day's collection of 1.35 Crore, which is standard for a weekday following a weekend boost. This latest addition brings the total India net collection to 174.85 Crore. On the gross front, the domestic total has now reached 207.22 Crore. When we factor in the overseas gross of 53.75 Crore, the worldwide total stands at a solid 260.97 Crore. The film has achieved these numbers through an extensive run of over 227,000 shows since its release. Ticket sales on BookMyShow remain quite healthy for a film in its 39th day, rounded with 11.59K tickets booked on the platform this Monday. This brings the total ticket count across its entire run to approximately 32.7 Lakhs. The steady demand even after more than a month in theaters suggests that the film has successfully tapped into the family audience segment that enjoys the classic Priyadarshan brand of humor mixed with supernatural elements. (adsbygoogle = window.adsbygoogle || []).push({}) In the major national multiplex chains, the film maintained a steady flow of audience. Between PVR, INOX, and Cinepolis, a total of 2.1K tickets were sold, bringing in a gross of 4.5 Lakhs for the day. Looking at the chain-wise breakdown, PVR led with 2.2 Lakhs, while INOX and Cinepolis contributed 1.3 Lakhs and 1.0 Lakhs respectively. This cumulative performance across 550 shows resulted in an average occupancy of 2.10 percent for these chains. Regionally, the Hindi-speaking heartland continues to provide the most support. On Day 39, the National Capital Region (NCR) led the way with a 14.0 percent occupancy across 192 shows, showing particular strength during the night screenings which saw 17.0 percent of seats filled. Lucknow also showed decent engagement with an 11.5 percent overall occupancy, while Ahmedabad recorded 9.8 percent across its 81 shows. The consistent performance in these major cities has been the backbone of the film's long-term success. (adsbygoogle = window.adsbygoogle || []).push({}) While the film misses out on a top 10 spot for all-time Day 39 collections, it has still managed to secure a position on the historical list for this stage of the theatrical run. The very top of this leaderboard is led by films that showed exceptional longevity, such as Stree 2 with 5.00 Crore, Dhurandhar 2: The Revenge with 3.25 Crore, and Jawan with 2.09 Crore. To even enter the top 10, a film needs to surpass the 1.10 Crore mark set by Kalki 2898 AD. By collecting 0.50 Crore on its sixth Monday, Bhooth Bangla currently ranks 18th, matching the daily pace seen by other significant hits like Raid 2 and Gadar 2. This ranking places it among a select group of Hindi releases that have remained active enough to register on the charts after five weeks in theaters. As the film nears the end of its sixth week, the focus is now on how much further it can push its total before concluding its theatrical run. With a worldwide gross exceeding 260 Crore, Bhooth Bangla has already established itself as a significant hit. The combination of a beloved actor-director duo and a popular genre has proven to be a winning formula, allowing the film to maintain a steady, albeit smaller, stream of revenue deep into its second month of release.

Karuppu Day 11 Box Office Collection: Rs. 6.77 Cr India Gross ; Film Joins Top 5 All-Time Second Monday Records In Kollywood Box Office
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Karuppu Day 11 Box Office Collection: Rs. 6.77 Cr India Gross ; Film Joins Top 5 All-Time Second Monday Records In Kollywood

BY SACNILK

The second Monday is usually when we see how much staying power a film really has, and for Karuppu, the Day 11 numbers are looking quite steady. Based on early estimates, the film has now crossed the 150 Crore net mark in India. It is an important milestone that shows the movie is holding onto its audience well even after the initial rush of the first week. If we look at the raw data, the film collected a net of 5.90 Crore on Day 11 across 4,457 shows. While this represents a 60.0 percent drop compared to the previous day's net collection of 14.75 Crore, it is a very logical and expected trend for a working Monday following a massive second weekend. This takes the total India net collection to 154.75 Crore. On the gross front, the domestic total has reached 179.15 Crore, while the overseas market contributed another 1.00 Crore on Monday, pushing the total overseas gross to 68.00 Crore. When you combine these figures, Karuppu stands at a worldwide gross of 247.15 Crore. One of the most impressive aspects of this run is the ticket sales momentum. On its second Monday, Karuppu recorded approximately 100.84K ticket bookings on BookMyShow. To put this into perspective, we can compare it with previous blockbusters to understand the magnitude of this trend. While Jailer held a record with 126K sales on its second Monday, Karuppu’s performance of roughly 101K puts it right in the league of massive hits like The GOAT. Staying in the six-figure range for weekday ticket sales is a clear indicator of strong word-of-mouth and repeat audiences. (adsbygoogle = window.adsbygoogle || []).push({}) Breaking down the performance in national chains for the day, we see a steady flow of revenue. In the major multiplexes, the film collected about 32.8 Lakhs gross from approximately 22.4K tickets sold. If we look at the individual chain performance, PVR led the way with 23.2 Lakhs, followed by INOX with 7.7 Lakhs, and Cinepolis with 1.9 Lakhs. The total contribution from these three major chains aligns perfectly with the overall reported 32.8 Lakhs. Even with competition from Drishyam 3, which is also vying for screen time, Karuppu maintained a superior occupancy rate of around 14.5 percent in these chains compared to its competitor's 9.1 percent. Language-wise, the Tamil version continues to be the primary engine of growth. On Day 11, the Tamil 2D version recorded an overall occupancy of 26.6 percent. Chennai remains the stronghold with 46.0 percent occupancy across 562 shows, showing particular strength in the evening and night shows which hovered around 54 to 56 percent. Coimbatore also put up a strong fight with nearly 40 percent occupancy. The Telugu version is holding its own in pockets like Vizag-Visakhapatnam, which saw a healthy 21.5 percent occupancy, outperforming even Hyderabad which sat at 16.0 percent for its 290 shows. Bengaluru, a crucial melting pot for both languages, saw a combined effort with occupancy rates staying between 12 and 13 percent for both Tamil and Telugu screenings.This consistent performance has helped the film secure a top spot on the historical leaderboard for second Monday collections in Kollywood. Kollywood 2nd Monday Highest Collection (Tamil Net)MOVIE NAME2ND MONDAY NET (TAMIL)The Greatest of All Time₹ 5.80 CrKaruppu₹ 4.90 CrVikram₹ 4.17 CrAmaran₹ 4.15 CrPonniyin Selvan - Part 1₹ 4.00 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Also Check the cumulative state-wise gross breakdown as of the eleventh day: Tamil Nadu: 120.15 Crore Andhra Pradesh and Telangana (APTG): 26.15 Crore Karnataka: 18.58 Crore Kerala: 11.51 Crore Rest of India: 2.76 Crore Total India Gross: 179.15 Crore When we look at the historical leaderboard of Tamil cinema, reaching the 250 Crore mark is a benchmark reserved for the biggest blockbusters. Speed-wise, films like Coolie, 2.0, and Leo remain the pace-setters, having achieved this global feat in just 3 days. They are followed by heavyweights like Jailer and The Greatest of All Time, which took 4 days, while Ponniyin Selvan - Part 1 crossed the line in 5 days. Karuppu is now on the verge of entering this prestigious circle. Based on early estimates, the film is expected to hit the milestone by its 12th day, placing it right alongside the steady performance of Amaran, which also reached the mark in 12 days. It is a significant achievement that highlights the film's sustained popularity across both domestic and international markets. Looking ahead, the film is on a clear trajectory to hit the 250 Crore worldwide gross mark by today. The overseas performance, which Venky Box Office reports at approximately 7.05 Million dollars or 67.1 Crore before adding Monday’s early estimates, has been a significant pillar for the film's success. As we head into the rest of the week, the stability of these numbers suggests that Karuppu is not just a opening-weekend wonder but a long-distance runner that is effectively capitalizing on its massive show count of over 60,000 screenings since its release.

Peddi Censor Updates and North America Advance Sales: Ram Charan Starrer Gets UA Certificate With Over 3-Hour Runtime Advance Booking
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Peddi Censor Updates and North America Advance Sales: Ram Charan Starrer Gets UA Certificate With Over 3-Hour Runtime

BY SACNILK

The excitement for Ram Charans massive project Peddi is building up as we head toward the June 4 release date. While the team is busy with promotional tours, the film has officially cleared its censor process. According to a report from Bollywood Hungama, the Central Board of Film Certification has given the original Telugu version a U/A 16 plus certificate, though it came with several requests for mutes and modifications. Several words like Loudesh, Bokka, Lambdi kodaka, and other strong language were asked to be muted. The board also requested changes to the lyrics Saruku saman in the song Chikiri Chikiri. Interestingly, the word Rajasthan and a reference to a specific community in the second half were asked to be removed. On the visual side, no major action scenes were cut, but the makers had to use CG to cover a shot of a middle finger. Once these changes were finalized, the final runtime was locked at 189 minutes, which means fans are in for a long ride of 3 hours and 9 minutes. Looking at the business side, the film is already making some noise in the overseas market. Based on data shared by Venky Box Office, the USA premiere advance sales have reached 442,318 dollars from 475 locations and 1,403 shows, with over 15,582 tickets sold at a 9 percent occupancy. For the overall North American market, including Canada, the advance sales are sitting at 489,000 dollars with 17,332 tickets booked. A massive chunk of the revenue is coming from Texas, which has contributed over 164,000 dollars alone, followed by California and Virginia. In terms of cinema chains, Cinemark is leading the way with nearly 300,000 dollars in sales, while Regal and AMC follow. The data also reveals that while standard screenings are popular, fans are gravitating toward premium experiences with XD formats alone bringing in 118,125 dollars. While the current daily growth is slightly slow with jumps of less than 20,000 dollars, there are still 10 days left for the premieres, and trade experts expect the momentum to pick up soon. (adsbygoogle = window.adsbygoogle || []).push({}) On the ground, the promotions are in full swing. The team is in Bangalore today, May 25, for a big press event to interact with the media and fans. During the recent trailer launch, Ram Charan spoke about how physically demanding the shoot was. He mentioned that they spent nearly a month filming intense wrestling sequences with real pehelwans rather than trained actors. He even revealed that he suffered a cartilage tear during the process but said the effort was worth it for the final output. Directed by Buchi Babu Sana with a musical score by A R Rahman, Peddi is being released as a major pan-India film. It features a star-studded cast including Janhvi Kapoor, Shiva Rajkumar, and Jagapathi Babu. The film is also set to hit screens in the IMAX format, and given the massive scale, all eyes are now on how it performs when it finally lands in cinemas next month.

Dhurandhar 2 10th Weekend Box Office: Hits Rs. 1,800 Cr; Combined Franchise Haul Stands At Rs. 3,107 Cr Worldwide Box Office
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Dhurandhar 2 10th Weekend Box Office: Hits Rs. 1,800 Cr; Combined Franchise Haul Stands At Rs. 3,107 Cr Worldwide

BY SACNILK

Dhurandhar 2: The Revenge has effectively rewritten the rulebook for what a blockbuster looks like in today's era. By sailing past the 1,800 crore mark globally, it has not just overtaken legends like Baahubali 2 and Pushpa 2, but it has essentially provided a much-needed adrenaline shot for the entire industry. What makes this success story truly jaw-dropping is how the makers played their cards; while the first installment in 2025 was a purely Hindi release that raked in an impressive 1,307.35 crore, the sequel was unleashed in multiple languages. This strategic pivot allowed the film to set new benchmarks that have left many in awe as it claimed the second spot in the all-time global rankings. The financial picture here is nothing short of incredible. When you consider that both films were made on a combined budget of 255 crore, the return on investment is frankly in a league of its own. We are looking at a franchise that has generated over 3,100 crore in total worldwide gross across both chapters. To put the domestic craze into perspective, the film has seen over 4 crore footfalls, making it the first original Hindi-led project to command that kind of crowd since Gadar back in 2001. Also the sequel's 1.83 crore ticket sales on BookMyShow have pushed the franchise's total to over 6.8 crore tickets across India, reflecting the massive scale of its audience reach.Such is the trend the franchise has set that it may take years for these records to be broken. (adsbygoogle = window.adsbygoogle || []).push({}) Even as it enters its tenth weekend, the film is showing no signs of a complete burnout. In fact, the tenth-weekend performance saw a total net collection of 0.83 crore across 691 shows in India. The momentum peaked on Sunday (Day 67) with a net of 0.40 crore, marking a 33.3 percent jump from the previous day. The occupancy levels followed a similar trend, starting at 21 percent on Friday and climbing to a healthy 36 percent on Sunday. National chains like PVR, INOX, and Cinepolis saw a surge in volume as well, with ticket sales jumping from 1,318 on Friday to 3,798 on Sunday. By the end of this weekend, over 7,300 tickets were added to the kitty from these chains alone, suggesting the film still has some legs left. Dhurandhar 2: The Revenge - Week-wise India Net CollectionWEEKCOLLECTION (NET)Week 1₹ 674.17 CrWeek 2₹ 263.65 CrWeek 3₹ 110.60 CrWeek 4₹ 54.70 CrWeek 5₹ 19.52 CrWeek 6₹ 12.45 CrWeek 7₹ 5.58 CrWeek 8₹ 3.89 CrWeek 9₹ 2.19 Cr10th Weekend₹ 0.83 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The multi-lingual approach for the sequel paid off handsomely, allowing the film to penetrate markets that Part 1 could not reach. While the Hindi version remains the primary driver, the contributions from the Southern states have helped push the total India net to 1,147.58 crore.Based on current trends, we expect the film to conclude its theatrical journey with a lifetime global haul of approximately 1,803 crore or may be 1,805 crore ,safely securing its place as a historical benchmark for Indian cinema. Here is how the regional breakdown looks: Hindi: ₹1,079.04 Cr Telugu: ₹43.07 Cr Tamil: ₹19.83 Cr Kannada: ₹3.87 Cr Malayalam: ₹1.77 Cr This global dominance was further cemented by a strong showing overseas, where the film grossed a total of 426.67 crore. International audiences were clearly drawn to the high-quality VFX, as roughly 18 percent of overseas revenue came from premium formats like IMAX and 4DX. As the theatrical run begins to wind down, the focus is now shifting toward the small screen. The digital premiere on JioHotstar on June 4 will feature a special Raw and Undekha cut, including 20 minutes of extra footage that wasn't shown in theaters. This extended version is expected to keep the conversation going long after the film leaves the big screen. The financial health of this duology is arguably its most impressive feat. The producers managed both films on a combined budget of just 255 crore, making the return on investment frankly in a league of its own. We are looking at a franchise that has generated over 3,107 crore in total worldwide gross across both chapters. This success was not limited to the box office; the makers also pulled off a masterstroke with digital rights. While Part 1 remained with Netflix for a revised value of 85 crore, the makers leveraged the sequel's hype to secure a separate, staggering 150 crore deal with JioHotstar. This pushed their total digital revenue to 235 crore, nearly covering the entire production cost of the franchise through streaming alone.

Drishyam 3 Day 1 Overseas Box Office: Staggering Rs. 25 Cr Gross; GCC Emerges as the Top Contributor in a Record-Breaking Start Box Office
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Drishyam 3 Day 1 Overseas Box Office: Staggering Rs. 25 Cr Gross; GCC Emerges as the Top Contributor in a Record-Breaking Start

BY SACNILK

The return of Georgekutty was always going to be a cinematic event, but the scale at which Drishyam 3 has landed is something even seasoned analysts are marveling at. After years of anticipation, the Lalettan-Jeethu Joseph combo has delivered a global rampage, marking the biggest international release in the history of Malayalam cinema with over 1500 screens worldwide. This isn't just a sequel; it is a full-scale box office invasion that has seen the movie claim the spot for the second-highest Malayalam opening of all time, trailing only the colossal L2: Empuraan. The primary story of Day 1 belongs to the overseas market, where the film has raked in a staggering 25.00 Cr (approx. $2.6 Million+). Distributed internationally by Phars Film, the movie saw a massive contribution from the Middle East, with the GULF region alone bringing in $1.4M (roughly 11.5Cr to 13.5Cr depending on local reports). The non-GCC territories were equally impressive, adding another $1.2M+ to the kitty. From the rain-soaked streets of London to the multiplexes of North America, the Georgekutty saga is being watched with bated breath. (adsbygoogle = window.adsbygoogle || []).push({}) Drishyam 3: Day 1 Worldwide Box Office Summary TERRITORY GROSS COLLECTION Highlights India (Domestic) ₹ 18.37 Cr ₹ 15.85 Cr Net across 5,506 shows Overseas (International) ₹ 25.00 Cr Largest ever release (1500+ screens) Worldwide Total ₹ 43.37 Cr 2nd Highest Mollywood Opener A closer look at the territory-wise breakdown shows just how wide the Lalettan effect spans. In the UK and Ireland, the film breached the 4Cr mark, while the US and Canada saw a massive 3.75Cr including premieres. Australia and New Zealand contributed a combined 1.48Cr, proving that the diaspora is showing up in record numbers. When you add the contributions from the rest of Europe and other Asian markets, the overseas moolah hits that 25 Cr milestone with ease. (adsbygoogle = window.adsbygoogle || []).push({}) When we break down the international numbers, the Middle East emerges as the primary engine for this growth, bringing in $1.4 million—roughly 13.5 crore—with over 131,000 admissions in the GULF region on Day 1 alone. The momentum carried over to Europe and the West, where the UK and Ireland markets contributed upwards of 4 crore, while North America (US and Canada) delivered an estimated 3.75 crore including premiere shows. Australia and New Zealand also saw healthy footfalls, adding 1.20 crore and 28 lakh respectively to the overseas kitty. When we look at the historical leaderboard of Malayalam cinema's international performance, Drishyam 3 has comfortably established itself in the highest echelon of the overseas charts. With a total of $2.63 million in international earnings on its first day, the film has secured the #2 spot on the all-time list of Mollywood openings abroad. While L2: Empuraan remains the undisputed leader with its massive $5.16 million debut, Georgekutty's third chapter has managed to surge past other heavyweights like Patriot ($1.78M), Marakkar: Arabikadalinte Simham ($1.66M), and Kurup ($1.62M). This significant jump from the $1.6M-$1.7M range seen by previous hits to the $2.6M mark for this thriller highlights the staggering growth of the franchise's global brand value. (adsbygoogle = window.adsbygoogle || []).push({}) To put this in perspective, we have to look at the leader of the pack. L2: Empuraan still holds the crown with a worldwide opening of 67.34 Cr (43 Cr overseas), but Drishyam 3 has comfortably secured the second spot. While Empuraan had the advantage of a massive action-spectacle hype, Drishyam 3 is thriving on pure suspense and brand trust. Domestic audiences also played their part, with a 15.85 Cr net collection across 5,506 shows, keeping the theater fill-rates high throughout the day. Ultimately, Drishyam 3 has proven that Malayalam cinema's storytelling is no longer confined to regional boundaries. By pulling in more revenue from overseas (25 Cr) than from the domestic market (18.37 Cr Gross) on Day 1, Georgekutty has shown that a well-crafted thriller can be a global goldmine. As the weekend progresses and the word-of-mouth spreads, it will be interesting to see if the film can maintain this blistering pace and challenge the lifetime records of the industry's biggest blockbusters.

Dhurandhar 2: The Revenge Week 9 Box Office Collection: Rs. 2.19 Cr Net; Steady Footfalls for the Spy Epic as it Completes a Historic 64-Day Marathon Box Office
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Dhurandhar 2: The Revenge Week 9 Box Office Collection: Rs. 2.19 Cr Net; Steady Footfalls for the Spy Epic as it Completes a Historic 64-Day Marathon

BY SACNILK

Dhurandhar 2: The Revenge has done more than just break records; it has effectively redefined the impact of a franchise film within the larger spy universe. This cinematic world has built significant trust with the audience, and this sequel has capitalized on that goodwill to reach heights rarely seen in Indian cinema.When we talk about the landscape of modern Indian cinema, the spy universe has emerged as a juggernaut, creating a level of excitement that few other franchises can match. Dhurandhar 2: The Revenge is the latest titan in this cinematic world, and its performance has been nothing short of historic. As the film navigates its ninth week at the box office, it is not just fighting for numbers; it is solidifying its legacy as a once-in-a-generation blockbuster. Let us dive into the data to see how this heavy hitter is wrapping up its record-breaking journey. As we enter the twilight of its theatrical run, the momentum remains remarkably steady. On Day 64, which was the tenth Thursday, the film brought in a net collection of 0.20 Cr. What is interesting here for those following the trends is the absolute stability; this figure is an exact match to the 0.20 Cr collected on Wednesday. Holding its ground across 368 shows after more than two months is a clear indicator that the audience interest has not completely evaporated, even with newer releases hitting the screens. (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar 2: The Revenge - Week 9 Box Office Breakdown DAY COLLECTION (NET) SHOWS OCCUPANCY Day 58 (Friday) ₹ 0.26 Cr 389 15.2% Day 59 (Saturday) ₹ 0.53 Cr 418 28.0% Day 60 (Sunday) ₹ 0.63 Cr 436 32.8% Day 61 (Monday) ₹ 0.15 Cr 389 14.0% Day 62 (Tuesday) ₹ 0.22 Cr 408 27.0% Day 63 (Wednesday) ₹ 0.20 Cr 409 16.0% Day 64 (Thursday) ₹ 0.20 Cr 368 16.0% Total Week 9 ₹ 2.19 Cr - - When analyzing the screening frequency and theater fill-rates for the week, the film maintained a footprint of 2,817 shows across the country. The average occupancy for this seven-day period stood at approximately 21.28%. While the weekdays saw a more modest turnout, the weekend surge—peaking at 32.8% on Sunday—significantly bolstered the average, proving that the film still has enough legs to draw in crowds during leisure hours even after two months of dominance. (adsbygoogle = window.adsbygoogle || []).push({}) The bigger picture is where the numbers truly become staggering. To date, the total India net collection has reached 1,146.75 Cr, while the India gross stands at 1,372.42 Cr. When we factor in the overseas market, where the film has grossed 426.67 Cr, the worldwide total hits a massive 1,799.09 Cr. This officially makes it the second highest-grossing Indian film of all time globally. This feat was achieved through a marathon run spanning 524,278 shows, showing just how wide the film was distributed to reach every corner of the audience. Looking at the ground-level engagement through ticket sales, we see a logical and expected dip. In the major national chains—PVR, INOX, and Cinepolis—the film sold a combined total of 20,963 tickets over the last seven days. While the weekend saw the usual spike, the weekday numbers show a predictable cooling off. Similarly, on BookMyShow, the movie recorded approximately 41.70K ticket sales for the week until the tracking concluded on Day 62. To give you some context, the eighth week saw about 81,000 tickets booked through the same platform, so the sales have effectively halved as the film reaches its natural saturation point. In the end, Dhurandhar 2: The Revenge has proven that the spy universe is a goldmine when backed by the right scale and storytelling. While a 2.19 Cr ninth week might seem small compared to its opening days, it is the finishing touch on a colossal mountain of revenue. The film has already done its job, rewriting the record books and setting a daunting benchmark for any future blockbusters to follow.

Karuppu Day 6 Box Office: 10.30 Cr Net; 6th Consecutive Double-Digit Day As It Surpasses Vettaiyan On BMS Box Office
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Karuppu Day 6 Box Office: 10.30 Cr Net; 6th Consecutive Double-Digit Day As It Surpasses Vettaiyan On BMS

BY SACNILK

The box office has a new heavy-hitter as Karuppu officially crossed the prestigious 100 crore net mark in India today. It has been a whirlwind six-day journey for this actioner, and reaching this milestone within the first week itself speaks volumes about its massive ground-level pull. As of its first Wednesday, the film has cemented its status as a major blockbuster of 2026. On its sixth day, Karuppu collected 10.30 crore rupees across all languages in India. When we compare this to Tuesday's collection of 12.75 crore, we see a logical 19.2 percent drop. For a mid-week performance, staying in double digits is a fantastic sign of stability. The film operated across 6,194 shows today, maintaining a strong presence even as it moves toward the end of its first week. One of the most remarkable aspects of this run is the digital footprint on BookMyShow. On its first Wednesday alone, the film sold 210K tickets, which is an incredible figure. To put this into context, it has outpaced the Wednesday sales of major hits like Leo (203K) and Amaran (185K), trailing only behind Jailer (324K). With a total of over 27.35 lakh tickets sold on the platform so far, Karuppu has now become the 6th best-selling Tamil film on BookMyShow, surpassing the final lifetime sales of both Vettaiyan and GBU. (adsbygoogle = window.adsbygoogle || []).push({}) If we look at the performance in the major national chains, the contribution remains solid. PVR recorded approximately 29,890 tickets, while INOX and Cinepolis saw around 9,300 and 2,540 tickets respectively. This brings the total ticket sales in these three major chains to roughly 41,730 for the day. These urban centers, especially in the south, are continuing to drive the bulk of the revenue. In terms of regional occupancy, the Tamil version is leading the charge with a 35 percent overall rate. Chennai remains the strongest fortress for the film with nearly 60 percent occupancy across 718 shows, followed closely by Coimbatore at 53 percent. The Telugu version is also holding its own, particularly in Vizag where occupancy hit 23 percent today. These consistent numbers across different regions have pushed the total India net collection to 105.35 crore rupees. The global picture is equally impressive. With a domestic gross of 121.96 crore and an overseas contribution of 54 crore, the total worldwide gross now stands at 175.96 crore rupees. The film is currently enjoying a great run in the international markets, adding another 3 crore to its tally today. (adsbygoogle = window.adsbygoogle || []).push({}) As the film finishes its first six days, it has already secured a spot among the elite openers of Kollywood. Here is how its Day 6 Tamil Net collection compares with the all-time highest performers in the industry: Top 10 Kollywood Day 6 Highest Collection (Tamil Net)RANKMOVIE NAMEDAY 6 NET (TAMIL)1Jailer₹ 26.70 Cr2Leo₹ 24.50 Cr3Ponniyin Selvan - Part 1₹ 18.15 Cr4Varisu₹ 12.20 Cr5Thunivu₹ 10.60 Cr6Sarkar₹ 10.50 Cr7The Greatest Of All Time₹ 9.50 Cr8Vikram₹ 9.40 Cr9Master₹ 8.58 Cr10Karuppu₹ 8.55 Cr With its entry into the 100 crore club and a top 10 spot on the all-time day 6 list, Karuppu is proving to be a force to be reckoned with. The film is currently on track for a massive first-week finish, and with no major competition in sight, the second weekend is expected to see another significant jump in numbers.

Peddi IMAX Release and  Advance Booking (North America): Ram Charan Crosses 393K For Premiere Advance Booking
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Peddi IMAX Release and Advance Booking (North America): Ram Charan Crosses 393K For Premiere

BY SACNILK

The marketing campaign for the Ram Charan starrer Peddi has moved into its next phase following a recent trailer launch event in Mumbai. According to reports from Bollywood Hungama, this Buchi Babu Sana directorial is officially confirmed for an IMAX release. The film, which also stars Janhvi Kapoor and Divyenndu, is being positioned as a large-scale theatrical experience, with Jio Studios overseeing the distribution in North India. The news was confirmed by Preetham Daniel, the IMAX Vice President for India and surrounding regions, who took to social media to announce that Peddi will be leveraging the premium large format to deliver its mass-appealing visuals. With Jio Studios handling the North India release, the film is clearly being positioned as a global cinematic event. But it's not just Peddi; the first week of June is looking like a treat for IMAX lovers. Just a day after Peddi's worldwide release on June 4, the Hollywood spectacle Masters Of The Universe—starring Nicholas Galitzine as He-Man—will also take over IMAX screens on June 5. This means audiences will have two back-to-back high-octane experiences from different industries on the largest screens possible. While the IMAX confirmation is making waves locally, the film's performance in international markets is already turning heads. The advance booking for the USA premieres has opened to a phenomenal response, signaling a massive start for the Global Star Ram Charan. With 15 days still left for the premieres, the film has already crossed a significant revenue milestone. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest data shared by Venky Box Office, the early numbers from the North American market are quite revealing. With a full 15 days still to go before the premieres, the film has already amassed a total advance gross of $393,000 across the continent. Focusing specifically on the USA Telugu version, the collections have hit $359,516, driven by the sale of 12,562 tickets. This initial success is spread across 466 locations and a massive 1,379 shows. While the overall occupancy currently sits at 7 percent, this is a strong starting point considering the release is still over two weeks away. Texas is currently the standout performer among the states, contributing over $147,000 to the total, while the Cinemark chain is leading the pack among exhibitors, accounting for nearly $240,000 of the advance sales. A closer look at the state-wise data reveals that Texas is leading the charge by a huge margin, contributing $147,160 alone—nearly 40% of the total US collection so far. Other strong territories include North Carolina ($22,248), Virginia ($15,475), and New Jersey ($13,031). Among theater chains, Cinemark is dominating the sales with nearly $240,000 already in the kitty. Considering there are still over two weeks to go, Peddi is eyeing a historic premiere total in North America. The film boasts a stellar technical crew, with the legendary A.R. Rahman composing the score and Janhvi Kapoor playing the female lead. On the other hand, Masters Of The Universe brings a heavy-duty Hollywood cast including Jared Leto, Idris Elba, and Camila Mendes. Both films are looking to capitalize on the early June window, and the IMAX format will likely be the preferred choice for fans wanting to see these worlds come to life. Analytically, the early trends for Peddi suggest that the brand Ram Charan has seen a massive boost post-RRR. For a Telugu film to secure nearly $400K in advance sales 15 days out—without even factoring in the recent IMAX announcement—is a testament to its massive ground-level hype. As we inch closer to June 4, we can see if Peddi can set new benchmarks for Indian cinema on the global stage.

Dhurandhar 2 Day 62 Box Office: Sequel earns 0.22 crore and posts a massive 46% jump in ninth week Box Office
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Dhurandhar 2 Day 62 Box Office: Sequel earns 0.22 crore and posts a massive 46% jump in ninth week

BY SACNILK

Entering the ninth week of a theatrical run is a significant milestone for any modern blockbuster, but doing so with a visible growth spurt is nearly unheard of. Dhurandhar 2: The Revenge continues to rewrite the record books, proving that its theatrical lifecycle is far from over even as it enters its 62nd day of release. On Tuesday, the film added a net of 0.22 crore to its kitty. While the absolute number is smaller due to the natural reduction in screen count, it represents a substantial 46.7 percent jump compared to Monday's collection of 0.15 crore. For a film to post a nearly 50 percent mid-week increase in its ninth week is a clear signal of sustained demand for the 408 shows still running across the country. With this daily haul, the total India net collection has reached a staggering 1,146.35 crore. A deep dive into the language breakdown shows the Hindi version leading with 1,077.81 crore, while the Telugu and Tamil versions have contributed 43.07 crore and 19.83 crore respectively. The total India gross for the film now stands at a towering 1,371.95 crore. Regionally, the film is holding fort exceptionally well in major metros. Mumbai led the charge on Day 62 with an impressive 30.8 percent occupancy over 38 shows, with night screenings peaking at 38 percent. The National Capital Region followed closely with 27.5 percent occupancy across 70 shows. Even in Ahmedabad, the film maintained a 21 percent occupancy rate, demonstrating that audience interest remains geographically diverse even after two months in theaters. (adsbygoogle = window.adsbygoogle || []).push({}) In the national multiplex chains, the film recorded 3,570 ticket sales across 280 shows, resulting in a daily gross of 5.30 lakh from these specific venues. PVR remained the top contributor among the chains with 1,645 tickets sold. The 7.5 percent occupancy in these premium formats suggests that the film is effectively filling its allocated seats, ensuring that every show remains commercially viable for exhibitors. Digital tracking through BookMyShow further validates this late-stage surge. Daily ticket bookings climbed from 5.24 thousand on Monday to 6.8 thousand on Tuesday. Since its release, the film has sold a historic total of over 1.83 crore tickets on this platform alone. This level of digital footprint reflects a level of popularity that few films in the history of Indian cinema have managed to achieve. The global story is equally impressive. The film has grossed 426.67 crore in overseas markets so far. When combined with the domestic performance, the total worldwide gross for Dhurandhar 2: The Revenge now stands at a massive 1,798.62 crore. The film is now just a few steps away from breaching the 1,800 crore global milestone, a feat that would further cement its place in the all-time record books.