Bollywood

49 min ago

13 views

Ajay Devgn's Drishyam 3 Gets Major Changes for Hindi Audience; Ravi Basrur Comes On Board

BY CHRISTA LINCY

Ajay Devgn's much-awaited Drishyam 3 is gearing up for its theatrical release on October 2, 2026, and a fresh report has revealed an interesting update about the film's story and music. According to a report by Bollywood Hungama, the Hindi version of Drishyam 3 will not closely follow the recently released Malayalam original and will instead feature significant changes tailored for Hindi audiences. The first two installments of the franchise largely stayed faithful to their Malayalam counterparts. However, the report states that the makers have taken a different approach with the third chapter by introducing major alterations to the narrative, including several plot developments and twists. Despite these changes, the film is said to retain the essence of the Drishyam universe that audiences have come to associate with the franchise. The development is in line with what director Abhishek Pathak had previously indicated while discussing the project. The filmmaker explained that while both versions share the same emotional foundation, they have been designed differently in terms of storytelling. According to Pathak, the Malayalam version leans more towards a family drama, whereas the Hindi adaptation has been developed as a family thriller, a distinction that is expected to become more evident in the third installment. (adsbygoogle = window.adsbygoogle || []).push({}) The report further claims that the makers are pleased with the performances delivered by the ensemble cast. Apart from Ajay Devgn reprising his role as Vijay Salgaonkar, the film also features Tabu, Shriya Saran and several returning cast members from the previous installments. New additions such as Jaideep Ahlawat and Prakash Raj are also expected to play significant roles in the narrative, adding fresh dynamics to the story. Another notable update concerns the film's music. As per the report, acclaimed composer Ravi Basrur has come on board for Drishyam 3. Best known for his work in blockbuster films such as KGF, Salaar, Marco and Toxic, Basrur reunites with Ajay Devgn after their collaborations on Bholaa and Singham Again. His inclusion marks another change for the franchise, as each Hindi installment has featured a different musical team. While Vishal Bhardwaj composed the music for the first film, Devi Sri Prasad took over scoring duties for Drishyam 2. (adsbygoogle = window.adsbygoogle || []).push({}) Drishyam remains one of the most successful thriller franchises in Indian cinema. The Hindi adaptation of Drishyam 2 emerged as a major box office success in 2022, collecting over ₹342 crore worldwide and reaffirming the popularity of Vijay Salgaonkar's story among Hindi audiences. As a result, expectations for the third installment are considerably high. Presented by Star Studios and produced under the Panorama Studios banner, Drishyam 3 is directed by Abhishek Pathak and written by Abhishek Pathak, Aamil Keeyan Khan and Parveez Shaikh. The film is produced by Kumar Mangat Pathak, Abhishek Pathak, Alok Jain and Ajit Andhare and is currently scheduled to arrive in cinemas on October 2, 2026.

Kollywood

2 hrs ago

132 views

Jana Nayagan Faces Fresh Twist as Thalapathy Vijay Reportedly Asks Makers to Rework Distribution Deals

BY CHRISTA LINCY

Fresh reports suggest that Thalapathy Vijay has asked the makers of Jana Nayagan to revisit the film's theatrical distribution strategy amid the ongoing uncertainty surrounding its release. According to the latest industry buzz, Vijay has reportedly advised KVN Productions to cancel the theatrical deals that were previously finalized and refund the advances received from distributors. The actor is said to prefer a fresh round of negotiations once the film's release date is officially locked. While there has been no official confirmation regarding these reports, the development has generated significant discussion within trade circles. Industry insiders believe the move, if true, would allow the makers to retain complete control over the film's theatrical business and potentially secure revised terms closer to release. Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan is one of the biggest Tamil releases currently awaiting a theatrical release. The film features Vijay in the lead role alongside Pooja Hegde, Mamitha Baiju, Bobby Deol, Prakash Raj and Gautham Vasudev Menon. Beyond its scale and commercial prospects, the project holds additional significance as it is Vijay's first film release since becoming the Chief Minister of Tamil Nadu, a factor that has amplified interest from audiences, exhibitors and trade circles alike. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan's journey to release has been further complicated by one of the biggest piracy controversies seen in Indian cinema in recent years. In April, an HD version of the entire film surfaced online and spread rapidly across piracy networks, social media groups and messaging platforms even before its official release. The leak triggered widespread concern across the film industry and prompted swift legal action from the makers. The Tamil Nadu Cyber Crime Wing subsequently launched an extensive investigation, arresting multiple individuals allegedly involved in the theft and circulation of the film. Investigators later claimed that the leak originated from unauthorized access to the movie's digital files during the post-production stage. The controversy resulted in hundreds of piracy links being taken down and even led to court intervention as the producers sought to curb the further circulation of the leaked version. The unprecedented leak is widely believed to have influenced the cautious approach currently being adopted towards the film's release plans and business agreements. Adding to the uncertainty are reports regarding the film's certification process. Trade discussions indicate that the makers are awaiting clarity on CBFC certification before proceeding with several key business decisions. It is being reported that fresh agreements for satellite, digital and other non-theatrical rights may only be finalized after the certification process is completed. (adsbygoogle = window.adsbygoogle || []).push({}) The delay in finalizing a release date has further fueled speculation. Although multiple release windows have been discussed in industry circles over the past few months, the makers have yet to announce a definitive release plan. Sources close to the trade suggest that the production team wants all approvals, clearances and business arrangements in place before committing to a release date. The reported move to restructure theatrical deals has naturally attracted attention from distributors and exhibitors. Given Vijay's massive box-office track record, Jana Nayagan is expected to be one of the biggest Tamil releases whenever it eventually hits theatres. Any change in the film's distribution strategy could therefore have a significant impact on its overall business prospects. For now, the makers have not issued an official statement regarding the reported cancellation of theatrical agreements. Until then, the claims remain part of the ongoing speculation surrounding Jana Nayagan, a film that continues to generate immense interest among fans and the trade alike as it moves closer to release.

Bollywood

2 hrs ago

224 views

Dhurandhar and Dhurandhar (Uncensored) Feature in 2026 OTT Rankings; Main Version Tops With 31.1M Views

BY CHRISTA LINCY

The OTT market has produced several major successes in 2026, with a mix of theatrical blockbusters and direct-to-digital releases attracting significant viewership across platforms. The latest rankings of the most-viewed Indian films on OTT reveal a clear leader at the top, while also highlighting the growing dominance of Netflix in the streaming space. Dhurandhar currently stands as the most-watched Indian film on OTT in 2026. Streaming on Netflix, the film has accumulated an impressive 31.1 million views, making it the only title to cross the 30 million-view milestone so far this year. The gap between Dhurandhar and the rest of the field is substantial, underlining the scale of its digital success. Accused occupies the second position with 16.6 million views, followed by Made In Korea with 13.5 million views. Haq and Mardaani 3 complete the top five with 11.3 million and 10.7 million views respectively. While several films have managed to cross the 10 million-view mark, none have come close to matching Dhurandhar's performance. (adsbygoogle = window.adsbygoogle || []).push({}) Most Watched Indian OTT Films in 2026RANKMOVIE NAMEPLATFORMVIEWERSHIP (MILLIONS)1DhurandharNetflix31.1M2AccusedNetflix16.6M3Made In KoreaNetflix13.5M4HaqNetflix11.3M5Mardaani 3Netflix10.7M6KartavyaNetflix10.3M7The Raja SaabJioHotstar10.3M8Tere Ishk MeinNetflix9.7M9SubedaarAmazon Prime Video9.6M10De De Pyaar De 2Netflix7.7M A closer look at the rankings shows just how far ahead Dhurandhar is from its competitors. The film's 31.1 million views are nearly double the 16.6 million views recorded by Accused and more than twice the tally of third-placed Made In Korea. In fact, Dhurandhar enjoys a lead of 14.5 million views over the film placed immediately behind it. Another interesting detail from the rankings is the presence of Dhurandhar (Uncensored). The alternate version of the film has also found an audience on streaming platforms, accumulating 3.3 million views across Netflix . The title currently ranks 22nd among the most-viewed Indian OTT films of 2026. (adsbygoogle = window.adsbygoogle || []).push({}) When both versions are considered together, the Dhurandhar brand has generated a combined 34.4 million views across OTT platform. While the main version accounts for the overwhelming majority of the audience, the additional viewership recorded by the uncensored cut further extends the film's digital reach. Platform-wise, Netflix dominates the rankings. Eight of the top ten films are streaming on the platform, including each of the top six positions. JioHotstar's The Raja Saab and Amazon Prime Video's Subedaar are the only non-Netflix titles to secure places in the top ten. The rankings also highlight the increasing scale of OTT consumption in India. Seven films have crossed the 10 million-view mark, while only three titles have managed to exceed 13 million views. Dhurandhar remains the lone film to breach the 30 million-view milestone, making it the standout performer of the year so far. With several major theatrical releases still expected to arrive on streaming platforms in the coming months, the leaderboard could see further changes. For now, however, Dhurandhar remains the clear leader among Indian OTT films in 2026, with its main version topping the charts and its uncensored version also securing a place among the year's most-viewed digital releases.

Tollywood

3 hrs ago

769 views

Peddi Becomes India's Third-Highest Premiere Grosser, Surpasses Hari Hara Veera Mallu and Pushpa 2

BY CHRISTA LINCY

Directed by Buchi Babu Sana, Peddi is a sports-action drama headlined by Ram Charan in the titular role. The film features Janhvi Kapoor as the female lead, while Shiva Rajkumar, Divyendu Sharma and Jagapathi Babu play key supporting roles. Backed by Mythri Movie Makers in association with Vriddhi Cinemas and Sukumar Writings, the film arrived in theatres carrying substantial expectations following its promotional campaign, teaser launch and strong advance bookings. Set against a rural backdrop, Peddi revolves around an underdog whose journey is intertwined with sport, ambition and personal challenges, with the narrative blending action, emotion and mass-commercial elements. The strong pre-release buzz surrounding the film translated into exceptional demand for premiere shows, helping Peddi collect ₹21.83 crore and secure the third spot among the highest premiere grossers in Indian cinema history. Ram Charan's Peddi has started its theatrical run on a strong note. After recording one of the biggest premiere performances in Indian cinema history, the film followed it up with an estimated ₹51 crore net collection on its opening day, taking its total India net collection to ₹69.50 crore within just two days of release. The film's impressive start was powered by a ₹21.83 crore premiere gross, which helped Peddi secure the third spot among the highest premiere grossers in Indian cinema. The feat places the film behind only Dhurandhar 2: The Revenge and They Call Him OG on the all-time list. (adsbygoogle = window.adsbygoogle || []).push({}) Top Premiere Grossers in IndiaRANKMOVIE NAMEPREMIERE GROSS1Dhurandhar 2: The Revenge₹51.60 Cr2They Call Him OG₹24.78 Cr3Peddi₹21.83 Cr4Hari Hara Veera Mallu₹15.05 Cr5Pushpa 2: The Rule₹12.57 Cr While Dhurandhar 2: The Revenge remains comfortably ahead with a ₹51.60 crore premiere gross, Peddi's entry into the top three is significant given the competition. The film surpassed Hari Hara Veera Mallu's ₹15.05 crore premiere gross by nearly ₹7 crore and outperformed Pushpa 2: The Rule's ₹12.57 crore premiere figure by over ₹9 crore. Peddi also came within ₹3 crore of They Call Him OG, which currently occupies the second position on the all-time list. The latest ranking highlights how premiere shows have evolved into a major box office event in India. In recent years, films such as Pushpa 2: The Rule, Hari Hara Veera Mallu, They Call Him OG and now Peddi have generated substantial revenue even before the commencement of regular shows, reflecting the growing influence of advance bookings and fan-driven demand. (adsbygoogle = window.adsbygoogle || []).push({}) Among the five films on the list, four belong to the Telugu film industry, underlining the strength of the market when it comes to premiere and special-show business. Peddi's ₹21.83 crore premiere gross is the third-highest ever recorded by an Indian film, trailing only Dhurandhar 2: The Revenge and They Call Him OG. According to early estimates, the momentum generated by Peddi's record-breaking premiere run carried into its opening day as well. The film is estimated to have collected around ₹51 crore net on Day 1, reflecting a growth of approximately 176% over its premiere-day net collection. If these estimates hold, the film's cumulative India gross collection would stand at around ₹82.49 crore, while its worldwide gross could cross ₹112 crore, including roughly ₹30 crore from overseas markets. For Ram Charan, the latest milestone adds another notable achievement to his box office record. While the film now stands among the top premiere performers in Indian cinema, its opening-day numbers suggest that the strong premiere response was not merely fan-driven frontloading but translated into substantial theatrical business as well. With Peddi already crossing ₹100 crore worldwide gross within its first two days, all eyes are now on its weekend trajectory and whether it can maintain the momentum generated by its record-setting premiere and opening-day performance.

Tollywood

4 hrs ago

1.2K views

Peddi Overseas Breakeven: Ram Charan Hits $1.57 Million Premieres, Second Best After RRR, Eyes High Breakeven Targets

BY CHRISTA LINCY

Ram Charan is back on the big screen with Peddi, and the buzz surrounding this release has been nothing short of electric. Following the global impact of RRR, there is a natural curiosity to see how his solo films perform, especially on the international stage. Directed by Buchi Babu Sana and featuring Janhvi Kapoor as the leading lady, the movie has the benefit of a high-profile crew, including a musical score by AR Rahman. While the domestic response is always key, the real conversation this time is about the film's massive footprint in the overseas markets and the significant targets it needs to hit. Peddi started its journey with a strong financial base, having already crossed 275 crore in non-theatrical revenue. This includes the digital rights sold to Netflix for 115 to 130 crore, which could see an additional 20 crore bonus. Music rights brought in 35 crore via T-Series, while satellite deals are expected to range between 50 and 70 crore. The overseas theatrical rights were sold for 40 crore, which sets a high bar for the international market. Including the costs for print and advertising publicity and theater shares, the film needs to reach a cumulative international gross of 9 million dollars to hit the breakeven mark. Within that total international goal, the North American region alone accounts for a 6.5 million dollar breakeven target. Achieving this will require a very consistent performance across the United States and Canada over the coming weeks. The initial reports from Venky Box Office are encouraging, as the North American premiere shows brought in 1.57 million dollars. This figure is particularly notable because it stands as Ram Charans highest solo premiere number to date and his second-best overall, trailing only the massive opening of RRR. (adsbygoogle = window.adsbygoogle || []).push({}) The premiere performance has successfully placed Peddi among the top Telugu openings ever recorded in the United States. Looking at how these numbers compare to previous major releases helps show where the film stands in the current market. Here is how the rankings for the highest North American premieres currently look: 1. Kalki 2898 AD - $3.9M 2. RRR - $3.5M 3. Pushpa 2: The Rule - $3.34M 4. They Call Him OG - $3.14M 5. Devara - $2.85M 6. Salaar - $2.6M 7. Baahubali 2 - $2.45M 8. Peddi - $1.57M 9. Agnathavaasi - $1.52M 10. Guntur Kaaram - $1.42M While landing at the eighth spot on this all-time list is impressive, the road to profitability requires sustained momentum. A key comparison point often discussed is the Rangasthalam benchmark. Ram Charan's previous solo career-best in North America was the masterpiece Rangasthalam, which finished its lifetime run at 3.51 million dollars. For Peddi to hit its 6.5 million dollar breakeven goal, it must gross roughly 85 percent more than what Rangasthalam achieved. This shows just how much the market and the costs have expanded in recent years. With advance sales for the first weekend in North America already hitting 1.37 million dollars, the film is moving in the right direction, but the weekdays will be the ultimate decider. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the broader overseas picture, the early estimates for the opening day, which includes both premieres and Day 1, are looking very healthy. Early figures suggest a collection in the range of 2.85 million to 2.9 million dollars, which is approximately 27.5 crore in Indian currency. This marks the second-biggest overseas opening for Ram Charan, trailing only RRR, which opened at 3.5 million dollars. The total advance sales for the overseas opening day had already set a high bar at 1.65 million dollars, proving that the actor's brand value has grown significantly across different global territories. In summary, Peddi has successfully converted the pre-release hype into a massive opening. The film has the advantage of a strong non-theatrical cushion, but the focus remains on reaching the 9 million dollar target for a successful run. The start is historic, the numbers are record-breaking for a solo film of its kind, and the trend looks positive. However, achieving the status of a clean hit will require the film to hold its ground firmly through its second week.

Tollywood

14 hrs ago

7.4K views

Peddi Box Office: Ram Charan Starrer Clocks 100+ Crore Worldwide Opening; Joins Elite Telugu Club

BY SUNIT JANGIR

Hyderabad, June 4 - Superstar Ram Charan has delivered a thunderous start at the box office with Peddi, as the sports action drama has grossed over 100 crore worldwide on its opening day. The film has emerged as one of the biggest openers in Telugu cinema history and has become the 11th Telugu film to achieve the coveted ₹100 crore worldwide opening-day milestone. Strong Momentum From Premiere Shows (adsbygoogle = window.adsbygoogle || []).push({}) According to early estimates, Peddi has earned more than 80 crore gross in India on its first day, with Telugu states contributing around 67 crore, including premieres. The film witnessed exceptional occupancy across Andhra Pradesh and Telangana, while Karnataka and other markets also contributed significantly to the overall tally. The overseas territories added another 28-30 crore gross, taking the film's worldwide opening-day collection around 110 crore. The strong international performance was led by North America, where the film enjoyed an excellent response at the premieres and on day 1. (adsbygoogle = window.adsbygoogle || []).push({}) The blockbuster opening was aided by the film's stellar premiere performance. Peddi had already grossed around 40 crore worldwide from preview shows, including approximately 18.50 crore from the Telugu states and 3.10 crore from Karnataka. The film also recorded more than $1.5 million in North America from premiere screenings alone, indicating strong demand ahead of its official release. 11th Telugu Film To Achieve 100+ Crore Opening With its massive first-day haul, Peddi has entered an exclusive league of Telugu blockbusters that have crossed 100 crore worldwide on the opening day. Since Baahubali 2 became the first 100 crores opener of Indian cinema, there have been a total of 11 Telugu films, including Peddi, to score a 100 crores worldwide start. (adsbygoogle = window.adsbygoogle || []).push({}) The achievement highlights Ram Charan's box-office pull and marks one of the biggest openings of his career. The result is particularly significant for the actor as it comes after the disappointing theatrical performance of Game Changer, reaffirming his status as one of Telugu cinema's biggest stars. The initial word of mouth for Peddi seems to be positive, and with a worldwide opening of 110 crore, the film has laid a solid foundation for a huge opening weekend. The coming days will determine how far the film can capitalise on its extraordinary start and progress towards its long-term box-office goals.

Tollywood

22 hrs ago

4.7K views

Peddi Box Office: Ram Charan's Sports Action Drama Off To Excellent Start In Previews with 20+ Crore Gross In India

BY SUNIT JANGIR

Hyderabad, June 4 - Superstar Ram Charan's much-awaited sports action drama Peddi has opened to an excellent response at the box office, delivering one of the strongest premiere performances for an Indian film. Directed by Buchi Babu Sana, the film has generated impressive numbers across domestic and overseas markets even before the completion of its first full day. According to early trade estimates, Peddi grossed in the range of 40 crore worldwide from premiere shows alone, including around 22 crore gross at the Indian box office. The film witnessed outstanding occupancy across Telugu-speaking regions, while overseas markets, particularly North America, contributed significantly to the opening tally. (adsbygoogle = window.adsbygoogle || []).push({}) The Telugu states emerged as the biggest contributors to the premiere business, with the film collecting an estimated 18.50+ crore gross. Strong fan enthusiasm and extensive bookings helped the film post impressive numbers across Andhra Pradesh and Telangana. Karnataka also delivered a solid start, contributing approximately 3.10 crore in gross from premiere screenings, while the rest of India added around 30 lakh in gross from premiere screenings. Top premiere days in India (approx.) 1. Dhurandhar 2 - 51.60 cr 2. They Call Him OG - 25 cr 3. Peddi - 22 cr (adsbygoogle = window.adsbygoogle || []).push({}) Overseas, Peddi enjoyed a sensational start, led by North America. The film crossed the $1.5 million mark from premiere screenings in the region, making it one of Ram Charan's biggest overseas openings. Strong advance sales and positive audience reactions helped the film comfortably reach the milestone before the end of its opening day. The strong premiere numbers indicate substantial pre-release buzz and audience anticipation surrounding the film. The initial word of mouth in India also seems to be on the positive side, which is a good sign for the film's box office prospects. Featuring Ram Charan in a rugged and intense role, Peddi has been promoted as a high-energy sports action entertainer with emotional drama at its core. (adsbygoogle = window.adsbygoogle || []).push({}) With worldwide pre-sales finishing around 75 crores, including premieres, Peddi is on course to score 100+ crores opening day+premiere, with around 40 crore worldwide already in the bag from early shows. It is an important film for Ram Charan, who has been under pressure due to recent box office failures.

Bollywood

22 hrs ago

2.2K views

Ramayana, Varanasi, or Others? Five Films That May Break Box Office Records of Aditya Dhar's Dhurandhar 2: The Revenge

BY SUNIT JANGIR

Mumbai, June 2 - Bollywood star Ranveer Singh's Dhurandhar 2: The Revenge has set a benchmark that seemed unimaginable when the film was announced. The spy-action blockbuster shattered numerous domestic and worldwide box office records, emerging as one of the biggest Indian films of all time with over 1800 crores worldwide. Dhurandhar 2 is the highest-grossing Indian film worldwide (without China), and it took almost 10 years for a film to break Baahubali 2's record. However, with several mega-budget spectacles lined up over the next couple of years, it is believed that the reign of Dhurandhar 2 could eventually be challenged. Here are five films that have the potential to surpass Dhurandhar 2's historic box office achievements. 1. Ramayana Part 1 (Diwali 2026) (adsbygoogle = window.adsbygoogle || []).push({}) There is perhaps no Indian film carrying more anticipation than Ramayana Part 1. Directed by Nitesh Tiwari and featuring an ensemble cast led by Ranbir Kapoor as Lord Rama, the film aims to bring one of India's most revered epics to the big screen on an unprecedented scale. The story of Lord Ram has a universal appeal across generations and regions. Combined with cutting-edge visual effects and a massive production budget, Ramayana Part 1 has all the ingredients needed to become a global phenomenon. 2. Varanasi (April 2027) (adsbygoogle = window.adsbygoogle || []).push({}) Among all upcoming films, Varanasi may be the biggest wildcard. Directed by S. S. Rajamouli and starring Mahesh Babu and Priyanka Chopra, the film is reportedly being mounted on a scale rarely seen in Indian cinema. The Rajamouli factor alone makes Varanasi a serious contender. The filmmaker has consistently expanded the box office ceiling with films like Baahubali and RRR. Combined with the cast's worldwide appeal and an ambitious, globe-trotting adventure narrative rooted in Indian mythology, Varanasi is being positioned as a global cinematic event rather than a regular commercial release. 3. Raaka (TBA 2027) (adsbygoogle = window.adsbygoogle || []).push({}) Among the newer contenders, sci-fi actioner Raaka has quickly established itself as one of the biggest upcoming projects. Directed by Atlee and headlined by Allu Arjun, the film is being mounted as a large-scale sci-fi action entertainer with futuristic world-building and extensive visual effects. The film benefits from a dream combination of Atlee's commercial filmmaking expertise and Allu Arjun's massive popularity following the success of the Pushpa franchise. Unlike most Indian blockbusters, Raaka is exploring the relatively untapped sci-fi genre, which gives it a fresh identity in the marketplace. 4. Ramayana Part 2 (Diwali 2027) If Ramayana Part 1 becomes a blockbuster as expected, the second part could operate on an entirely different level. Historically, successful films often witness massive growth with their follow-up instalments. The climactic portions of the Ramayana, including the battle between Lord Ram and Ravana, are among the most celebrated stories in Indian epic. This gives Ramayana Part 2 the potential to become one of the biggest cinematic events in Indian history and possibly surpass every existing box office benchmark. (adsbygoogle = window.adsbygoogle || []).push({}) 5. Kalki Part 2 (TBA 2027/2028) Following the 1000+ crores success, the sequel to Kalki 2898 AD has been one of the most-awaited films with the first film leaving fans on the edge. With Prabhas, Amitabh Bachchan, and Kamal Haasan set to return, with Sai Pallavi replacing Deepika Padukone, Kalki Part 2 could benefit from both franchise goodwill and heightened audience curiosity. If the sequel successfully expands the scale and emotional stakes, it has the potential to become a worldwide box office juggernaut. Can These Films Really Surpass Dhurandhar 2? Breaking the records of Dhurandhar 2 will not be easy. The film benefited from exceptional word-of-mouth, repeat viewership, strong overseas performance, and massive pan-India appeal. However, Ramayana Part 1, Ramayana Part 2, Kalki Part 2, Varanasi, and Raaka represent a new generation of event cinema designed specifically for the theatrical experience. Each of these films possesses the scale, star power, and anticipation required to generate historic numbers. If exucation is right, then sky is the limit for these titles at the box office.

Bollywood

22 hrs ago

625 views

Alpha Release Date: Alia Bhatt, Sharvari Wagh Kick off Promotion Ahead of July 3 Release

BY SUNIT JANGIR

Mumbai, June 4 - The promotional campaign for Yash Raj Films' Alpha has officially begun. With just a month left before its theatrical release, the makers of the much-awaited spy thriller have started building momentum for what is expected to be one of the biggest Bollywood releases of 2026. Headlined by Alia Bhatt and Sharvari Wagh, Alpha is scheduled to arrive in cinemas worldwide on July 3, 2026, though the new date is yet to be confirmed officially. The film was initially slated for a July 10 release but was later advanced by a week, giving it a wider box office window and allowing the makers to capitalise on the mostly open run. (adsbygoogle = window.adsbygoogle || []).push({}) As anticipation continues to grow, the film's promotional activities are expected to intensify over the coming weeks. Fans can look forward to character posters, songs, interviews, and the highly anticipated theatrical trailer. It is said that the makers are preparing a large-scale marketing campaign to match the film's ambitious scale and franchise value. Alpha holds special significance as it is the first female-led film in the YRF Spy Universe, a franchise that has delivered several blockbuster successes over the years. The film marks a major step forward for the universe by placing two female agents at the centre of a high-stakes espionage thriller. (adsbygoogle = window.adsbygoogle || []).push({}) From 2 Alphas to Team India's 15 Alphas! 🤝💙 The message is clear, loud & proud... Team same, toh jazba bhi same! 🙌ICC Women’s #T20WorldCup 2026 starts 12th June!#Alpha #T20CreatorClub pic.twitter.com/U0f36bXLvT— Yash Raj Films (@yrf) June 4, 2026 Directed by Shiv Rawail and produced by Yash Raj Films, Alpha stars Alia Bhatt and Sharvari Wagh in lead roles. Bobby Deol is reportedly playing the primary antagonist, while Anil Kapoor is set to appear in a pivotal role. The film promises a blend of large-scale action, intense drama, and espionage elements that have become synonymous with the Spy Universe brand. (adsbygoogle = window.adsbygoogle || []).push({}) The film also carries significant box office expectations. Following the massive success of some of the earlier Spy Universe titles, the trade is closely watching Alpha to see whether it can continue the franchise's winning streak while establishing a new generation of action heroes. With promotions now underway and excitement steadily building among audiences, Alpha is poised to become one of the most talked-about releases of the year. The coming weeks are expected to reveal more details about the film's story, characters, and action set pieces as the countdown to July 3 officially begins. If successful, Alpha could not only strengthen the YRF Spy Universe but also pave the way for more female-led action spectacles in mainstream Hindi cinema.

Bollywood

23 hrs ago

352 views

Bandar Showcasing Conflict: Zee Studios Puts Multiplex Release on Hold Amid Screen-Sharing Battle

BY CHRISTA LINCY

The upcoming weekend at the box office is shaping up to be quite chaotic, with multiple releases fighting for space in theaters. While we recently saw Scary Movie get delayed, other titles like Hai Jawani Toh Ishq Hona Hai and the Hindi version of Peddi are currently locked in a screen-sharing struggle. The latest film to join this conflict is the Bobby Deol-starrer Bandar. According to an exclusive report by Bollywood Hungama, Zee Studios has decided to put the film's showcasing on hold across national multiplex chains until a fair distribution agreement is reached. The root of the problem lies in how shows are being distributed among the new releases. Sources inform that the makers of Bandar had a very specific and modest request for their release. They asked for about 3 to 4 shows in multiplexes with 4 or 5 screens, specifically for timings after 1 pm. This was designed to cater to their target audience while acknowledging the heavy rush of other films. However, because national chains like PVR, Inox, and Cinepolis are directly involved in distributing the competing films, Bandar has reportedly been offered a much smaller and less favorable showcasing than expected. Zee Studios has taken a firm stand on this issue, choosing to halt the programming in these major chains rather than accepting what they consider an unfair deal. Girish Johar, the Distribution and Revenue Head at Zee Studios, spoke with Bollywood Hungama and explained that their strategy was never about a massive, wide release. Instead, they planned for a smart release on roughly 500 to 600 screens. The logic was to build the film's presence through positive word of mouth, allowing it to have a long run at the box office rather than a crowded opening day. (adsbygoogle = window.adsbygoogle || []).push({}) The team behind Bandar also pointed out that the runtime of the film is a manageable 130 minutes, making it easier to fit into a tight schedule. There is also a belief within the team that the advance sales for the competing films are not high enough to justify the lopsided show allotment they are currently seeing. By putting the showcasing on hold, the producers are hoping to negotiate a better window that gives the film a genuine chance to reach its core audience. As the situation develops, it remains to be seen if the national chains will adjust the programming before the Friday release. For now, the strategy for Bandar remains focused on quality over quantity, with the hope that once the shows are sorted, the film can prove its worth through audience feedback. Bandar, which is titled Monkey in a Cage for international markets, is an intense crime thriller directed by Anurag Kashyap and produced by Nikhil Dwivedi. The film features Bobby Deol in a gritty role as a fading television star who finds himself caught in a corrupt legal battle after being accused of rape by his ex-girlfriend. Before its global theatrical release on June 5, 2026, by Zee Studios, the film earned significant critical attention during its world premiere at the Toronto International Film Festival on September 6, 2025. Given the prestige of its festival run and the heavy themes involved, the makers are clearly banking on the quality of the content to sustain it through the upcoming competitive weekend.

Mollywood

23 hrs ago

1.2K views

Drishyam 3 Box Office: Mohanlal Starrer Struggling To Reach 250 Crore Worldwide

BY SUNIT JANGIR

Kochi, June 4 - Superstar Mohanlal's much-awaited crime thriller Drishyam 3 continues to perform well at the box office, but its pace has slowed considerably during the second week of its theatrical run. Despite emerging as one of the biggest Malayalam hits of 2026, the film is now facing a challenge in reaching the significant 250 crore worldwide gross milestone. Directed by Jeethu Joseph, the third instalment of the iconic Drishyam franchise opened to a sensational response worldwide. The film crossed the 100 crore mark globally within just three days and entered the prestigious 200 crore club in 9 days, reaffirming the massive popularity of Georgekutty's story among audiences. (adsbygoogle = window.adsbygoogle || []).push({}) However, the momentum has slowed noticeably in recent days. At the end of the 14th day, Drishyam 3 has grossed approximately 229 crore worldwide, with daily collections witnessing a steady decline during its second week. The film's India gross collections are around 118 crores, while overseas markets have contributed approx 111 crores so far. The slowdown comes after an exceptional opening phase that saw the film become one of the fastest Malayalam releases to cross major box office milestones. While the franchise's loyal fanbase ensured a blockbuster start, sustaining the same momentum has proven difficult as weekday collections continue to soften due to mixed word of mouth. (adsbygoogle = window.adsbygoogle || []).push({}) Drishyam 3 India Gross Collection 1st week - 95.10 crore (8 days) 2nd Friday - 5.00 crore 2nd Saturday - 5.90 crore 2nd Sunday - 6.20 crore 2nd Monday - 2.55 crore 2nd Tuesday - 1.80 crore 2nd Wednesday - 1.45 crore 2nd Thursday - 1.25 crore (expected) Total (15 days) - 119.25 crore (expected) With around 20 crore more needed to hit the 250 crore worldwide benchmark, the coming days will be crucial. The film still has realistic chances of reaching the milestone, but it looks unlikely to beat Mohanlal's Empuraan (266+ crore) as the second biggest Malayalam grosser. At one point, it was expected to enter the prestigious 300 crore club, but now, that mark is looking like a far cry. Nevertheless, Drishyam 3 remains a major commercial success for Malayalam cinema and another significant achievement for Mohanlal. While it may or may not cross Empuraan, the crime suspense thriller will be beating Vaazha 2 (235.25 crores) to become the highest-grossing Malayalam film of the year (so far).

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Deool Band 2 Day 15 Box Office: Marathi Sequel Hits 50 Crore Milestone, Leaving it 10 Crore Shy of Surpassing Ved

BY CHRISTA LINCY

Deool Band 2 has reached a massive milestone in its theatrical journey, officially crossing the 50 crore net mark at the Indian box office. This sequel, written and directed by Pravin Tarde, has clearly touched an emotional chord with the audience by blending a gritty social narrative with deep devotional themes. By addressing the sensitive issue of farmer suicides through the eyes of Sangeeta, a struggling woman who finds solace in visions of Shri Swami Samarth, the film has managed to sustain interest far beyond the typical run of a regional drama. Mohan Joshi's return as the saint and Snehal Tarde's powerful performance as Sangeeta have driven this success, proving that stories rooted in faith and local struggles still carry enormous weight at the ticket windows. Entering the 50 crore club is a rare feat for Marathi cinema, and it cements this production's status as a blockbuster. As of its 15th day, the film is continuing its steady run despite entering its third week. Live updates show that the movie has added about 0.41 crore net so far today, which pushes the total India net collection to 51.21 crore. Looking back at the 14th day, which was the second Wednesday, the film earned 1.80 crore. While this was a 23.4 percent drop from the previous day, the hold remained respectable for a mid-week performance. On the gross side, the domestic total has now successfully surpassed the 60 crore mark, currently standing at 60.22 crore. Take a look at the collection breakdown of the movie over its first 14 days: Week 1 Collection: ₹30.20 Cr Day 9: ₹3.10 Cr Day 10: ₹5.00 Cr Day 11: ₹5.75 Cr Day 12: ₹2.60 Cr Day 13: ₹2.35 Cr Day 14: ₹1.80 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The core of this success remains the solid footprint in Maharashtra, particularly in major hubs like Mumbai and Pune. On Wednesday, Mumbai recorded an overall occupancy of around 17.5 percent across 626 shows. Pune performed even better, witnessing nearly 25 percent occupancy from its 408 shows. These two regions have been the engine room for the movie, providing the necessary volume to maintain high daily totals even after the initial opening weekend rush. With 51.21 crore net already in the bank, the next logical target for Deool Band 2 is the record set by the blockbuster Ved. According to the current standings, the film needs to collect approximately 10 crore more to surpass the 61 crore net mark achieved by Ved. Given that it has just entered its third week and still has 826 shows running today, the path toward that record seems clear, though the pace of collection over the coming weekend will be crucial in determining how quickly it closes that gap. In the national multiplex chains, the film saw a decent turnout during its second Wednesday. The combined gross from major chains like PVR, INOX, and Cinepolis was approximately 12 lakh. This came from about 5,400 tickets sold across 570 shows. PVR led the contribution with nearly 6 lakh, while INOX and Cinepolis followed with roughly 3 lakh each. The average occupancy across these premium screens hovered around 4 percent, showing that the urban audience is still trickling in to watch the sequel.