BY SUNIT JANGIR

Mumbai, May 29 - Filmmaker Karan Johar left Bollywood fans stunned after eagle-eyed social media users noticed that he had unfollowed several celebrities on Instagram, including superstar Shah Rukh Khan. The sudden move quickly became a major talking point online, with fans speculating about possible fallout and tension within Bollywood circles. Apart from Shah Rukh Khan, Karan Johar also reportedly unfollowed several major Bollywood names, including Alia Bhatt, Kareena Kapoor Khan, Kajol, Malaika Arora, Ananya Panday, Kartik Aaryan, Varun Dhawan, Sidharth Malhotra, Manish Malhotra and even members of the Khan family such as Gauri Khan, Aryan Khan and Suhana Khan. (adsbygoogle = window.adsbygoogle || []).push({}) The development first gained traction after Reddit users noticed changes in Karan Johar's following list and began sharing screenshots online. Social media platforms were soon flooded with theories ranging from friendship issues to professional differences and PR strategies. What made the situation even more surprising for fans was Karan Johar and Shah Rukh Khan’s long-standing bond. The duo shares one of the most iconic friendships in Bollywood history. Shah Rukh Khan played the lead in several of Karan Johar's biggest films, including Kuch Kuch Hota Hai, Kabhi Khushi Kabhie Gham, Kabhi Alvida Naa Kehna and My Name Is Khan. Over the years, Karan has repeatedly credited Shah Rukh for shaping his filmmaking journey and career. (adsbygoogle = window.adsbygoogle || []).push({}) As speculation intensified, Karan Johar finally addressed the controversy through his Instagram Story and dismissed all rumours of fallout. The filmmaker clarified that the mass unfollowing was simply part of a "digital detox." He wrote, "It's a DIGITAL DETOX!!!! Am unfollowing everyone to reduce my time and energy spent on the gram!!! This can't be national news for god's sake... please clickbait something else! This is irrelevant!" His statement, however, did little to stop online discussions. Many social media users questioned why unfollowing people was necessary for a digital detox, while others believed it was simply a social media strategy or public reset. Reddit discussions were filled with mixed reactions, with some users calling it a "PR move" and others describing it as attention-grabbing behaviour. Another detail that caught attention was that actress Priyanka Chopra reportedly continued to remain on Karan Johar's following list despite several other celebrities being removed. This sparked even more speculation online. According to reports, the move was part of a planned "social media strategy" and had nothing to do with personal disputes or issues with any actor.

BY CHRISTA LINCY

Bhooth Bangla, directed by Priyadarshan and starring Akshay Kumar, has been one of the most talked-about reunions in recent Bollywood history. Bringing back the iconic duo that gave us legendary comedies, this film has successfully blended horror and humor to keep audiences coming back even in its sixth week. As of day 42, the movie has officially cemented its status as the third highest-grossing film of the year, sitting just behind Dhurandhar 2: The Revenge and Border 2. The sixth week performance has been quite a surprise, especially on its final day. On day 42, which was a Thursday, the film collected 0.85 crore net. This is a massive 54.5% growth compared to the previous day’s 0.55 crore. This jump is particularly impressive given that the film has been in theaters for six weeks and was running across 1,575 shows on that day alone. To date, the movie has been screened across a staggering 231,888 shows globally. The ticket sales data on BookMyShow gives us a clear picture of how the sixth week progressed. The film saw a consistent flow of audience members throughout the week, with the weekend performing as expected and the weekdays showing a notable recovery towards the end. Here is the daily breakdown of tickets sold on BMS for week 6: 6th Friday: 17.02K 6th Saturday: 22.58K 6th Sunday: 20.41K 6th Monday: 11.59K 6th Tuesday: 16.08K 6th Wednesday: 14.31K 6th Thursday: 15.22K (adsbygoogle = window.adsbygoogle || []).push({}) This brings the total cumulative ticket sales on BookMyShow to 3,316,250. Additionally, the film has seen strong support in national chains, where over 19,000 tickets were sold during the sixth week alone. Looking at the regional occupancy for day 42, the National Capital Region (NCR) led the way with 23.5% occupancy across 203 shows, followed by Ahmedabad at 11.8% and Surat at 9%. When we look at where this performance stands in Bollywood history, the day 42 net collection of 0.85 crore is quite significant. It has managed to secure a spot among the all-time highest collections for a 42nd day, outperforming several recent blockbusters. Highest Day 42 Net Collection - Bollywood (Hindi)MOVIE NAMEDAY 42 NET (HINDI)Dhurandhar₹ 3.00 CrChhaava₹ 1.35 CrStree 2₹ 1.25 CrPathaan₹ 1.25 CrDhurandhar 2: The Revenge₹ 0.95 CrURI: The Surgical Strike₹ 0.92 CrBhooth Bangla₹ 0.85 Cr (adsbygoogle = window.adsbygoogle || []).push({}) In terms of overall financial standing, the totals are very healthy. Bhooth Bangla has reached a worldwide gross collection of 263.34 crore. This includes a solid India gross of 209.59 crore and an overseas contribution of 53.75 crore. The total India net collection currently stands at 176.90 crore. With a total week 6 collection of 5.45 crore, the film is showing that it still has enough gas in the tank to continue a steady run even as it enters its seventh week. Bhooth Bangla - Week 6 India Net CollectionDAYNET COLLECTION (HINDI)Day 36 (6th Friday)₹ 0.55 CrDay 37 (6th Saturday)₹ 1.00 CrDay 38 (6th Sunday)₹ 1.35 CrDay 39 (6th Monday)₹ 0.50 CrDay 40 (6th Tuesday)₹ 0.65 CrDay 41 (6th Wednesday)₹ 0.55 CrDay 42 (6th Thursday)₹ 0.85 CrWeek 6 Total₹ 5.45 Cr The hold this film has maintained is a testament to the audience's love for the Akshay Kumar and Priyadarshan combination. While it may be in its sixth week, the steady occupancy in major cities and the healthy growth on day 42 suggest that it will continue to add more to its totals before its digital release.

BY CHRISTA LINCY

Karuppu has finished its second week with a phenomenal performance, establishing itself as a major force at the Kollywood box office. The movie has managed to hold its ground remarkably well after a massive opening week, showing that the interest from the general audience is far from fading. Looking at the day-wise numbers, the film showed a classic trending pattern with a massive surge over the second weekend and a very steady hold during the weekdays. When we look at the all-time records for the second-week net collection of Tamil films, Karuppu has achieved something extraordinary by securing the number two spot. With a net collection of 46.50 crore from the Tamil version alone in week 2, it has officially outperformed massive hits like Jailer, Amaran, and Leo. Currently, it only trails behind The Greatest of All Time on the all-time list for this specific period. Highest 2nd Week Net Collection - KollywoodMOVIE NAME2ND WEEK NET (TAMIL)The Greatest of All Time₹ 49.75 CrKaruppu₹ 46.50 CrJailer₹ 46.10 CrAmaran₹ 43.30 CrLeo₹ 40.99 Cr (adsbygoogle = window.adsbygoogle || []).push({}) On its 14th day, which was the second Thursday, the film collected 4.15 crore net from the Tamil version. This performance is significant because it places Karuppu at the number eight spot in the history of Kollywood for the highest second Thursday collections. It successfully pushed past big titles like Varisu and Coolie in this category, proving that the film has high sustainability in theaters. Karuppu has officially wrapped up its second week and the performance is nothing short of spectacular. By the end of day 14, the film has solidified its place among the elite. Talking about the BookMyShow (BMS) ticket sales, it has hit the 4.02 million mark. This puts it in direct competition with massive blockbusters like Jailer, Leo, and Coolie. It is currently chasing the 4.23 million record of The Goat, and looking at the current trend, it is not too far away. The second week was particularly strong, adding over 1.1 million tickets on BMS alone. The weekend was the major highlight, with Saturday and Sunday seeing a combined sale of over 5.1 lakh tickets. Even on the weekdays, the film managed to stay steady, with Thursday actually showing a slight jump. Apart from the online bookings, ticket sales through national chains have also been impressive, crossing the 2,50,000 mark so far. (adsbygoogle = window.adsbygoogle || []).push({}) When we look at the regional performance for the second week, Tamil Nadu continues to be the powerhouse, but other states are chipping in nicely. Here is the state-wise gross breakdown for week 2: Tamil Nadu: ₹46.40 Cr APTG: ₹7.98 Cr Karnataka: ₹5.45 Cr Kerala: ₹2.20 Cr Rest of India: ₹0.70 Cr The film has been screened across 73,361 shows till now. On its 14th day, it actually saw a bit of a boost, earning 4.95 crore net compared to 4.00 crore on Wednesday. This small jump on a Thursday shows that audiences are still flocking to theaters. Globally, Karuppu has now crossed 267.05 crore in gross collections. Out of this, 194.55 crore comes from the Indian market, while the overseas territory has contributed a solid 72.50 crore. This brings the total India net collection to 168.15 crore. (adsbygoogle = window.adsbygoogle || []).push({}) Karuppu Movie - Week 2 India Net CollectionDAYINDIA NET COLLECTIONDay 8 (2nd Friday)₹ 7.80 CrDay 9 (2nd Saturday)₹ 12.45 CrDay 10 (2nd Sunday)₹ 14.75 CrDay 11 (2nd Monday)₹ 5.90 CrDay 12 (2nd Tuesday)₹ 4.45 CrDay 13 (2nd Wednesday)₹ 4.00 CrDay 14 (2nd Thursday)₹ 4.95 CrWeek 2 Total₹ 54.30 Cr Overall, the film is moving ahead at a great pace. The hold in the second week confirms that the movie has resonated well with the general public across all major regions. While Tamil Nadu remains the primary driver, the consistency in the Telugu and Karnataka markets is providing a huge boost. The overseas performance has also been a major contributor, with the film earning a total of 16 crore during its second week. This was driven by a strong second weekend where day 8 saw 3 crore and day 10 saw 3 crore, while day 9 peaked at 4.50 crore. The weekdays remained stable as day 11 and day 12 brought in 1.50 crore each, followed by 1.25 crore on both day 13 and day 14.Looking at specific markets, North America has contributed 1.32 million dollars (approximately 11.08 crore) so far, with 10 thousand dollars (around 8.4 lakhs) coming in on the second Wednesday alone. With no major competition in sight, Karuppu is expected to gain even more traction as it enters its third week.

BY SACNILK TEAM

Here is the Tamil movie Blast box office collection which is an action thriller film. This film is directed by Subash K. Raj and produced by AGS Entertainment. ## Blast stars Arjun Sarja, Preity Mukhundhan, and Abhirami in key roles. ## Blast Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Blast Budget: ₹ - Cr * Approx ## Blast Verdict: Coming Soon ## Blast Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 28th May 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.Blast State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Thursday]₹ 0.1 Cr₹ 0.3 Cr₹ 0.95 Cr₹ 0.06 Cr₹ 0.02 Cr₹ 1.43 CrDay 2 [1st Friday]₹ 0.23 Cr₹ 0.38 Cr₹ 1.6 Cr₹ 0.25 Cr₹ 0.01 Cr₹ 2.47 CrDay 3 [1st Saturday]₹ 0.64 Cr₹ 0.75 Cr₹ 3 Cr₹ 0.8 Cr₹ 0.04 Cr₹ 5.23 CrDay 4 [1st Sunday]₹ 0.63 Cr₹ 1 Cr₹ 3.75 Cr₹ 1.45 Cr₹ 0.07 Cr₹ 6.9 CrDay 5 [1st Monday]₹ 0.23 Cr₹ 0.55 Cr₹ 2 Cr₹ 1.35 Cr₹ 0.01 Cr₹ 4.14 CrDay 6 [1st Tuesday]₹ 0.3 Cr₹ 0.5 Cr₹ 1.85 Cr₹ 1.3 Cr₹ 0.01 Cr₹ 3.96 CrDay 7 [1st Wednesday]₹ 0.15 Cr₹ 0.3 Cr₹ 1.55 Cr₹ 1.15 Cr₹ 0.01 Cr₹ 3.16 CrDay 8 [2nd Thursday]₹ 0.11 Cr₹ 0.03 Cr₹ 1.19 Cr₹ 1 Cr₹ 0.01 Cr₹ 2.34 CrWeek 1 Gross₹ 2.39 Cr₹ 3.81 Cr₹ 15.89 Cr₹ 7.36 Cr₹ 0.18 Cr₹ 29.63 CrDay 9 [2nd Friday]₹ 0.14 Cr₹ 0.16 Cr₹ 1.28 Cr₹ 0.84 Cr₹ 0 Cr₹ 2.42 CrDay 10 [2nd Saturday]₹ 0.4 Cr₹ 0.3 Cr₹ 2.25 Cr₹ 1.1 Cr₹ 0.01 Cr₹ 4.06 CrDay 11 [2nd Sunday]₹ 0.41 Cr₹ 0.44 Cr₹ 2.7 Cr₹ 1.42 Cr₹ 0.02 Cr₹ 4.99 CrDay 12 [2nd Monday]₹ 0.06 Cr₹ 0.25 Cr₹ 0.85 Cr₹ 0.5 Cr₹ 0.01 Cr₹ 1.67 CrDay 13 [2nd Tuesday]₹ 0.09 Cr₹ 0.24 Cr₹ 0.6 Cr₹ 0.34 Cr₹ 0.01 Cr₹ 1.28 CrDay 14 [2nd Wednesday]₹ 0.05 Cr₹ 0.22 Cr₹ 0.6 Cr₹ 0.36 Cr₹ 0.01 Cr₹ 1.24 CrDay 15 [3rd Thursday]₹ 0.05 Cr₹ 0.22 Cr₹ 0.6 Cr₹ 0.33 Cr₹ 0.01 Cr₹ 1.21 CrWeek 2 Gross₹ 1.2 Cr₹ 1.83 Cr₹ 8.88 Cr₹ 4.89 Cr₹ 0.07 Cr₹ 16.87 CrDay 16 [3rd Friday]₹ 0.46 Cr₹ 0.12 Cr₹ 0.61 Cr₹ 0.3 Cr₹ 0 Cr₹ 1.49 CrDay 17 [3rd Saturday]₹ 0.15 Cr₹ 0.15 Cr₹ 1.75 Cr₹ 0.55 Cr₹ 0.01 Cr₹ 2.61 CrDay 18 [3rd Sunday]₹ 0.18 Cr₹ 0.2 Cr₹ 1.95 Cr₹ 0.7 Cr₹ 0.01 Cr₹ 3.04 CrDay 19 [3rd Monday]₹ 0.04 Cr₹ 0.1 Cr₹ 0.57 Cr₹ 0.35 Cr₹ 0 Cr₹ 1.06 CrDay 20 [3rd Tuesday]₹ 0.03 Cr₹ 0.12 Cr₹ 0.54 Cr₹ 0.31 Cr₹ 0 Cr₹ 1 CrDay 21 [3rd Wednesday]₹ 0.01 Cr₹ 0.12 Cr₹ 0.53 Cr₹ 0.19 Cr₹ 0 Cr₹ 0.85 CrDay 22 [4th Thursday]₹ 0.02 Cr₹ 0.1 Cr₹ 0.49 Cr₹ 0.24 Cr₹ 0 Cr₹ 0.85 CrWeek 3 Gross₹ 0.89 Cr₹ 0.91 Cr₹ 6.44 Cr₹ 2.64 Cr₹ 0.02 Cr₹ 10.9 CrDay 23 [4th Friday]₹ 0.02 Cr₹ 0.03 Cr₹ 0.38 Cr₹ 0.12 Cr₹ 0 Cr₹ 0.55 CrDay 24 [4th Saturday]₹ 0.01 Cr₹ 0.01 Cr₹ 0.5 Cr₹ 0.1 Cr₹ 0 Cr₹ 0.62 CrDay 25 [4th Sunday]₹ 0.03 Cr₹ 0.02 Cr₹ 0.65 Cr₹ 0.15 Cr₹ 0 Cr₹ 0.85 CrTotal₹ 4.54 Cr₹ 6.61 Cr₹ 32.74 Cr₹ 15.26 Cr₹ 0.27 Cr₹ 59.42 Cr ##

BY CHRISTA LINCY

The upcoming August 2026 box office window is shaping up to be one of the most crowded and high-stakes periods for South Indian cinema in recent memory. Within a span of just eight days, four major superstars are bringing their highly anticipated projects to the big screen. This lineup creates a massive logistical challenge for theater owners and a feast for moviegoers, but it also raises important questions about whether such a close release schedule is a benefit or a risk for the industry. The wave begins on August 14 with Suriya's Vishwanath and Sons. Directed by Venky Atluri, this film stands out from the rest as it is a nuanced family drama and sports-romance rather than a typical mass-genre entertainer. Suriya plays an international pistol-shooting champion in a bilingual project shot in both Tamil and Telugu. While it gets a head start by releasing almost a week earlier, it will need to maintain strong word-of-mouth to survive the onslaught of three massive action films arriving just days later. The real explosion happens on August 20, when two of Malayalam cinema's biggest stars, Dulquer Salmaan and Prithviraj Sukumaran, go head-to-head. Dulquer's I'm Game, directed by Nahas Hidayath, is a pan-Indian action-thriller exploring themes of cricket betting and fantasy gaming. On the same day, Prithviraj's Khalifa hits theaters. Subtitled The Bloodline, this underworld saga features an extended cameo by Mohanlal, which has already sent expectations soaring. These two films will compete directly for screen space in Kerala, Tamil Nadu, and international markets like the Middle East. (adsbygoogle = window.adsbygoogle || []).push({}) The pressure intensifies just 24 hours later on August 21, with the release of Nani's period action-drama, The Paradise. Directed by Srikanth Odela and featuring music by Anirudh Ravichander, this film is set in the 1980s slums of Secunderabad. While Nani is expected to dominate the Telugu states, the overlap with the other releases is undeniable. In an interesting twist, actress Kayadu Lohar finds herself as the female lead in both I'm Game and The Paradise, meaning she will literally be competing against herself at the box office on the same weekend. A clash of this magnitude acts as a double-edged sword for the industry. On the positive side, it creates a massive surge in overall footfalls, turning the weekend into a festival-like atmosphere. The wide variety of genres—ranging from Suriya's family sports drama to the gritty underworld themes of Khalifa and the period setting of The Paradise—ensures that there is something for every type of moviegoer. The real challenge, however, lies in how the screens are distributed once the word of mouth kicks in. Unlike a solo release where a hit can monopolize every screen in a city, these four films will have to fight to retain their shows from the very first day. An average film that might have survived in a solo window could see its screens replaced much faster in this scenario, as theaters will have three other high-demand alternatives ready to take over. It effectively becomes a survival of the fittest scenario where only the strongest content will thrive. Furthermore, the marketing costs for each production house will skyrocket as they fight for the audience's attention in a cluttered space. While Nani's The Paradise may hold the upper hand in the AP-TG region and Dulquer's I'm Game might lead in Tamil and Malayalam markets, the overlap in the Telugu-Tamil bilingual space for Suriya and the pan-Indian aspirations of the others will lead to a fragmented box office. Ultimately, the success of this August madness will depend on whether the quality of the content can sustain four different narratives simultaneously, or if one dominant film will eventually push the others out of the race.

BY CHRISTA LINCY

The announcement of Khalnayak Returns has created significant buzz in the industry, marking the return of one of the most iconic anti-heroes in Indian cinema. Following the release of a gritty intro teaser on April 24, 2026, fans are eager to see Ballu Balram back on screen. While the excitement is high, the search for a director has recently taken an interesting turn. According to a report by Bollywood Hungama, Sanjay Dutt was very keen on having Rajkumar Santoshi direct the sequel. The actor felt that the veteran filmmaker has a deep understanding of commercial cinema and would be the right fit for such a high-stakes project. It would have been the first time these two industry powerhouses worked together, but the collaboration is not happening just yet. The report suggests that Rajkumar Santoshi has politely declined the offer. He is currently occupied with the post-production and final touches of his film Lahore 1947, starring Sunny Deol. Additionally, he has written scripts that he plans to pitch to Aamir Khan and Sunny Deol, leaving him with no immediate time to take on a massive project like Khalnayak Returns. Sanjay Dutt is now reportedly looking for other established filmmakers to bring this story to life, as Subhash Ghai had earlier confirmed he would not be returning to the director's chair. (adsbygoogle = window.adsbygoogle || []).push({}) The idea for this sequel actually has a very unique origin. During the announcement event, Sanjay Dutt shared that the thought first came to him while he was in prison. He noticed that the inmates were deeply connected to the songs and character of the original 1993 film. After asking for their input, he received 4,000 pages of ideas from fellow prisoners. One of those ideas stood out to him, eventually leading to the development of this new script which picks up long after the original events. The intro teaser has already set a dark and atmospheric tone, showing Sanjay Dutt in a rugged look with his signature long hair and a menacing presence. Hearing the famous line, Nayak nahin khalnayak hoon main, against the original background score has brought back a lot of nostalgia. This project is a massive collaboration between Jio Studios, Aspect Entertainment, Three Dimension Motion Pictures, and Mukta Arts, aiming to match the scale of modern blockbusters while honoring the legacy of the original masterpiece. (adsbygoogle = window.adsbygoogle || []).push({}) The pressure to get the sequel right is understandable given the massive success of the first film. In 1993, Khalnayak was a domestic juggernaut, earning a net collection of ₹12.00 Cr and finishing as the second-highest-grossing film of that year. Produced on a modest budget, it became a cultural phenomenon and a huge profit-maker for its creators. With the sequel now officially in the works, the industry is eyeing a similar box office eruption. Khalnayak (1993) - Historical Box Office StatsCATEGORYCOLLECTIONIndia Net₹ 12.00 CrIndia Gross₹ 21.00 CrWorldwide Total₹ 21.00 Cr As the production moves forward, the focus remains on finding a director who can balance the nostalgia of the 90s with a modern-day gritty narrative. The teaser caption, Some stories don't end... they start again, suggests that the makers are looking for a long-term expansion of this legacy. For now, fans are waiting to see who will eventually lead this ambitious project to the big screen.